Ormolu Decorative Objects

A lovely and finely detailed French late 19th century Louis XVI st. Ormolu and Baccarat Crystal vase, stamped Baccarat. This beautiful and most decorative vase is raised by a circula...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

A Pair of French 19th Century Louis XV Style Gilt-Bronze Nine-Light Candelabra. The impressive pair of candelabrum, each on a floral stem base surmounted with nine scrolled candle-ar...

A pair of tall figural bronze nine light candelabras. A male satyr and female baccante in a dark green patinated bronze, holding spiral-fluted ormolu cornucopias dripping in grapes t...

A fine pair of unusual ormolu mounted Chinese porcelain vases, each painted in famille rose enamels and gilt, of baluster form with a pleated neck and fo-dog handles, applied with gi...

Illuminating Heritage: An Important "Exhibition" Pair of Ferdinand Barbedienne and Louis Constant Sevin Champleve Enamel and Ormolu Eight-Light Candelabra / Lamps In the realm of de...

An elegant and most decorative Viennese 19th century Porcelain and Ormolu boxes, stamped KPM. The stunning rectangular lidded box is raised by four block supports joined together by ...

A beautiful and most elegant pair of French 19th Louis XVI st. ormolu and Portoro marble lidded urns. Each urn is raised by a square Portoro marble base with concave corners...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

A fine, early and very unusual Palais Royal Cupid and Harp musical box with two-air cylinder movement. The finely modelled cupid sits upon an Empire stool and plays a classical 16 s...

Pair of very large malachite and ormolu vases French, 20th Century Height 140cm, diameter 91cm Of impressive size and quality, the vases are ma...

Pair late 19th century French sevres style porcelain and gilded ormolu five brach candelabra, with scrolling foliate decoration, turquoise g...

Napoleon III period neoclassical malachite and gilt bronze clock set by Picard French, late 19th century Measures: Clock: Height 72cm, width 46cm, depth 27cm Candelabra: Height 78...

An elegant pair of French 19th century Louis XVI st. white Carrara marble and Ormolu urns. Each stunning lidded urn is raised on a stepped square Ormolu base with concave corners. Th...

A Pair of Louis XV Style Gilt-Bronze Eight-Light Candelabra, Attributed to Victor Paillard. Each exuberantly modelled in the high rococo style with pl...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

A striking pair of French 19th century Louis XVI st. Onyx, Ormolu, and Glass vases. Each most elegant cornucopia shaped vase is supported on a rectangular cream colored Onyx base wit...

Dimensions - H: 7 1/2in W: 10 1/2in D: 7 3/4in This Late 19th Century French Louis XVI Style Champlevé and bronze Ormolu Inkwell is truly a sight to be seen! If we take a look at t...

An Italian Bronze and Ormolu Bacchic Figure, 19th Century Description: The ivy wreathed and bearded figure in languid contrapposto, leaning against a tree stump entwined in creeping...

A sensational and extremely high quality French 18th century Louis XV Period Kingwood and Ormolu mounted clock, signed Lacan À Paris, Circa. 1770. This stunning tall case clock displ...

Pair Neoclassical Russian Ormolu Gilt Bronze Blue Glass Vases Russian, 20th Century Height 33cm, width 16cm, depth 12cm An impressive pair of Russian vases, fashioned from striking...

A beautiful original antique French clock modelled in the Louis XVI style as two charming cherubs carrying the clock on laurel wreaths. The pendulum with applied musical motifs, swin...

A pair of early 19th century bronze and ormolu candlesticks having urn-shaped sconces above triple above triple classical heads raised on leaf and berry tapering stems centred with r...

A Napoleon III Gilt and Silvered Bronze, Onyx and Champlevé Enamel Figural Three-Piece Clock Garniture. By Eugène Cornu for the Société des Marbres Onyx d'Algerie, the figure cast fr...

German Elfinware box with roses peeking from blue forget-me-not flowers. The base of the box has an ornamental ormolu design.

An stunning pair of bouquet vase six light candelabras with branches modeled after fresh lilies and poppies. A set of crisply cast and expertly modeled mythological mermaid figures w...

French Empire period ormolu and patinated bronze mantel clock representing Ceres. The crowning of Ceres is a stunning clock of very fine quality and with totally original fire gilded...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

A pair of Louis XV period Meissen porcelain vases, formed in openwork lattice and mounted with original gilt bronze ormolu. Each vase rises from a pierced rocaille ormolu base into a...

