Earthenware Serveware, Ceramics, Silver and Glass

Minton Majolica asparagus drainer which features asparagus tips bound together, sat on a rectangular tray. Flowers and geometric patterns to the bor...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

Cauliflower Tureen Centerpice with Ladle, Majolica, Glazed Ceramic. Spain, 1960s Eye-catching hand painted Manises ceramic cauliflower with leaves l...

Set of antique earthenware plates. 12 flat plates and 12 dessert plates. 1912-1246. Rosemonde model from the Salins earthenware factory. Hand painted. In perfect condition. Salins fa...

This stunning blue and white Delft dish was hand painted in England around 1760. It features a charming chinoiserie scene, where an Oriental figure is pointing towards a vase while t...

Early Arista y Cuenca tile made in Toledo. Azulejo Toledano. Alhambra tile decorated in renaissance mudejar style geometrical design. Probably made between 1550 and 1575. In very g...

From Italy, this hand painted majolica vase has two scenes divided by scrolling snake handles. One side depicts a trophy of arms with black eagle supporters, a flag and a ribbon date...

Early 18th Century Pair Of Delft Vases, of octagonal baluster form with "garlic" necks, painted in blue with Chinoiserie figures in landscape within leaf, scroll and panel borders, D...

Mid 18th century Blue Delftware plate with Daniel Marot style decoration of a shield amidst flowers and foliage scrolls within a dodecagoon. Beautiful border decoration in rich blue...

Large tin-glazed earthenware lebrillo/ basin, form Triana, Seville, Spain 19th century Central design of a dog within in colorful background in yellow, turquoise, manganese and blue.

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

A superb antique 18th-Century Dutch Delft faience peacock bird charger by De Klaauw (The Claw) Delftware factory, circa 1780. Signed on reverse. This exq...

This early eighteenth-century Dutch Delft large plate is painted in cobalt blue with a charming garden scene showing a seated lady beside a flowering plant in a pot. The painter work...

A set of four Chinoiserie patterned Cornflower blue on white earthenware transfer printed soup plates, William Davenport & Company, Longport, Staffordshire England, circa 1830-1840....

Minton Majolica game pie dish which features a hare, mallard and blackbird on a bed of fern and oak leaves. Coloration: brown, green, turquoise,...

17th Century Dutch Delft Baluster Vase with Chinoiserie Decor of Figures in a Landscape Place: Delft Workshop: De Drie Vergulde Astonne By: Gerrit Kam Date: 1700 - 1716 A Dutch...

French Faience Tureen attributed to Desvres Circa 1900. Inspired by Rouen maunufacture. Signed St Gilles Croix de vie.

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

A handsome vintage Winston Churchill collectible character jug or "Toby jug" decorative mug by the English pottery firm, Royal Doulton.

Vintage Glazed Ceramic Fruit Basket Compote Sculpture Centerpiece, 1950's Italy. Fabulous Italian glazed ceramic fruit basket figure. This polychrome compote is handmade with the gre...

French Art Deco ceramic parrot pitcher, Faïencerie de Saint-Clément, France, 1920s. Elegant and highly collectible French ceramic parrot pitcher produced by the Faïencerie de Saint-...

Modernist plate, tray, or shallow bowl features graphic abstract floral decor on green background glaze. The platter is sculpted with rhythmically scalloped edge that adds visual in...

"NEMO" Service set for 12 persons in hand-painted majolica. Original NEMO set, designed by the french artist Aude Clément and produced by Au Bain Marie,...

T. C. Brown-Westhead, Moore & Co. Majolica Bread Platter, of round form, the mottled center, banded in yellow, the outer border with yellow wheat sheaves molded in high relief, the r...

French Majolica beige pitcher rabbit with a medal 1900, made for the International Exhibition in Paris of 1900. The pitcher is stamped by the store where he was sold Compagnie Franco...

A lovely Majolica pink glazed ceramic set of 12 pieces: four large plates, four small plates and four serving bowls. The set has a lovely pale pink color with details in white and ...

A rare pair of diminutive 18th-Century Dutch Delft faience Chinoiserie style plates with hand painted lovely cobalt blue and white figures in a landscape scene. One plate is pierced,...

