1870s Decorative Objects

Incredibly rare/unique & monumental antique Mamluk/Nasrid Islamic pottery copper lustre candlestick, circa 1870. This incredible pottery candlestick follows the the form of a 14th C...

An English classical plaster library bust of a gentleman in Roman clothing, with a wall bracket depicting a Roman eagle. Sir Walter Scott after Chantrey.

Royal Worcester Aesthetic / Japonisme handkerchief vase, 1876 A fine example of the English Aesthetic Movement, realistically modeled of spa...

Beautifully crafted Biedermeier pencil box from Germany mid - late 19th century. The casket is leather wrapped, embossed and has a push button closure. From the inside the box is lac...

A large and richly decorated ormolu bronze mantel clock on a white carrara marble base. The clock is embellished all around with bronze ornaments in Louis XVI style; a lidded coupe w...

Wall Clock Circa 1870 - Freiburg Manufactory We present you this wall clock circa 1870 from the Freiburg manufactory (today’s Świebodzice, Lower Silesia). The case has not undergon...

Late Victorian mahogany mantel clock in a dome top case line inlaid with satinwood stringing and bordered with chequered ebony and sati...

Emile Gallé for St. Clement, Nancy. Antique flower/herb pot in faience with hand-painted flowers and light blue / pink decoration. 1870s / 80s. Measures: ...

The case Jean-Francois and/or Guillaume Deniere (French, 1820-1901); the mechanism (Samuel Marti et Cie (French, 1841- ), circa 1870, finely cast gilt bronze and marble mantel clock in the Louis XVI taste, surmounted by a ribbon tied quiver and torch, the case decorated with swirling florals, the enameled dial with polychrome floral swags and Arabic numerals, the base with bundled acanthus garlands. and rising on toupie feet. The dial marked "Deniere/Ft de Bronzes" and "Paris", the mechanism stamped "Jx/Deniere/A Paris/1565',"Juveneaux", and "Medaille Bronze/S Marti & Cie". Note: The Deniere (Derniere) firm was noted for their exceptional bronze casting, exhibiting at the Paris 1855 World Fair and having multiple royal commissions including the coronation coach...

1870s French bronze and enamel inkwell set. 6 pieces. Painted portraits.

Mannequin Sculpted and carved wood Italy or France, second half of the 19th century. It measures 25.59 x 6.29 x 3.54 in (65.5 x 16 x 9 cm) It weighs 2.2 lb circa (1 kg circa) St...

A 19th century cloisonné bronze watch-holder, onyx base, Napoleon III period.

A fine pair of neoclassical style gilt and patinated bronze seven light candelabras by FERDINAND BARBEDIENNE Original condition this pair was never touch.

