1910s Vases and Vessels

Royal Copenhagen crystalline vase, signed Valdemar Engelhardt, the silver was made by The Royal Silversmith Michaelson. Presentation to Dowager ...

Paul Nicolas / Nancy for D'argental, France. Large Art Nouveau vase in cameo glass with flowers. Dated 1919-1925. In very good condition. Stamped. Measures: 30 x 9 cm. ...

The vase by Loetz from around 1910, features white glass with a red overlay and is intricately etched with a rose motif. The leafs of the rose stand out in light pinkish to deep purp...

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

French Art Nouveau mottled glass single-flower vase by DAUM (Nancy), France, 1910-1915. Colors : pink, purple and orange. Height : 18.7"(47.5cm), Diameter : 5.5"(14cm). Signed "Daum ...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Pavots » circa 1910 Multi-layered glass Triple overlay, green, red and yellow glass Acid-etched cameo decoration of poppi...

Vase "Perruches" made in molded cased butterscotch (cased yellow and opalescent) glass with sepia patina by Rene Lalique in 1919. Engraved signature on bottom and engraved signature...

Vase "Perruches" made in electric blue glass with white patina by René Lalique in 1919. Engraved control signature on bottom. Perfect condition. Exceptionnal and deep color and grea...

Antique Rookwood cabinet vase / footed bowl / compote featuring Art Deco styling with brown matte glaze. Marked circa XIX 1919, 2093 shape. Dimensions: 3.5" x 3.25" (Diameter x Hei...

Elegant thrown porcelain vase with an expansive and vibrant aquamarine crystalline glaze on a sand colored base by master French ceramist Taxile Doat, from the University City Porcelain...

Impressive Art Nouveau Emile Galle Cameo landscape vase, 7 1/2 inches tall, in a variety browns and yellows with a hint of opal, signed in came...

A Rare Art Nouveau Cameo Glass Vase with Clematis Decor, by Émile Gallé Nancy Emile Gallé Cameo glass vase, richly decorated with branches with flowe...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Pavots » circa 1910 Multi-layered glass Triple overlay, green, red and yellow glass Acid-etched cameo decoration of poppi...

A gorgeous Arts & Crafts or Art Nouveau period Favrile iridescent art glass tall trumpet vase By Louis Comfort Tiffany for Tiffany Studios (signed to the underside) USA, Circa 1910...

Delicate soliflore vase with berries and leaves decor. Multi-layered glass, with a decor intricately cleared with acid through vivid crimson red against a deep yellow glass ground. T...

Presentation to Dowager Queen Louise, widow of King Frederick the 8th of Denmark, on the occasion of her 50th anniversary as a member of the Danish royal family. She was the daughter of King Charles 15th of Sweden and Princess Louise of the Netherlands. The vase made in 1915, chosen and mounted for presentation in 1919. Signed Valdemar Engelhardt...

Rozenburg, Den Haag. Large Art Nouveau vase with handles in glazed ceramics with flowers, 1910s-1920s. Measures: 27 x 21 cm. Stamped. In very good condition.      

Émile Gallé (1846-1904), France. Large art glass vase with purple flower decoration. Approx. 1910s. In perfect condition. Signed. Dimensions: H 36.5 x D 8.3 cm.

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

Very Rare Moriage Netting From our Japanese collection, we are thrilled to introduce this fine Japanese Moriage Cloisonne Enamel Vase. The Cloisonne Enamel Vase of baluster form wi...

The title of the work and its imagery, Golo Morgh (Bird and flower), references gol o bolbol. The gol (rose) and the bolbol (a nightingale) motif – a sub-theme of the bird and flower...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Émile Gallé (1846-1904) French Art Nouveau Cameo Mold Blown Glass Vase « Fleurs de Pommier » circa 1910 Beautiful and very rare Art Nouveau molded-blowned g...

PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production for commercial porcelain manufacturers, Dalpayrat’s ey...

This highly unique Art Nouveau Hand-Painted Ceramic Vase Signed Gouda originates from the Netherlands, Circa 1910. This piece features a stunning surface in ornately hand-painted nat...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

Cylindrical glass vase with etched decoration. The vase was designed by Josef Hoffmann, co-founder of the Vienna Secession and the Wiener Werkstatte. The vase was produced by the Boh...

Vase "Fougeres" (Ferns) made in frosted glass with grey patina by René Lalique in 1912. Engraved signature and molded signature into leaves. Perfect condition. Beautiful patina. He...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Le Verre Francais glass vase, circa 1910.

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Literature: A. Duncan and G. de Bartha, Glass by Gallé, London, 1984, p. 200, pl. 304 J. Bloch-Dermant, Le Verre en France: d’ Emile Gallé à nos jours, Paris, 1986, p. 30 (for relate...

Antique Arts & Crafts art pottery Hudson Perfector vase by Weller Pottery features a pink and white floral design on graduated sea foam green to blue ground, artist and maker signed ...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Rene Lalique clear and frosted glass L'elegance perfume bottle. This pattern features two dancing female figures amongst flowers. Sepia stained relief details. Moulded, 'R. LALIQUE' ...

Antique American Art Nouveau Rookwood three handled vellum vase, Lorinda Epply, 1915. The blue vase of reversed bell shaped with three elongated handles, around the wide mouth of the...

Introducing a very rare and adorable Arts and Craft Yellow Flower Vase in Irregular Shape by Hilma Persson Hjelm, Sweden. It embodies the essence of...

