Engraved Decorative Objects

Luxurious Desk Set Description:Elevate your workspace with this sophisticated set of desk objects, comprising a ballpoint pen, fountain pen, tray, and letter opener, all crafted from...

A rare example of a quarter chiming bracket clock made 1800-1805 by John Allam and Thomas Caithness with an eight day triple fusee movement chiming on ten bells. This clock has an un...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Square, oval-section purse powder compact in 925/1000 sterling silver gold plated with translucent two-tone striped enamel on guilloché and hand-engraved motifs on all sides. English...

French Art Deco Ormolu Serpent Handle, Stamped LT / 2, circa 1925–1935 A rare and striking French ormolu serpent handle, dating to the Art Deco period, circa 1925–1935. Cast in two ...

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

Chinese export silver cigarette case, ca 1910. Curved and rectangular with push tab. On cover engraved tail-chasing dragon—all talons and horns and scaly serpentine body. Back plain....

Sarreid Brass 12-Light Pineapple Candelabra Centerpiece -'Surtout de Table' Spain, Circa 1970s The Sarreid brass 12-light pineapple candelabra centerpiece, also known as a "surtout ...

Square snuff box in 925/1000 sterling silver gold plated with perforated lid, embossed and engraved by hand, with fine round miniature diameter cm. 3.8 hand painted in tempera on veg...

Owl Vase in Ceramic / Sandstone designed in the 1970s. Enameled in a brown and beige color. Nice pyrite enamel giving it a random dotty effect, typical of the period. Minimal Zoo...

Four-leaf clover shaped table box in 925/1000 sterling silver gold plated with translucent fired enamel on a radial guilloché. Modern contemporary style. Dimensions cm. 17 x 17 x 3.5...

A Viennese Bouquet: Art Nouveau Snuff Box by Franco Salimbeni, 1973 This exceptional round snuffbox is a profound homage to the opulent artistry of late 19th-century Viennese Art No...

Giorgio Salimbeni Gold-Plated Sterling Silver and Enamel Photo Frame, Florence, 1970 Elegant rectangular photo frame in 925/1000 sterling silver, gold plated, and richly decorated wi...

Dovedale — has designed two different humidors, a smaller humidor carrying fifty cigars and a more substantial to take a hundred cigars. Both are lined with Spanish cedar to keep the...

The sculpture is modelled as a nude man and woman embracing, 35cm high, each signed R Cameron Like Asian Yin and Yang, this large sculpture merges masculine Renaissance and mythologi...

Gorgeous Italian solid silver vase. Body made in one piece without welding. Embossed and chiseled, of rare beauty and precision. Two important handles made of fusion and finely chiseled were welded onto the vase. The inside of the vase has been gilded in thickness with a non-glossy technique in order to make the overhangs visible and appreciable also on the inside. The vase was marked with the "800" but it was not possible to identify the master silversmith On both sides, the names of the owners of the vase, Maria and Gianni, have been engraved by hand Weight: 1184 grams Sizes: Height cm. 30 at the handles Height cm. 23 vase Width cm. 33 at the handles Width cm. 18 vase.

Pair Antique French Trench Art Brass Shell Vases WW1   A matching pair of Brass Artillery Shells made from World War 1 that have been converted into a decorative pair of vases.   The...

Rectangular photo frame in gold-plated 925/1000 sterling silver with fine hand-engraving by “masters of art” Renato Dainelli and Gianfranco Secci, of fruit (apples) fired with polych...

We are happy to offer you this brass-hammered menorah. With Hanukkah just a few weeks away, now is the time to treat yourself to a gorgeous new brass menorah. It has a hammered finish that is contemporary and yet classic. So light up your home and the festival with this beauty! Approximate Height 30 - 35cm. We sell several of these candle holders through a year and because these items are unique individual handcrafted they would have a slight diffrences on each one. Vintage Style Brass 9-Branch Menorah, Israel Hanukkah Candelabrum, Jewish Candle...