Théodore deck (1823-1891) Impressive Enameled Faïence Vase, circa 1875 Large baluster shape vase with eggplant enameled background Rich hand-painted polychrome decor of two birds re...

French Mid-Century Blue Daisy Plate signed Maunier Vallauris. 8 inches diameter.

Dress a dining room, breakfast nook, or kitchen wall with this vibrant antique French Majolica charger crafted in France circa 1860 and decorated in the Louis XV taste. Circular in f...

midcentury SCHRAMBERG MAIOLICA Barbotine FISH TUREEN TERRINE handpainted Design Period 1955 to 1965 Production Period around 1960 Country of Manufacture Germany H / height: 11cm both ~ Gew. / weight: 2950grs DM / diameter casserole : 30 cm x 15cm x 11cm high ~ 19cm with its lid MARKED: Schramberger Majolikafabrik 5624 :-: fair condition with some very small chips (see photos) - Considering the sensitive material I would even say it is in good condition -- let´s call it charming vintage :-: To ensure a safe arrival, this item is packed in super-safe packaging. (up to 10 Kg) SMF SCHRAMBERG was originally founded in 1820 as Faist'sche Steingutfabrik by the stoneware expert Isidor Faist on the site of the abandoned Schramberg castle. By 1829, Faist and his factory had gained such a good reputation that Baron Ferdinand von Uechtritz became his partner under the new name of Steingut- und Majolikafabrik Uechtritz & Faist. With the Baron's financial support, the partners were able to build a new factory behind the castle, which dramatically increased production. By the 1860s, the company had a permanent workforce of 100 and an impressive number of almost 6,000 homeworkers (decorators, etc.), mainly children and women. From 1882, Faist began taking orders from Villeroy & Boch, who eventually bought the Schramberg pottery in 1883 and continued to operate it as a V&B subsidiary until the early 20th century. In 1911, several of the factory buildings had to be demolished to make way for the local railway, which drastically reduced production and caused Villeroy & Boch to lose interest in the site, which they sold to brothers Moritz and Leopold Meyer in 1912. It was the Meyers who introduced the "SMF" trademark and eventually gave the company its permanent name, Schramberger Majolika-Fabrik. In 1918 the company was transformed from a sole proprietorship to a limited liability company and the transformation was complete. The Meyer brothers were always on the lookout for new talent, and many famous artists joined the factory or contributed designs in the years that followed. Their decorative ceramics, stylized in vibrant colours, attracted much attention in the 1920s. Eva Stricker-Zeisel was a prominent designer for the company from 1928 to 1930. Her designs were strongly influenced by the Bauhaus movement and her modern form and decoration designs gave an avant-garde look to part of the production programme. As well as designing the shapes, Eva Zeisel also supplied the intended decorations for the pieces, although the decoration department often adapted her decorations to shapes for which they were not intended. They would even use them on shapes other than those designed by Zeisel and apply decors not designed by her to her shapes. This particularly happened with the very popular 'Mondrian' pattern, which often appeared on non-Zeisel shapes. The factory continued to produce Zeisel's designs for some time after her departure, but she sometimes felt that the designs were not exactly as she had intended. With the economic crisis of the early 1930s, the focus of production shifted to tableware and utilitarian ceramics, until the Nazis forced Moritz and Leopold Meyer to sell the factory in 1938 as part of the forced aryanisation of the German state. Both emigrated to England with their families during the war, but in 1949 Peter Meyer...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

signed Jean Cocteau; inscribed original and incised Edition originale de Jean Cocteau/Atelier Madeline-Jolly (underneath) partially glazed white earthenware plate with engobe and inc...

A Wedgwood Fairyland lustre bowl designed by Daisy Makeig-Jones ca. 1925 and decorated with the 'Blue Willow' pattern. The ‘Blue Willow’ pattern is timeless, inspired by 18th-century Chinese blue and white porcelains and appearing on English transferwares since the early 19th century. Thomas Minton is credited with creating the standard pattern as we know it today circa 1780; from there, all the major English potteries, and some American ones, began producing ‘Blue Willow’ transferwares...

