1870s Decorative Objects

Antique bronze sculpture by the french sculptor and artist Antoine-Louis Barye. Signed at the plinth.

Heading : Tunbridge ware tea caddy depicting battle abbey gatehouse Date : c1870 Period : Victoria Origin : Tunbridge Wells, Kent Decoration : Central image depicts Battle Abbey Gate...

Decorated in relief with Asian emblems and flowers. Both with impressed marks and one with additional green mark.

Antique French Pink Opaline cased glass hand decorated floral motif vase. The flared neck at the top flanked buy two handles with hand decorated enamel all over. The floral and butt...

Antonio PANDIANI (1838-1928, Italy) : "Menestrello" Exceptionnal nuanced dark brown patinated bronze cast Dimensions Height = 72 cm Width = 47 cm Depth = 30 cm Very good condi...

Truly rare, this finely decorated antique rectangular casket, German porcelain manufacturer KPM, circa 1870. The KPM brand is engraved on the inside. Made with a finely chiseled bron...

Pair of Thomas Sergent French Palissy Majolica candlesticks which feature blossom and leaves around the base. A lizard peering up at a snake to the stem. Colouration: brown, green, g...

Flamed mahogany liqueur cellar with brass inlaid frame simulating box hardware. The side handles are also inlaid around a motif of two swans facing each other. The keyhole and openin...

This is a late 19th century Italian neo classical bronze compote. This classical bronze compote has ornate claw feet and mythical figures on either side of the bowl with rings. This ...

Stunning flower vase, made out of metal, elaborately hand enamel painted, the base is firegilt, a French masterpiece, made around 1870 at the time of Napoleon III. This vase is a tr...

Mechanical vesta case designed by Michael Markowitsch & George Adam Scheid. Beautiful antique fusee vesta case, created in Vienna Austria at the silversmiths workshop of Markowitsch...

This is a beautiful antique pair of French Sevres style porcelain and ormolu mounted twin handled urns, in the Louis XV manner, Circa 1870 in date. The bleu celeste...

Pair of covered vases, in finely chased bronze with a rich rotating decoration, depicting a round of putti after Claude Michel (1738 -1814 in Paris) known as CLODION, the stylized ha...

Large music box with 3 automatons and 10 bells made in about 1875 by Karrer in Teufenthal (Swiss). Karrer was an maker of Quality items and are very ra...

19th Century Hoshiarpur Inlaid Writing Box Quite simply, this is a stunning example of a 19th Century hand crafted Hoshiarpur inlaid writing box. The craftsmanship is quite amazing ...

Designer’s mark AS on the base Beautiful pair of baluster-shaped vases in white porcelain, richly decorated on all four sides with beautiful polychrome floral compositions framed by...

Rare crystal aquarium with a neck decorated with a garland of alternating vine leaves and stylized flowers. The body is engraved with a lakeside landscape of flowers and plants. The...

Vase in ceramic from France. It has been done during the 19th Century. Decor with Caracthers and Flowers. Main clors are white blue. Signed Henriot Quimper.

A pair of hand blown and hand painted white opaline vases, France, Circa 1870' The vases, 15 inches tall with floral and leaf decoration with round pedestal bases.

Two terracotta sculptures depicting the neck and head, the ox and the donkey, of a nativity scene. The two sculptures are made of terracotta entirely by hand, finished in stick and c...

A rare decorative fruit basket made of wax. The elegant wicker basket contains an arrangement of colored wax fruit. The branches and leaves are made of wire, paper and colored fabric...

Mahogany mantel clock in a break arch case with brass columns to either side, brass inlay to the front and surmounted by four brass finials. Beautifully d...

Papier mâché Napoleon III bowl or vide poche. Gilt color, Gold. With Chinese Characters. 19 th Century.

An exceptional, fine and impressive antique Victorian English sterling silver dish modelled in the form of a bassinet/cradle; an addition to our baby related silverware collection T...

Beautiful inlaid micro mosaic writing box. Missing parts, see photos. Bone Ebony Mosaic tiles probably.

Antique Philippine Brass and Copper inlaid Betel Nut Box. The top lifts to reveal 2 hinged compartments that held the betel leaf, areca nut. Top is ...

Circa 1870, English tortoiseshell tea caddy with sunburst design. It is absolutely the finest one I’ve ever owned! No cracks no restoration absolutely mint.

This vintage late 19th century Russian bronze, Troika, is created by Yeogeny Nickolayervich Lanceray. The richly patinated bronze sculpture identifies three harnessed horses pulling a snow sled with three passengers. The bronze sculpture is beautifully rendered & is mounted upon a solid oval marble...

