Georgian Decorative Objects

Early 19th century period Georgian brass chamber stick with oval shaped base. This is a lovely example of a Georgian oversized chamber stick. The oval tray is unusual, and has a ni...

Depicting Various Spa Scenes From our Tea Caddy collection, we are delighted to introduce this superb Belgian Spa Tea Caddy. The Tea Caddy of square form made from Sycamore is beaut...

Impressive English Georgian Period Conch Shell Flame Grain Mahogany Single Teacaddy of outstanding quality and workmanship and compact size. Circa 1790. The hinged lid cross banded ...

Late 19th C marble bust of a young lady wearing a hat.

A Magnificent, Exceptionally Rare, Museum Quality Pair of 18th Century English Ormolu Mounted, Hand-Carved and Hand-Polished Carrara Marble Cassolettes, By Matthew Boulton. These beautiful ormolu-mounted white marble cassolettes are by Matthew Boulton (1728-1809) and John Fothergill (1730- circa 1782) published in their Pattern Book No. 1 (page 171, figure t) and reproduced in Sir Nicholas Goodison's Ormolu: The Work of Matthew Boulton (New York, 1974, page 383, figure 161). Josiah Wedgwood (1730-1795) was a close friend of Boulton's and his patterns are thought to be the source for the medallions used on the plinths of these. Boulton's medallions of classical figures are almost identical to the cameos and intaglios made by Wedgwood and his partner James Tassie. Molds for these examples can be found in the Wedgwood Collection at the Victoria & Albert Museum. All derive from the same classical source of Renaissance gems. Many gem collections in Europe were widely published at this time and Boulton's library contained A. F. Gori's Museum Florentinum (1731-1766), in which gems from the Medici collection were engraved. The subjects of the medallions on this pair are: Pomona, a Roman goddess of fruit trees, gardens, and orchards, and depicted carrying a basket on her head overloaded with fruit, tumbling to the ground, shown once on each vase. Hygeia, once on each, with an olive branch in her right hand, as seen in Tassie's reproduction of Valerio Belli's gem, and holding a snake in her left hand over an altar. This was produced by Wedgwood both as an intaglio and as a cameo. Venus & Cupid, only on one vase, showing Venus leaning against a column with a pike, and giving a helmet to Cupid. Aesclepius, Greek GD of medicine, only on one vase, depicted with a snake wrapped around his staff .The last medallion subject is either Diomedes or Perseus, shown once on each vase, depicted as a conquering hero. Boulton asked patrons to choose from a limited repertoire of motifs, and therefore each vase or pair of vases is adorned with their own combination. Boulton used nine medallion subjects on recorded vases of this type. PROVENANCE & COMPS Another pair of this model, with slightly less elaborate lids and finials, from a private collection are illustrated in Goodison's Matthew Boulton: ORMOLU, (page 379, figure 153). A further example is in a private New York collection. This pair, which was acquired from Hotspur in 1981, was formerly in the Collection of Marjorie Wiggin Prescott, sold Christie’s, New York, 31 January 1981, lot 76. The Prescott Collection was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture...

An imposing 19th century ebonised, Westminster chiming mantle / bracket clock, having classical gilded ormolu urn finials and scrolling foliate mounts. ...

A fine English honesty box or tobacco dispenser of brass from the Georgian era, circa 1820 - the rectangular brass box featuring a double-hinged lid and two compartments, one for coi...

White Porcelain horse .Manufactured by Hutschenreuther. Design by Gunther Granget 1970s Germany . Condition: Very good condition, no breakage,

Fine quality circa 1790 Georgian letter box, with three compartment fitted interior (see image). Exterior has original double brass hinged slope top with serpentine shaped front, and...

Acorn Design From our Tea Caddy collection, we are pleased to offer this Scottish Mauchline Ware Tea Caddy attributed to Smiths. The Mauchline Ware Tea Caddy of rectangular form ma...

The hinged rectangular top with three oval Signed Wedgwood plaques depicting putti at various pursuits within oval paterae mounted swagged and beaded borders, opening to a morocco leather lined hinged slope enclosing a well, the upper section fitted with candlesticks and compartmentalized for inkwells, above a hinged lid the front with a spring loaded secret drawer opening to a needle or pincushion and spools of thread. This unusual work box, mounted with blue and white jasperware signed Wedgwood plaques, is English in conception. The writing box was a popular form first used in the 18th c and well into the 19th c for traveling. This type of portable desk was described by the English poet William Cowper in 1785 as 'the most elegant, the compactest, the most commodious desk in the world.' Additionally, the jasperware plaques, came from Josiah Wedgwood's factory in Stoke-on-Trent, Staffordshire, England. Its proximity to the steel manufacturing city of Birmingham, the birthplace of Matthew Boulton, producer of decorative metalwork (including cut steel mounts) and described by his friend and fellow-industrialist, Josiah Wedgwood, as 'the first Manufacturer in England', certainly suggests an English origin and possibly his handwork. However, the polished steel mounts are also typical of furniture and objects made in Tula, Russia, where the Imperial Arms Factory was founded by Peter the Great in the early 18th c and which later became known for its decorative objects, including furniture and domestic pieces. Catherine the Great, Empress of Russia, ordered the 'Frog Service...