Set of 4 George III sterling silver candlesticks. Made by William Abdy in London in 1779. Each: Urn socket with detachable bobeche; tapering pillar on stepped and raised foot. Low re...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Hones...

Stunning Pair 18th C Louis XVI French Bronze Recumbent Sphinx Chenets France, circa 1790  A stunning pair of 18th-century Louis XVI French bronze chenets featuring recumbent sphinxes...

Frame in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè. Shaping taken from the tiles of the North Door of the Baptistery of the Florence Cathedral ...

A fine example of an English tall clock with japanned case by clockmaker Phillip Avenell of Farnum (d. 1783). Avenell was part of the renowned and p...

Franz Bergman Style 19th-Century Austrian Bronze & Coconut Camel Inkwell A rare and whimsical 19th-century Austrian figural inkwell in the Franz Bergman...

Art Nouveau ∧ Acid-Etched Centerpiece Attributed to St. Louis, France, circa 1900s Two Pieces: Art Glass Bowl and Ormolu Base An exceptional Art Nouveau centerpiece attributed to ...

Shaped rectangular pocket cigarette case in 925/1000 sterling silver with translucent fired enamels on guillochè with Art Deco style geometric de...

A Chinese Ink Box crafted from bronze, with engraved Chinese characters from the early 20th century. This item may also be used to store a collection o...

19th-century Russian silver and cut glass swing-handled basket Russia, circa 1880 Stamped in a rectangular cartouche. 875 grade  Immerse yourself in the opulence of 19th-century Rus...

Small size, early 1900s Gothic Revival light fixture. In architecture, a chimera or grotesque is a fantastic or mythical figure used for decorative purposes, but in the 12th and 1...

Add a touch of vintage charm to your jewellery collection with this beautiful elephant ring holder. Crafted from high-quality metal with silver plating, it is the perfect addition to...

French Ormolu Cartouche Box with Miniature Portrait of Princess de Lamballe, Signed, Paris, circa 1900 This refined French ormolu cartouche-shaped box dates to the Belle Époque, cir...

Box Black and Red enamel is Inspired by drawings by Louis Cartier from the early 1900s in Art Deco style and recreated for Cartier USA in the 1980s. It is in 925/1000 sterling. Box B...

Carved Indian Colonial Hardwood Elephant Drinks Table or Stool India for the English Market, early to mid-20th century A charming carved Indian Colonial hardwood elephant drinks ...

Gorham Aesthetic Movement Sterling Mixed-Metal Box with Lizard and Mice, 1883 Dimensions: 3.5" W × 2.5" D × 1.5" H Materials: Copper with applied silver decoration Marks: Gorham, date letter “P” for 1883 A finely crafted American Aesthetic Movement mixed-metal box by Gorham, executed in copper with sculptural silver appliqué. The domed lid features a dynamic lizard in high relief, accompanied by two playful mice in motion, all arranged above a silvered ground with grasses and textured earth. The decoration is set asymmetrically against the warm copper body, leaving generous areas of polished surface that highlight the contrast between metals. The interior is left plain, showing use consistent with age. The imagery reflects the strong influence of Japanese Meiji-era design on Gorham in the late 19th century. Themes of small animals and naturalistic vignettes were drawn directly from Japanese art, where lizards were regarded as symbols of protection and renewal, and mice were associated with quickness, fertility, and in some contexts, good fortune. Together, they create a whimsical narrative of pursuit, rendered with wit and naturalistic detail. This work exemplifies the Aesthetic Movement credo of “Art for Art’s Sake,” emphasizing beauty, asymmetry, and nature study over traditional allegory. Gorham’s mixed-metal line, developed in the wake of the 1876 Centennial Exposition, sought to rival Tiffany & Co. in innovation and design, producing decorative objects that were both functional and avant-garde. Comparable Gorham copper...

French Baccarat Crystal Patch Box with Sulfide Cameo of Psyche France, circa 1840–1860 Dimensions: 1.75" diameter × 0.75" high A rare mid-19th-century F...

