Art Deco Ashtrays

A substantial onyx ashtray, Art Deco design period, circa early to early mid-20th century, Europe. Piece is square, polished onyx, with a (removeable) grid top for extinguishing, and...

Ashtray Pintray "Statuette Source de la Fontaine" made in molded glass with grey patina by Rene Lalique in 1925. . Stamped signature on bottom. Perfect condition. height : 11,5 c...

A great 1920 Swedish Art Deco decorative bronze ashtray with tiny candle holder done in a darkened patina. The design is of a woman holding a basket. Signed.

This substantial and heavy Green Onyx Cigar Ashtray is a stunning example of Art Deco smoking accessories, embodying the elegance and craftsmanship of the early 20th century. Carved ...

A stylish Art Deco Czech green malachite glass ashtray supported by three rearing ponies attributed to Schlevogt and dating from 1930s-1940s. The rounded ashtray has a recessed polis...

Three Masted Santa Maria Sailboat Crystal Cigar Ashtray by Lalique, Signed, circa 1940s. Gorgeous sailboat crystal cigar ashtray by Lalique of France. This exquisite piece is in excellent vintage condition with no chips or cracks, and measures approximately 7" in diameter x 1.5" deep with two cigar grooves. #9048 This Lalique cigar...

Round brass ashtray with three cigarette rest holders. It was made circa 1960s. It has patina and wear which adds to the character of the ashtray. In overall good/fair condition with...

Large signed oval marble ashtray or centerpiece with two-bronze eagles Signed "Jos Pallenberg" on the base of the eagle, Joseph Franz Pallenberg (Germany 1882-1946).    

Art deco free standing ashtray c.1930s, USA. It features a wood laminated table top and stainless steel chrome body. The ashtray has a red button...

Ashtray Pintray "Rapace" made in molded glass with grey patina by Rene Lalique in 1931. Stamped signature on bottom. Perfect condition. height : 6 cm diameter : 12 cm Félix Ma...

Rare model in this size and color. Art Deco ashtray by Jean Luce in Saint-Gobain glass, France, 1920s. The glass is in perfect condition with no chips or missing parts, and features ...

Murano Technical Bullicante Attributed to Carlo Scarpa We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at...

This Art Deco styled lighted smoker's stand is unsigned but presumed to have been made in the United States in the 1950s. The stand features a light at the top and base made of swirled glass of orange and cream hues to replicate alabaster which emits a warm glow when lit. The central post is also accented with a marbled and tapered, possibly alabaster cylinder which is separated by a chrome ring. The top features two removable ashtray cups and a covered tobacco canister...

Corfou model ashtray by Lalique France, created in 1944 by Marc Lalique, edited by Lalique France until 1951. Very good condition, signed on the bottom

This exquisite ashtray is a stunning example of French Art Deco design, created by Pierre D'AVESN for VERLYS, Les Andelys, France, in the late 1930s. Crafted from thick molded glass,...

Art Deco ashtray by Jean Luce in Saint Gobain glass, France, 1920s. Glass in perfect condition with no missing parts. Some traces on the tin of the mirror base.

1930's Art Deco Mobil Gas Pegasus Metal Ashtray This striking 1930s Art Deco metal Mobil Gas Pegasus ashtray is a fantastic piece of vintage advertising and design. The sculptural form showcases a beautifully detailed Pegasus in mid-flight, dramatically rising from a rugged cliffside. Cast entirely in metal, the piece is both functional and decorative, with a wide ashtray base and its original felt bottom, which remains intact despite some expected wear. During the early 20th century, ashtrays were a popular form of advertising merchandise, particularly in the 1930s and 1940s, when companies sought to incorporate stylish and durable branding into everyday objects. The Mobil Pegasus...

Italian ashtray,italian Manufacturer. This Mid-Century Italian ashtray inGlass, is in the tradition of the Italian glass maker like Murano or Venini. Beveled Glass.

