Gold Serveware, Ceramics, Silver and Glass

Gorgeous and elegant, vintage Murano hand blown amethyst and gold flecks Italian art glass powder or jewelry box and perfume bottles set. The set is documented to designer Alfredo Ba...

Set of six, Art Nouveau, Continental Silver (.800) caviar/hors d' oeuvres spreaders, Germany, Ca. 1895-1910. Both sides of spreading surface are rose-gold gilded. Decorated with Art...

Charming Italian Florentine Wood Table Crumber. The set includes the sweeper as well as the tray. Great addition to add to an existing collecti...

This vintage stunning, signed and rare Tiffany & Co. sterling silver and 18-karat gold pen was designed by Jean Michel Schlumberger in the 1970s. He was a French jewelry designer well known for his work with Tiffany & Co. It is hallmarked "Schlumberger T.&C. 725" His designs were a remarkable form of whimsy and interruptions of natural forms. Much of his inspiration came from sea creatures, animals and nature. This is reminiscent of a form of cactus perhaps. It has dimension and testure. It has been quoted that the late great Diana Vreeland wrote and expressed that Schlumberger appreciates the miracle of jewels and that this was a doorway to his dreams. He passed away in August of 1987. This has just recently been sent to Tiffany in NYC...

Set consisting in 6 marked in the bottom IG glasses in the series "Golden Shoji". The gold is in overall good condition with minor sign of wear reflecting on missing gold. No dama...

A vibrant set of ruby red and interesting gilt wine goblets featuring a fleur de lis design. Nice and tall and in very good antique condition. We attribute to one of the finer French...

PRESENTING a VERY ATTRACTIVE and visually impressive Set of 8 Vintage Bohemian 24kt Gold & Platinum Incrusted Wall Plaques & 3 Bon Bon Dishes/Bowls. Made by Victoria in Czechoslovak...

Octagonal table cigarette case in 925/1000 sterling silver gold plated with external edges and fired enamels inserted in fine designs in the Baroq...

Set of 36 French Gold-Plated Flatware with Mother-of-Pearl Handles, in Original Box, Set of 36 French Antique Dessert Forks & Knives, Oyster Fork Set with Gold Ferrules An exqui...

Brüder Podbira - Antique Art Deco topaz glass vase with gilded grid decoration - the design heavily influenced by the work of Josef Hoffmann and the Wie...

A set of 6 Mid-Century Modern culver highball glasses in the Hollywood Regency Cranberry scroll pattern. Circa 1960s . Feature an intricate 22-karat gold filigree scroll work in a M...

Antique valuable silver box or Decorative sugar bowl with lid pressed, cast and chased, gold gilding on the inside. Oval, domed body on short, curved feet with hinged, vaulted lid. A...

This is a fabulous early George V sterling silver playing card box with wonderful engine turned decoration and gold foliate borders, by the renowned London retailer and manufacturer Asprey. It can be used as a playing card box or jewellery casket and has a hinged doule cover with applied gold initials. It opens to reveal a silver gilt and velvet lined interior with ornate pierced silver gilt retaining clips. It has hallmarks for London 1912 and the makers mark for Asprey & Co Ltd. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 5 x width 11 x depth 9 Dimensions in inches: Height 2.0 x width 4.3 x depth 3.5 Asprey was established in England in 1781 and founded as a silk printing business by William Asprey, it soon became a luxury emporium. In 1841, William Asprey's elder son Charles went into partnership with a stationer located on London's Bond Street. In 1847 the family broke with this partner and moved into 167 New Bond Street, the premises Asprey occupies today. From its central London location Asprey advertised 'articles of exclusive design and high quality, whether for personal adornment or personal accompaniment and to endow with richness and beauty the table and homes of people of refinement and discernment.' An early speciality was dressing cases. Asprey crafted traditional cases and designs, mostly in leather, suitable for the new style of travel ushered in by railways. The main competitors at the time were H.J. Cave & Sons. Asprey was recognised for its expertise when it won a gold medal for its dressing cases at the International Exhibition of 1862 but lost out to its rivals, H.J. Cave & Sons in 1867. The company consolidated its position through acquisitions. In 1859 Asprey absorbed Edwards, an award winning maker of dressing cases and holder of a Royal Warrant. The company also purchased the Alfred Club at 22 Albemarle Street, which backed on to the New Bond Street store and meant that Asprey now had entrances on two of London's most fashionable streets. In 1862, Asprey was granted a Royal Warrant by Queen Victoria. The Prince of Wales, later to be crowned Edward VII, granted another Royal Warrant. In 1953, for the coronation of Elizabeth II, Asprey paid homage with the Asprey Coronation Year Gold Collection, which featured a dessert, coffee and liqueur service in 18-carat gold and weighed almost 27 pounds. In April 1953, it went on show in the New Bond Street store and subsequently toured the United States. As the business grew, the company acquired manufacturing facilities and hired silversmiths, goldsmiths, jewellers and watchmakers including Ernest Betjeman, the father of the distinguished poet John Betjeman, one of the most highly regarded craftsman and designers of his day. In the twenties, commissions poured in from around the world, from American millionaire J. Pierpont Morgan to potentates such as the Maharaja of Patiala, who commissioned a huge teak travelling trunk for each of his wives in which each trunk was fitted with solid silver washing and bathing utensils with waterspouts of ornate tiger head and lined with blue velvet. Asprey cigarette cases became collectable amongst young sophisticates who delighted in its other modern products, including travel clocks, safety razors and automatic pencil sharpeners. Asprey Jewellery...

