Earthenware Serveware, Ceramics, Silver and Glass

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

A French Faïence shell shaped asparagus plate, showing a group of asparagus spears spread across the front, the shaped rims are hand-lined in burgundy and pale green, 19th century. T...

Spode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...

Mottled Splendor: A Newcastle Prattware Horse with Green Saddle This charming early 19th-century prattware horse exemplifies the distinctive folk art tradition of North Eastern Engl...

Set of six Wedgwood yellow plates. Six vintage creamware shallow bowls/plates in "Cane" yellow with impressed and stamped marks for Wedgwood. England...

A delightful vintage Portuguese majolica tureen with lid, handcrafted in the 1950s by F. Mendes in Caldas da Rainha, the historic heart of Portuguese pottery. This charming tureen, s...

Elegant and magnificient soup tureen in white majolica with polychrome shaped as a turkey and produced around 1740 - 1770 by the ancient Pasquale Antonibon Manufacture based in Nove ...

A superb antique pair of 18th-Century Dutch Delft faience plates with the 'Peacock' pattern by the De Klaauw (The Claw) Delftware factory. Maker's mark on reverse. These lovely plate...

This is a beautiful, poetic and rare Majolica plate. The colors and pattern are tender and luminous. In the tradition of the Art Nouveau Majolica plates, this will be a great find f...

Beautiful large vintage ashtray, vide poche made of ceramic with blue crackle glaze, designed by Aldo Londi for Bitossi, circa 1960s, marked Made in Italy, 102/20 at the bottom. Sup...

A stunning example of 19th century French craftsmanship, this majolica glazed oyster master server platter was produced by the renowned faïencerie of St. Clément, circa 1890s. Design...

Large Dutch Delft cabinet plate - Delftware plate Material: Delft, earthenware , pottery, tin glaze Design: De Lampetkan Producer: De Lampetkan also known as De Porceleyne Lampetk...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

A 19th century English George Jones Majolica glazed ceramic plate with grapevine pattern in green and brown, center medallion and ochre banded rim. Mottled color on reverse side with...

A set of 1851-1898 Belgium majolica pitchers, pottery jugs with pewter top.White hand painted cherubs sitting in a painting impression and accesso...

Minton Majolica dish which features a young male vintager, sat between two baskets. Colouration: brown, green, yellow, are predominant. The piece bears ma...

A Fine 18th c Dutch polychrome painted Delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

English Wedgwood fruit basket with stand, 1861 Cream-colored fruit basket on a stand. Glazed with a very light blue-tint. The round base has a narrow, sloping rim with elongated hol...

1920's Faience Dish Of a Lady, Italy Charming Italian dishes of a a figurative woman representative of the 1920's era in Florence, Italy. This would...

18th Century polychrome Delft oil and vinegar stand in Imari flower decorations.

Very rare 19th Century large Majolica artichoke platter signed Longchamp. The platter is decorated with large artichoke leaves and six artichoke spaces, on all the platter painted fl...

A Czechoslovakian glazed earthenware pitcher by Amphora, circa 1918-1939, incised enameled pottery blue background and floral stylized decorated. Opposite curve handle and spout, the...

Large Hispano-Moorish earthenware plate, 18th century Diameter: 41 cm Good condition

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

- Handbuilt freckles terracotta jar - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Aïcha. Approximate measurements: 8.7 x 8.7 x 15.7 in // 22 x 22 x 40 cm; weight 6.6 lb // 3 kg Handmade: Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural pigments. memòri is about simplicity, imperfections, and embracing the "flaws". Each piece is fired in an open fire - a dug hole during more than 12 hours, which makes unexpected and surprising results, including smoke marks on some pieces. This means that each piece is one of a kind and cannot be duplicated. Care instructions: The ceramics are not glazed. We advise you to keep it as a decorative object if you want to conserve the original aspect. About the savoir-faire, the modeled pottery The potters of northern Morocco perpetuate the ancient art of modeled pottery, which first appeared around 6,000 BC. The techniques and patterns used today are very close to those of their origins. This ancestral know-how, which has disappeared around the Mediterranean, still lives in the pre-Rif. Today, these potters are the guardians of this ancient art. The modeled pottery according to the ancestral art...

Nice proportions

Antique Danish Christmas porcelain decorative plate by Aluminia 1908. Large christmas plate by Aluminia ( later Royal Copenhagen ) in hand painted...

An outstanding set of ten hand made French Majolica artichoke plates with deeply embossed patterns. These finely made plates have a lovely center flower and leaf borders. They look beautiful for wall or cabinet display and would also set a chic French table for your next family dinner.

Charming set of 4 French Provincial plates. Each with scenes of man and woman. Labeled on the back of each plate. Wonderful collection of plates with many uses including display, jew...

Portuguese Majolica ewer in the manner of Palissy Portuguese, c. 1865-87 Measures: Height 37cm, diameter 26cm This beautiful green ewer and bowl set...

Discover the art of tasting with our French cheese service, which highlights the richness of French cheeses on your table. With an elegant set of 6 Saint Amand faience plates, each p...

A French 18th century large polychrome Faience lidded soup toureen or entree dish with scallop-shaped edges attributable to Rouen manufacture. This lovely...

