Marble Decorative Objects

Scultura, Torso maschile, arte classica, arte greca, Torso, marmo bianco Carrara, scultura classica. Torso maschile scolpito su bellissimo marmo bianco ...

Beautiful pair of Louis XV style ewers in « Brèche sanguine » marble and gilded bronze. Rich Rocaille decoration with asymmetrical foliage motifs, resting on an elegant openwork scal...

A pair of 1840s Cornelius and Co. Cast Brass & Marble Girandole Candlesticks with crystal pendulums. Measures 13.25" in height, 5" in width and...

Important sculptural vase carved by hand from a solid block of Statuary marble. The precious white Statuary marble has always been the one preferred by sculptors and artists for thei...

Elevate your space with this impressive large scale abstract marble sculpture mounted on a plinth base. Signed Ray G. and dated 1983, it exemplifies the elegance and craftsmanship yo...

This refined pair of French Art Deco two-light candelabra from the 1930s showcases geometric elegance and fine material contrast. Crafted with curved brass ribbons supporting dual ca...

Art Deco silvered bronze duck bookends G.H. Laurent France 1925. Pair of Art Deco silvered bronze bookends by the famous French artist G.H. Laurent. Signed and numbered, circa 1925. ...

An Exceptionally Fine Museum Quality Example of a Well Cast Parian (unglazed porcelain) Figure depicting Jesus Christ nailed to a plain black marble standing Cross of impressive prop...

A stunning pair of monumental neoclassical or Grand Tour style solid marble pink, gray, brown, and black obelisks on solid marble pedestals. The sculptur...

This finely executed bust of a Naiad is attributed to the neoclassical sculptor John Gibson (1790 – 1866). A Naiad was a type of mythological water nymph and is depicted here with her head bowed and cocked slightly to the side, displaying her strong neo-Hellenistic profile. In her hair, the nymph wears a headdress that is comprised of long and slender reed leaves, which not only identifies her iconographically as a water spirit, but draws a close comparison with those worn by the female figures in John Gibson’s Hylas Surprised by the Naiades (1827 - 1837) (fig.1). The downwards and off-centre orientation of our Naiad bust mirrors that of the taller figure on the left of the group, who rests her cheek on the head young Hylas (fig.2) Her facial physiognomy follows the neo-Hellenistic archetype established by Gibson and can be closely compared with his Tinted Venus – one of the most important statues of the Victorian era (1851–56, Walker Art Gallery, Liverpool) (fig.3). While Gibson’s Tinted Venus is known best for its controversial polychrome ‘tinting’, the essential structure of the face—broad brow, finely drawn nose, wide (and slightly drooping) almond-shaped eyes - provided a template that Gibson returned to repeatedly in his depiction of mythological maidens. Critics of the time noted the consistency of his female types, with some seeing their idealised severity as an antidote to the sentimentality of much mid-Victorian sculpture (fig.4 – 6). The facial physiognomy is also very similar to a drawing by Gibson at the Royal Academy that depicts Hero weeping over the dead body of Leander (fig.7). The socle style of the present work also finds comparisons with Gibsons busts of Cupid and Aurora. This was of course somewhat standardised, but it is interesting to note the extent of their similarity with our bust. John Gibson RA is considered by many to be the greatest British sculptor of the nineteenth century working in the Neoclassical style. It is hard to overestimate the impact Rome had on the life and art of the artist. He first arrived in the city around 1817, when he was just twenty-six, and remained a resident there until his death. Not only did Rome’s ancient sculptural treasures and architectural fragments offer Gibson a lifetime of inspiration, but the Grand Tourists who poured into Rome in the first half of the nineteenth century provided him with many commercial opportunities. These rich or aristocratic travellers sought out mythological sculptures for their grand, palatial residences. However, since the papal decrees of Doria Pamphilj and Pacca of 1803 banned the export of ancient Greek and Roman works of art from Rome, there was a large demand for modern idealised sculpture in the Neoclassical style (Frasca-Rath 2016, p. 10). During his early days in the city he had the great fortune to train under both Antonio Canova and Bertel Thorvaldsen (Roscoe and Hardy 2009, p. 522). He referred continuously to Canova as his “master”, particularly in his memoirs, which he dictated to Margarete Sandbach at the beginning of the 1850s; these were subsequently published by Lady Eastlake in 1870. Moreover, he claimed to be Canova’s last pupil in a letter to Antonio Gacini, Secretary of the Royal Academy in Milan in 1861, written to thank the Academy for accepting him as an Honorary Member: “The first instruction which I received in my art was from an Italian. It was Canova whose pupil I became in the year 1817 and studied under him for five years when he died. I was his last pupil” (Royal Academy Archive GI/1376). By 1821, Gibson had established his own studio in the via Fontanella, off the via Babuino. From here he aimed to produce sculpture of “the sublime and the purest beauty”, believing that the sculptor’s role was to select and combine the most beautiful parts of nature to create a harmonious whole, which would delight and elevate the viewer. By the mid nineteenth century he was one of the few remaining exponents of the so-called ‘pure’ and ‘neo Hellenistic’ style of sculpture, resolutely upholding the Neoclassical ideals established by Wincklemann, in a period when naturalism and modern subjects preoccupied the majority of artists in Europe (Turner, ed., 1996, p. 598). Gibson was convinced of the importance of disseminating artistic ideas through the younger generations, an ideal no doubt impressed upon him by Canova, and established ‘the British Academy of Arts in Rome’. His students included William Theed (1804–1891), Benjamin Spence (1822–1866), Harriet Hosmer...