A 19th French century pair of Lacquered Bamboos Japonisme vases. An amazing pair of tall cylindrical bamboo vases decorated in Japanese Gold and Sil-ver Hiramaki-E Lacquer with Pavilions in The Mist and Weaving Figures, Flown Over by a Pair of Cranes. Enclosed in a Sino-Japanese Inspiration Golden and Brown Patina Bronze Mount Featuring Elephant Heads, Partially Openwork Branches and Salamanders Forming Side Handles. Circa 1870 Attributed to Édouard Lièvre (1828-1886) and Ferdinand Barbedienne (1810-1892) Édouard Lièvre (1828-1886) is one of the most talented and prolific designer and industrialist of the 19th Century, his repertoire is sometimes Sino-Japanese or Neo-Renaissance, whether in furniture or works of art, we can note in particular the parade bed of Valtesse de La Bigne, furniture commissioned by the painter Édouard Detaille or even Sarah Bernhardt, and the famous works in collaboration with Maison Christofle or those in gilded bronze and cloisonné enamel edited by Ferdinand Barbedienne, presented at the Universal Exhibitions in 1878, 1889 and 1900. He was both a draftsman, painter, illustrator, engraver, ornamentalist and cabinetmaker, first trained in the studio of the painter Thomas Couture, Lièvre was then fully immersed in the world of decoration, creation and ornamentation and provides designs for manufacturers and merchant-publishers. Often assisted by his brother Justin, he first produced works of art for his own apartment, seeking out the finest craftsmen to execute his designs for bronzes, ceramics, fabrics and luxury furniture from great virtuosity and great taste. He then collaborated with the cabinet-maker Paul Sormani, as well as haberdasher merchants such as the Escalier de Cristal, bronziers such as Maison Marnyhac and especially Ferdinand Barbedienne as on our vases with bronze mounts characteristics of Edouard Lièvre's work. Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Par-is one of the major artistic foundries of his time. Barbedienne specialized in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and bronzes for furniture. Apart from his own produc-tion, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honored by contemporary critics. At the London exhibition in 1851 Barbedienne’s firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honor. The success of Barbedienne’s firm brought him many official commissions, such in about 1860, as Barbedienne supplied bronzes for furniture for the Pompeian Villa of Prince Napoléon-Joseph, located avenue Montaigne in Paris. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories: Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d’Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. “Japonisme” in the second half of the 19th century, was a craze for everything that came from Japan or imitated its style. The word was first coined in a series of articles published by Philippe Burty, from May 1872 to February 1873, in the French magazine “la Renaissance Littéraire et Artistique”. Far from the Academic sphere, artists seeking for new ways of expression, appropriated this discovery. Manet and the impressionists led the way to half a century of enthusiasm for Japanese art, and largely contributed to the esthetical revolution Europe experienced between 1860 and the beginning of the twentieth century. From 1862, The World’s Fairs provoked massive arrivals of fans, kimonos, lacquers, bronzes, silks, prints and books that launched the real era of Japonisme. With those exhibitions, the demand was boosted, the number of merchants and collectors was multiplied, and artists became passionate about this new esthetic. For them, its “primitivism” was probably its most important quality: artists were fond of the Japanese art’s capacity to be close to nature and to reconcile art and society by representing, with a lot of care, the most trivial objects. In painting, Edouard Manet, Mary Cassatt, Degas, Van Gogh, Gauguin were among those who were deeply inspired by Japanese art, affected by the lack of perspective and shadow, the flat areas of strong color, the compositional freedom in placing the subject off-center, with mostly low diagonal axes to the background. The Japanese iris, peonies, bamboos, kimonos, calligraphy, fish, butterflies and other insects, the blackbirds, cranes and wading birds, the cats, tigers, and dragons were endless sources of inspiration, appropriation, and reinterpretation for European artists. The occidental productions were combining styles and artistic conceptions instead of copying Japanese art slavishly. That is what brings to light the comparison between the artworks of Kitagawa Utamaro and Degas, of Katsushika Hokusai and Van Gogh The World’s Fairs of 1851 and 1862 in London, those of 1867, 1878, 1889 and 1900 in Paris, of 1873 in Vienna and of 1904 in Saint Louis presented a number of “Japanese-Chinese” installations with earthenware, bronzes, screens and paintings and attracted the largest amounts of visitors In Vienna, the “Japanese village...

An exceptional, fine and impressive antique Victorian English sterling silver posy holder; an addition to our ornamental silverware collection. This exceptional antique Victorian sterling silver posy holder has a conical shaped form onto three legs. The surface of the holder has a frosted finish and is embellished with bright cut engraved Greek Key fret band ornamentation in addition to stylized leaf motifs. The body is further ornamented with an applied knop encircled with bead ornamentation flanked with a scalloped border and collet set cabouchon turquoises. The upper portion of this impressive example of Victorian silverware is encompassed with a protruding undulating band accented with further collet set turquoise alternating with a swagged chain articulating from ring loops. The upper rim is embellished with a large applied bead decorated border. The vessel terminates with a bright cut engraved layered leaf texture to an applied ball motif. This impressive holder is supported by three hinged legs, conjoined with a silver chain. This antique posey holder...

A Naturalia mineral specimen. A druze of Amethyst, colacite stones and calcite flowers crystals, mounted over a guild-plated wooden base on a vase shape. Italy 1880 ca.

Important pair of Napoleon III ewers in chased gilt bronze with rich decoration in relief of stylized foliage, friezes of palmettes, and vine branches framing a frieze of putti reali...

