1910s Vases and Vessels

The Six Figurines and Masks Vase was created in 1919 in white glass . The vase is a typical exemple of R.Lalique ´s classical background . The Figures and Ma...

This beautiful German Art Nouveau Ceramic vase was made circa 1910. It has a brown painted base and is decorated with a crane and reed. Typical motives for this time. On the top of the vase are leftovers of a paper sticker which can be easily removed. A unique piece which is a great eyecatcher for your antique, modern, Space Age or midcentury interior. Art Nouveau: The epoch of Art Nouveau is not too long. It begins circa 1894 and ends circa 1906 at the latest when the Dresden exhibition shows new tendencies...

French ceramic vase, Cauterets. Signed. Conical vase, blue-gray glaze running on beige-brown ground, France, circa 1910. Heights: 17 cm.  In perfect c...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Fabulous footed L C Tiffany Favrile vase in iridised gold, ribbed, double waisted and with wavy top -in a good size-7 inches tall. Fully signed wi...

Rene Lalique "Leurs Ames" tiara perfume bottle made in 1913 for D'Orsay in molded clear glass with sepia patina. Molded signature on bottom. Exceptional and extremely rare bottle...

Large French Art Deco stoneware planter by DENERT & BALICHON (Vierzon), France, 1910s. Height : 9.25"(23.5cm), Diameter : 11.8"(30cm). Signed "Denbac" and numbered 122 under the base...

Exquisite art deco vase in stoneware by Louis Lourioux. This piece is in exceptional condition and would be a brilliant addition to any collection.

This exceptional early 20th century silverplate epergne has elegant detail work on the 4 tulip inserts which can hold flowers in the central area ...

A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opa...

Art Nouveau vase by Émile Gallè polychrome glass, France 1900/1910 Intact and in good condition, signed. Gallè's innovative techniques established him as one of the best glassmakers...

Delicate baluster vase with bulbous body on round, offset stand with long, slender neck widening slightly to flared rim, colourless glass with flaky white and reddish powdered enamel...

2 Vases WMF Signs: Page: 371 in the Book – Art Nouveau Domestic Metalwork from WMF Wurttembergische Metallwarenfabrik: The English Catalogue 1906 Hardcover. WMF G: Introduces on ...

This highly rare and innovative Iridescent Favrile Art Glass Gord Form Vase is by Louis Comfort Tiffany and originates from the United States Circa 1916. This vase is a true gem, wit...

Lidded Abarello by Galileo Chini.

Original intricate cut glass vase by Moser Glassworks from ca. 1910-1920. Designed by renowned Karlovy Vary based designer Ludwig Moser it features a scal...

A handmade blue pot by Josef Ekberg for Gustavsberg. Each piece is unique and decorated with the Sgrafitto technique that was developed by Ekberg himself. ...

Daum cameo glass landscape vase with sailing boats C1910. Quite dramatic and moody landscape / seascape vase depicting sunset with red and yellow skies. Signed in the cameo, Daum Nan...

Perfume Bottle Tiara "Pâquerettes" (Daisies) made in clear and frosted glass with blue patina by René Lalique in 1913 for Roger and Gallet. Molded sig...

This wonderful glass vase in the hues of a sunset over the sea is signed Lorrain in script.

A rare Bretby Art Nouveau high fired ‘flambe’ glazed art pottery vase by Henry Tooth & Co and dating from 1900-1910. This exquisite simple shaped bulbous vase stands on a narrow roun...

Art Nouveau vase by Émile Gallè polychrome glass, France 1910s Intact and in good condition, signed. Gallè's innovative techniques established him as one of the best glassmakers of ...

Rosenthal, Germany, large porcelain lidded jar hand-painted with flower bouquets. Circa 1914. Marked. In perfect condition. Measurements: H 28.5 cm x D 14.5 cm.

Royal Copenhagen crystalline vase, signed Valdemar Engelhardt, the silver was made by The Royal Silversmith Michaelson. Presentation to Dowager ...

Beautiful porcelain jardieniere, made by the French brand Limoges. The jardiniere has beautiful relief decorations, gold-colored accents and a beautiful pattern of colorful flowers. ...