Tiara Perfume Bottle "Leurs Ames" made in glass by Rene Lalique in 1913 for D'Orsay Molded signature on bottom. Perfect condition. Exceptional and extremely rare bottle. height :...

An exceptional pair of Art Nouveau tulip shaped art pottery vase decorated in streaked blue glazes dating between 1909 and 1922. The vases stand on wide rounded slightly domed feet the tall slender tulip shaped bodies with a slightly narrowing neck and wide open tops. The vases are beautifully glazes in streaked turquoise and blue colored glazes transitioning to very intense dark blue glazes around the feet and lower body. Both vases are impressed ASHBY GUILD...

Antique 20th century Japanese hand painted ceramic pottery vase. Embellished with gold gilt accents and raised enamel figural and tree decorations. Signed.

WWI Trench art vases etched with the French Rooster, bows, and the year 1917. Trench art was art commonly made by soldiers with shell casings to pass the time in the trenches of WW...

Literature: A. Duncan and G. de Bartha, Glass by Gallé, London, 1984, p. 200, pl. 304 J. Bloch-Dermant, Le Verre en France: d’ Emile Gallé à nos jours, Paris, 1986, p. 30 (for relate...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Honest...

A Wedgwood Lustre Butterfly vase designed by Daisy Makeig-Jones circa 1915 as part of her revolutionary Ordinary Lustres line at the manufactory. This Wedgwood lustreware vase is a ...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

Emile Gallé vase in frosted and overlaid brown art glass carved with motifs in the form of flowers and leaves, circa 1910. In very good condition. Measures: 38 x 11.5 cm. Signed: ...

Antique 20th century Japanese hand painted ceramic pottery vase. Embellished with gold gilt accents and raised enamel figural and tree decorations. Signed.

Very Rare Moriage Netting From our Japanese collection, we are thrilled to introduce this fine Japanese Moriage Cloisonne Enamel Vase. The Cloisonne Enamel Vase of baluster form wi...

Large French Art Nouveau vase by DAUM (Nancy), France, 1910-1915. Rosehip flowers. Large double-blown glass vase in the shape of a baluster shouldered with an open neck, decorated wi...

This is a very fine high-footed campana made by Royal Crown Derby in 1916 in the Edwardian style. The vase has a deep cobalt or mazarine blue ground with sublime raised gilt decorati...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

The vase by Loetz from around 1910, features white glass with a red overlay and is intricately etched with a rose motif. The leafs of the rose stand out in light pinkish to deep purp...

Antique Kyoto-Awaji turquoise blue crackle glaze bottle vase. Beautiful form with great color. 12 1/4" high, 5" diameter. Excellent condition.

Wardle by Frederick Rhead attributed. An Arts & Crafts planter with tube line decoration of stylised sun flowers and leaves, in strong rich colours.

Bronze vase with feathered morises, patented, made in the early 20th century. Ø 25 cm Ø 13 cm h 16 cm

vase, Josef Hoffmann, Johann Loetz Witwe, Weiss Opal außen Schwarz decoration, glass, mould-blown, etched, ca. 1911 Hoffmann's vase designs from the 1910s are characterized above al...

This antique miniature vase from Meissen is a remarkable example of fine porcelain craftsmanship. Crafted from pristine white porcelain, it f...

Bottiglia in Porcellana di Meissen con tappo in argento 800, realizzata nei primi anni del XX Secolo Ø cm 10 h cm 28 La porcellana di Meissen è considerata uno dei primi e più preg...

Beautiful large Sgraffito Vase by Josef Ekberg made in 1911 at his studio at Gustavsberg Porcelain Factory, Sweden. Blue flower decoration against a light blue background. Josef Ekbe...

Liberty vase in transparent glass and pewter carved with ladies, made in the early 20th century Ø cm 16 h cm 28 Art Nouveau is an international style of art, architecture, and appl...

Daum Nancy, France. Large antique vase in mouth-blown art glass decorated with lake landscape and trees, circa 1910. Measures: 31 x 15 cm. Signed....

Tiffany Studios Favrile decorated glass loving cup with three coiled handles. Circa 1910 Engraved "L.C. Tiffany - Favrile, 3633D Measures: Height:...

Found in France, this French confit jar dates from approximately 1915. This piece stands 7.25” high and has the traditional form with a wide vessel body and two handles on the sides ...

The Cyclamen perfume bottle is a strong Art Nouveau example of R.Lalique ‘s style in the begin of the 20th Century. The butterfly Ladies are represented on the different surfaces of...

Fabulous footed L C Tiffany Favrile vase in iridised gold, ribbed, double waisted and with wavy top -in a good size-7 inches tall. Fully signed wi...

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

Rare large stoneware vase by fine Art Deco ceramist Louis Lourioux. This vase is in excellent condition and signed under the base with one of Lourioux's iconic signatures 'à la louve'.

This exceptional early 20th century silverplate epergne has elegant detail work on the 4 tulip inserts which can hold flowers in the central area ...

Large French Art Deco stoneware planter by DENERT & BALICHON (Vierzon), France, 1910s. Height : 9.25"(23.5cm), Diameter : 11.8"(30cm). Signed "Denbac" and numbered 122 under the base...

A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opa...

Exquisite art deco vase in stoneware by Louis Lourioux. This piece is in exceptional condition and would be a brilliant addition to any collection.

Art Nouveau vase by Émile Gallè polychrome glass, France 1900/1910 Intact and in good condition, signed. Gallè's innovative techniques established him as one of the best glassmakers...