Minton Majolica figure which features a Hogarth boy, sat on a rock, holding a shell. Coloration: turquoise, green, brown, are predominant. The piece bears maker's marks for the Minto...

A fine and unusual antique Aesthetic Period Oriental pattern Lotus flower shaped porcelain bowl by Royal Worcester and dating from around 1875. The bowl of rounded shape is modelled as an open Lotus Flower raised on an open work intertwined stem and leaf shaped base with foliage. The bowl is hand painted in tones of blue on a white ground, the inner bowl with a stork in flight with flowering stems and bamboo shoots. The bowl has an impressed Royal Worcester mark for the year 1875. Royal Worcester’s Art Director Richard Binns of the Kerr Binns...

Kwan-Ko-Dzu-Setsu. Notice historique et descriptive sur les arts et industries japonais. Art Céramique. Première (-cinquième) partie. Published by Tokyo & Yokohama, H. Ahrens & Co...

An exceptional, fine and impressive, large English sterling silver combination vinaigrette / scent bottle, antique Victorian; an addition to our diverse collectable silverware collec...

Aesthetic ornate grape shears -- sterling silver by Gorham Silversmiths, circa 1870. Steel reinforcement blades are attached to the sterling blades. Measures: length: 6 1/2"; width, 2 1/2" at handles. Weight: 5.8 troy ounces, approximately. These heavy cast shears were carefully maintained, with all of the intricate detailing still intact. During the heyday of American silver manufacturing, Gorham was highly influential. The White House has used Gorham silver services during many administrations. Mary Todd Lincoln...

Stunning hand painted and gilt Royal Crown Derby urn now as a lamp. The detailed painted urn with exotic floral decoration with lavish gold trim and cobalt accent color. The porcelai...

A rare small French palissy majolica comport with cabbage leaf signed Emile Gambut and dated 1879. The base is composed with branches. Famous French ceramist , with ceramics at the...

A fine pair of French Empire style bronze dore candelabra with tapering malachite stems resting on three lion paw feet on triform malachite bases. Circa 1870.

A fine and large Louis XVI style French mantel clock, from the end of the Napoleon III period, 1870-1880. The clock is bronze casted and has a fire-gilded finish, the dial is enamele...

A fine ormolu flower epergne with scroll banding supported on paw feet stamped Osler segmented in four sections, each with five posy vases of various sizes with flat diamond cut bodi...

Silver mounted striated agate box, circa 1870.

A fine Victorian alabaster figure of Napoleon Bonaparte, Emperor of France, powerfully modelled with his arms folded across his chest, dressed in full military attire with orders, En...

Hallmarked with Carl Thieme’ 1870’s porcelain mark in form of a crown over capital ‘N’. Dimensions: Height: 5.44 inches (13.6cm) With: 2.75 inches (6.87cm) Depth: 2.63 inches ...

This is a stunning decorative antique Italian Grand Tour Vatican Micro-Mosaic inset black marble desk weight, in the form of a miniature table, circa 1870 ...

Clock in gilt and patinated bronze, period Napoleon III, 19th century. Good working condition Measures: H: 38 cm, W: 28 cm, D: 8 cm.

Beautiful Large Banded Agate Victorian Seal from the mid-late 19th Century. Incredible lapidary work on a beautiful single piece of antique banded agate...

Clock, Cartel in Louis XV style, 19th century, Napoleon III period. Measures: H: 45 cm, W: 22 cm, D: 14 cm.

A charming English 19th century leather baby bear with glass eyes.

Fine 19th century trinity house marquetry inlaid rosewood sewing box, circa 1870, made by a Trinity House Lighthouse Keeper or sailor aboard a Lightship for sale to passing ships. The rosewood box features marquetry inlaid cutter-rigged sloops sailing past a lighthouse within a crossbanded reserve on the lid, and additional inlaid cutters and escutcheon on the front. The interior is fitted with a velvet pincushion and various cuddies both open or covered by a rosewood lid with petite ivory finial; the tray lifts out to reveal a paper-lined storage compartment. The bottom of the box retains its original paper covering. Delicate marquetry inlay does not survive well in the damp environments of lighthouses and ships, so these highly prized Trinity House boxes...