An outstanding French 19th century gilt brass card tray and with an inserted, etched and cut crystal bud vase, attributed to Ferdinand Barbedienne. From the Napoleon Ill period, hav...

Large and superb Brutalise candlestick designed and made by arte3 around the 70s in Spain. Design aluminum candlesticks that can accommodate two candles. Rare decorative object, very...

A lovely bow front tortoiseshell tea caddy inlaid with mother of pearl flowers and topped with a silver badge. English, circa 1870.

This is a very rare clock with the original movement still inside. However, this clock is NOT WORKING, and its completeness is unknown, being sold as-is, as a wall prop. We are not clock collectors or professionals, this is an estate procurement. No damage to marble or pendulum window. Writing and numbers wearing off marble surface. Bottom back wood case has some cracks, but all there. A very heavy clock. W 14.5 x D 4 x H 29.75 in. E. Howard & Co., Boston, Mass., "No. 27" marble front...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, hand carved Black Forest wood, smoking pipe cabinet or rack with inscribed top reading "Nil N...

Napoleon III Mantel Clock or Console 180s Black Marble and Solid Brass Sculpture

This gorge styled carriage clock was made by Drocourt for E. White in c.1870, at a time when Edward White had a well-deserved reputation for making and retailing clocks of the premie...

A novelty mantel clock in the form of an industrial beam engine by Andre Romain Guilmet, dating from circa 1878 and numbered 196 and signed by Giulmet. The eight day movement is sur...

A rare and exceptional Doulton Lambeth aesthetic movement stoneware vase decorated with stylized motifs by renowned designer and decorator Emily J Edwards and dated 1875. Emily Edwa...

A very nice Comtoise Morbier tall clock in a floral paint decorated Pine case, France - late 19th century. Rings on the hour and two minutes after the hour...

A Beautiful 19th century Meissen Porcelain allegorical grouping of three putti with musical Motifs. One putti is seen with a trumpet in his hand, the other putti is seen playing a ly...

An exceptional, fine and impressive antique Victorian English sterling silver posy holder; an addition to our ornamental silverware collection. This exceptional antique Victorian sterling silver posy holder has a conical shaped form onto three legs. The surface of the holder has a frosted finish and is embellished with bright cut engraved Greek Key fret band ornamentation in addition to stylized leaf motifs. The body is further ornamented with an applied knop encircled with bead ornamentation flanked with a scalloped border and collet set cabouchon turquoises. The upper portion of this impressive example of Victorian silverware is encompassed with a protruding undulating band accented with further collet set turquoise alternating with a swagged chain articulating from ring loops. The upper rim is embellished with a large applied bead decorated border. The vessel terminates with a bright cut engraved layered leaf texture to an applied ball motif. This impressive holder is supported by three hinged legs, conjoined with a silver chain. This antique posey holder...

A Marvelous Pair of French Dore Bronze Mounted Chinese Famille Rose Porcelain Covered Vases. Vases are a true marvel of antique artistry. As you admire the stunning matching pair, you will be captivated by the intricate details of the hand painted organic and naturalistic branches, flowers, and leaves that adorn the body of each vase. The unusual botanical elements in shades of green and translucent aqua create a mesmerizing effect that will transport you to a world of enchantment. But what truly sets these vases apart are the multicolored blossoms in shades of light blue, dark blue, orange, and yellow that add a vibrant and cheerful touch to the overall design. And as you continue to gaze, you will be spellbound by the delicately detailed hand painted pheasant...

A Fantastic and Large Pair of 19th Century Meissen Porcelain "Day & Night" Figures of Putti. Each is beautifully hand-carved and hand-painted by the finest Meissen artists. They are both gorgeous with draped attire and a plethora of various day and night based attributes. Day is seen wearing a pink...