Octagonal Shape with Glazed Panels From our Tea Caddy collection, we are delighted to bring to market this wonderful example Georgian Glazed Silk Embroidered Tea Caddy. The Tea Cad...

Wonderfully distressed books with a lovely color of boards and equally beautiful fore edges. They are random volumes of The Encyclopedia Britannica...

A George III period fiddle back mahogany longcase clock. The eight day movement with a full brass dial signed Ed Mann, London Fully cleaned with 2 years warranty Circa 1775

Fine quality antiques George III figured mahogany writing box crafted from beautifully figured mahogany with a rich patina. The hinged lid opens to reveal a black leather writing sur...

George II Red Japanned and Gilt Longcase Clock, circa 1760, the brass and silver-tone metal clock face marked "James Boivre / 7 Oaks" with black enamel roman numerals, the case with ...

An impressive George II hand cut full led Irish Crystal Pedestal “Kettle Drum” Bowl of circular outline and unusually large proportions. Made by the Old Waterford Glass Company, County Tipperary in Ireland. Late Eighteenth, early Nineteenth Century. The heavy gauge circular wavy cut rim with a band of richly cut diamond and chevron cut pattern. The lower bowl area with scale cut detailing, raised on a single ring socle stem above a square thick spreading pedestal, underneath with “lemon squeeze” foot detail. Condition: Good untouched condition with no losses, except for one tight short crack, see two images which clearly show this imperfection, wonderful age wear underneath base. Typically unmarked as Georgian pieces were not. *Stunning and rare example of a piece of Irish Georgian History. The asking price reflects the imperfection. Wonderful rare “grey” tint to crystal, so typical of Eighteenth-Century Irish pieces. Diameter: (top rim, an impressive) 9” (23cm). Height: 8.25" (21cm). Depth: (square base) 3.5" (9cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. The history of Irish Hand Cut Crystal goes back to the late 17th century. George Ravenscroft started the tradition in 1676. The glassmaker added lead oxide to the silicates that make up the molten glass. The process achieved a softness that allowed the glass to be blown and carved while remaining hard and clear as it cooled. The first crystal factory in Ireland opened in County Tyrone in 1771. The Creation of Waterford Crystal The Waterford Crystal we know today back in 1783 with George and William Penrose. Their vision was to “create the finest quality crystal for drinking vessels and decorative objects of beauty for the home.” The Penrose brothers sought the expertise of renowned glassmaker John Hill in 1785. Hill that began the process of polishing the glass to give the unique Waterford Crystal shine now known the world over. Hill left Waterford in 1788 after a major disagreement with the Penrose brothers. Waterford cut glass...

English navette form mahogany & riveted brass banded peat bucket with the original mounted brass handle. Early 19th century.

Hallmarked in London in 1803 by George Longstaff, this very handsome, George III period, Antique 18ct Gold Snuff Box, features engine turned decor...

A rare example of a quarter chiming bracket clock made 1800-1805 by John Allam and Thomas Caithness with an eight day triple fusee movement chiming on ten bells. This clock has an un...

A large George IV silver sideboard dish, made by Joseph Angell II, 1828 English, early 19th century Diameter 75cm, depth 10cm This magnifice...

A fine longclock from the end of the 18th century circa 1780 in oak by the watchmaker Charles Robotham of the city of Leicester Very beautiful English clock The clock has its o...

A silver pill box, made to commemorate the coronation of George V, by James Fenton, Birmingham, England, date marked, 1910. The round lidded box shows the heads of King George the F...

This is a good late 18th century Worcester porcelain TRIO of Coffee Cup, Tea Bowl and Saucer in a combined blue and gold pattern, full...

Lovely 18th century Georgian lidded jar or condiment pot hand carved and turned from a beautiful piece of yew wood. Rich and warm patina from age and use...

Regal Guardians: Ralph Wood Type Pearlware Lions: A True Pair: 18th Century Pearlware Lion and Lioness This magnificent, true pair of pearlware pottery figures—a majestic lion and i...

A fine antique George II English candlestick. With a 8 lobed petal base, turned shaft, and integral bobeche. Simply a fine period candlestick! Dat...

