Ormolu Decorative Objects

A fine quality French 19th Century gilded ormolu and patinated bronze clock garniture, having a pair of seven branch flower like candelabra, being supported by putti, raised on circular plinth bases with scrolling decoration. The clock having bronze patinated mother and three children, one sculpting, one painting and the other reading. Mounted on this beautiful gilded ormolu base with flowers, shells and foliage. The eight day duration clock chimes on the hour and half hour and is signed; Raingo Fres...

Exceptional Late 19th Century French Louis XV Style ormolu and Sevres style porcelain 3 piece clock garniture set Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marke...

A Petit Sonnerie carriage clock by Grohe of Paris The gilt bronze case comprehensively engraved, and having a retractable carrying handle; the lever movement driving the petit son...

A lovely and high quality pair of French 19th century Belle Epoque Period Renaissance st. Marble, patinated Bronze and Ormolu ewers. Each most elegant ewers/urn is raised by a Rouge ...

A Very Fine Pair of 19th Century Regence Style Chiseled and Gilt Bronze Candlesticks. base with doucine, drum with cut sides and knots, designed with waves, shells, lambrequins, flor...

A Symbolic clock in the Louis XVI style By Japy Fréres et Cie. The finely chased ormolu case encompassing pink porcelain panels decorated with beads to the face and sides; the wh...

A sensational and extremely high quality pair of French 17th century Louis XIV period ormolu and rock crystal candelabras, circa 1680. Each eight arm girandole is raised by a circula...

Pair of porcelain and ormolu lidded vases in the Sèvres style French, Late 19th Century Height 93cm, width 52cm, depth 41cm This beautiful pair of vases are crafted in the highly so...

An impressive ormolu ornamental vase centerpiece of campana shape, the bronze vessel resting on a moulded concave agate stone pediment with byzantine cross shaped base. The gilt concave foot of the vase shows ram’s heads intertwined with scrolls hung with fruity festoons under a ribboned bundle frieze. The concave stem supports an egg and dart shaped bottom carrying a large frieze representing brown patinated swans grooming themselves between water reeds...

A good quality pair of 19th century French Breccia marble lidded urns, having wonderful figuring, gilded ormolu scrolling ribbon and floral decoration an...

A pair of highly important and rare antique French Napoleonic gilt bronze mounted, cobalt blue, double handled, Royal Napoleonic Sèvres style porcela...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

A fine pair of Empire gilt and patinated bronze, six-light figural candelabras suspended by a winged maiden on top an antique verde marble square ...

This pair of fine candelabra torcheres take form on a monumental scale, each of them standing almost two and a half metres tall. The casting is superior in its quality and could be attributed to one of the 19th century masters, such as Deniere or Barbedienne. Each torchere is formed of a fluted veined marble column set...

Monumental Chinese cloisonné enamel ormolu mounted jardinière Chinese and French, Late 19th Century Height 105cm, diameter 71cm This magnificent piece is a large ormolu mounted cloi...

A wonderful very fine French doré bronze and etched cut crystal centerpiece / jardinière with swags, bows and torches. Believed to be baccarat, unsigned.

A Wonderful Large French Louis XVI Ormolu Bronze & Purple Guilloche / Enameled Picture Frame With Wreath Ribbon Top, Stamped On The Back France, Enamel Across The Top Has Age Lines.

This fine set comprises a cartel clock and barometer, each of which are crafted entirely in gilt bronze. The clock and barometer cases are identical, and take the form of a lyre. The...

Pair of large Sèvres style pedestals in porcelain, ormolu and green onyx French, late 19th century Height 87cm, width 40cm, depth 40cm Thes...

An impressive and majestic French 19th century patinated Bronze and Ormolu statue of a horse and groom, modeled after the horses of Marly. The spectacular horse is draped in a saddle...

A French Garniture de Cheminée in the Chinoiserie Taste Constructed in blue turquoise porcelain with gilt highlights, Algerian onyx and bronze, ...

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Sèvres porcelain and ormolu lidded urn signed Sèvres. The cobalt blue urn is raised by an ...

A Beautiful Antique Blue over White Double Overlay Ormolu Mounted Cased Glass Rectangular Box. With a beautiful geometric design cased underneath the top blue layer, which protrudes ...

A wonderful pair of Cherub doré bronze / putti figure pierced candelabra with ormolu mounts raised on marble bases.

An impressive and extremely decorative French 19th century Louis XVI st. Vert de Patricia and Ormolu urn. The urn is raised on a circular Ormolu base below the Vert de Patricia marbl...

Pair of very large French figurative floor-standing candelabra French, 19th century Measures: Height 260cm, width 90cm, depth 90cm This pair of candelabra are each surmounted by...

Pair of Russian cut blue glass and gilt bronze vases Russian, 20th century Measures: Height 38cm, width 20cm, depth 13cm Each vase in this pair of Russian neoclassical vases has...

Sensous and very modern, this 1954 gilded bronze sculpture was created by Agnes Yarnall, a well-known Philadelphia sculptor active after World War II. Like most of her peers in the 1...

An extremely detailed and high quality French 19th century Regence st. Ormolu three piece garniture set, signed by the Lemerle-Charpentier foundry. This monumental garniture set cons...

