Louis XV Decorative Objects

Exceptional Late 19th Century French Louis XV Style ormolu and Sevres style porcelain 3 piece clock garniture set Dial marked: Richond / Boult. / Montmartre 21 Paris; Movement marke...

Indulge in the charm of 19th Century French artistry with this exquisite Louis XV Sevres style blue celeste vase, complete with its matching covers. Drawing inspiration from the eleg...

Lovely 19 century French gilt-bronze clock Apparently unsigned The white porcelain dial with Roman numeral hour markers, enclosed in a chalet-formed case with a figure of a boy ridi...

Pocket snuff flask carved from coquille nut. Amazing small pocket snuff bottle, carved from a large coquille nut. This antique piece was created in the shape of a spinning top with two secret compartments which can be unscrewed to open. Made in the continental Europe and most probably French or Portuguese provenance from the 18th century, circa 1780. Extensively decorated with organic and floral motifs with a beautiful image of a nut on the upper part. Curiously due to the shape of this piece, it could be played as a spinning tool on a table. This adds a particular interest for the multiple use with which the carving was conceived. Weight: 42.60 Grams. Measurements: Diameter of 40 mm and a height of 89 mm (1.57 x 3.5 Inches). Hallmarks: No marks, gorgeous deep antique patina. Coquille Nut The coquille nut emanates from swampy areas on the eastern side of South America, from a palm known as the “attalea funiefera”. Brazilians call it “Piassabe”. The nuts were introduced into Western Europe in the mid-16th century, and used for small carved objects until the end of the 19th century. Coquille nut is a fruit of a Brazilian palm...

Two French Louis XV style walnut farinerio flour boxes from the 19th century with carved floral motifs, cabriole legs and tall finials. They are priced and sold each. This charming p...

" Important Pair of Cassolettes in the Louis XV Style, 19th Century. " Pair of patinated bronze cassolettes, marble base, Louis XV style, Napoleon III period, large decoration, Lion...

A most elegant French mid 19th century Louis XV st. Ormolu and glazed Porcelain lidded centerpiece/urn. The Turquoise colored lidded bowl is made of Chinese glazed porcelain and is r...

Stage your backyard or garden with this elegant pair of antique planters. Crafted in France circa 1850 and rectangular in shape, each jardinière stands on small feet decorated with a...

A fine set of French Louis XV style gilt bronze sconces By Gherardo Degli Albizzi Beautifully cast in the traditional manner with all the sumptu...

These vases were made in France in the late 19th century and are modeled after the Sevres vase Grec A Ornements with painted royalty around the rim of each. The vases are gorgeously ...

A fine 19th century French Louis XV mahogany and gilt bronze mounted Grandfather clock. The clock has beautiful mounts and parquetry inlay. The clock rings ...

A striking and high quality pair of French 20th century Louis XV st. ormolu candelabras. Each five arm candelabra is raised by a beautiful pierced base with a scalloped octogonal sha...

Dimensions- H: 6 1/2in W: 2 1/4in D: 2in This Antique French Ormolu Bronze And Marble bust of Louise Brogniart After Jean Antoine Houdon And Signed Thiebaut Fréres is an incredible example of 19th century french decor...

Dimensions- H: 17 3/4in W: 11 1/4in D: 8.5in This Bronze Signed After Claude Michael Clodion titled "Bacchae and Cupid" is an exceptional sculpture and was made with quality in mind....

By Kienzle clock works, Scwennigen-on-Nekar. Patent No. 125605. Made for the European market. A fine parquetry shaped case with floral vine marquetry sides and tall cabriole legs. Th...

Exceptional garniture in the Louis XV/XVI style with gilt bronze mounts attributed to Léon Messagé (1842-1901) and Francois Linke (1855-1946), including mantel clock and pair of cand...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Antique picture frame from the French historicism, the so-called Louis XV style. Beautiful and very heavy bronze work. Signed by the artist "E.Roo". Inside dimension: 13 x 9 cm ...