Four-leaf clover shaped table box in 925/1000 sterling silver gold plated with translucent fired enamel on a radial guilloché. Modern contemporary style. Dimensions cm. 17 x 17 x 3.5...

1960’s Elegant service for eight drink set by Culver Ltd. They are in beautiful vintage condition. Set consist of eight Highball glasses and eight lowball glasses. Designed with a ...

Dimart brass Italian circular brass tray with glass, 1980s. Fabulous Post Modern gold-plated tray with smoked glass and brass golden cable rope ...

Luxurious Desk Set Ballpoint pen, fountain pen and small pocket magnifying glass in 925/1000 sterling silver with translucent polychrome fire enamels on guilloche in an early 1900s A...

Pair of German continental silver and vermeil vases with gorgeous bows and flowers decorating the surface, three tri-dimensional ram heads by each leg, hooved feet. Measuring approxi...

A Rare case of antique valuable royal sterling silver Spoon. An elegant Vintage Sterling Silver Spoon case. Celebrating the 1977 Coronation Jubilee of Quee...

SET of 12 English green-and-white porcelain dinner plates with gold swag design (Estate of Evelyn Walsh McLean) (PRICED AS SET) (1 plate repaired) 1 plate repaired

Direct from Paris: A magnificent 170pc. 950 sterling silver original French art nouveau flatware set with 8 serving pieces by the world's premier French silversmith "Puiforcat" currently owned by Hermes, stunning luxury at an amazingly low price - circa early 1900s. The art of French silversmithing represents a centuries-old tradition of luxury, precision, and timeless elegance. Among the most distinguished names in this venerable craft stands Puiforcat, a Maison renowned for its exceptional craftsmanship, innovative design, and royal patronage. Established in the early nineteenth century, Puiforcat has maintained an unwavering commitment to excellence, producing sterling silver flatware, tableware, and decorative objects that embody both artistic mastery and functional beauty. The History and Legacy of Puiforcat: The origins of Puiforcat trace back to 1820, when master silversmith Jean-Baptiste Fuchs established his workshop in Paris. Fuchs was a consummate artisan who adhered to the exacting standards of French silversmithing, a tradition that demanded not only technical precision but also refined artistic sensibility. The Maison’s identity became firmly established when Fuchs' son-in-law, Émile Puiforcat, inherited the business and elevated its reputation to unprecedented heights. Émile Puiforcat emerged as more than just a silversmith; he was a true visionary who intuitively understood the evolving aesthetic sensibilities of the late nineteenth and early twentieth centuries. Under his inspired leadership, the Maison successfully transitioned from producing traditional silverware to embracing avant-garde movements, particularly Art Nouveau and later Art Deco. This remarkable ability to innovate while maintaining the highest standards of craftsmanship distinguished Puiforcat from its contemporaries and established its enduring reputation. During the glorious Belle Époque period spanning the late nineteenth to early twentieth century, Puiforcat flourished as French decorative arts entered a golden age. The Maison’s work during this period was characterized by several defining features that set it apart. Each piece bore the mark of meticulous hand-hammered finishes, a technique that gave Puiforcat silverware its distinctive texture and depth compared to mass-produced alternatives. The Maison’s artisans employed exquisite chasing and engraving techniques, including the sophisticated repoussé method where designs were carefully hammered into relief from the reverse side, followed by precise chasing to refine the front details. These labor-intensive processes resulted in breathtakingly intricate, lifelike motifs that became Puiforcat's signature. While Puiforcat's early work remained firmly rooted in rococo and neoclassical traditions, the Maison demonstrated remarkable adaptability by later embracing the clean lines and bold symmetry of Art Deco, particularly under Émile Puiforcat's visionary guidance. Royal Patronage and Aristocratic Clientele: Puiforcat's reputation for excellence quickly attracted the attention of Europe's most discerning elite. The Maison’s clientele included some of the most prominent figures of the nineteenth century, beginning with King Louis-Philippe of France, whose refined taste and appreciation for fine craftsmanship led him to commission ceremonial silverware from Puiforcat. This royal endorsement significantly enhanced the Maison’s prestige and visibility. Napoleon III followed suit, making Puiforcat silver services a staple at imperial banquets and state functions. Beyond French royalty, Puiforcat's creations became essential status symbols among the broader European aristocracy, finding homes in the collections of Russian nobles and British high society alike. The Maison’s ability to cater to royal tastes extended beyond mere prestige; it reflected a profound understanding of both ceremonial grandeur and functional design. Puiforcat's pieces were never merely decorative objects - each item was carefully engineered to enhance the dining experience. The ergonomic handles