Louis XV Decorative Objects

An amazing glazed hand painted lidded vase made in Germany by Furstenberg Porcelain, a well known Manufactory for extraordinary items. This is a heavy vase but you can also use it as...

A fine pair of antique French 19th century Louis XV style five light gilt bronze candelabra Beautiful antique French five light gilt bronze hand chiselled pair of Louis XV style can...

Pair Of Silvered And Gilded Bronze Eight-Armed Table Candlesticks from the second half of the 1800s made with exuberant rocaille decoration rich in sinuous curves and plant motifs he...

Antique Amsterdam grandfather clock with alarm, calendar and moon phase Amsterdam Walnut root and others circa 1760 Dimensions: H x W x D...

Fine French 19th century gilt bronze figural Louis XV style clock. The crest showing a pair of Bacchanale subject putti, one reclining on a naturalistic rocky outcropping with a chal...

An Assembled Very Fine French 19th Century Louis XV Style Gilt Bronze and White Marble Figural Mantel Clock and Candelabra Garniture Set. The finely chased ormolu clock body, with it...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

This exquisite French Dore’ Bronze Figural Mantel Clock is a masterful example of 19th-century craftsmanship, blending artistry, luxury, and functionality into one timeless piece. Th...

Louis XV style inkstand with chinoiserie design, lacquered top. This rare and stylish inkstand is a work of the house Boin-Taburet, goldsmith in Paris. This impressive size inkstand...

A magnificent early ormolu (finely gilded bronze) and Sèvres style porcelain clock by renown maker Achille Brocot. It is mounted with delicately painted Sèvres style porcelain with a...

A very fine and large Early 18th Century French Louis XV period corne verte (green horn) and ormolu mounted cartel or wall clock. The impressive cartel rests on its original socle - wall mounted base. Signed on the original white enamel dial with hand painted Roman numerals within a hand blown glass door with ormolu trim and decorated with ornate bronze. Impressively chiseled or ciselé work throughout. Original gilding throughout, exquisite patina. The wonderful gilt bronze case is signed by the highly respected maitre ebeniste and clockmaker, A. Gosselin from Paris. It is surrounded by flowers and foliage. Antoine Gosselin ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752). Antoine Gosselin who worked actively under Louis XV until the Revolution and was established in rue du Faubourg-Saint-Antoine, in Paris. He hand crafted magnificent pieces that were at the time only reserved for the King. Clock is in very good antique condition and functions, but may need to be serviced again after shipping just as all clocks do. The ormolu Chinoiserie...

Very large (40 inch tall) ormolu bronze mantel clock from the Louis XV period with Boulle style inlaid brass and enamel decorations with original pendulum. By the Paris maker, Denis ...

Ornate "S" scroll Italian Florentine giltwood hand carved wall bracket.

This magnificent Louis XV-style pendulum clock from the mid-19th century features elaborate Boulle marquetry and fire-gilded bronze appliqués in the form of rocaille, shell decoratio...

A shallow carved onyx bowl flanked by two crisp gilt bronze mounted mascarons of Satyr and  encircled by a band of gilt bronze in an egg and dart pattern, all resting upon a cut onyx...

A fine pair of St Louis crystal single-flower vases, rare raspberry pink Massenet Gold model (etched Rococo patterns enhanced with fine gold, Venetian ribs cut inside the neck). Anti...

Pair of wooden Louis XV candelabra.   Fantastic Pair of carved and gilded wooden palm holders. Terminating handles painted with plant elements and Chinese Lacquer (RARE). At the bott...

Antique pair of Gothic Cathedral motif brass prickets - Church/Altar candlesticks with gothic architectural design elements. Ric.0042.  

This vintage mid 19th century French Louis XV style cartel (wall) clock is beautifully designed. The dramatic sculpted bronze large clock is decorated with sweeping scrolled leaves &...

This whimsical pair of mid-century candlesticks was crafted circa 1950, likely for the Chinese export market, and features vividly painted porcelain parrots perched atop floral-cover...

Antique French Ormolu and Sèvres Porcelain Clock ~ French - Circa 1850 ~ ~~ Excellent condition, fully overhauled ~~ A fine and early ormolu ...

This magnificent 19th Century Louis XV Style Mantel Clock Set, crafted in the style of Sèvres, embodies the opulence and elegance of French decorative arts. The set includes an intri...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

A very fine and Palatial French 19th Century Louis XV Style gilt bronze figural cartel clock by Lerolle Frères, the finely frame body with a circular face with Roman numerals, the ce...

French 19 century Louis XV style Chinoiserie motif gilt bronze cartel clock works signed Raingo Freres.  

Indulge in the charm of 19th Century French artistry with this exquisite Louis XV Sevres style blue celeste vase, complete with its matching covers. Drawing inspiration from the eleg...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

A fine ornate antique French Louis XV style gilt bronze photo frame with back easel stand, Napoleon III era, circa 1880. Richly decorated with neoclassical style motifs such as faces...

Louis XV Style Gilt Brass Mantel Clock, late 19th century, case surmounted by a cherub seated by a clamshell, surrounded by seashells and dolphins and fishtails, the circular dial wi...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

This elegant pair of antique faience vases was crafted by the Faïencerie de Gien in France circa 1920 and is marked “Gien France décoré à la main” on the base. Hand-painted in rich c...

Vintage 20th century A.C.F. white porcelain and ornate gilt brass French limoge style mantel clock, hand painted with pink and blue florals. Rectangular base supporting four columns,...