A rare solid bronze dish or ashtray depicting a Helios sun disk -bursting sun - au Soleil d'or. It was made in France circa 1920-40. It has no markings. t has a rich and deep natural...

Art Deco Brass ashtray original condition from the Art Deco period .

Rare Art Deco Teal Green Metal Dog Ashtray – Geometric & Cubist Design, Original Paint This highly stylized Art Deco metal ashtray is a striking example of early 20th-century design...

French Art Deco Brass and Cobalt Blue Glass Ashtray with Bellboy Figure, 1930s This unique French Art Deco ashtray is a striking combination of form and function, dating from the 19...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

Art Deco ashtray or vide poche in ceramic. Red color. Made in France. Stamped.

Floor ashtray Art Decò brass and copper. ORIGIN Italy PERIOD 1930s MATERIALS Brass and copper DIMENSIONS Height: 57cm Ø 21cm CONDITIONS The piece is in excellent condition, as c...

Amazing hand blown Cordonato D' Oro Bullicante soft green Murano glass ribbed bowl / ashtray. Ercole Barovier for Barovier e Toso. Italy, 1930s This striking decorative bowl is heav...

This elegant Art Deco revival decorative bowl/ ashtray was realized by the esteemed German maker Rosenthal. It offers a graphic silhouette consisting of two conjoined demilune forms ...

A gorgeous Art Deco period sculpted bronze ash stand By Tiffany Studios New York, USA, Early 20th Century Measures: 9"W x 8.5"D x 28"H; Extends up to 40.75"H. Good origin...

Frankart nude lady Ashtray T330. Looks like this one was repainted in last 20 years. Reproduction Ceramic dish has been glued. Presents very well!

Discover the timeless beauty and masterful craftsmanship of this exceptional malachite glass ashtray, created by the legendary Curt Schlevogt. This rare piece from the renowned "Ingr...

Italian Futurismo Ashtray for the Italian department store La Rinascente by Nikolay Diulgheroff for M.G.A, 1930s

À very interesting ashtray made after the Fountain Lalique created for the 1925 Paris exhibition and which could be bought in the Lalique showrooms of the exhibition .

Italian silverplated football/ soccer Cleat ashtray Realistically cast and modeled as Football/ Soccer Cleat, a diminutive piece, suitable for individu...

Ashtray “Cuba” made in clear glass by René Lalique in 1928. Stamped signature. Perfect condition.  diameter: 14,5 cm Félix Marcilhac, René Lalique - Catalogue Raisonné de l'Œuvre ...

Large Art Deco Green Onyx Cigar Ashtray with Nude Bronze Lady Sculpture. Signed "Made In Austria".

This is a large DAUM ashtray made in France around the 1960s. Crafted in clear crystal, it features a freeform organic shape typical of the mid-century modern aesthetic. The piece is...

Classic leather and glass catchall / ashtray by French modernist designer Jacques Adnet. Rich oxblood leather base with stitching around the...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Venini ( Technique Pelegoso ) Pelegoso technique A type of glass characterized by countless irregular air bubbles (pulighe) within the vitreous wall, which deliberately obscure its transparency. It is obtained by pouring substances such as petrol into the pot, which produce a boiling over of the glass in fusion. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Art Deco Frankart ash tray or plant holder. Signed. Very good. Unrestored condition.

Art Deco Silvered Metal Sculpture of a sitting Bulldog Ashtray or Jewelry dish. By Irene´e Rochard. Signed Rochard. Art Deco Style. Made in France 19...

Cohiba Special Edition 30th Anniversary cigar ashtray made of porcelain with 14k gold detail. Produced by Porcelanas Bidasoa for the Cohiba 30th anniversary party in the Tropicana i...

Charming Art Deco bronze Scottie or Airedale terrier on marble ashtray or jewelry tray from the 1930's. Very versatile piece that would look great as a display piece on a vanity or c...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads '...

Sculptural Art Deco bronze ashtray with bird motif by Oscar Bach. Signed.

This is an original Baccarat ashtray in excellent condition. Like new. Timeless design and the best quality.

