1870s Decorative Objects

Statuette depicting the Love Putto in Meissen porcelain, made in 1800. The figurine may have undergone restoration. Ø cm 10 Ø cm 6 h cm 13 Meissen porcelain is considered one of th...

This is a fine antique personal diary repository, originating from Scotland during the Victorian period, circa 1870. This striking book form keepsake case showcases the craftsmanship...

Théodore Deck (1823-1891) A 19th French Japonisme Cache-Pot, circa 1875 A Polychrome Enameled Faience Round-Shaped Cachepot and Jardinière Hand-painted design in the Japonisme Aesthe...

Circa 1870s English Gothic Revival writing slope desk box. A letter box is flanked by the original brass collared & hinged inkwells in brass surrounds (the hinges now a bit loose fro...

Very Rare and Elegant Antique Baccarat Glass Paperweight with complex Millefiori, made in France probably during the 1870s. (Not signed) Beauti...

Pierre-Jules Mène - Bronze hunting dog France Bronze around 1870 Dimensions: H × W × D: 21 × 30 × 13 cm Description: Antique bronze sculpture of a short-haired hunting dog carryin...

A stylish Napoleon III cigar cabinet, crafted with ebonized wood, brass inlays, and a distinctive medallion at the top, this late 1800s piece reflects the refined style of the Napole...

Rare Minton Majolica Posy small vase modelled as three upright yellow bamboo canes all supported on an earthy ground.

Swedish Empire Stone Box, ca 1870 Beautiful shape and size. Made of Swedish Kolmårds marble. Height: 8.5 cm/3.3 inch Diameter: 10.5cm /4.1 inch

Fine pair of trumpet-shaped vases in porcelain, flaring widely at the top into an elegant, blossom-like rim. The slightly bulbous base rests on a circular foot accented with a gilded...

This masterful object is a flower jardiniere from the Napoleon III era, crafted in France in the 1870s using special, valuable materials. The basic shape is curved and flowing, and ...

Pair of majestic French 19th century carved 23k giltwood mythological Griffin sculptures. Expertly carved. These impressive one of kind griffin sculptures (or statues) were architect...

A very nice Comtoise Morbier tall clock in a floral paint decorated Pine case, France - late 19th century. Rings on the hour and two minutes after the hour...

This is an antique Gothic revival sewing case. A Scottish, walnut and brass work box, dating to the Victorian period, circa 1870. Delightful Gothic overtones from the revered Scottish revival period Displays a desirable aged patina and in good original order Select walnut stocks present fine grain interest Warm caramel and biscuit hues dance across the fine casework Lid adorned with superb brass quarterfoil plate and four corner mounts Later silver plated shield engraved with a monogram and the year 1887 Fascia hosts a shaped lock escutcheon with inset working lock — key present Striking silk cotton interior lining finished in a rich scarlet hue The interior catches the eye with a buttoned finish, hosting cobalt blue sequins Trio of pouches to the lower section for hosting glass bottles or several cotton reels This is a superb antique sewing case...

A large Arts & Crafts ‘Clutha’ art glass bowl designed by Christopher Dresser (British, 1834-1904) attributed to Thomas Webb and dated 1879. The bowl is of distinctive wide rounded s...

Sculpture of cupid by Eutrope Bouret (1833-1906). This is a fantastic sculpture created in Paris France during the Napoleon III period, by Eutrope Bouret, back in 1860-1870. The scu...

This is a beautiful antique gilded ormolu serpentine shaped jewellery casket, Circa 1870 in date. The top, front, sides and back are beautifully cast and tooled in gilt bronze. The ...

This is a beautiful antique pair of French Sevres style porcelain and ormolu mounted twin handled urns, in the Louis XV manner, Circa 1870 in date. The bleu celeste...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

This is a beautiful antique Napoleon III gilded ormolu and Limoges enamel jewellery casket, Circa 1870 in date. The hinged lid having a beautiful finely painted miniature Limoges en...

Outstanding 1970s metal wall candle holder. Designed by Henrik Horst, Denmark. Eclectic brutalistic style. A unique piece and a perfect addition to any mid century interior. For cand...

Amazing clock depicting the tale of Amor and Psyche which Is about the god of love in Greek mythology. Large bronze Dore figures adorn the pediment standing on a rectangular Marble b...

This elegant Napoleon III period French perfume casket dates from the second half of the 19th century and retains its three original crystal perfume bottles. The casket is crafted fr...

Aesthetic Movement. An oak pipe rack with a Japanese-style brass fretwork backplate, and a tobacco draw with brass handle.

This finely cast bronze sculpture, made in France in the late 19th century, is a striking representation of a classical Greek warrior — likely a hoplite — caught in the dynamic motio...

Antoine-Louis Barye (French, 1796-1875) "Guerrier du Caucase" cast bronze sculpture depicting a Caucasian warrior in full armor rendered in fine detail riding on his horse. Cast ci...

Théodore deck (1823-1891) Impressive Enameled Faïence Vase, circa 1875 Large baluster shape vase with eggplant enameled background Rich hand-painted polychrome decor of two birds re...

In Renaissance Style with various shaped applied stones and strap-like figures in front and back, the silver lid opens as box.

A large Louis XV style rosewood veneered casket with gilt bronze mountings. The box has a gilt rosewood veneer on all sides and is mounted in chevrons. The corners are underlined by ...

