Cocobolo Vases and Vessels

A very cool midcentury mosaic and wood lidded box, circa 1960s. The piece is in very good vintage condition with some wear and patina. #1444.

Beautiful abstract design, black color field with graphic design consisting of reds, blues, oranges and yellow. Signed Oeganda. Number 125.

Italian Marble Vase. Vintage Richly Veined Marble Vase with Curved Top. Please watch the video and photos carefully, thank you. Top diameter: 15.8 cm Base diameter: 12.5 cm Weight:...

Large geometric ethnic ceramic floorvase, height 52 cm, Diameter 34 cm. This piece of pottery has no stamp, only a number referring to the height. Heritage unknown. Its a real eyecat...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

Great detail in this signed ceramic vase with a glazed white ceramic and detailed with cut and formed ceramic ornamentation around upper portion. Well executed.

Just a beautiful stylish vase in matte brown with yellow stripes from the sixties

Large Mid-Century Modern blue glazed ceramic (Rimini Blu) round lidded box , Manufactured by S.I.C Ceramiche Italy, 1950-1960s. It has reminiscences in those Rimini blue designs from Aldo Londi and Bitossi...

A circular faceted box with hinged lid, circa late 19th century. Overall gilt patterned decoration with raised ruby tone glass panels. The domed lid with f...

Peruvian exotic wood box with nickel framed ancient Nazca textile top.

A beautiful ceramic vase, attributed to the Italian maker Bitossi. The vase is not marked. The blue color, shape and structure are characteristic of Bistossi. The vase is in good co...

This mid-20th century Arts and Crafts–inspired hand-carved wooden lidded vessel is a beautifully crafted decorative object that showcases skilled traditional woodworking. The vessel ...