Engraved Decorative Objects

Grand Tour Bronze Reduction of Il Porcellino “Borghese Boar” Mounted on a Carved Alabaster Neoclassical Plinth Italy, 19th Century A finely cast Grand Tour bronze model of the celeb...

Antique hand hammered silvered metal engraved beaker beautifully hand chiseled and decorated with geometrical and botanical patterns motifs. One of a kind old Islamic Mughal style lassi drinking metal cup from India beautifully hand etched by artisan. Superb craftsmanship highly decorative beaker, so called lassi cup. This gobelet is hand-engraved in the intricate Mughal style with floral designs and wears a timeworn patina. Mughal Moorish Persian style drinking cup hand crafted, engraved by hand, all by traditional ways and methods used in India. Heavy, sturdy, stunning and unique made of thick, partially silvered metal, all hand tooled, chased and hammered these cups today make wonderful vases or beakers to store paint brushes or pens or use as a small vase on a nightstand or small Moroccan side table...

A conical sterling silver vase produced by Tiffany between 1907 and 1947. The round, double-stepped base is beautifully proportioned for the size of the vase, making it very stable. ...

Tibetan Cast Bronze Panchmukhi Shiva Motif Hanging Cachepot/Planter This unique mid-20th century or older Tibetan cast bronze hanging cachepot/planter illustrates a rare and symboli...

Hand-Carved Wooden Cod Wall Sculpture by Jan Nilsson, Scandinavian Art A striking and highly collectible hand-carved wooden cod wall sculpture by Jan Nilsson, showcasing exceptional...

Agate & sterling silver English oval box, Birmingham, 1851. Gilt washed interior. Patch or snuff box, suitable for cuff links, trinkets, etc. Made by Hilliard & Thomason, Birmingham,...

Dutch 833 standard silver scent box, 1873 hallmarked. A "loderein", aka sponge box for applying perfumed water with a sponge or cotton ball kept inside. Now useful for peppermints, s...

All hand-carved, Victorian Era, Black Forest hiking bear and cub, liquor tantalus set. This finely carved Black Forest drinks set, dates from circa 1880 and it is both decorative an...

Vintage Bohemian crystal vase from the Fipop series was crafted by Ludwig Moser & Sons Glassworks in Karlsbad, former Czechoslovakia, in 1920s. The vase features faceted cut sid...

Faux Book / Tome Gilt Tooled Leather & Bronze Table Box 'Old English Homes' This exquisite faux book or tome box is a remarkable piece of decorative art, blending meticulous crafts...

A Modern Heirloom: Large Square Guilloché Enamel Frame by Giorgio Salimbeni Presented is a commanding and radiant square photo frame, a masterwork of contemporary Florentine jewelry...

Charming and finely made vintage desk clock by the iconic Cartier. Made in Paris, France this beautiful example is presented in superb vintage condition and come with the original po...

Vintage set of two brass footed bowls features bands of abstract decor depicting a traditional Chinoiserie dragons flying through clouds. The bands are placed under the minimalist fl...

Silver-Plated Standing Peacock Figurine, Vintage Decorative Sculpture Majestic and refined, this silver-plated standing peacock figurine embodies grac...

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

“Liggend (Reclining)” by Kyle Smith, Bronze Nude with Ponytail, Edition 2 of 9, 1999 Signed, Dated, and Numbered Dimensions: 7” W × 3.5” D × 3.5” H Patina: Dark Engraved Verdigris ...

Cigarette case in the shape of a packet of long cigarettes in 925/1000 sterling silver with black fired enamel in Art Deco style, early 1900s. With lost hinge, i.e. semi-invisible. ...

18th century Dutch brass tobacco box with hinged lid engraved with five circular medallions containing the busts of male noblemen figures with inscriptions and dates, the most recent...

Marcel Bouraine Art Deco Bronze Bird Bookends 1930s These Art Deco bookends by Marcel Bouraine are playful pieces made of silvered bronze and moun...