Magnificent elaborate gilt bronze picture frame with a guilloche inset matt. The frame with garlands and swags with original oval glass an metal back with easel.

This exquisite 19th-century French Louis XV style long case clock features intricate ormolu mountings that highlight its elegance. Adorned with finely detailed floral motifs and cher...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

A fine and richly decorated French porcelain jardinière by the Sèvres manufactory, dating to the late 19th or early 20th century, distinguished by its opulent cobalt blue ground and ...

A French Horloge De Parquet, or tall case clock made of solid cherry. The case is from the 18th century and the clock is from the late 19th century. In two parts, the case has a tape...

A superb terracotta lion, French 18th century Height: 70 cm Width: 38 cm Depth: 82 cm. Provenance: Private Australian Collection acquired in 1990s.

Pair of exceptionally cast antique (19th century) ormolu gilt bronze candlesticks in the manner of the Louis XV period models by Juste-Aurele Meissonnier (1695-1750), measuring 15 1/...

Bring timeless elegance to your garden or terrace with this ornate antique planter. Crafted in France circa 1860, the oval jardinière showcases a richly sculpted Rococo form with flo...

Imperial mantle clock Made in Italy circa 1970s Made of brass and vibrant blue enamel Original key included Beautiful details

Antique (late 19th century) French Louis XV style three-piece garniture (set) of the highest quality, including large wall clock with matching pair of wall lights (sconces) with Vern...

Antique French Louis XV Boulle Marquetry Ormolu Wall Clock Barometer French, Mid-18th Century Height 133cm, width 34cm, depth 16cm Dating from the mid-18th century, this remarkab...

A Fine Pair of French 19th/20th Century Patinated Bronze Sculptures of "The Marly Horses" After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian br...

Pair of candelabra in the style of Louis XV in gold gilt bronze, 19th century.   

A walnut, burr-walnut and inlaid Dutch longcase clock by W.V Dadelbeek, Utrecht. The case of typical form, trunk door with feather banding, bombe ...

An exquisite Louis XV style bronze mounted Chinese Export centerpiece bowl. The porcelain bowl is finely hand painted with exotic birds, dragon fruits and plants. The bowl features t...

This elegant antique clock would make an wonderful addition to a mantel, console, desk, or side table. Crafted in Rouen, France, circa 1920, the colorful mantel clock features a rich...

Large antique pair of Gothic Cathedral Motif brass prickets - Church/Altar candlesticks with gothic architectural design elements. Ric.0043.    

This exquisite Baccarat style cut crystal and bronze mounted French Louis XV style centerpiece is a stunning example of fine decorative artistry and timeless elegance. The bowl is cr...

19th Century Pair of French Large Gilt Bronze and Porcelain Candelabras Dimensions: cm H 82 x W 50 x D 34. Base 35 x 34 cm This pair of large candelabras was made in France in the 19th century from chased and gilded bronze, adorned with heron figures and floral decorations in hand-painted polychrome porcelain. Executed in the Louis XV style, they feature a pierced gilded bronze base with rocaille motifs, consisting of scrolls and phytomorphic elements. On the base rest the porcelain heron...

Pair of Vintage Venetian Italian Murano Art Glass Figures

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and garlands, influenced in the Louis XV style, by Joseph Reynés I Gurgui (Barcelona, 1850-1926). Signed: Reynes. Barcelona, circa 1890. An almost identical Carrara marble fountain also by Josep Reynés carved in 1893 currently at the Parc de la Ciutadella in Barcelona, Spain. Measures: Overall height: 55 inches (140 cm) Marble height: 49 inches (124.5 cm) width: 37 inches (94 cm) depth: 30 inches (76.3 cm) Joseph Reynes Gurguí (Barcelona, 1850 - 1926) is a Catalan sculptor, also known as Reynesy-Gurgui, Spanish school. He studied at the Ecole de la Llotja, studied for a time in Paris, in the workshops of the great French sculptors Jean-Baptiste Carpeaux (1827-1875) and Carrier-Belleuse (1824-1887). He devoted himself mainly to interior decoration. His works were profoundly marked by a French influence. He exhibited in Paris in 1895 where he received an honorable mention. In 1890 he obtained the first medal in Madrid for "The Violinist". Literature: E. Benezit Dictionaire des Peintres, Sculpteurs, Dessinateurs et Graveurs by Grund - Nouvelle Edition, 1976 - Volume 8, Page 714. Cristina Mensoza, Ramon Casas...

A pair of Louis XV style French two-light cast bronze candle sconces. Nice quality casting with original patina. Not wired, for use with candles. Circa 1900-1920 Dimensions: 10"W x 6...

This pair of bronze candelabras are high quality fire gilded with three candle cups each. These 19th century sculptural candle holders are in the Louis XV style. Starting at the ba...

Crafted near Lyon, France in 1981, this elegant “Horloge Bressane” showcases the refined lines and graceful proportions of the Louis XV style. Built of richly figured burl walnut, t...

A pair of Louis XV style French brass candelabra with four candle cups and nice cast details. Measures: 25.75" Height x 10" Diameter. Base: 5"...

Antique late-19th century French pair of Louis XV style ormolu bronze four-light candelabra, beautifully modelled in the Rococo style, each foliate-sheathed spirally fluted baluster ...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A 19th Century Sevres Porcelain Gilt Bronze Centerpiece Bowl on stand, Signed and Numbered 113 of 327 Measures 10" in width, 10" in depth and 9" in height with stand. 4" without stan...