A wall clock with gilt bronze ribbon bow joining a gilt bronze ribbon attached to the clock case with patinated bronze back section and laurel leaf mounted surrounding a circular glass hinged cover opening to an enamelled dial signed Bailly a Paris. An eagle with spread wings at the base seated on a plinth. All finely cast. The laurel leaves signify victory and the eagle represents strength and power. Bailly is considered on of the finest French clock makers...

An stunning pair of bouquet vase six light candelabras with branches modeled after fresh lilies and poppies. A set of crisply cast and expertly modeled mythological mermaid figures w...

A fine English Regency brass inlaid mahogany striking bracket clock. Of good color and restrained decoration. Dial signed Moore of Ipswich. Double fusee movement with anchor escapement.

Louis XVI architectural gilt bronze and malachite clock French, late 18th century Measures: Height 53cm, width 35.5cm, depth 11cm Crafted from ormolu and a later malachite venee...

Pair of large ormolu mounted cobalt-blue ground jewelled porcelain vases French, Late 19th Century Height 68cm, width 30cm, depth 25cm Made in the style of the renowned French Sèv...

France, circa 1880 A fine French, gilt bronze ormolu mantel clock with its porcelain face, the case with elaborate garland decorations culminating in a volute krater of flowers ab...

Antique French gilt bronze mounted malachite turning mantel clock French, late 19th century Measures: Height 75cm, width 28cm, depth 25.5cm The malachite mantel clock case is st...

Antique English ormolu & malachite inkwell, circa 1860-1880.

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A Fine quality pair of gilt bronze neoclassical urns. The campagna form showing figures engaged in various activities and mounted on bl...

These exceptional, large pair of red marble and gilt bronze candelabra is opulently decorated finely-cast neoclassical style decorations. Each candelabrum is formed as a red marble vase...

Pair of antique Japanese cloisonné enamel vases with French ormolu mounts Japanese and French, Late 19th Century Height 30.5cm, width 22cm, depth 17cm Virtually identical in design,...

A good quality pair of 19th Century gilded ormolu and white marble Louis XVI style two branch candelabra, each having floral decoration, supported by cherubs, raised on circular pede...

Victorian Kingwood and Gilt Metal Mounted Planter Jardinière Table, late 19th century, with removable cover opening to reveal a metal void, the waisted sides above a shaped apron, ra...

An enchanting late 19th, early 20th century marble and gilded ormolu bust depicting a pretty young Dutch maiden. Signed; G.V. Vaerenbergh. Gustave Van Vaerenbergh (1873 - 1927) was...

Napoleon III period neoclassical malachite and gilt bronze clock set by Picard French, late 19th century Measures: Clock: Height 72cm, width 46cm, depth 27cm Candelabra: Height 78...

19th Century French Gilt Bronze Neoclassic frame.

Whilst we don't regularly specialise in clocks, we took an exception to this one and it is perhaps the nicest we have had to date. Crafted in London during the Regency period, this t...

Fine miniature French Empire clock in ormolu. Dating from the First French Empire period with original ormolu and with fine enamel dial and movement signed The clock stands upon fine and delicate toupee feet. The the base is an applied ormolu mount of crossed standards tied with ribbon and with laurel branches. To the left of the dial stands a soldier in greatcoat and bearskin chapeau with moustache epaulets and his arm in a sling and a decoration on his breast. He has his left hand raised and resting on a forget-me-not flower and laurel wreath in front of two crossed battle axes. The white enamel convex dial...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

A fine and Large Pair of 19th century Orientalist Motif French Ormolu and Champlevé Enamel Vases with Foo Lion Handles of Magnificent quality and condition, Attributed to F. Barbedie...

An exceptional pair of Regency period gilt bronze cherub candelabra, the mercurial gilt bases with finely knurled decoration, the bases s...

Louis XVI ormolu-mounted black and white marble mantel clock, Paris, 1800. The white enamel dial with black Arabic numerals is contained ...

An early 19th century bronze and ormolu Encrier having lyre and flower handle flanked by engine-turned inkwells with penholders, raised on platform base ...

Constructed in bronze, patinated and gilt; the rectangular form case supported on engraved oblate spherical feet, the frieze dressed with a row of female masks capping pillars, linke...

A most impressive and large scale pair of French 18th century Louis XV period cartel clock and barometer signed Le Roy & Cie, Paris. Each ormolu case has a exquisite a symmetrical design with scrolled foliate movements amidst richly chased branches and flowers. At the center are the original enameled dials one being the clock and the other being the barometer. Each dial is surrounded by an ormolu lattice design while above are period scenes of a gentleman courting a maiden. The young man stands above the young maiden playing a flute while she sits below reading the sheet music. Two sheep seem to be enjoying themselves listening to the music being played. Julien Le Roy (1686-1759) was a major 18th-century Parisian clockmaker and watchmaker. Born in Tours in 1686, by the age of 13, he had already made his first clock. In 1699, he moved to Paris further training. He became maitre horloger in 1713 and later juré of his guild. Further appointments followed, including the Directorship of the Société des Arts, but the pinnacle of his achievement was being appointed clockmaker (Horloger Ordinaire du Roi) toking Louis XV in 1739. He carried on his business from Rue du Harlay until his death in 1759. His son Pierre Le Roy...

A pair of fine quality French ormolu-mounted rouge marble urns and cover, each with a bulbous body on a stepped plinth Origin: French Date: 19th century Dimension: 19 in x 9 in.

This wonderfully ornate gilt bronze mantel clock is covered with fine sculptural decoration, including female busts, architectural motifs and stylized foliage. With its wealth of cla...