and perfectly balanced weights of their flatware demonstrated how Puiforcat harmonized aesthetic beauty with practical utility, creating pieces that were as delightful to use as they were to behold. Émile Puiforcat played a particularly transformative role in elevating the Maison’s standing during the early twentieth century. His visionary approach included collaborations with leading artists and architects of the period, most notably Jean-Michel Frank, the influential Art Deco designer. These creative partnerships ensured that Puiforcat's designs remained at the cutting edge of contemporary aesthetics. While many traditional silversmiths clung to conventional styles, Émile boldly embraced geometric abstraction, creating pieces that functioned simultaneously as tableware and sculptural art. His leadership earned Puiforcat international acclaim through awards at world expositions, cementing the Maison’s reputation as an innovator in luxury silverware. Émile's legacy proved so enduring that even after his death in 1945, Puiforcat continued to be synonymous with innovation and exclusivity in the world of fine silver. Awards and Accolades: Throughout its distinguished history, Puiforcat's commitment to excellence has been recognized through numerous prestigious awards, each reinforcing its status as a master of French silversmithing. The Maison’s participation in world expositions yielded particularly significant honors, beginning with gold medals at the Paris Exposition Universelle in both 1889 and 1900. These monumental exhibitions represented the pinnacle of industrial and artistic achievement in the nineteenth century, making Puiforcat's gold medals a powerful testament to its technical mastery and artistic vision. The Maison’s international reputation continued to grow through subsequent exhibitions in major European cultural capitals. At international exhibitions in Brussels, Barcelona, and Milan, Puiforcat demonstrated its remarkable ability to adapt to regional aesthetic preferences while maintaining its distinctive French elegance. This versatility, combined with uncompromising quality, earned the Maison consistent acclaim across diverse markets and cultures. In the modern era, Puiforcat's contributions to artisanal traditions have received official recognition through France's Living Heritage Company (Entreprise du Patrimoine Vivant, or EPV) designation. This prestigious distinction, awarded by the French government, honors enterprises that preserve and advance traditional artisanal skills. Puiforcat's inclusion in this select group underscores its ongoing dedication to handcrafted excellence in an increasingly industrialized world. The artistic significance of Puiforcat's work has been further validated through exhibitions at some of the world's most respected cultural institutions. The Musée des Arts Décoratifs in Paris and New York's Metropolitan Museum of Art have both showcased Puiforcat pieces, placing them in dialogue with other masterworks of decorative arts. These exhibitions not only celebrate Puiforcat's historical contributions but also affirm its continuing relevance in the narrative of fine craftsmanship. Association with Hermès - A Synergy of Luxury: The 1993 acquisition of Puiforcat by the Hermès luxury group marked a significant chapter in the Maison’s history, ensuring both the preservation and thoughtful evolution of its legacy. This strategic partnership brought together two French institutions united by their commitment to artisanal excellence and timeless design. Hermès demonstrated profound respect for Puiforcat's heritage, carefully maintaining the traditional techniques that had defined the silversmith's work for generations. Under Hermès' stewardship, Puiforcat continued to employ the same handmade techniques that had earned its reputation, including the exacting lost-wax casting process and meticulous hand engraving. The Maison maintained its uncompromising standards regarding materials, continuing to use 950-silver despite industry trends toward lower purity alloys. This commitment to quality ensured that every piece bearing the Puiforcat name remained worthy of its illustrious history. Hermès' global retail network provided Puiforcat with unprecedented access to international markets, introducing the silversmith's creations to new generations of collectors and connoisseurs worldwide. While honoring tradition, Hermès also encouraged thoughtful innovation, supporting new designs that respected Puiforcat's heritage while ensuring its relevance in contemporary luxury. This balanced approach has allowed Puiforcat to maintain its position at the forefront of fine silverware while staying true to its artisanal roots. Puiforcat's 950 Sterling Silver Art Nouveau Flatware Sets: Among Puiforcat's most celebrated achievements are its extraordinary 950 sterling silver Art Nouveau flatware sets, which perfectly encapsulate the Maison’s artistic and technical brilliance. The decision to use 950-silver, containing 95% pure silver rather than the standard 92.5%, resulted in pieces with a richer luster and greater durability than conventional sterling silver. This higher purity not only enhanced the visual appeal of each piece but also ensured that Puiforcat flatware...