A Pair of Louis XV Style Gilt-Bornze Six-Light Candelabra by Robert Frères, Cast by Susse Frères. Signed to the base ‘Robert Frères, à Paris’ and with the cachet stamp for ‘Editeur ...

A Pair of Oval Bronze Reliefs After Clodion. Each inscribed to the cast Clodion. Each plaque depicts a Bacchic scene of a maiden dancing with a young s...

An Important and Palatial French Louis XV Style 19th century Gilt-Bronze Cherub and Maiden Mantel Clock "In Search of Love", the movement by "Samuel Marti et Cie." The large and impr...

Antique pair of French Louis XV style double arm candle wall sconces. The backplate topped with a bow has ribbons & drapery. The candle holder are decorated on the underside as well...

Pair of 20th century white porcelain horses on clouds, above rocaille bases richly decorated with scrollwork and openwork foliage. Both figures are marked underneath with two crossed...

An impressive French 19th century Ormolu and Pietra Braschia marble sculpture of Lucretia. The sculpture is raised by a rectangular Pietra Braschia base with an handsome Coeur de Rai...

A most impressive and large scale pair of French 18th century Louis XV period cartel clock and barometer signed Le Roy & Cie, Paris. Each ormolu case has a exquisite a symmetrical design with scrolled foliate movements amidst richly chased branches and flowers. At the center are the original enameled dials one being the clock and the other being the barometer. Each dial is surrounded by an ormolu lattice design while above are period scenes of a gentleman courting a maiden. The young man stands above the young maiden playing a flute while she sits below reading the sheet music. Two sheep seem to be enjoying themselves listening to the music being played. Julien Le Roy (1686-1759) was a major 18th-century Parisian clockmaker and watchmaker. Born in Tours in 1686, by the age of 13, he had already made his first clock. In 1699, he moved to Paris further training. He became maitre horloger in 1713 and later juré of his guild. Further appointments followed, including the Directorship of the Société des Arts, but the pinnacle of his achievement was being appointed clockmaker (Horloger Ordinaire du Roi) toking Louis XV in 1739. He carried on his business from Rue du Harlay until his death in 1759. His son Pierre Le Roy...

A very handsome pair of 19th century silvered bronze 3 branch candelabra in the style of Louis XV. Both showing a trio of richly cast foliate shaped branches fitted with detachable t...

A work of 25" x 30" will fit this great frame that will highlight any great work of art worthy of this great frame. In cm about 24 3/4" x 29 .5" AND 33" x 37.5" overall. A very subst...

A 19th century finely chiseled pair of French Louis XV gilt bronze figural candlesticks in the manner of Juste-Aurèle Meissonier, famous 18th cnetury French designer. Height 12.40 i...

Beautifully decorated hand carved, painted and lacquered, hinged wig box with chinoiserie theme gilding and paint design. Chinese red painted interior. Bras...

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

This vintage Tiffany & Co. French bronze clock dates from the late 19th century (1896). It is elaborately designed in the style of Louis XV & exhibits a meticulous detailed casting w...

ITEM: A LOUIS XV ORMOLU CARTEL CLOCK AUTHOR: CHARLES BALTHAZAR PERIOD: APPROXIMATELY 1745 Dimensions: 40 ¼ in. (102.3 cm.) high, 23 in. (58.5 cm.) wide A mask of Apollo is on...

A Pair of Fleur de Pêcher Marble Vases In the Louis XV Manner Constructed from Italian fleur de pêcher marble and ormolu mounted, the pair of ovoid baluster vases standing on squ...

This is a stately pair of French verdi green marble urns. The urns are adorned by gilt bronze reptiles and a pair of male masks joined by a decorative swag, situated on a marble base...

Drawing from the luxury of Sèvres Porcelain and Louis XV's famed bleu céleste service from Versailles, this elegant French porcelain vase features the trademark shade of blue and medallions revealing scenes of flora and fauna, including pheasants and swans. Adorned with gilt accents on the lip and body of the octagonal vase...

