Earthenware Serveware, Ceramics, Silver and Glass

From the Creil region of Northern France, a transfer printed polychrome plate, titled -Les Bonnes Cerises (the good cherries) Circa 1830. The image shows No. 4 from a series of tw...

Wedgwood Creamware Soup Plate, Ship with Imperial Double Eagle Flag, Circa 1775–1790 The Wedgwood Queen’s ware soup plate, of the “Royal” shape with a lobed rim, is transfer-printed...

A French neoclassical faïence transfer printed creamware plate, circa 1820-1830. A black transfer of an architectural image on a creamware body, depicting the Palais de la Chambre...

A fine antique Dutch Delft pottery plate. By the De Porceleyne Bijl (The Porcelain Axe) factory. With a broad flat rim and a shallow well. The well decorated in underglaze blue with a Chinese garden scene including a fence, tree, stylized ferns, and a large chrysanthemum flower. The rim decorated with flowers and scrollwork and a yellow painted line to the rim. Marked to the reverse with a stylized blue axe mark to the reverse. Simply a wonderful antique Delft plate...

Bristol Delftware Polychrome Punch Bowl, Chinoiserie Garden with Rockwork Circa 1760 This English delftware punch bowl was made in Bristol around 1760 and is painted in a polychrome...

A set of French Majolica strawberry plates from the 19th century, with pink, green and blue accents, priced and sold individually. Each of these eight French plates features a delica...

Stig Lindberg for Gustavsberg Six Cake plates ‘Salix’, mid-20th century. Set of six faience cake plates decorated with the characteristic grey “Salix” pattern on white ground, design...

Heavy pitcher in multiple glazes signed “Marc”

Crespina Faenza, last quarter of the 16th century Maiolica painted in two colors, light blue and yellow, on a thick, rich layer of white enamel. It measures 2.24 in (5.7 cm) in height, 6.10 in (15.5 cm) in diameter. lb 0.55 (kg 0.25) State of conservation: mimetic restoration. The small cup has a raised central “umbone”, a perforated brim and a shaped rim. It rests on a high jutting foot. The "crespina" shape, in some inventories is cited as "tacce de frute" (fruit cups). It was particularly appreciated in the Renaissance and has variants based on the formal types and the different sizes. The decoration, made according to the dictates of the “compendiario” style, used few standardized colors: blue and yellow on a thick white and shiny enamel, deliberately chosen as the colour which was most reminiscent of silver. This choice derived from a trend in creative design of the era: the shapes used in the molds were often taken from metal objects. An idea which would last throughout the Renaissance. The work shows, in the middle of the “umbone”, a winged putto stepping forward while playing a long thin trumpet. The depiction of the putto is fully representative of the repertoire of the Faenza workshops of the sixteenth century. Some specimens with this type of decoration have been published in a volume by Carmen Ravanelli Guidotti: there appears the whole productive repertoire of this fundamental moment of transition between the taste for the “istoriato” style and the great simplification of decoration in the “compendiario” period. This style, in its simplicity, however, saw its expression in a rather varied collection of decorative subjects, including old-fashioned busts...

A rare and beautiful wall relief featuring a beautifully hand-painted woman, designed by Birger Kaipiainen for Rörstrand and manufactured in Sweden in the 1950s. Kaipiainen spent onl...

Grethe Meyer for Royal Copenhagen, set of six Blue Line lunch plates. Six round plates model 621 in white faience with a simple blue line along the rim. Part of the Blue Line series...

A French revolution tin-glazed earthenware dish, made in Nevers, circa 1790. Showing a yellow battlement often thought to be the Bastille, the image of the tower represents the defen...

An aesthetic movement French faïence asparagus plate, Keller & Guerin Saint Clément, circa 1880. A border of bleeding hearts flower heads, or as they are called in France. Coeurs de ...

A French Longchamp Terre de Fer Majolica asparagus tray from the 19th century, with green, purple, brown and white tones. Created in France during the 19th century, this Majolica Ter...