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

Perfume Bottle "Au Coeur des Calices" made in light blue glass by René Lalique in 1913 for Coty. Molded signature. Perfect condition. Sublime and extremely rare bottle. height: 7 c...

Korean Meiping Green Porcelain Flower Vase, Early 20th C DETAILS Signed on the bottom. DIMENSIONS: Height: 14 inches Diameter: 7.5 inches ABOUT VASE This very elegant Meiping vase...

Perfume Bottle "Deux Figurines Bouchon Figurines" (Two Figurines Stopper Figurines) made in glass with blue patina by René Lalique in 1912. Engraved signature. Perfect condition. Be...

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

The Cyclamen perfume bottle is a strong Art Nouveau example of R.Lalique ‘s style in the begin of the 20th Century. The butterfly Ladies are represented on the different surfaces of...

Early unique Patrick Nordstrom, own workshop, pottery vase. Beautiful glaze in earthy colors, 1910s. Signed. Measures: 17.5 x 15 cm. In perfect condition.

This exquisite pair of Art Nouveau perfume bottles, crafted by the esteemed Steuben Glass Company around 1910, exemplifies the elegance and innovation of the period. Each bottle show...

Large Japanese studio porcelain covered vase with finely carved decoration of birds amidst foliage set against a cheerful yellow ground, circa 1910. Measures: 18 1/2" high, 11 1...

This pair of porcelain vases were custom order and uniquely studio painted as described on the base: "Decorated specially for Mrs. AA Carroll by Dizewiecki of the Pickard Studios, Ravenswood Chicago 1912". The rare hexagonal shape is decorated in a Japonsque motif in vibrant polychrome enamels all highlighted in gold. Standing almost 12" tall, these are perfect as mantel (fireplace) vases, on a sideboard and of course filled with your favorite flowers! "The Pickard China...

Müller Freres glass vase with a flower motif. Art nouveau cameo technique. The vase is in excellent condition with no restorations. circa 191...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A wonderful oak and brass umbrella or stick stand. Nice colour of oak Lovely oval shape Remnants of a transfer printed armorial to the front English, circa 1920 Free UK shipping...

A French enameled and etched glass vase with applied handles by Daum. The vase has a pink martelé background. There is carving on the dark green footed base. It is decorated with lig...

Cameo riverscape vase. Signed Daum Nacy with the Cross of Lorraine.

Extraordinary pair of vases, in the Secession style, originals from the Art Nouveau period, made around 1910 by the famous Villeroy and Boch factory, Dresden, Germany. The vases eac...

Shown at Exposition Universelle de Bruxelles, 1910. PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production ...

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

Very impressive jug from the Art Deco period, made around 1915 by the Amphora company from the Czech Republic. The object can be viewed from several sides. On the main display page you can see an impressively designed horse-drawn carriage including a driver in classicist robe and helmet. On the back are geometric flowers. The object is covered all over with art deco motifs in different colors. The handle at the top is very unusually designed. There is a glaze error on the upper side - which is due to production. The object bears the Amphora brand on the underside. Measurements approx.: height 39 cm - 15,35 in, diameter 6,69 in - 17 cm Impressively designed jug...

Exceptional set of two vases, so-called basket vases, made from 1910 - 20, by the famous Amphora factory in Bohemia. The vases have a round base and taper towards the top. They have...

Louis Lourioux (1874 - 1930) was at the forefront of ceramic art in the first half of the 20th century. Lourioux, a contemporary of both Emile Gallé and René Lalique, is known for hi...

Christofle bottle (Dinanderie) Bonce origin France without restorations with original patina (very small bumps on the bottom), circa 1010. Art nouveau, modernist art or modernism was...

A rare small World War I interest art pottery vase or possibly inkwell inscribed ‘JOFFRE FRENCH’ and decorated in red lustre glazes by renowned maker Bernard Moore and dated 1914. Joseph Jacques Cesaire Joffre, was one of France’s most influential leaders, played a significant role in shaping the outcome of World War I. He served as commander-in-chief of the French forces on the Western Front from 1914-16 and became an iconic symbol of French resistance for his defence against the German invasion. The bell-shaped vase stands on a narrow round unglazed foot rim and has a wide skirted body narrowing to a small, short, raised funnel shaped neck. The vase is decorated with a cream glazed band over a red lustre ground with the inscription applied around the body of the vase. The vase has a BM monogram...

