Renaissance Sculptures

16th C. Hand Carved Capital Stone Base Architectural Element Sculpture Pedestal. Very rare 16th Century Renaissance corner Capital . Hand carved limestone Chapiteau Capital from a Cloister in France . From an ornamental point of view , it is the coronation , the upper part of a post or a column or pilaster pillar . A beautiful Architectural element garden ornament . It can used as a Base for a coffee glass table , or as a side table for drinks or to mount books. A stunning Fragments to be used as stand for a sculpture . Use it as a pedestal or as a mounted decorative object. In an entryway a bathroom a living room , in an office , it will create an incredible focal point . It can make a beautiful base for a floor lamp by a leather reading chair...

An antique carved boxwood cherub decorative wall hanging dating to circa 1650. Crafted in boxwood, this renaissance style sculpture depicts a detailed handcarved cherub or putti bea...

"Michelangelo prèt-a-porter " -peneculo - Unique piece, 2017 glazed earthenware A RING THING collection A small chair, a miniature moon, a Philipp Stark's squeezer or the anatomi...

The monk is depicted with an oval face, marked with high and strong cheekbones, sunken cheeks, strong jawbones and a cleft chin. His almond shaped eyes are opened under very strong a...

Pair of 16th Century Italian carved polychromed angelic sculptures.

A dramatic patinated bronze statue depicting a mounted crusader on his rearing horse ready to strike a mortal blow to a fallen Saracen lying beneath him on a rocky landscape. In a desperate attempt to defend himself the Saracen is shown thrusting his sword into the chest of the the crusader's horse. The bronze grouping is mounted on a green scagllola painted marble base with gilt bronze trim. While the bronze is not signed it had to be cast after a hugely famous bronze very similar statue by Jean-François-Théodore Gechter (1795, Paris - 1844, Paris) titled "The Combat of Charles Martel...

Sterling, Bone, & Semi-Precious Gems Figure of a Court Jester Germany, Early 20th Century A meticulously cast and modeled Medieval / Renaissance Figure of the Court Jester...

This masterfully carved 17th-century Flemish sculpture presents Jesus Christ as the “Salvator Mundi” — Savior of the World — a powerful icon of devotion and divine kingship. Sculpte...

Coppia di Importanti Cariatidi del 1600 in legno intagliato a patina scura provenienti da un complesso corale impiegati come divisori tra gli stalli. Le due figure sono asessuate, co...

Bronze sculpture of boy playing with a blown glass balloon by Curtis Jere. The bronze boy measures 13.5 inches tall, from the base to the top of th...

Pair of Italian Renaissance (19th century) small gilt bronze lions on a pale green rectangular marble plinths.

In reference to the remarkaple marble group of three larger-than-life figures, known as ‘The Rape of the Sabine Women’, which is located under the right arcade of the Loggia dei Lanz...

Easily recognizable with his gesture of showing pest effect on his thigh this pilgrim saint is accompanied by an angel curing him. The quality of the wood is noteworthy. Bibliography Louis Réau, Iconographie de l’Art Chrétien...

Italian important 17th century small bronze technique lost wax "La Pietà" by STEFANO LANDI . Measures cm: H 20 x W x 20 x D 20 "La Pietà" was a very popu...

A Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860 after Desiderio Da Settignano. The original pietra serena relief by Desiderio Da Settignano, is in ...

In a Renassaince style. Possibly Northern European or German. In the form of the Virgin Mary cradling the lifeless mortal body of Jesus Christ after his removal from the cross. This is known as the Pietà - the sixth of the "Seven Sorrows of Mary" and a common depiction in sculpture. Carved out of several joined wood blocks. Simply a wonderful antique Religious sculpture...

A scale white statuary marble sculpture of Moses after Michelangelo circa 1875. After the larger than life-size Carrara marble original from the tomb of Pope Julius II in St. Peter’s Basilica, Rome completed around 1515. This scale sculpture is exceptionally carved, capturing the quality and detail of Michelangelo’s Moses...

A set of six (6) German white porcelain male nude putti sculptures in the Renaissance or Neoclassical styles, circa 20th century, Germany. A fun set of six male nude tumbling putti s...

A very fine copy of the Renaissance sculpture entitled 'A Little Boy'. After Italian Renaissance sculptor Desiderio da Settignano, or Desiderio de Bartolomeo di Francesco detto Ferro. In cast bronze. Simply a wonderful bust! Date: 20th Century Overall Condition: It is in overall good, as-pictured, used estate condition. Condition Details: There is rubbing to the patina on the crown of the head...

Hand-carved in the 1500s, these Italian lion supports are the work of a master-level craftsman. It is possible that they were originally legs for a High Renaissance cassone. A fresh ...

A very fine copy of the Renaissance sculpture entitled 'A Little Boy'. After Italian Renaissance sculptor Desiderio da Settignano, or Deside...

Spanish Santa Margherita with Dragon hand carved wood sculpture. Beautiful original polychrome especially on the dog figure which is an example of a mythical Renaissance medieval dragon...

Saint Anthony with the Child Jesus. Wood. Mechelen School, 16th century. Sculpture in carved wood worked, as was usual in that center, on the front because it was designed to be pla...

A fascinating bit of history, this pair of carved wooden terms dates to the High Renaissance during the 1500s. A term is a beam support in the form of a human head where the bust con...

15th Century Italian Renaissance Giltwood Carving . This magnificent 15th century Italian Renaissance gilt wood carving with a serpent is displayed ...

Christopher Columbus bust, ceramic Columbus bust, Christopher Columbus sculpture, Hand-molded bust of Christopher Columbus on light-colored ceramic visible signature Stefano Todini. ...