Decorate a console with this antique Imari bowl for a small dose of oriental design in your home. Crafted in Japan circa 1860, the circular porcelai...

A very fine pair of French 19th century Louis XV style figural bronze and five-armed candelabras, each with a figure of a standing cherub holding the ornate scrolled arm candelabra, crowned with a bronze candle snuffer...

Antique late-19th century French pair of Louis XV style ormolu bronze four-light candelabra, beautifully modelled in the Rococo style, each foliate-sheathed spirally fluted baluster ...

A fine pair of antique French 19th century Louis XV style five light gilt bronze candelabra Condition: very good, original gilding with wear commensurate with age. These candelabra...

A 19th century French bronze gilt boar head. The boar with inlaid Glass eyes. D'ore (Gilt) bronze chenets, cast with the figure of a boar head. Boar Bronze...

French decorative candle holder in the Louis XV style. Plated bronze. Good condition with nice patina Shipping 41/20/25 5.8Kg

This elegant bronze silver plated jardinière was created in Paris, France, circa 1870. The oblong antique planter sits on small curved feet and leaves, over a scalloped apron decorat...

An exceptional and most decorative French 19th century Louis XV st. Meissen porcelain and ormolu clock signed Meissen and Crosnier. The clock is raised by a beautiful scrolled ground...

Exceptional antique Inkwell with rich bronze ornaments and three ceramic vessels. The ink jars are painted in a beautiful rich green and embellished with gold colour. France, circa...

Add an air of drama and elegance to your home with this important suite of tall antique candlesticks. Crafted in Italy circa 1860, each candle holder stands...

Louis xv style rhinoceros clock of the 19th century The rhinoceros is surmounted by a box containing the clock, the movement engraved "Martin/ AParis"...

Dimensions: H: 11in W: 9.5in D: 9.5in This beautiful pair of 19th century French Bronze Candelabras are made from the highest quality Dorè or Ormolu Bronze. The craftsmanship of the...

This Louis XV-period gold-mounted snuff box features lustrous panels of inlaid mother-of-pearl. The whimsical box takes the form of a barrel and features hinged lids on both ends. Di...

An early 19th century French marquetry commode de maitrise, or miniature sample commode. Made veneer of mahogany with pine and beech as a secondary w...

Bronze Sculpture of the XIXth Century of Louis XV Style Beautiful bronze sculpture of the XIXth century on its base in blackened wood of ...

Add an air of drama and elegance to your home with this elegant pair of antique candlesticks. Crafted in Italy circa 1880, each candle holder stands on a tripod base ending with scrolled feet; the tall decorative fluted stem is embellished with hand carved leaf motifs. The detailed candlesticks flaunt their beautiful, original two-tone polychrome light...

Pair of finely chased ormolu Louis XV style gilt bronze candlesticks. Intricate bases are decorated with flowers, garlands, scrolls and shells. Rocaille and gadroons swirl around the...

This luxurious Louis XV-period gold snuffbox was crafted by master French goldsmith Germain Chayé. Formed of 18-karat yellow gold, this exceptional box d...

Late 19th century French large Louis XV sculpture of a Putto with Zephyr. A figure of a boy standing on a rectangular plinth, looking aside while holding a ball or stylised poppy ...

Late 19th century French large Louis XV Sculpture of a Putto Representing Summer A small girl standing in ancient Roman style sandals on a rectangular plinth against a rocaille moti...

Our lovely porcelain charger in the Louis XV style from the late 19th century is distinguished by its large size, 18 3/4 inches (47.6 cm) across. It depicts members of the court e...

Magnificent elaborate gilt bronze picture frame with a guilloche inset matt. The frame with garlands and swags with original oval glass an metal back with easel.

Pair antique French Louis XV silvered bronze candelabra, circa 1880.