Indian Decorative Objects

This is an antique celebration pot. An Indian, bronze Diwali vase depicting Ganesha and Lakshmi, dating to the early Victorian period, circa 1850. Wonderfully presented antique bo...

A sculptural wooden mortar from the Naga tribes of Northeast India, carved from dense saal wood, c. 1900. Traditionally used for pounding rice or grain, the form reflects the practic...

Harappa Candelabra in Brass, Viya by Vikram Goyal From the heart of the Indus Valley, where civilization mastered form and function, this collection draws inspiration from the once ...

Indian teak work or stationary box with brass tack and applique decoration on the top and sides and fitted with brass lift-handles. the interior fitted with lift out trays and open c...

Stunning large hand-cast sculptural brass palm leaf with a mixed polished and raw finish. Slight variations in the patina and polished finishes, patterns and sizes are characteristi...

Very Large Indo-Persian Brown Steel Gold Damascened Bull Sculpture Storage Indo-Persian, 20th Century Height 115cm, width 180cm, depth 52cm This remarkable bull sculpture stands a...

Indian "Bombay" dresser/jewelry box with a mirror in the lid and raised on a "tray" base with silvered feet. The exterior with exotic wood and sadeli work (micro-mosaic inlay) framin...

Nice and unusual Indian Mughal style large decorative box, filigree and carved horn. Anglo-Indian footed domed box with exceptional engraved details throughout with filigree and carved veneered bone plaques with arabesque carving. Vizagapatam, late 19th century. History of the Anglo-Indian Boxes Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century. Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid; sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/ The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India. English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras. Craftsmen made the first boxes to be decorated with Sadeli mosaic of rosewood or ebony, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern. The edging was ornamental and protective, both helped protect the end grain against the weather. Made in Vizagapatam, situated on the south east coast of India, near Madras These exotic boxes...

Book-End in White marble inlaid with semi precious stones. Available size=4" x 8" x 8". Material= White marble, semi precious stones, Hand carved. Customization is our specialty...

This is an elegant hand carved stone trinket box. This box has intricate carvings of bamboo around the entire service of the stone box. The outer layer of the carving is the natural ...

Alex Davis my lazy garden cactus, stainless steel sculpture ,2007, signed ( we have a set of 6 upon request ) Alex Davis is a contemporary Indian sculptor, artist and Designer, born ...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Contemporary Indian braided ivory bone box. Also available in smaller size (S6629 ). Part of a large collection of bone boxes and trays.

Antique Islamic metal copper hookah bottle base of spherical form and decorated with a recessed repeated floral, geometric motif with a deer figure. 19th century Bronze tinned copper...

This is a pair of antique presentation serving dishes. An Indian, silver plated decorative bowl with relief detail and fish motif to centre, dating to the early Victorian period, cir...

This vintage Indian metal water vessel features a generous circular body rising to a narrow neck with a broad collar and fitted wooden stopper. Measuring 14 inches in diameter and 13...

A nice high quality Neo classical grand tour homage by Theodore and Alexander. It features a specimen compote mounted on a beautifully cast bronze base and then mounted on marble. It...

An antique Indian early 20th century hand carved architectural temple carving from Gujarat, depicting a smiling woman. Originating from Gujarat, India, this antique early 20th-century hand-carved architectural temple carving is a captivating depiction of a smiling woman. This exquisite sculpture captures the essence of traditional Indian artistry, with the woman carved in a frontal position while her legs are delicately portrayed in profile. Her serene expression, enhanced by a slight tilt of her head, radiates a sense of calm and contentment. The intricate details of her headdress, attire, and jewelry highlight the craftsmanship and cultural richness of the region. The woman's features are beautifully rendered, showcasing a blend of grace and elegance. The carving, with its weathered appearance, speaks to its historical significance and journey through time. The back of the sculpture remains unfinished, adding an authentic touch to its architectural origins, as it was likely meant to be a part of a larger structure or placed against a wall. This temple carving serves as a striking decorative piece, perfect for adding an exotic and cultural element to any interior space. Whether displayed in a living room, hallway, or study, it brings a sense of history and artistry to the environment. Its craftsmanship and evocative presence make it a conversation piece, inviting viewers to appreciate the skill and cultural significance embedded in this work of art. This early 20th-century Indian temple carving...

This vide poche has been made in India circa 19th century. It is a Brutalist style bowl. In a brown color.

Openwork teak box made in India at the end of the 19th century. The interior is lined with velvet. Over the course of its long history, this box has sometimes been glued back togethe...

Dating from the early 19th century or Qajar period, this antique hand painted pen box is done in a series of bordered vignettes of Persian men and animals ...

A unique and interesting hand carved antique Indian architectural remnant, part of a corbel, that was salvaged at some point in time. The forms in the carving are a Naga (dragon), hu...

Fantastic hand crafted Radha Krishna wood carving of the deity. Tall (40.25) inches and finely hand carved from seasoned hardwood with no splits as it one piece of wood. Fabulous col...

Description India, Ca. 19th century Depicting Durga, Virabhadra, Bala Krishn, and a reclining Nandi Bull on a custom base. Dimensions Durga H. 2 3/8".Durga H. 6 cm

Our Art Deco-inspired candleholders are ethically handcrafted by artisans in Southern India using a technique that is native to the region. The artisans use a metal alloy that is bla...

Our Art Deco-inspired candleholders are ethically handcrafted by artisans in Southern India using a technique that is native to the region. The artisans use a metal alloy that is bla...

This charming specimen features lustrous apophyllite crystals beautifully set on a bed of dark grey quartz, accented by delicate pink stilbite clusters of varying sizes. The interpla...