An impressive and extremely decorative Italian 19th century Baroque st. Marble and Bronze bird bath/planter. This stunning planter is raised by a step...

Art Deco Figurine of Young Dancer in Motion, Bronzed Metal and Marble, 1920-30s Showcasing the period's fascination with motion and the grace of youth, this piece of Art Deco statue...

A beautifully proportioned onyx marble obelisk in richly veined shades of green, cream, and brown. The sculptural silhouette and naturally dramatic stone movement give the piece a qu...

Sculpture, Marble Torso - 92 cm - XX century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING QUOTE CAN BE REQUEST BY SENDING AN EMAIL Indicative shipping costs in Italy: 15...

Sculpture of Hebe, After Bertel Torvaldsen, in white Carrara marble, 20th century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMA...

A highly refined and prestigious **19th-century French bronze sculpture**, titled ***“Poussin sortant de l'œuf”*** (*Chick Hatching from the Egg*), masterfully created by celebrated ...

GRAND TOUR Italy, mid-19th century Bust of the goddess Diana Cast by Del Nero Foundry, Rome, crisp inscription to base of neck verso DEL NERO ROMA Patinated bronze raised on a mottled pink marble...

A large antique Animalier bronze sculpture group: lion hunting with elephants by Antonio Amorgasti 1880-1942, Belgium, titled "Mahout", circa 1925. The term "Mahout" is a Hindu word...

Austrian Belgian black marble dish with a wonderful copper repousse band with decoration typical of the Vienna Secession, that evokes the background ...

Large French Carrera Marble Art Deco Carving Used, Good condition, View all photos for the most accurate details on condition and appearance. Dimensions: 45 1/2 Inches Height x 32 ...

High victorian inlaid black marble mantel clock circa 1870. Fine quality mantel clock of large proportions from the period in victorias reign when it was in vogue to commemorate the...

A finely crafted natural serpentine stone box, showcasing a vivid apple-green ground with subtle dark inclusions and a striking crossband in contrasting, different variety of serpent...

A Fine Pair of Early 19th Century French Grand Tour Bronze and Siena Marble Tazzas of Interesting Design French Circa 1830 These beautiful tazzas stand on round bronze bases, cast...

Art Nouveau Bronze Cherub on Cloud Mounted on Marble Socle by Emannuel Villanis, circa 1890 - 1905. A charming late 19th-century bronze sculpture by Villanis depicting a delicately m...

Contemporary Green Marble Bowl on Brass-Cladded Base -Ralph Lauren-. This bowl is made of solid Italian verde antico marble with a brass-cladded bas...

A fine French 19th century whimsical Rococo style white marble carved planter jardinière with figures of playful Putti 'Children' playing with a goats among trees and vines, raised o...

An impressive and true pair of late 19th century patinated bronze and sienna marble warrior statues. Each statue is raised on a curved sienna marble sup...

Carl KAUBA (1865-1922, Austria): "Salomé" Rare bronze proof with richly nuanced brown patina representing Salomé dancing in an oriental treatment decorated with a loincloth and pa...

Pair of Art Deco figural table lamps of a standing nude holding a glass ball, Lumina. H. 65 cm or 25.6 inch tall. Designed by Max Le Verrier in France, 1928. Original posthumous cont...

Rare Tiger's Eye Stone Style Ashtray South Africa Circa 1955 Caramel Color

This stunning Curtis Jere sculpture was made in 1987, and features a superb and iconic design. Made of 40 long brass rods welded to each other across a center line, it forms an exagg...