A Fantastic and Large Pair of French 19th Century Baccarat Enameled Opalescent Vases. Each vase is of baluster form, with enameled paintings of large hunting scenes...

This is a Swedish Mora clock, Norrland model. New battery works have been installed with a Reproduction face. You have a choice of chimes, a volume nob, a ...

Sn2498 Victorian, figured walnut Vienna clock, having enamelled dial with Roman numerals, original hands and second dial (the seconds hand only takes 45 ...

Pair of Outdoor Italian Neo-classic style iron wall mounted plaques possibly fountains in the form of a dolphin (PRICED AS Pair).

Sn4433 fine Victorian figured walnut jewellery or sewing box with brass carrying handle, original working lock and a key and green interior, all in home ready condition, circa 1880. ...

This is a stunning antique 19th century French Palais Royal pierced brass and porcelain mounted domed rectangular table casket , Circa 1870 in date...

A dramatic pair of hand-carved, gessoed and 22k gold gilded, urn-form balustrade finials surmounted by flame forms. Each on a tapered foot with a pe...

A 19th century Napoleon III period clock in Griotte marble and Regula. Measures: H: 43 cm, W: 25 cm, D: 17 cm.

Meissen most lovely Gardener couple clad in Rococo garments. Size: Height 17.5 cm (= 6.88 inches) Width of base 12.8 cm (= 5.03 inches) Depth of base 10.0 cm (= 3.93 inches) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (underglazed) First quality  Model number B 28 / painter's number 31 / former's number 144 Dating: Made circa 1870 (Meissen Sword Mark with Pommels on Hilts) Material: Porcelain, glossy finish, multicolored painted Technique: Handmade porcelain Style: Rococo, designed by Michael Victor ACIER (1736-1799) / modelled 1766-68 Specifications: Meissen Gardener...

A bronze and gilt bronze 'Warwick' vase by Barbedienne, Paris, circa 1870, modeled after the original, the masks between the entwined vine handles, egg-and-dart rim, with grapevine d...

Minton Majolica basket which features pond lily leaves and flowers tied together with lily stems which form the handle. Four flower bud feet. Co...

19th century Italian carved and giltwood wall clock, Circa 1870. This a nicely carved wall clock. A very functional piece for any home.

Circular miniature from a Flemish painting the "Wedding in a village" by D. Teniers. Presented in a wooden frame and golden frame. Second part o...

A rare large and impressive Wedgwood majolica jardiniere decorated with masks and trailing vines dating from around 1870. The pottery stands raised on a pedestal of rounded shape dec...

This impressive pair of candelabra made in the era of Napoleon III in France circa 1870 are very powerful and impressive. Heavily cast with references to the classical past and profu...

Imari style with panels of foliage on a white ground alternating with panels on an underglaze blue ground with florets and flowers in a vase. The covers similarly decorated and with ...

Unusual antique Victorian quality lead figure of a satyr musician sat upon a rock playing a flute type instrument. In beautiful weathered condition. Measures: 55 x 23 x 22.5cm Da...

Cartel with its Base in the style of Boulle, brass inlays and imitating tortoise shell, Louis XV style, Napoleon III period, 19th century. Measures: H: 45 cm, W: 28 cm, D: 17 cm.

This Royal Worcester vase is a bit unusual in that it is in the shape of a Japanese drawstring purse-it is possibly shape 381 which was issued in 1874 and described as "Money bag (old)". The body is decorated with raised Japanese motifs that are highlighted by gilding and set off by the pink drawstring...

19th century mantel clock with moon phase and perpetual calendar Switzerland, England slate, enamel circa 1870 Dimensions: 41 x 37 x 19 cm Description: Slate case with wi...

Signed Tahan, Boult des Italiens 11 A lovely rectangular casket made in gilded bronze, entirely decorated with polychrome “champlevé” enamel rosettes and stylized flowers, and embel...

Pair 19th century French Napoleon III period bronze dore Andirons ~ bookends depict two charming cherubs playing music! Originally the decorative portion of a pair of andirons, they're perfect for decorative accents or bookends. Each figure is holding a musical instrument, with one also having sheet music in his lap. Each is seated on lavishly designed Baroque lion...