One of a kind foliage gilt iron tripod stand with pressed glass ice bucket, Spain, 1940s This iron ice bucket serving stand is all made by hand. The handwrought iron stand has a leafed richly adorned top standing on and tripod base and holding a pressed glass wine / champagne chiller. It has a beautiful aged patina showing its original gilt silvered finish. This elegant wine chiller will be a nice addition wherever you place it and will add a luxury accent to any ambiance. It can be used as drinks corner or as a plant stand removing the glass ice bucket. On sale as a set of gilt iron stand...

Cenedese Set of 5 flutes. Made by Maestri Muranesi, the company own by Amelio Cenedese working in the neverland of Murano. It's the island of Serenella, made of the disposal of glass...

Exquisite Japanese contemporary Ko-Imari (Old Imari) style gilded hand painted porcelain cup and saucer. This extraordinary piece brings back the glory an...

An exquisite Austrian Art Nouveau set from the 1920s, featuring radiant ruby hues kissed by the opulence of 24k gold. The wine glasses are adorned with intricate floral etchings tha...

Offered are 82 pieces of the gold-plated rimmed porcelain "Annabell" pattern of Seltmann Weiden dinnerware. 18 Dinner Plates: 9.5" Diameter, 1" High 12 Butter Dishes: 2.325" Diame...

Elevate your dining experience with this exquisite American Porcelain/Gilt Braid Dinnerware Service, crafted by Lenox for J.E. Caldwell & Co. This stunning set includes everything yo...

A beautifully hand painted and gilt porcelain cabinet plate. This is a reproduction of a depiction of Die Parzen (The Three Fates). Of the Imperial Viennese period. Likely made in Germany per the marking on the back. Acrylic stand not included. The Three Fates is a Greek mythological story. In the story of Homer and the Fates...

Romance pattern set of cruet and vase by Björn Wiinblad for Rosenthal. Porcelain with 24-karat gold decorations. Very good condition. Cruet measures: 16 x 10 cm, vase 18 x 8 cm.  

Art Deco, sterling silver-gilt, Egyptian Revival, two-handled centerpiece, inspired by the discovery of King Tut's tomb, Birmingham, England, 1922, Bracker and Sydenham - makers. Mea...

This rather large and very practical crystal pitcher was made by the famed Czech maker, Moser Glassworks. The pitcher which is made from lead free crystal is in the 'Splendid' patter...

An exquisite example of fine German porcelain craftsmanship, this mid-20th century reticulated centerpiece was created by the esteemed Dresden Porcelain Company. Elegant and richly d...

Gorgeous, and large, vintage Murano hand blown opalescent "Chalcedony" surface Italian art glass vase with large flowers and vines motif. The vase is signed underneath with name and ...

Mid-Century Elegance: Rectangular Guilloché Enamel Frame by Renato Salimbeni This refined rectangular photo frame is an exquisite example of the Salimbeni atelier’s mastery, blendin...

An exquisite example of fine German porcelain craftsmanship, this mid-20th century reticulated centerpiece footed bowl was created by the esteemed Dresden Porcelain Company. Elegant ...

Pair nautical shaped italian silver-gilt salts. Pair silver & vermeil navette shaped salt cellars with "SL" engraved escutcheons on laurel incised rectangular socle bases with origin...

Rectangular table box with concave corners in 925/1000 sterling silver with translucent fired enamel on guilloché, also on the sides and fine hand engravings in baroque style. With l...

Antique Sterling Silver Cream Jug with Ornate Rococo Handle, Circa 1900 A charming and finely crafted antique sterling silver cream or milk jug, exquisitely detailed in a Rococo-insp...