A 19th French century pair of Lacquered Bamboos Japonisme vases. An amazing pair of tall cylindrical bamboo vases decorated in Japanese Gold and Sil-ver Hiramaki-E Lacquer with Pavilions in The Mist and Weaving Figures, Flown Over by a Pair of Cranes. Enclosed in a Sino-Japanese Inspiration Golden and Brown Patina Bronze Mount Featuring Elephant Heads, Partially Openwork Branches and Salamanders Forming Side Handles. Circa 1870 Attributed to Édouard Lièvre (1828-1886) and Ferdinand Barbedienne (1810-1892) Édouard Lièvre (1828-1886) is one of the most talented and prolific designer and industrialist of the 19th Century, his repertoire is sometimes Sino-Japanese or Neo-Renaissance, whether in furniture or works of art, we can note in particular the parade bed of Valtesse de La Bigne, furniture commissioned by the painter Édouard Detaille or even Sarah Bernhardt, and the famous works in collaboration with Maison Christofle or those in gilded bronze and cloisonné enamel edited by Ferdinand Barbedienne, presented at the Universal Exhibitions in 1878, 1889 and 1900. He was both a draftsman, painter, illustrator, engraver, ornamentalist and cabinetmaker, first trained in the studio of the painter Thomas Couture, Lièvre was then fully immersed in the world of decoration, creation and ornamentation and provides designs for manufacturers and merchant-publishers. Often assisted by his brother Justin, he first produced works of art for his own apartment, seeking out the finest craftsmen to execute his designs for bronzes, ceramics, fabrics and luxury furniture from great virtuosity and great taste. He then collaborated with the cabinet-maker Paul Sormani, as well as haberdasher merchants such as the Escalier de Cristal, bronziers such as Maison Marnyhac and especially Ferdinand Barbedienne as on our vases with bronze mounts characteristics of Edouard Lièvre's work. Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Par-is one of the major artistic foundries of his time. Barbedienne specialized in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and bronzes for furniture. Apart from his own produc-tion, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honored by contemporary critics. At the London exhibition in 1851 Barbedienne’s firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honor. The success of Barbedienne’s firm brought him many official commissions, such in about 1860, as Barbedienne supplied bronzes for furniture for the Pompeian Villa of Prince Napoléon-Joseph, located avenue Montaigne in Paris. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories: Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d’Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. “Japonisme” in the second half of the 19th century, was a craze for everything that came from Japan or imitated its style. The word was first coined in a series of articles published by Philippe Burty, from May 1872 to February 1873, in the French magazine “la Renaissance Littéraire et Artistique”. Far from the Academic sphere, artists seeking for new ways of expression, appropriated this discovery. Manet and the impressionists led the way to half a century of enthusiasm for Japanese art, and largely contributed to the esthetical revolution Europe experienced between 1860 and the beginning of the twentieth century. From 1862, The World’s Fairs provoked massive arrivals of fans, kimonos, lacquers, bronzes, silks, prints and books that launched the real era of Japonisme. With those exhibitions, the demand was boosted, the number of merchants and collectors was multiplied, and artists became passionate about this new esthetic. For them, its “primitivism” was probably its most important quality: artists were fond of the Japanese art’s capacity to be close to nature and to reconcile art and society by representing, with a lot of care, the most trivial objects. In painting, Edouard Manet, Mary Cassatt, Degas, Van Gogh, Gauguin were among those who were deeply inspired by Japanese art, affected by the lack of perspective and shadow, the flat areas of strong color, the compositional freedom in placing the subject off-center, with mostly low diagonal axes to the background. The Japanese iris, peonies, bamboos, kimonos, calligraphy, fish, butterflies and other insects, the blackbirds, cranes and wading birds, the cats, tigers, and dragons were endless sources of inspiration, appropriation, and reinterpretation for European artists. The occidental productions were combining styles and artistic conceptions instead of copying Japanese art slavishly. That is what brings to light the comparison between the artworks of Kitagawa Utamaro and Degas, of Katsushika Hokusai and Van Gogh The World’s Fairs of 1851 and 1862 in London, those of 1867, 1878, 1889 and 1900 in Paris, of 1873 in Vienna and of 1904 in Saint Louis presented a number of “Japanese-Chinese” installations with earthenware, bronzes, screens and paintings and attracted the largest amounts of visitors In Vienna, the “Japanese village...

This very large bombe shaped two handled faience jardiniere is by Ulysse Besnard of Blois, France, and rests on four feet. The hand painted decoration includes swirling arabesques and dragons, and on each side in a central cartouche is a hand painted fire-breathing salamander entwined around the letter F. This salamander was the emblem of Francois 1...

An Elegant Patinated Bronze Figure of a Roman Orator probably Julius Cesar by Mathurin Moreau 1822-1912, Signed Moreau Math Exposition des Beaux 1877 French circa 1877 Extremely we...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Little angels playing drum and cymbal, by Hippolyte Francois Moreau signed. Patinated bronze hand. Sculpture worked and hot casting foundry art, ...

Pair 19th Century Brass & Horn Trophies were designed to be wonderfully decorative items for the masculine decor during the 19th century. Choice horn sp...

Amazing art glass by Francesco Ferro e Figlio made around 1880, Italy- Venice. This minimal shaped vase represents important historic glass making techniques whose possibilities wer...

This large, very colourful, twin handled Gien Faience jardiniere is hand painted and features a god and goddess on either side seated below red coloured b...