An exceptional early 19th century English George III grandfather clock. Features a beautiful flame mahogany case featuring an open pedime...

An impressive antique English Georgian Prattware pottery figure of Charity dating from around 1790. The lightly potted figure stands raised on a square pedestal base with a sculpted ...

Georgian (George III) Period, sterling silver-mounted etched mother-of-pearl octagonal snuff box with hinged lid, London, year-hallmarked for 1803. The iridescent mother-of-pearl lid...

This is a fine quality Derby porcelain bowl in pattern number 110, fully marked with puce crown & batons and dating to 1790, George 111rd period. The puce coloured mark on this bow...

20th c., London, a grandmother clock in a wood case with mixed veneers, with scrolled open pediment top, hinged door opens to brass and silverplate Roman numeral dial, face marked "J...

Antique English London Made George III Flamed Mahogany "John Scott" Grandfather Clock, Circa 1780.

George III English Tallcase Clock with Swan Neck Pediment & Patera Inlay, Painted Moon Phase signed “Womersley” ca. 1800

Handsome collection of 16 19th century English walking sticks, some with daggers. Priced Per walking stick.

New shipment of over 200 leather bound books in English, photo's are of sets. Preconditioned as we fully condition all of our books before they go out. Also have an extensive collect...

Stunning Pair of English Hand Cut Crystal and Sterling Silver Oil and Vinegar Cruet Set of outstanding quality, early Nineteenth Century. Each cut full lead crystal bottle of tradit...

This is an English Georgian solid Brass Candlestick, with a petal shaped lobed base, dating to Circa 1770. This candlestick has all the key features of an 18th C piece: * Warm gol...

Rare Scottish George III corporation treasury box, dated 1772, of caddy form, the lid with cove molded edge, the front with polychrome decoration commemorating the Edinburgh Corporat...

Mid 18th century mahogany strong box with applied brass edges centering a central applique on the lid, a large lock plate (key present) and large carry handles. The two ends fitted w...

A fine pair of George II/neoclassical style English 19th century carved giltwood mirrors. The mirrors are structured as if each where a classical temple with linear architectural ele...

A Rare Partridgewood, Late 18th Century Georgian Tea Caddy, Of Octagonal Form Having Attractive Inlaid Decoration And Hinged Lid Enclosing Two Lidded Divisions. Partridge wood is a...

Walnut 4 dial tower table clock by Patent, Blumberg & Co, Ltd., Paris & London. Walnut clock tower style case with turned and fluted corner columns, raised panels and ebonized trim; ...

This is a very good 18th century, First period (Dr. Wall), Worcester porcelain teapot stand, printed in cobalt blue with the "Fisherman" pattern and with a mock oriental or painters ...

From our Tea Caddy collection, we are pleased to offer this Georgian octagonal Inlaid Tea Caddy. The Tea Caddy of octagonal form veneered in Harewood with inlaid twin Tuscan Columns ...

Vintage Conus seashell box with sterling silver mounts - side hinge - unidentified hallmarks to the interior (.925 silver) - Italy (Florence - likely) - m...

Painted with Spa Scenes From our Sewing Box collection, we are delighted to offer this Original Spa Sewing Box. The Sewing Box of rectangular form made from Sycamore is extensively decorated with Spa scenes to each side which include; la Sauvenière, la Géronstère, le Tonnelet, les Cascades de Coo and vue du aviny du château dimbles. When opened the box reveals a light pink lined sewing box with multiple compartments for storage and tools. The interior lid is finished with a framed panel of rauch velvet and an outer border of simulated ropework. The Sewing Box also contains four original spa spinners with painted scenes and a central lidded compartment painted with a further spa scene of la place du spa at lo fontaine du pouhon. Beneath the lid is a secret compartment which can be accessed by removing the rear panel which reveals a small handled drawer. The Spa Box...

Early 19th century turned sycamore bowl from England. This bowl has a beautiful patina and lovely signs of honest wear for age and use. On the outer rim, there is routing decoration...

Pair of Georgian Bilston Enamel Candlesticks, Blue Reserves & Polychrome Florals, c1780 An exquisite pair of late 18th-century Bilston enamel candlesticks from the South Staffor...

This is a very rare, ironstone Two Handled, Ice Pail or Wine Cooler Pot, made by Mason's Patent Ironstone China Company, of Lane Delph, Staffordshire, England, circa 1818. This piece is substantial and heavily potted, weighing about 2.2 Kg un-packed. The pot is circular with 12 vertical sections, sitting on a low foot with an everted rim. The two side handles are strongly potted and this piece is quite suitable for use or display, as an ice bucket, wine bottle cooler or perhaps as a vase or centre piece. The piece is decorated in the Mason's recorded pattern called "Basket of Flowers" which is a vibrant floral pattern, hand polychrome enamelled over a sepia print on a white glaze. This pattern is illustrated on Page 30...