This late 19th-century Minton majolica game pie tureen and cover offer a glimpse into the richness of Victorian dining. The cover features a meticulously molded hunting dog nestled amidst ferns, evoking scenes of countryside pursuits. The basketweave sides are adorned with detailed depictions of a hare and pheasant, while elegant branch handles and scroll feet complete the ensemble, showcasing the exquisite craftsmanship typical of the era. This piece bears impressed marks on the underside, indicating its authenticity and heritage. Despite its age, this tureen remains a testament to Minton's mastery of majolica artistry. Please note the condition report: while the tureen itself is in good condition, the dish has sustained damage, including little cracks and losses to the glazing. Crazing is present throughout, with evidence of heat damage to the base. These imperfections, however, do not detract from the overall beauty and historical significance of this piece. Ideal for collectors of Victorian ceramics...

18th century Dutch Delft blue and white lobed porcelain plaque with self-moulded floral frame, decorated with flowers, butterfly and dragonfly, circa 1720–1740. Of lobed form with a...

Early Arista y cuenca tiles made in Toledo. Tile decorated in renaissance with stylized flowers, probably made between 1550 and 1575. I have four of them available, please reach o...

Introducing a charming and highly decorative large vintage Italian pitcher or jug shaped like a strawberry. It's a vibrant addition to your kit...

Holdcroft Majolica dish which features a putto holding a torch, flanked by shells on either side, sits atop rocks embellished with seaweed. Colouration: yellow, green, turquoise, are...

English Delft Flower brick, c. 1760. Having Asian floral decoration, 22 holes plus a larger central hole for flowers , having a charming ogee molde...

Large leaf-shaped ceramic platter manufactured in Vallauris, France, circa 1950–1960. The piece is made in majolica with a sculpted leaf profile, including central veining and a stem...

A fine English Delft plate. Depicting a willow tree and a lotus bush side-by-side. In the Chinoiserie style. Simply a wonderful plate! Date: Mid-18th century Overall condition I...

A Majolica Dragon Jug designed by Hugues Protât (French, 1835-1871) for Wedgwood, the ovoid-form jug glazed in cobalt blue with a brightly glazed drago...

Majolica Italian grey hound. Mid-20th century.

A good, antique English delft plate. Likely Lambeth with deep blue chinoiserie decoration and a sawtooth border. A fine early example with stro...

Unique midcentury decorative dish. Hand painted and etched decor, circa 1950s. Signed. A Classic example of the 1950s California Craft movement...

Alive with texture, color, and movement, this early 20th-century French Palissy-style majolica platter brings the natural world to life in vivid relief. At the center, a coiled snake winds through a vibrant marsh, surrounded by frogs, newts, snails, and scattered shells. Glossy glazes in deep green, golden ochre, and cobalt blue add a sense of depth and dampness, while the high-relief modeling invites both touch and close inspection. Evoking the spirit of Bernard Palissy and the rustic naturalism of 19th-century revivalists, this hand-modeled ceramic piece is more than a decorative dish, it’s a sculptural landscape. The reverse reveals a warm, mottled terracotta finish, grounding the piece in its artisanal origins. Whether placed on a console, set into a cabinet, or mounted on a wall, this antique French platter...

Made in Italy in 1959 by Cioffi. It is marked on the bottom. This tray / centerpiece is made in hand-modeled and hand-painted earthenware. It is a vintage item, therefore it might s...

8 serving plates from Gien 1966 edition Ch. Jourdan antique pumps. Fun and Eclectic pieces by Charles Jourdan 1966. Hard to find and seems to be a perfec...

Newcastle Folk Art: A St. Anthony Prattware Pottery Horse St. Anthony Pottery, Newcastle upon Tyne, Circa 1800–1820 This charming early 19th-century...

Minton Majolica game pie dish which features a hare, mallard and blackbird on a bed of fern and oak leaves. Coloration: brown, green, turquoise,...

Charming vintage Sarreguemines faience soup tureen, dating from the 1950s. Shaped like a melon in lovely shades of yellow and green, it comes with its matching lid and leaf-shaped un...

George Jones Majolica dish which features a three piece set, with a lid, dish and undertray. A lobster sits on the lid, with seaweed on a basketweave ground to the dish and undertray...

The designs on this French faience group is typical of pottery made in Rouen. Early 20th century French hand-painted Faience vasse from Rouen. Marking on the bottom: "Rouen Fait M...

This exclusive set of six plates, in majolica painted in polychrome, reinterprets the "VARIO RICCO" decoration of the sixteenth century in Deruta: our plates are handmade and hand-pa...

Elegant white and blue sink lavabo made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar...

Staffordshire Blue and White Pearlware Chinoiserie Coffee Pot Circa 1785 This elegant and well-proportioned coffee pot is a superb example of late Georgian ceramic production from t...

Théodore Deck (1823–1891) Faience Bowl / Jardinière with Celadon Glaze Paris, France, circa 1875 Fine faience with a monochrome celadon glaze, softly nuanced and satin-like in finish...

Sarreguemines pottery is a faience pottery that was made in the town of Sarreguemines, France, from the 18th century to the early 20th century. The pottery was known for its brightly...

Antique Majolica Adirondak style bentwood tree trunk / log / branch creamer pitcher / jug / carafe featuring a turquoise glaze over textured bark motif with flowers / leaves and purp...

Decorate a mantel or table with this colorful pair of antique faience vases. Crafted in Brittany, France, circa 1960, each vase stands on a round base, and dressed with large side ha...

Large ceramic amphora with handles, made and painted entirely by hand, central Italy production, year 2009. The decoration on the vase is a reproduction of a painting by Francois Bou...