Two large candelabra-candlesticksdecorated with lion claw and cherub heads on the on the visible side . They are turned wood and are decorated, engraved and gilded only on one side ...

Ovalized handbag perfume holder in 925/1000 sterling silver with screwed cap and geometric engraving fire enamelled, in Art Deco style, early 1900s. Measurements cm. 1.5 x 2 total h...

Large oval table box with mechanical musical movement by the Swiss company Reuge S.A. in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché and on fine ...

A fine quality antique Russian Imperial silver tea caddy, engraved in the Chinoiserie style, by Gustav Klingert, Moscow, dated 1894. Gu...

French scent bottle carved in rock quartz. This is a gorgeous antique scent perfume bottle created in Paris during the French restoration period, back in 1820. This exceptional bott...

French School Patinated Bronze Dachshund Sculpture This finely cast French School patinated bronze dachshund sculpture beautifully captures the breed’s signature charm and elegance. Expertly cast in bronze with a rich dark patina, this work highlights remarkable detail, from the dachshund’s expressive eyes and floppy ears to the sleek contours of its elongated body and poised stance. The smooth yet subtly textured surface enhances its lifelike quality, making it a captivating decorative sculpture. Standing 9.75 inches high, 17 inches wide, and 5 inches deep, this substantial bronze piece has a commanding presence while maintaining a refined and understated elegance. The artist’s attention to anatomical accuracy and naturalistic posture makes it an excellent representation of the beloved breed. Ideal for dog enthusiasts, collectors of fine bronzes, or admirers of French animalier sculpture...

A Mamluk style engraved and punched brass jardinière ottoman Damascus or Egypt, early 20th century The deep tapering body with short undulating neck decorated with calligraphic insc...

Imperial Russian Copper Cachepot with Elephant-Head Handles, Moscow, c. 1900 An exceptional Imperial Russian copper cachepot or planter, produced in Moscow in the late 19th to early...

Hermcès Stirrup Shaped Pencil and cards Holder in Brass and Leather Exceptional Hermès Stirrup Shaped Pencil and cards Holder ...

Small round frame with flat edge in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche, English style, early 1900s. External diameter cm. 7.2, internal c...

Rectangular table clock with rounded vertical sides in 925/1000 sterling silver with translucent fired enamel on guilloche, in Art Nouveau style from the early 1900s. Hand-engraved e...

This exquisite inkwell exhibits the mastery of Baccarat's workmanship. The molded crystal body is decorated in one of their more rare Classic patterns Moulure Russe with concentric swirling spirals...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Antique French Silver Plated Brass Stamp Box Case Figural Cherry B. Wicker France Silver plate, brass Late 19th Century Dimensions: H x W x D: 2cm x 6.5cm x 3.5cm This antique wa...

Beautiful and large footed cameo glass vase in the Art Nouveau style depicting blooming blue violet flowers on a pale yellow ground. Signed Galle. 12 1/2 by 7 inches.

Decanter engraved with acid with floral decoration around 1900 attributed to Daum Nancy and Victor Saglier for the setting. Signature at the bottom of the carafe. Note a slight defor...

Faithful copy of the writing service by the silversmith Pietro Rubini, Milan c.1775 The inkstand is composed of a shaped tray supported by 4 rocailles feet, modeled along the entire profile by finely embossed and chiselled volutes, leaves and shells. Above the tray are two ink holders and two pen holders with spiral workmanship and highly embossed vegetable decorations. A bell in the center of the object rests on a FASTIGIO pierced with flowering vines. By Fiorentini, Argenterie di Milano - Italy for ARVAL ARGENTI VALENZA Italian silverware...

A hinged box designed by Ernest Cambeau. A beautiful hinged box, created in Paris France by the silversmith Ernest Cambeau, back in the 1920. This box has been crafted in a cushio...

Charles X Style French Ormolu-Mounted Optic Cut Crystal Casket Box, Signed Lehmann France, circa 1900–1920 A fine French crystal and gilt bronze ca...