Worked in creamy white marble, this 19th century abstract sculpture from France carries the quiet confidence of an object made to be handled and admired. It was made with evident car...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

This artisanal home decor vase was hand cut Negro Monterrey black marble from Neuvo Leon, Mexico. Each piece is hand carved by expert artisans and craftsmen following fair trade prac...

Marble Busts of Roman on pedestal. Early 19th Century

Bring a refined decorative touch to a tabletop or kitchen display with this charming set of sixteen hand-carved stone fruits, crafted in Italy circa 1960. Executed in richly polished...

Cylindrical Paonazzo marble vase made in Italy, Carrara. Each piece is in a way unique (since each marble block is different in veins and shades) an...

A beautiful and very high quality Italian 19th century Neo-Classical st. white Carrara marble statue of Venus de Milo, signed G. Pettini & Figli Pisa. The statue is raised by a wonde...

An exemplary pocket-watch stand (porte-montre) from the height of the French Animalier school, which popularized animal-themed bronze sculptures. The piece depicts a hunting dog—spec...

A beautifully proportioned marble obelisk in richly veined shades of red, purple, and brown. The sculptural silhouette and naturally dramatic stone movement give the piece a quietly ...

I could not identify the sitter. Socle base. From a Mississippi collection.

A beautiful Mid-20th century Italian gold gilt tole and black marble table or desk lamp, Italy, circa 1960s. Gilt tole is a combination of flowers and l...

Art Deco style sculpture of a black panther on a stepped marble base by the French artist Max Le Verrier, France. With foundry mark. Design 1930. Posthumous contemporary cast. Han...

An impressive marble sculpture depicting a Nymph and Child, crafted in the celebrated 18th-century Rococo style. Signed "Clodion," this piece reflects the charm and finesse that mark...

Decorate a vanity, powder room, or dressing table with this elegant antique French hand mirror, crafted circa 1870 in the Louis XV taste. The ornate brass frame is richly embellished...

Carrara marble sculpture signed Luca Madrassi, Paris, circa 1890. Art Nouveau period.

Bowl sculpted by hand from a solid block of Calacatta marble. Velvet finishing. Dimensions: Big L 56 x W 27 x H 12 cm. Also available: Small L 35 x W 17 x H 8 cm. and Medium L 45 ...

Antique (late 19th century) patinated bronze figurines mounted on Italian Siena marble depicting Psyche and Cupid. Each 13 inches tall and signed in the cast, Sevres, after the orig...

A very fine and early pair of Roman Neoclassical Period Grand Tour Sienna marble models of the Temple of Castor and Pollux and the temple o...

Bust of Achilles after William Theed in white marble. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING QUOTE CAN BE REQUEST BY SENDING AN EMAIL Tags: Busto di Achille after W...

A striking Murano glass table lamp from the 1970s, handcrafted in Italy. This sculptural piece features a hand-blown glass globe with a captivating clear and frosted gradient finish,...

This is a superb decorative antique Italian Grand Tour marble Pietra Dura mounted desk paperweight, circa 1880 in date. This splendid rectangular paperweight is exquisitely inlai...

A beautiful and substantial signed and numbered female figurative gilt bronze sculpture on dark green, with white veining, marble base, by sculptor Michael Shacham...

1950s Italian marble clamshell box. Deep blue veined marble with brass banding and brass feet. Made in Italy sticker on the underside.

This is a pair of antique mantlepiece candlesticks. An English, silver plate and statuary marble candle stand, dating to the late Victorian period, circa 1900. Wonderful material c...

Sculpture, sculpted marble bust of Lucius in the taste of Antique Rome, 20th century. Bust, carved marble sculpture of Lucius in the taste of ancient Rome, 20th century. Dimensions...

Very rare, perfectly running and sculptural, French Art Deco marble pendulum clock. Movement: Japy Frères (1806-1930) If you are looking for an attractive antique mantel clock to g...

Set of 3 large decorative polished balls, balls made of solid marble or natural stone, colorful gemstones with different color shades, second half of the 20th century, banana for sca...

Exquisite and very refined chrysoelephantine sculpture depicting the bust of a child wrapped in a hooded gilded cloak. The work combines carved ivory for the face, which emerges from...

Louis XVI style clock with Bacchante and musical satyrs. The body of the clock features two young satyrs in gilded bronze each holding twin horns; they lean back against the shaped w...