Art Deco Wrought Iron Candleholder - Floral Ivy Candle Stick - France 1920s Rare and elegant candlestick, made of wrought iron, depicting ivy leaves, berries and branches. The cand...

Designed and retailed by Hermès, made in collaboration with Ravinet d'Enfert, Paris, France, circa 1930. A pair of large photo frames, crafted out of sterling sliver with engine turn...

Chinese Blue & White & Incised Porcelain 'Jiangnan Mountain' Cylinder Vase, China, 19th Century  A rare and unique Chinese Blue and White Incised Porcelain 'Jiangnan Mountain' Cylin...

Sterling silver vase in Art Nouveau - Liberty style made entirely by hand. The preparation of the structure of the vase required several processing times. The vase was made in differ...

Pair of neoclassical alabaster and polychrome scagliola urns, Florentine workshop, last quarter del XVIII secolo. Provenance: dukes of Fitz-James and heirs. This rare pair of neocl...

Horse statue made in solid silver 800 completely handmade. The horse was made in two parts with the technique of fusion in the earth and once cast and detached joined by welding. S...

Educational sheet illustrating a series of horses depicted in various positions and gaits—walk, trot, gallop, rearing, bucking, lying, etc. Each figure is accompanied by a Japanese c...

A British interwar Egyptian Revival brass, copper and metal charger, engraved and inlaid with stylized hieroglyphic motifs within a continuous banded border. The central field featur...

A Radiant Octagonal Frame in Guilloché Enamel by Franco Salimbeni This exceptional octagonal frame is a masterclass in contemporary Italian craftsmanship, where the ancient art of g...

925 silver playing card holder. The object was handmade, starting from a 925 silver sheet and shaped into a rectangle. Left smooth on three sides and underneath, an engraving depicti...

French jade vase ank inkwell Vegetal motifs of flowers and leaves Can be used for a little floral composition Good condition. Shipping: P 4 L 15 H 8 0.1 kg.

Signed Mon ALPH. GIROUX PARIS Elegant pair of trumpet-shaped vases with flare neck in engraved crystal decorated with leafy interlacing and beads friezes. Removable, they are enclos...

Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...

Luxurious Desk Set Ballpoint pen, fountain pen and small pocket magnifying glass in 925/1000 sterling silver with translucent polychrome fire enamels on guilloche in an early 1900s A...

This is a beautifully crafted Art Deco period Sterling Silver Lady's Compact or necessaire. This stunning engraved and monogrammed compact opens to reveal a sterling silver interior with fittings for two different types of coins and a covered powder dispenser...

19th Century Anglo- Indian Engraved & Jeweled Bronze Cobra Candlestick India, Circa 1890 One the finest examples of late 19th century Anglo- Indian bronze cobra candlesticks, ma...

This is a French bronze metal overlayed round glass hand painted vanity/powder jar. The glass jar is decorated with a pattern of pierced columns of flowers alternated with engraved l...

A very early Victorian sterling silver gilt viniagrette by Francis Clarke, Birmingham, 1841. This very nice vinaigrette is in fine condition with an engine turned top, engraved with ...

A fine antique Irish sterling silver footed bowl by William Egan, County Cork, 1911. The bowl having an everted rim above a stepped globular body which i...

Solid silver 800 silver neo-Gothic silver table clock. The clock was made in casting and chiselling. Mechanical mechanism

A horn for carrying gunpowder having engravings of two decorative trees, one decidious and one evergreen, each in a container, finely done, and also the initals MP. Retaining orig...

Powder case for handbag in 925/1000 sterling silver with black and red fired enamel. Opening with spring button. Ground mirror and retina inside. Measure cm. 7.3 x 7.3 x 1.5. Weight gr.250. Created in the Art Deco style for Cartier USA in the 1980s, inspired by designs by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 750°<800° C. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Baroque-style round box. The body and lid of the box are engraved with scrolls, typical of the Baroque style. To highlight this workmanship, a knurling, that is, a dense hammering, w...

Very nice engraving "dressing for the masquerade" by Francesco Bartolozzi after the painting by George Morland. It represents 3 characters in a ru...