Large French Art Nouveau “Femme-Fleur” (Poppy-Wreathed Maiden), Bronze and Cobalt, circa 1900 An evocative and finely cast French Art Nouveau centerpiece, featuring a richly patinat...

Square table box with rounded corners in 925/1000 sterling silver with Art Deco design in fire enamel. Dimensions cm. 10.3 x 10.3 x 3.2. Weight gr. 424. Designed by Giorgio Salimben...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Precious rectangular sewing box in rosewood veneer called. Uncovered, it presents a mirror with braids on the back of the lid. This charming sewing set is lined with moire and pink velvet and is composed of two small square porcelain bottles with openwork polychrome flowers, marked "L" on the bottom, a removable rectangular pad supporting two spools of gold thread and finely chiseled with a central chiseled cartridge-shaped, overhung by a button. A central tray on a raised base holds five sewing items...

Rectangular photoframe in gold-plated 925/1000 sterling silver with translucent fired enamel on a guilloché pattern embellished with a very fine hand engraving. External border in Fr...

Unusual 19th-century German . 800 Silver Snuff Box with Repoussé Rural Scenes and Fruit Basket Lid A charming and unusually shaped 19th-century German silver snuffbox, expertly craf...

6238-7239- Pocket cigarette case with spring button in 925/1000 fire-enamelled sterling silver with beautiful vessel miniature hand-painted by th...

Large Pair of French Modern Forged Copper and Iron Sculptural Flower Vases, circa 1960s A striking and highly sculptural pair of French Modern flower-form vases, hand-forged in copp...

A rather incredible and rare three-tier antique American wall frame that is four inches deep with the first inner frame having hand decorated gilded scroll work. All that gilding dir...

An exceptional, fine and impressive antique Victorian English sterling silver tobacco box; an addition to our smoking related silverware collection. This exceptional antique Victorian sterling silver tobacco box has a plain oval rounded form. The underside of this box is embellished with a bright cut engraved stemmed rose, floral and foliate design; this indicates the high quality of the piece, as typically the underside would remain unembellished. The upper portion of this antique silver tobacco box...

Jewelery box in solid 800 silver in Baroque style. This box was made by faithfully and perfectly copying the fashion jewelry boxes in the noble houses and villas in Italy in the 18t...

Pair of French Silver & Cut Glass Armorial Dresser Jars—AF Monogram, Bamboo Motif, 19th Century This elegant pair of French silver and cut glass dresser jars showcases exquisite cra...

This is a Fred Zimbalist Thorens silver music box shaped as an old phonograph with trumpet horn. All the silver panels that make the box and the hor...

An antique English hand colored framed print titled "Billiards" Gentlemen playing billiard scene. Designed and etched by E.F. Lambert, published by Thomas Mc Lean, 1827,Haymarket, Lo...

A rare antique 17th-century Italian Baroque walnut jewelry or strong box, circa 1600. The box made from solid walnut, the substantial box having a locking hinged lid with hand-forge...

Belle Époque Ormolu-Mounted Loetz-Style Art Glass Centerpiece, circa 1890 A striking Belle Époque centerpiece bowl featuring a vivid green marbled art glass insert in the style of L...

Square pill box with 2 slightly rounded sides, in gold-plated 925/1000 sterling silver with translucent enamels fired on guilloché. Dimensions: 4.3 x 4.5 x 2 cm. Weight: 95 g. Design...

This sculptural vessel draws from ancient Mediterranean storage forms, reinterpreted through a contemporary Maison Lamiè lens. The silhouette echoes classical amphora proportions, wi...

Clear crystal box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish and the semiprecious stones (Malachite). The c...

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

An art deco guilloche enamel box designed by Deakin & Francis. This is a fabulous squared antique case-box, created in the city of Birmingham England at the silversmiths of Deakin &...

21st Century Italian Sterling Silver 4 Lights Candelabra 4 flame sterling silver candelabra. The base was made with the ella fusion technique and modeled with acanthus leaves. Subseq...