A novelty mantel clock in the form of an industrial beam engine by Andre Romain Guilmet, dating from circa 1878 and numbered 196 and signed by Giulmet. The eight day movement is sur...

Beautiful bronze frame dating from the Napoleon III period. The busts of a man and a woman are represented on each side of the frame. Beautiful decoration of a Medici on the top of ...

A rather incredible and rare three-tier antique American wall frame that is four inches deep with the first inner frame having hand decorated gilded scroll work. All that gilding dir...

Chased bronze jewellery box, 19th century Chased bronze jewellery box, red silk inside, Napoleon III period, 19th century Measures: H: 7 cm, W: 16 c...

Large spectacular 19th century Majolica Shell & Coral jardiniere signed Sarreguemines Majolica. 20 inches Lenght.

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Beautiful Large Banded Agate Victorian Seal from the mid-late 19th Century. Incredible lapidary work on a beautiful single piece of antique banded agate...

KYOTO STYLE NAGA HIBACHI (FIREBOX BRAZIER GRILL), Japanese, Meiji Period, The rectangular hibachi is of Keyaki (Zelkova) wood construction with the original copper liner, and a colum...

Amazon Warrior, or Armed Athena
model c. 1860–1872
Pierre-Eugène-Emile Hébert
Artist, French, 1828–1893
Cast by Victor Paillard, Paris The bronze depicts Athena standing with a spea...

Antique Victorian letter box crafted with a domed top and extensively inlaid with luminous mother of pearl. The surface reflects fine 19th century...

Pair of candlesticks in French Sevres style porcelain and hand-painted bronze, made in the second part of the 19th century. Two little cracks are present, as shown in the pictures. ...

Wonderful burr walnut writing box or slope Fabulous colour and figure in the wood Fine brass hardware Expertly restored Original brass topped inkwells Working secret drawers* R...

A fine 19th Century Edwards and Roberts dome-shaped satinwood box with a lower drawer is elegantly adorned with vases and floral swags and cross-banded in rosewood. It is beautifully...

A rare and important pair of stoneware grotesque amphibious creature andirons by Robert Wallace Martin for Martin Brothers dating from the mid 1870’s. This pair of unrecorded figur...

Pair of patinated bronze sculptures "HUNTING DOGS" with the initials A. J. on the base. They represent two seated dogs resting after a hunt; one with a bird at its feet and the other...

Great rustic accessory for the country kitchen Country house condition. Original patina to brass and irusty iron handle. Not re-polished. Free UK shipping

Glorious and incredibly rare pair of 19th century gilt bronze low handled urns modelled after the original Borghese vase by Giovanni Zoffoli (c1785-1845) cast by Barbedienne in the ...

A magnificent, fine and impressive, composite set of four Victorian English sterling silver candlesticks in the Charles II style; an addition to our Victorian silverware collection. ...

Highly unusual, seemingly to be, one of a kind silver plate epergne by Meriden Britannia Company of Connecticut. No doubt circa 1875 and manufactured to commemorate the launching of "Le Tricolre Balloon" on June 6th, 1874 in France (I have attached image of actual French hot air balloon...

A 19th century Meissen porcelain 'Elements' ewer emblematic of water. Blue crossed swords mark. The present ewer, representing water,...

Delightful mid 19th Century French Animaliers bronze study of a playful Greyhound and King Charles Spaniel, with rich brown rubbed to a golden colour and fine hand chased surface det...

Large Napoleon III Jewelry Casket In chiseled and silvered bronze, decorated with putti scenes in the style of Claude Michel dit Clodion (...

Signed on the underside by Gaetano Battaglia of Manifattura Battaglia, this tall hand-painted majolica ewer originates from Naples, Italy, circa 1870. Known as an istoriato (loosely ...

A Chinese Export Rose Medallion Famille Rose canton porcelain punch bowl with multiple cartooge panels. The exterior of this gorgeous bowl ...

These 19th-century German stoneware pots are characterized by their robust forms and rich, dark brown semi-matte glaze. Each pot is fitted with petite ca...

Large 1870s bronze classical tazza.

F. Barbedienne fonduer Ferdinand Barbedienne (6 August 1810 – 21 March 1892) was a French metalworker and manufacturer, who was well known as a bronze founder. The son of a small farmer from Calvados, he started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniatures of antique statues from museums all over Europe, thus democratising art and making it more accessible to households.[2] From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. With the outbreak of the Franco-Prussian war in 1870 the firm briefly had to switch to cannon founding owing to the shortage of metals but resumed business afterwards. Following Barbedienne's death in 1892, he was buried in the Père-Lachaise cemetery and the firm was carried on by his nephew Gustave Leblanc until 1952. Among the principal artists reproduced by the firm were Antoine Louis Barye and Auguste Rodin. The Dying Galata (Italian: Galata morente...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Incredibly rare/unique & monumental antique Mamluk/Nasrid Islamic pottery copper lustre candlestick, circa 1870. This incredible pottery candlestick follows the the form of a 14th C...

A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes. Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique. Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below. For similarly Takauki vases, see Miyagawa Kozan Makuzu...

This antique mantel clock was made in the late 19th century and features a solid combination of black Portoro marble with natural beige, gold, and white veins, paired with green serp...