A Wonderful Murano Italian Green Art Glass Vase With A Sterling Ormolu Palm Tree Leaf Mounted Reading "Daniel Made In Italy Laminato Ag"

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

Pair of French Neoclassical style ormolu mounted porphyry vases French, 20th Century Height 125cm, width 48cm, depth 38cm Exuding timeless elegance and inspired by Neoclassical des...

AUGUSTE LEMAIRE, C. 1880. Exquisito y monumental reloj de sobremesa en bronce dorado y cincelado; esfera de bronce dorado repujada y con numeración romana esmaltada sobre piezas de ...

A fine pair of Louis XVI period patinated bronze, ormolu and marble three-lights candelabras. The 3 lights are held by Bacchantes who stand on a bleu Turquin marble (grey dove). High...

Louis XVI style ormolu and rouge griotte marble clock set French, 1867 Clock: height 67cm, width 46cm, depth 28cm Candelabra: height 81cm...

Stunning pair of Matthew Boulton style candelabras in ormolu Stand in at nearly three feet tall so large pair The elegant foliate branches terminate in acanthus-leaf sconces, support...

Rare pair of blue glass and ormolu lustre George III candlesticks in their original and untouched condition. The circular blue glass cylinders are mounted on an ormolu base with bead...

A striking and high quality pair of French 19th century Empire style cornucopia vases. Each vase features a gracefully fluted cut crystal horn rising from a finely chased ormolu moun...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

An exceptional French 19th century neo-classical st. Baccarat crystal and ormolu vase. The vase is raised by handsome paw feet below the circular ormolu base with a fine mottled bord...

A very fine and impressive pair of French 19th century Louis XVI style ormolu-mounted blue-glazed enamel over bronze vases with allegorical masks, rings and wreaths. The porcelain is...

A lovely pair of French 19th century Louis XV st. Ormolu candlesticks. Each candlestick is raised by a circular base with designs of various insects and reeded bands within a foliate...

A fine and most elegant French 19th century Louis XVI st. Ormolu and Onyx urn. This wonderful lidded urn is raised on a tripod shaped pink Onyx base supported on Ormolu bun feet belo...

An elegant and high quality pair of French 19th century Louis XVI St. white Carrara marble and ormolu lidded urns. Each urn is raised by a square base with a fine bottom ormolu fille...

A very unusual and rare pair of Meissen Schneeballen and intricately ormolu mounted potpourri vases with covers. The vases are supported by finely...

A fine pair of George III cut glass candlesticks, the circular ormolu base of the finest quality, decorated with ball bead, bellflower and scroll bands, mounting the jasper-ware drum...

A Fine Ormolu mantle Clock after a Design by Thomire. This theme is constantly repeated during the Directoire & Empire period. Thomire is known to have used this model. The quality ...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

A 19th Century French “Japonisme” Inkwell Patinated and gilt bronze, very finely chizeled Open-worked design in the Chinese Archaïc Taste of fighting dragoons The penholders simulati...

This magnificent French Empire ormolu mantel clock features the iconic Neoclassical genre scene often referred to as "The Astronomy Lesson." A popular motif during this period, Emper...

Pair of Late 19th Century Gilt Bronze Mounted Sèvres Style Porcelain Planters Each urn mounted with bow tied ribbons connected in the front and back with a foliate swags. In late 1...

Excepcional escultura francesa en bronce fundido a la cera perdida, finamente patinado, sobre peana de mármol rouge griotte y bronce dorado al mercurio, datada en el siglo XIX, circa...

A sensational and extremely high quality pair of French 19th century Louis XVI st. ormolu and green Porphyry, four arm candelabras. Each large scale candelabra is raised by a square ...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

Sevres style hand painted porcelain dresser box with hand applied ormolu mounts and feet. Wonderful condition.

A charming and most elegant French 19th century Louis XVI st. Cranberry Glass and Gilt Metal box. The wonderful square lidded box is raised by four Gilt Metal butterfly shaped feet s...

A very impressive pair of Classical 19th Century French gilded ormolu urns. Each with two-headed Janus finials, the sides with boar's masks and bands of shells, oak leaves and Greek ...

This wonderful cloisonne enamel clock set is an artful piece of design in the neoclassical style: each piece is elaborately applied with turquoi...