An impressive French Renaissance Revival style clock garniture comprising a mantel clock and a pair of matching vases, circa 1870, gilt bronze with ornate champlevé enameling. The rectangular break arch clock...

This is an antique Highland doorstop. A Scottish, brass and cast iron decorative door keeper with stag figure, dating to the mid Victorian period, circa 1870. Delightful doorstop, proudly presenting Scottish taste and theme Displays a desirable aged patina and in good order Quality brass relief work with bright golden tones Base and rear support in cast iron, with consistent graphite finish The stag figure redolent of Sir Edwin Landseer's Monarch of the Glen painting...

French Tortoishell Boulle clock in a drumhead case with raised stepped plinth, ebonised sides and resting on ornate ormolu feet. Brass bezel opening to an enamel dial with Roman num...

This is a beautiful antique pair of French Sevres porcelain twin masque head handled lidded urns with dome lids, in the Louis XV manner, Circa 1870 in date. The vases with a duck...

The bombe shape of this small tea canister is made of silver plate and covered with faux tortoiseshell. The domed lid is topped with a ball knop and the piece sits on four silver pla...

Pair of polychromed hand painted porcelain with Japonisme floral decoration Ormolu-mounted with open-worked base and rim Louis XVI Style circa 1880.

Théodore DECK (1823-1891) A polychromatic enamelled earthenware soliflore and quadrangular shape vase with Sino-Japanese inspiration design of flowers and geometrical friezes all around. Impressed uppercase mark "TH.DECK" under the base. Circa 1875 Born in Guebwiller in Alsace, Théodore Deck trained as a ceramist in his home region, then in Germany. He went into partnership with his brother, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then made his first attempts at reliefs under transparent enamels. He developed a bright turquoise color, famously renowned as "Bleu Deck". It is this nuance that we find on the salamander represented on this vase. In 1887 he published a treatise entitled "La Faïence", in which he explained some of his discoveries. That same year, he became director of the Manufacture de Sèvres. Theodore Deck (1823-1891) is a French ceramist born in Guebwiller in Alsace. He is passionate about chemistry and the physical sciences. In 1841, he joined the master stove maker Hügelin father as an apprentice in Strasbourg. In two years, he learned of the methods inherited from the 16th century, such as the encrustation of colored pastes in the style of Saint-Porchaire. This apprenticeship did not prevent him from spending his free time draw-ing or modeling clay in the studio of sculptor André Friederich. Escaping military service, he made a tour of Germany as is the tradition with fellow Alsatian stove-makers. The quality of his work allows him to obtain important orders in Austria for the castles of the provinces and the imperial palaces, in particular for the palace of Schönbrunn. He continues his journey in Hungary to Pest, to Prague, then, going north through Dresden, Leipzig, Berlin and Hamburg. On the strength of his apprenticeship, he arrived in Paris in 1847. Recommended by Hügelin, he went to the stove factory of the Bavarian potter Vogt, located rue de la Roquette. The Revolution of 1848 interrupts production and Deck decides to return to his hometown. His family then advised him to set up a small terracotta workshop: he made a few busts, statuettes, vases, lamps and copies of famous antiques there. Aware that this situation would not allow him to provide for himself properly, he returned to Paris in 1851 where he was employed by the widow Dumas, daughter of the earthenware maker Vogt for whom he had worked. Hired as a foreman, he supplied the drawings and models to the workers, while working the land himself. The following year, he made the decision to settle not far from his former employer at 20, rue de la Fontaine-au-Roi, probably using his ovens. His brother, Xavier Deck, joins him. It was officially in 1858 that the Deck brothers created their business and settled in Paris at 46, boulevard Saint-Jacques. Initially, the brothers only carry out coatings for stoves. But the business is going so well that barely a year after their installation, they want to diversify their production and engage in ceramics for the cladding of buildings as well as in shaped parts. Deck is interested in politics. In 1870, he opted for French nationality and was elect-ed deputy mayor in the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was held on the Champs-Élysées, Théodore Deck exhibited his works for the first time: these were pieces with an inlay decoration called “Henri II” and others. pieces covered with turquoise blue enamel or decoration in the style of Iznik ceramics.If he wins a silver medal, reviews are mixed, however. The following year, on the occasion of the Universal Exhibition of 1862 in London, he won over English customers. He surprised by presenting, like the previous year, his Alhambra Vase...

Royal Copenhagen after Thorvaldsen. Figure of Saint Peter in biscuit. 1870/80s First factory quality. In excellent condition. Marked. Dimensions: H 33.0 x D 12.5 cm.