A French Longchamp Majolica asparagus server from the 19th century, with green, purple and brown tones. Created in France during the 19th century, this Majolica server...

A very fine antique French Porquier Beau faience cruet stand. Complete with the original base, ewers or small pitchers, and conforming lids. Decorated ...

This is a pair of English creamware dishes from the 18th century, created around 1780. The plates display a lovely chinoiserie scene in the Meissen style, with women selecting access...

Product Description:  Gunnar Nylund, one of Sweden's leading ceramic artists, lived and worked all over Scandinavia being involved with Bing & Gröndahl in Denmark, Rörstrand in Swed...

This vibrant three-piece faïence centerpiece was crafted in Rouen, France, in the mid-20th century, drawing on the city’s centuries-old ceramic tradition. Known for its richly orname...

A Wedgwood Majolica Lobster Plate, with the central figure of a red-glazed lobster on sea greens on a cobalt blue ground, and with relief molded...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

Rörstrand Set of 7 “Japan” faience plates, early 20th century. Decorative faience plates featuring the classic “Japan” pattern, hand-painted in a multicoloured palette with Oriental-...

Stig Lindberg for Gustavsberg 4 cups and saucers “Salix”, mid-20th century. Faience with the characteristic grey “Salix” pattern on white ground, designed by Stig Lindberg. Origin: ...

Stig Lindberg for Gustavsberg 3 cups and saucers “Salix”, mid-20th century. Faience with the characteristic grey “Salix” pattern on white ground, designed by Stig Lindberg. Origin: ...

Green, pink and blue floral banded soup plate. Antique creamware soup plate with jewel-tone floral banding and monogram; with impressed marks for Giustiniani Naples, Italy, late 18th...

Complete your faience collection with this colorful antique cachepot from Brittany. Crafted in Quimper, France, circa 1880 and oval in shape, the jardinière with acanthus leaf handles stands on four paw feet; on each side, the ceramic planter features two different hand painted medallions with Britons people dressed in traditional outfits and embellished with blue scrolled foliage and floral decor. On one side, a family is shown enjoying two musicians seated under flying birds. The other side features a family and passersby offering charitable coins and viewing a floral bouquet. The flower pot is signed on the bottom by the well-known pottery factory "HB Quimper". The unique blue, white and yellow cachepot...

The Netherlands Delft Date: 1690 – 1710 A set of two small but fine Dutch Delft vases in Chinese Kangxi porcelain style. Decorated in a wonderful, deep dark blue on a clear white gr...

Neoclassical black and white creamware plate. French transfer creamware plate with "Vue des ruines du temple d’Hercule sur les bordes du Tibre" ...

City: Delft Date: second half of the 18th century A genuine set of three blue and white Dutch Delft plates. Hand-painted in cobalt blue on a white tin-glazed ground with the decorat...

A large vintage round yellowware platter from the historic pottery village of Dieulefit, nestled in the Auvergne-Rhône-Alpes region of southeastern France. Handcrafted in the 1950s, this generously sized platter features a warm ochre yellow glaze with a distinctive burnt brown edge—a hallmark of traditional Dieulefit ceramics. Its clean, classic form and earthy Provençal tones make it both practical and visually striking. Crafted from the region’s refractory earthenware clay, Dieulefit pottery...

A vivid pair of Dutch Delft polychrome plaques, circa 1750–1760, each painted with an exuberant basket of flowers in the rocaille taste — full-blown roses, tulips, and sunflowers spr...

Unidentified European Majolica stick or umbrella stand which features a Pug. Colouration: grey, blue, brown, are predominant.

A French large faience platter signed HB Quimper with a blue border, depicting a man shaving another man sitting on a barrel. In great condition with no restorations. Beautiful glazi...

A good 19th century French Porquier Beau Quimper plate with a green border depicting a man with a your child sharpening a knife. good details and in no c...