Solid Painted Wood and Ornate Metal Mounted Strongbox Measures 24" in width, 13" in depth and 14.5" in height.

Fine George III rosewood double chamber tea caddy with classical inspired geometric inlay of exotic woods including satinwood, mahogany, kingwood and palm. The rectangular case with ...

This is an antique campaign apothecary box. An English, flame mahogany chemist's case, dating to the Georgian period, circa 1780. A superb and evocative example of 18th century porta...

Large, Georgian (George III), brass-mounted cowrie shell snuff box with hinged lid, England, Ca 1810. Measures 3 1/2 inches long x 2 1/4 inches deep x 2 1/4 inches high. Dark areas...

Antique George III quality 8 day oak longcase clock by Walker of Nantwich having a quality oak case crossbanded in mahogany, swan neck pediment, reeded columns to the hood, shaped do...

A magnificent, fine and impressive pair of antique George IV English cast sterling silver candlesticks made by Robert Garrard II; an addition of our ornamental silverware collection ...

Very rare and hard to find in this complete condition with as many pieces (over 35), this "Gentleman's Necessaire", or campaign "Dressing Table Box" is English and circa 1795 as per the style, and confirmed by the 18th century silver marks on items enclosed. Campaign furniture, and accessories were made to tend to the day to day needs of those traveling, most often for the upper class, the military, and those in high socioeconomic standing. A very similar Campaign box belonging to the Duke of Wellington and now in the Victoria and Albert Museum, appears on page 141 (illustration #157 of "British Campaign Furniture" published in 2001 by Nicholas A. Brawer; the leading recognized historian on the subject. The furniture and accessories were designed to be easily unpacked and packed back up again, condensed and compact for minimum storage, and still fulfill luxury "needs" for the well to do. The flush inserted brass handles on this box were designed to minimize protrusions for easier transport when traveling. The necessaire contains a plethora of instruments, utensils, storage bottles, boxes, to contain pills, medicine, potions, soap, shaving needs, snuff, beverages, spirits, tea, coffee, fragrance, incense, toothpaste, ink, and anything else necessary or wanted to maintain appearance and the "Beau Brummell" type lifestyle desired by the aristocratic gentleman. These items were housed in; screw top miniature bone canisters, fine cut glass crystal vessels with silver and silver plated tops, multiple miniature vertical wooden pocket drawers, a carved wooden lidded soap dish; all "fitted" in a beautiful brass bound and hinged mahogany box. The dressing box is neatly divided into various sections to store these implements. The center front bottom drawer is independently accessed and opened by a key lock and likely utilized for personal effects, jewelry, money, and letter writing, and diary entries.; note the fitted interior, design, "cubbies", and sections (see image). NOTE: It would be advisable to NOT use the key to lock this drawer just in case it stays locked and does not reverse, thereby creating difficulty reopening the drawer. The box maintains it's original surface and there are no restorations to any of the wood or brass mounts. A non discernible script monogram on a brass plate adorns the top (see image). Worth noting is the copious provenance accompanying this piece; the original description tag from the British antiques dealer; the "condfdential" letter by purchaser to recipient "Horace" reviewing the Dressing Box attributes and description; and finally, the Customs form for entry into the United States with Santa Barbara it's ultimate destination and a valuation of 3 pounds; less than ten dollars at that time---- 1950!!!!! (see images). Dimensions: 11" wide  x 8 3/4" deep  x 5 1/2" high Contents: implements in red bag sewing hook with shell handle second smaller sewing hook with built in swivel tool to bone handle large metal tweezers rectangular bone device with center hole small hook with bone handle silver plate corkscrew...

A Very Good Quality 18th century, Georgian Mahogany Rectangular Tea Caddy, Having Original Brass Handle To Hinged Top, Enclosing Divisions, With Unusual Glazed Panels To Front Bearin...

A very fine and rare pair of Urn Form knife boxes with telescoping lids and myriad cut-outs for utensils in the interior. Urn shapes with both lids and urns made in sections. The lid...

This is a beautiful porcelain heart shaped Desert dish, hand painted and gilded in a sprig pattern, made by the Derby factory, in the late Georgian period, circa 1825. This dish has been hand decorated in a French influenced "Chantilly" pattern consisting of scattered sprigs painted in green and gold, with further rich hand gilding around the rim. The dish has the printed Derby Crown mark, in red together with the "D" below. A similar shaped Derby heart shaped dish...