This is a pair of Capodimonte glazed white Parian porcelain nude cherubs who are playing with some gilt round small balls. Both of them are standing n...

Possibly Saint Hubertus or Saint Eustace. Carved, polychrome and gilded wood. Spanish school, 16th century. Carving in polychrome and gilded wood, sim...

Judith with the head of Holofernes, unsigned rectangular cast bronze plaquette, by Andrea Briosco, called Riccio (1470-1532), Judith...

This is an unusual pair of 17th Century (or earlier) Flemish (?) carved lions that once formed part of a large cabinet or, perhaps, the feet of an elaborat...

Saint Antony with Child Jesus, 18th century. Portuguese sculpture in polychrome and gilded wood, from the 17th century. The figure is represented stan...

Indo-Portuguese sculpture "Lady Conception" 17th century, H 147cm. Our Lady Conception Indo-Portuguese teak wood carving from the 17th century. Upholstered and polychrome . T he ...

After the model by Pierre (Pietro Francavilla) de Francheville) (1548-1615) This energetic model of an athlete in motion has finely detailed musculature. The patina is a rich brown...

lovely pair of Saint Mark in walnut from the 16th century - Venice Very beautiful pair finely carved representing Saint Mark with a book in his hand a lion at his side This is a pen...

Antique French Renaissance "Rebecca at the Wall" Spelter Metal Large Statue Sculpture weighing approx. 110 lbs. Circa Early 20th Century. Measurements: 38.5" H x 25" W x 11.5" D.

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

20th-century Sterling Silver miniature belonging to the collection "The History of Fashion" of a 16th-century women's costume that belonged to Eleonora Gonzaga. Eleonora Gonzaga (Ma...

4 Italian Renaissance style (19th Century) carved soapstone wall plaques of Medieval scenes under glass in black frames.

Antique Bronze King Umberto Visiting Cholera Hospital Naples 1884 Dish Wall Plaque. Item features fine cast bronze relief, remarkable details, banner reads, "Visita Di S.M. Umberto I...

PAIR of Italian (early 19th Century) painted and parcel gilt carved standing figures of a young man and lady dressed in traditional cloths (PRICED AS PAIR)

niche in gilded wood from the 17th century from Italy Lovely niche with a carved wood in its center from the Italian Renaissance Beautiful original gild wood Dimensions excluding ba...

A well carved hardwood bust reminiscent of sacred and religious sculpture of the Gothic and Renaissance eras. Antique carved wood head of a mal...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

A Rare European Hardwood (Believed to be Elm) wall-mount Bust of the justly famous Playwright, Writer and Actor William Shakespeare (April 1564-April 1616). Unmistakeable with his po...

The bronze statue depicts a Turkish warrior with shield and sword. the warrior is shown bare without veils, with a base also made of oval-shaped bronze, acting in a war scene. Detai...

Antique E. Rousseau Cast Spelter Metal French Maiden Woman Bust Sculpture. Item features cast metal construction, wooden base, signed to rear, very unique antique sculpture. Circa 1...

A stunning and finely crafted bronze bust depicting a noblewoman in Renaissance-style attire. This captivating sculpture is a superb example of 19th-century neoclassical artistry, r...

Christ in Boxwood, France, late 16th-early 17th century Beautiful corpse of Christ with missing arms. He must have been on the Cross, arms in a horiz...

Carved oak sculpture of Christ emerging from the tomb, surrounded by Roman soldiers, 17th century. Carving of Christ emerging from the tomb, surr...

Our lady with child Jesus savior of the world 17th century Portuguese sculpture in polychrome and gilded wood. Repaints. Height: 71 cm very g...

Splendid sculpture in white Carrara marble depicting a young Hercules holding the world. Originally, the work was conceived to be used as a caryatid at the beginning of a sumptuous m...

A Bronze Figure of Vanity, Early 19th Century Provenance: Private Melbourne Collection. Description: Modelled after Pierre-Maximilien Delafontaine (1777-1860), the personification...

Very elegant sculpture reprenting a Putti (angel) from the German renaissance period -16 century Rare sculpture in walnut of great quality with a very beau...

An antique bronzed terracotta bust of Dante. In Renaissance style and a desirable scale, this bust would make a striking decorative piece for any period property, particularly for those looking to appreciate Italian history. At over 140 years old, the bronzed terracotta gives this bust a characterful time worn look accompanied by its integral socle. The bust is marked ‘Dan’ to its left shoulder, ’Tes’ on the right, and '727 R’ to the back. Dante Dante, or Dantes as the bust reads, was an Italian writer and very important figure in the Renaissance. Though he died in 1321, Dante’s works have lived on throughout the centuries, his epic poem ‘La Commedia’ (also known as ‘The Divine Comedy’) considered one of the world’s greatest works of literature. It was the first that influenced the Renaissance and the first work with a personal interpretation since the fall of Rome...

A large scale reclaimed bronzed and gilded plaster bust of Roman emperor Tiberius. In Grand Tour style and an impressive large scale, this bust would make a striking decorative piec...

Indo-Portuguese sculpture Saint Ana teaching our lady to read 17th century Indo-Portuguese sculpture, from the 17th century. polychrome wood. The figure is represented sitting ...

French painted bisque porcelain bust of a woman French, 19th century Measures: Height 68cm, width 40cm, depth 30cm This fine bust is crafted from painted bisque porcelain. The bust depicts a young woman in a historicised Renaissance style: the sitter tilts her head to her left, her eyes glancing to something in the distance. She wears an ornate feathered head...

Prologue: An Ancient Mastery the Wooden Sculpture We begin our journey through Gothic art by presenting a magnificent Late Gothic Female Wooden Sculpture from the Flemish 500s. This ...