A fine antique German fayence (or faience) pottery shaving bowl. Marked for Wallendorf. In a white ground tin-glazed pottery richly decorated with blue, green, yellow and brown und...

Elegant and magnificient soup tureen in white majolica with polychrome shaped as a turkey and produced around 1740 - 1770 by the ancient Pasquale Antonibon Manufacture based in Nove ...

Charming set of 4 French Provincial plates. Each with scenes of man and woman. Labeled on the back of each plate. Wonderful collection of plates with many uses including display, jew...

Decorate a shelf, console, or kitchen display with this charming sculptural faience house, crafted in Brittany by the Henriot Quimper atelier and signed by the noted Breton artist J....

18th century English delft polychrome charger.

Minton tin-glazed majolica wall plate which features a hand-painted scene of a hunting party in a country landscape. The plate was painted by Edouard Rischgitz - a Swiss painter. Col...

French Longchamp Pompadour pattern majolica asparagus and flower plates from the late 19th century, priced and sold individually. Created in France during the last quarter of the 19th century, these Longchamp plates...

A fine antique German Fayence scalloped bowl. Marked for the Höchst Porcelain Manufactory. With a gold wheel under crown mark. With a polychrome pa...

Pair of small coffee pots. Manufacture of Pasquale Rubati Milan, 1770 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). a) height 7.87 x 5.51 x 3.93 in (20 x 14 x ...

Important 18th Century French Moustiers Faïence Charger, Clérissy Workshop, “C.V.” Mark Monumental 18th Century French Blue and White Moustiers Faïence Charger, Clérissy Workshop 18t...

For the shoe collector. A single decorated ceramic shoe.

I offer for sale an extremely decorative and fun element to set your table. This vintage jar was made in Italy between the 1950s and 1960s, by the cerami...

Shorthose & Heath English Creamware Basin, Yellow Wave Border, Georgian, Large Hanley, Staffordshire, circa 1795–1815 At seventeen inches across, this creamware basin makes the cas...

A green-glazed and incised pitcher designed and produced by Bo Fajans, Sweden, c. 1940s.

This magnificent set of 6 majolica charger plates is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe t...

Quimper Pottery, French 20th century. A collection of six vintage Quimper faience pottery plates. Each plate has a hand painted and tin glazed figural...

A fine antique 18th century Dutch Delft plate. With painted floral decoration throughout in orange, purple, blue, and yellow. Simply a wonderfu...

Charming table service consisting of 12 large plates and 4 dessert plates made in ironstone. Octagonal in shape, each plate illustrates a fable by La Fontaine such as The Crayfish an...

A George Jones Majolica Dessert Plate, with relief-molded pineapples and swirling green-glazed leaves, the center with yellow ocher-glazed simulated basketweave, the reverse impresse...

Emile Gallé for St. Clement, Nancy. Antique bowl / dish in hand-painted faience. 1870s / 80s. Measures: 24.5 x 15 x 3.5 cm. In excellent condition. Signed.

Discover the art of tasting with our French cheese service, which highlights the richness of French cheeses on your table. With an elegant set of 6 Saint Amand faience plates, each p...

Aluminia and Royal Copenhagen, Tenera faience. Eight tiles. Approx. 1960s/70s First factory quality. Marked. Dimensions: The smaller ones: L 15.0 x D 7.7 cm. Square tile: 15.4 cm.

A green and brown-glazed pitcher or vase designed by Erik Mornils and produced by Nittsjö, Sweden, 1930s.

Standout example of a 19th century Rockingham brown glazed earthenware piece in the form of a lidded jar with cherubs. Probably manufactured in Bennington Vermont.

An antique French Hippolyte Hautin Boulenger & Cie, Choisy-le-Roi blue green glazed pitcher depicting two lovely song birds on cherry tree branche...

18th Century Blue and White Delftware Bottle, English and probably from the Lambeth pottery in London, tin glazed earthenware with a hand painted oriental scenes. Height 9" inches (2...