Antique valuable sterling solid silver salt shaker or Decorative tableware pressed, cast and chased, gold gilding on the inside. Oval, domed body on short, curve All-encompassing C-curves in relief, latticework, rocailles, tendrils of flowers and matching cartouches. This salt shaker has a blue crystal bowl inside and 1 silver spoon and can be an exclusive decorative object as your tableware or serving pieces or a valuable gift set. Includes a small silver salt spoon and a crystal bowl inside. salt shaker with silver stamps. Sterling Silver Salt Shaker Antique...

Table ashtray in the shape of a four-leaf clover with structure in 925/1000 sterling Silver gold plated and external and internal lining in real malachite stone. Dimensions cm. 12 x ...

A large precious stone and silver-gilt flower model by Asprey. English, 20th century. Measures: 47cm high x 14cm wide x 12 cm depth. Crafted ...

An exceptional and rare Moser Bohemia bedside carafe and associated drinking glass of enameled opaline glass in an exquisite pink color, the circular bod...

Black with white milk design Rectangular photo frame in 800/1000 silver gold plated with fire enamels. External cm. 13.4 x 17.4 Internal cm. 9 x 13. Weight gr. 199. Created in Art De...

Frame in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè. Shaping taken from the tiles of the North Door of the Baptistery of the Florence Cathedral ...

Large centerpiece in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche. Round base with rounded edge, diameter 15 cm, height 3.5 cm, with sculptures of ...

Up for your consideration is the set of 6 luncheon plates made by Cauldon for Higgins & Seiter, New York. The plates are " in diameter and are in very good antique condition wit...

A Rare case set of 12 gilded inside antique valuable floral handle sterling silver Spoons. An elegant Vintage Sterling Silver Tea / Coffee Spoon Set. A cased set of 1915 12 x silver ...

Sign: Daum Nancy Daum is the name of a factory established in 1875 in the city of Nancy, France. When the notary Jean Daum became the owner of an industrial furnace, that of Nancy G...

Pair of exceptional vermeil salt cellars with cord incised rims on hoof feet, Italy, 18th century. Stamped LF. Dimension: 3.88" L x 2.88" D x 1.63...

COALPORT (Attributed) - 'Geranium' - Antique ceramic twin handled botanical serving platter with apple green borders and gilded decoration - featuring a hand painted floral specimen ...

Rare and in very good condition, set of eight 22-karat gold hand painted bamboo pattern Tumbler / Highball glasses by the Imperial Glass Company. The bamboo pattern is embossed, mean...

Giorgio Salimbeni Gold-Plated Sterling Silver and Enamel Photo Frame, Florence, 1970 Elegant rectangular photo frame in 925/1000 sterling silver, gold plated, and richly decorated wi...

A pair of elegant tall mouth blown vases from the artisans on the Isle of Murano. This pair has green glass with hints of blue swirl and 24 karat blown gold inclusion. In wonderful v...

Silver enameled box by Rudolf Steiner, 1899 with a miniature painting An octagonal Austrian silver white enameled, inside gold-plated box made by Ru...

An antique golden brass and black stone, of Rococo-style brass candlestick, pressed, cast and chased. Circular, curved feet with hinged. Tested with the scratch test, height approx. ...

Meissen, Germany. A pair of antique porcelain plates decorated with flowers in gold leaf. Late 19th century. Marked. First factory quality. In good condition, with signs of use and t...

Haviland Limoges oval bowl features Marseille (or Schleiger 9) shape; it is decorated with elaborate floral motifs in blue, pink, light green, and mocha brown colors on both inner and outer surfaces. The bowl has complicated asymmetrical shape with elaborate textured details on both rim and the handle. Marseille shape was introduced in late 1880s and quickly become one of the most popular lines of Haviland china in 1890s. In factory catalogues this piece is often listed as a vegetable server; in contemporary tablescape it can be used as a salad, fruit, or chips bowl or a side dish serving bowl. The bowl is marked with underglaze green factory mark "H&C* L France", dating to 1888-1886, and red overglaze decorator mark "Haviland & C* Pour T.M. James & Sons Kansas City Mo."; the decorator mark indicates that the bowl was specifically created for this Kansas City importer of fine French dinnerware...

A unique and well done portrait vase on an allover royal blue ground with gilt accents. An interesting black ground where the neoclassical portrait is painted on. We attribute the ma...

Beautiful and large, vintage Murano hand blown deep pink over white, and gold flecks Italian art glass bird sculpture. The figure is documented to the Salviati company. I have anothe...

The Ariol Cocktail Pick captures the essence of refined entertaining, balancing a charismatic presence with a touch of intimate elegance. Designed to enhance both grand celebrations ...