This exquisite Art Nouveau perfume bottle, crafted in America circa 1910 and signed by Steuben, is a true testament to the elegance and innovation of the era. Its fine sterling silve...

Otto Prutscher has designed several flower-stands for Thonet, this special design is extremely rare. Literature: J. Ulihr, Semper Sursum, Olmütz 2003, ill p124.

Stunning Arts & Crafts / Art Nouveau Planter / Hammed vase ,attributed to Lakeside Craft Shops,, Amazing design, Age appropriate wear, The Lakeside Craft Shops of Sheboygan, Wisconsin was founded by Fred Dennett in 1912 when he was 61 years of age. Dennett had already made his fortune as founder of the Wisconsin Chair Company...

Art Deco sgraffito ceramic vase by Josef Ekberg for Gustavsberg. Layers consist of pale blue ground and a signature mid blue garland of leaves decoration Signed Ekberg and dated 191...

A good early perfume bottle Ambre for the perfume company D'Orsay, designed by René Lalique and made in his glassworks, likely those located in Combs-la-ville, which was before he op...

Pair of French gray-painted cast iron garden urns circa 1910. They feature an unusual, whimsical shape, beautifully decorative rims and a rich patina. Sold together and priced $4,400...

Property of A Private Collector Fine Daum Nancy Glass Perfume Bottle France, circa 1910 The diamond shaped bottle, decorated with a full blown iris...

Hallmarked in Sheffield in 1910 by James Dixon & Sons, this handsome pair of Antique Sterling Silver Vases, are plain in design, and of a larger than usual size. Each vase measures 1...

An Art Nouveau French epergne with an organic hand-made iron frame holding a glass flower vase with a green colored stem that flows into Vaseline through to the frilly top.

Striking Art Deco sgraffito ceramic vase by Josef Ekberg for Gustavsberg. Layers consist of pale blue ground and mid blue palm leaf decoration Signed Ekberg and dated 1911 Height 8 inch, Width 5.5 inch A unique example of Ekberg's craftsmanship In especially good condition. Area of the lightest of crazing, typical of Ekberg sgraffito...

Vase “Six Figurines” made in cleat glass with sepia patina by René Lalique in 1912. Engraved signature signature on bottom and molded signature near the feet of one maid. Perfect ...

Small baluster vase, flush round stand, bulbous body with attached funnel-shaped neck, colorless glass with flaky color powder enamels in white and yellow, in lower part in red, over...

Original intricately hand-painted vase by Moser Glassworks from ca. 1910-1920. Designed by renowned Karlovy Vary based designer Ludwig Moser it features a...

This sweet sized vintage vase features the pomegranate design on a dark cobalt blue background. It was designed by William Moorcroft and produced at Burslem. The base is reassuringly...

Daum Nancy Cameo glass vase, France, circa 1910 decorated with Chinese sailing vessels on a mottled yellow and green ground cameo mark Daum N...

Antique Awaji pottery bottle vase in dark blue monochrome glaze, circa 1910. Beautiful form and color. Hand turned. Impressed export mark on base. 9 5/8" high, 6" diameter. Light scu...

Antique pottery table lamp made by Michael Andersen & Son of Bornholm with penguins. 5 Standing penguins around the core of the lamp. A very recognizable Michael Andersen glaze t...

A gorgeous William Moorcroft, Burslem, England pottery vase, this perfectly formed vase is clearly signed on the base with impressed makers marks and hand signed in cobalt blue glaze...

This Tiffany Studios New York flower form Favrile glass vase is uniquely shaped roughly in the silhouette of a curled flower not yet in bloom, with a rounded, rippled rim. The vase features a green pulled-feather decoration on a cream ground, each feather-pull elegantly mimicking the natural veining and variation of hues that would be found on a young leaf or stem. The vase has an opalescent pink goblet...