The box features a rich patina that gives it an authentic, time-honored character.

Tealight Holders Elephant Set of Two with aluminium in brass vintage finish and with clear glass. Candles not included. Dimensions: L30.5xD24xH64cm each. Set of Two: 1750,00€. Unit...

Antique Himachal Pradesh Zoomorphic Wooden Squeezer, India 1900s. Amazing hand carved tribal wooden animal with piston. Originate from the Himalayan part of India where these Folk A...

Inspired by moonlight on water, these vases are named after cities beside the Mediterranean Sea. Slender silver elements are fused onto the surface of cast vases to create beautifull...

Each of these exquisite solid bronze snails is handmade individually with incredible detail. Cast using very traditional techniques, the noble material is aged unveiling a beautiful ...

19th century Anglo-Indian wooden box fitted with various compartments finely hand carved. The top is finely hand carved with the Taj Mahal. The interior with removable hand carved nine-lidded compartments, the front cover has a mirror, the whole exhibiting very fine workmanship. This fine late Victorian Anglo-Indian box from India is in great condition for it age. A beautiful example of an Anglo-Indian fine art...

Pair Of Anglo-Indian Brass Urns With Cobras. This great pair of incised brass urns with cobra handles date to the 1920's India. Unusual statement acce...

Vintage Indian hardwood Shiva Trimurti sculpture is intricately hand carved with three sides of the face of Lord Shiva, one of the 3 major Gods of the Hindu...

From Aurangabad, Maharashtra, India Large pale snow white pseudomorph crystal of gem transparent calcite crystals coated with sparkling quartz micro crystals. In pristine condition, ...

Make a bold statement with this exquisitely detailed Vintage Regency Brass Ram’s Head Jardinière. With its scalloped, hand-hammered body, ornate ram’s head handles, and claw-footed b...

Rare 19th Century Kashmir Hand Painted Inkwell and Boxes Set A highly decorative and rare example of a late 19th Century hand painted Kashmir inkwell and boxes set. Size: (inkwel...

Hand painted Rajasthani lacquer box in rectangular shape with lid decorated with floral designs. Great decorative box. Size is 9" x 5.5" x 2" height. Overall good condition. Great Is...

Unique and exquisite brass cast leaf decorative bowl. Handmade using highly skilled and specialised traditional processes to create an original and sumptuous piece. Slight variation...

Each of these original brass tealight holders is handmade individually. Cast and textured using very traditional techniques, they are polished revealing...

Each of those original brass t-light holders are handmade individually. Cast and textured using very traditional techniques, revealing the lustrous finish of this beautiful material....

Unique and exquisite brass cast leaf bowl. Handmade using highly skilled and specialised traditional processes to create an original and sumptuous piece. Slight variations in the pa...

This naïve likeness is carved from a solid teak block. The head has deep set eyes and a distinctive beaked nose. He is wearing a tailcoat with seven rows of frogging and tasselled ...

Hand-picked by buyers at Ann-Morris Inc.

This large and textural piece features an abundance of waxy peach stilbite growing with incredibly lustrous and clear apophyllite crystals on top for a delicately-hued arrangement su...

Hand carved large wooden Anglo-Raj jewelry box. Early 20th century wood box richly decorated overall with arabesques and floral carving. Hinged lid shallow relief carving with inte...

1950's Anglo Indian, Indo Persian style micro mosaic inlaid jewelry box with lid. Large vintage intricate inlaid middle Eastern Persian style box with floral and geometric Islamic Mo...

Antique 18th 19th Century Palanquin Mythical Lion or Tiger Finial Bronze Handle. Large heavy Indian Mythological bronze palanquin fitting cast via the lost wax technique, beautifully stylized and crafted in the form of protective mythological creature. Palanquin finials were used to adorn the pole ends of the palanquin or palki. A fine and massive example of a palanquin pole finial with good detail and fine patina. India, circa: 18th/19thc. The Palanquin handle...

This exceptional specimen captures the elegance of India’s celebrated zeolite deposits. At its center rests a sharp, glassy Calcite crystal, distinguished by its translucency and pre...

A late 19th century carved hardwood camel.

From Lonavala Quarry, Pune District, Maharashtra, India Lustrous transparent-to-translucent large green apophyllite crystals overgrown on matrix. The apophyllite crystals have high ...

This refined specimen from Pune, India presents a sharply defined rhombic Powellite crystal set against a striking backdrop of radiating Mesolite needles. Subtle green Apophyllite ac...

This elegant pair of vintage crane sculptures epitomizes the timeless glamour of Hollywood Regency and Chinoiserie-inspired design. Cast in solid brass with a brilliant polished fini...

Elevate your coastal decor with the Vintage Coastal Monumental Polished Brass Crab. This striking piece, crafted from polished brass, captures the essence of American seaside charm. ...

An antique Indian wood and metal cart wheel mounted on custom black metal base. Introduce a touch of rustic authenticity to your living space with this ...

An exceptional antique writing chest crafted from solid wood, richly decorated with fine engravings and geometric motifs in the Spanish folk trad...

A charming vintage Kashmiri heart-shaped paper mâché box, exquisitely hand-painted with vibrant floral decorations. This piece exemplifies the traditio...

For your consideration, a vintage Indian handmade box patinated copper embossed elephant- cat. Made in India Dimensions: 2.75 H x 9 W x 7.25 D Please v...

A gleaming maroon straw marquetry box with a gold foiled base. Compact, refined and irresistibly cosmic in its allure. The finishes, colours, size can be customised according to spec...