Spode neo-classical Greek pattern blue openwork dessert plates, Ceres with a Priestess, Four plates (4) Early 19th century From a large collection of Greek pattern Spode- more pi...

Dutch Delft blue and white 'Peacock' plate, 18th century, with ochre rim, the center decorated in cobalt with an vase containing an arrangement of peacock feathers and flowers. The r...

Antique Majolica pitcher or jug featuring a chinoiserie bamboo and basketweave design with dogwood flower. Marked on base. Attributed to Wardle Pottery. Dimensions: 5.25" x 4.25" ...

A wonderful antique Soupière et son Couvercle en Faience (French faience Tureen and Cover). Dating to the early 18th century, this very rare form is decorated in the Moustiers sty...

A rare and beautiful wall relief featuring different beautifully hand-painted portraits of women, designed by Birger Kaipiainen for Rörstrand and manufactured in Sweden in the 1950s....

Large 19th Century French Blue & White Japon Platter signed Creil Montereau. 13 inches diameter. This service is exposed in Giverny Claude Monet's house.

Polychrome Delftware pair of mid 18th century Delftware plates with and central orange tulip and four cartouches with orange flower buds with green leafs. Very lively colors. marke...

French Majolica Daisy Marcel Guillot Vallauris, circa 1950. 8.2 inches diameter.

This charming set of thirteen fish-shaped plates was produced by Longwy, one of France’s most celebrated ceramic manufacturers. Crafted in creamware with a warm ivory glaze, each pla...

Wonderful piece of Alsace pottery with a very rare green glaze, France, circa 1850-1900. Good but weathered condition.

"Cockerel & Monkey Minton Majolica Teapot the protrusive cockerel head with forming the spout, a smiling, like if he was riding the cockerel, is...

This beautifully preserved large French stoneware pot dates back to the 19th century and embodies the rustic elegance of traditional French rural pottery. Crafted from durable terrac...

French Majolica Daisy Marcel Guillot Vallauris, circa 1950. 8.2 inches diameter.

Sculptural pitcher shaped vase features soft, rounded form with curved rim and handle; it is hand painted with Folk Art based flower motifs that are strongly influenced by Art Deco. ...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

A pair of mid-18th century Dutch Delftware chargers from the mid 18th century, The central medallions feature a finely painted vase or incense burner, inspired by Chinese blue-and-wh...

Rouen, located in the region of Normandy, just outside of Paris, has been at the center of French faience production since the mid-1500s. This lovely hand-painted jardiniere (circa 1...

This faience decorative box was crafted in Germany, circa 1900; attributed to Royal Bonn (trade name for Franz Anton Mehlem), the dish is rectangular in shape and sits on an attached platter base. It features a figural dolphin in high relief as the handle on the removal top lid. The lid is decorated with a hand painted windmill landscape, further while the sides are also decorated with windmill and sailboats at sea. The kitchen ware...

Majolica XL Vallauris Signed Centerpiece – Chard Leaf (1950s, France) Handmade in France circa the 1950s, this large Vallauris majolica centerpiece is shaped like a chard leaf, feat...

Ceramic, 1956 Edition : 500 Publisher : Edition Picasso Catalog : [Ramié 368] White terracotta, oxidized kerosene decoration, white enamel Inscriptions and stamps under the base:...

Early 19th century creamware Liverpool jug of the American ship Caroline, circa 1800, with polychromed decorated image of the sea and the American flag ...

Dutch Delftware beer jug with bright blue decoration of flower buds and foliage springs. With later pewter lid and foot rim.

Early Arista y Cuenca tile, most likely made in Sevilla. Azulejo tile decorated with a gemetric pattern with 4 central leafs within a cirlce. Mid 16th century In very good conditi...

This pair of Delftware recumbent cow figurines, dating to the late 18th century, exemplifies the Dutch tradition of molded earthenware crafted in the city of Delft. They are cast 'af...

Maiolica tureen Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 9.05 x 12.59 x 9.05 in (23 x 32 x 23 cm) ...

French Majolica bird swallow plate signed Sarreguemines, circa 1880.