Hand-Carved Blue Crystal Ashtray: Luxury and Art Fused in a Single Piece Elevate the elegance of your space with this blue crystal ashtray, a masterpiece hand-carved by skilled artis...

Rare Paul Haustein, WMF Ikora metal vide poche with glass insert. The patinated green metal contrasts beautifully with the etched gold and dark brown pattern seen on the dish. The gl...

Murano Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass...

Art Deco striped marble ashtray circa 1940s. The piece is in very good vintage condition and has a wonderful original patina; it measures 5.75"W x 5.75"...

Beautiful vintage Murano hand blown light blue and green Italian art glass biomorphic shape bowl or ashtray. Documented to the Arte Vetraria Muranese company (A.Ve.M.). It has an ori...

One of our best-selling and iconic pieces from Loyzaga Design, the Ruhlmann ashtrays come in different sizes and styles, as well as types of marble combinations. These are hand carve...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

This rare chrome plated Deco era cigar ashtray has a revolving top feature and its ALL original.

Antique art deco cobalt blue ash tray with metal detail, circa 1930s. In very good condition. 1.5” H x 5” W x 3” D

Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Barovier Toso The company is one of the oldest family businesses in the world, founded in 1295 as Barovier. "The name Barovier derives from the term berroviere (highwayman/policman, which indicates the armigero (person entitled to bear arms) guarding the captain of the people. It is probable that some Barovier, originally from Treviso, settled in Murano around 1291, when a law of the Republic imposed the concentration on the island of all glass furnaces." Jacobello was the first member of the Barovier family to work glass at this time. It is thought that the company originated in Treviso[citation needed]. The Toso family had been established in Murano since around 1350. In the 1400s Angelo Barovier created glass objects which are currently preserved in various museums. Angelo is recognized as significant for uniting the knowledge which had been developed and handed down by family Barovier. He was not only considered and artist but a scientist. The company became Ferro Toso Vetrerie Artistiche Riunite S.A in 1936 when Vetreria Artistica Barovier merged with Ferro Toso, specializing in crystalline glass, mother-of-pearl glass, and gold-free cornelian red glass.. In 1942, the company was renamed Barovier & Toso. In 1919–1920, 30 year old designer Ercole Barovier began a 50-year career as the artistic director of Barovier & Toso.[9] "After studying medicine and working as a radio operator during World War One he joined the family firm in 1920 when he and his brother Nicolo took over the management from their father Benvenuto. From 1927 Ercole was the main designer and from 1934, when Nicolo left the company, (he was) also the sole owner." While Barovier did not have formal training as a glassblower, his artistic designs produced objets d'art that have become the most critically acclaimed in the history of Ercole - Barovier. In 1930 he produced his award-winning “Primavera” series. "The Primavera series ... is distinguished by a milky white 'craquelé' glass with the addition of black or blue pasta vitrea trim ("opaque colored glass whose consistency is made to appear like ceramic") and decoration. There was a very limited production of this series due to the fact that it was a result of a glass mixture obtained accidentally so it could never be replicated." One example of this series, a Primavera Pigeon, was sold at auction for GBP 275,000 (approximately $360,000 USD, not inclusive of the buyer’s premium) on October 16, 2019. Barovier continued to produce innovative designs of which the “Lenti” vase...

Made in Czechoslovakia Made of crystal glass The Ashtray has a scratch on the side(see foto) Good original condition.

Made by Feigl and Morawetz Libochovice and designed by the Czech sculptor Karel Zentner. An antique figurative ashtray made out of clear pressed glass, partially frosted. Figurative ...

Murano with gold Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Astray "Alice" made in clear glass with sepia patina by René Lalique in 1924. Engraved signature. Perfect condition. Measure: Length: 11 cm Félix Marcilhac, René Lalique - Catalog...

Rare and beautifully executed, this copper dish with a central relief featuring a shirtless young blacksmith forging a piece of wrought iron, is teeming with symbols of modernity made from iron or steel: an airplane, oil derrick...