Leather Serveware, Ceramics, Silver and Glass

An English style brown tooled leather covered tray of rectangular shape with gallery and brass handles of clasping hands. Dimensions: 31.5" W x 20.5...

This bottle holder by Werkstätten Carl Auböck combines a bent brass frame with a cylindrical leather sleeve, turning a practical carrying device into a compact sculptural form. The t...

Fantastic Arthur Umanoff wine rack in iron, leather and wood block. Holds 40 bottles in the leather slings held in place by iron bars and metal grommets. Four additional wood shelves...

This nutcracker is an original piece of Mid-Century craftsmanship. The design and execution by the Wiener Werkstatte Carl Aubock. Fully signed Aubock and Made in Austria. It is made ...

A fine Asprey of London Hallmarked .925 Sterling Silver Pocket Tape Measure with leather Case. The weight of the measure is 47g excluding case. the Diameter is 5.2cm . The tape m...

Jolie cendrier en cuir fauve par Jacques Adnet.

Gorgeous iron and leather wine rack by Arthur Umanoff. Solid iron frame with two butcher block shelves. Saddle leather straps hold 30 bottles. Lower shelf can hold an additional nine...

Beautiful Carl Aubock Neptune Fish Bottle Opener. Heavy Steel. Leather has gorgeous patina and shows well. Dimensions: 9.5L x 1.45 W 

This charming fish shaped stainless steel and brown leather bottle opener has been designed by Carl Auböck in the 1960s Modell Nr. 4687, Neptun. It comes with its original cardboard box. This one has been produced in Germany as a special company gift. On the leather you will find impressed Zinkweiss and the steel is marked Solingen Germany...

No. 3 Leather Plate by WÈI CRAFT Dimensions: Ø 44.3 x H 5.4 cm Exterior Materials: Full-Grain Vachetta Vegetable-Tanned Leather, Tuscany, Italy Interior Materials: Vegetable-Tanned V...

Antique Travelling German Cocktail set in original leather case, Date Circa 1920 by D R G M. Made in Germany This piece is in good condition Including all the interior fittings which comprise of 4 shot cups, Lemon Squeezer, support holder and 2 large Beakers, which make up the Cocktail Shaker. All pieces marked D G R M made in Germany. Dimensions; H 4 1/4” W3” H 11 cm W 7.25 cm The case does appear to have some stitching replaced on the lid Also showing below a rare item which is available on my 1stdibs storefront A Novelty German Smokers...

"Quadro" is a square leather tray, designed and manufactured by Oscar Maschera. Genuine Italian leather vegetable tanned. This tray has two differe...

This nice champagne bucket is made of silver plated and leather. This is a French work. Circa 1970 Additional Information: Material: Silver Plate, Leather Period: Circa 1970 Dimensi...

This pair of Italian ashtrays dates to the 1970s and exemplifies the refined material sensibility typical of Italian design accessories from the period. Each ashtray is crafted with ...

Stunning bar cart by French art deco modernist designer, Jacques Adnet. This piece comes completely wrapped in a brown leather. Good vintage condition. Iron frame with 4 original cas...

Art Deco Period, Edwardian-style, sterling silver-mounted flask, made in the city of Sheffield, England, year-hallmarked for 1933, James Dixon and Sons - makers. The leather mount, w...

Ashtray grey sharkskin 2 cigars yachting with bag covered with grey shagreen finish printed on calfskin with grey stitching. Bag filled with 1 kg micro metal balls that give high s...

Handsome French leather and glass ashtray by Le Tanneur. Removable faceted glass dish. Black leather base. Classy desktop ashtray or catchall. Great vintage condition. Marked Le Tann...

An elegant vintage Martini set from the 1950s, consisting of a glass pitcher with a black leather-wrapped handle and four matching drinking glasses, each fitted with a black leather ...

Rare decanter set attributed to Jacques Adnet. The leather bottle carrier is wrapped by a leather belt shape strap with a metal buckle. It holds two dec...

"Matteo" is a leather tray, designed by Claude Bouchard and manufactured by Oscar Maschera. Genuine Italian leather vegetable tanned. Colors combination to be chosen from the availab...

Elegant vintage bar box by Gucci, crafted in Italy and combining refined walnut veneer with rich brown leather trim and stitching. The gently curved silhouette and restrained detaili...

Vintage sangria pitcher or carafe in amber glass accompanied by its wooden stopper held by a golden chain. Leather tag. Perfect for iced tea, wate...

An exceptional, fine and impressive antique Victorian English sterling silver sandwich box with leather carrying case, an addition to our diverse Victoria...

19th century Victorian set of six silver table salts and spoons, each of circular form, on three ball feet, mounted with a beaded crown boarder, parcel gilt inside and engraved with ...

Arthur Umanoff wine rack, c.1950s, USA. The rack features a wrought iron frame with leather strapping to store up to twelve wine bottles. The top of the rack is finished with a thick...

Royal House Antiques Royal House Antiques is delighted to offer for sale this custom made pair of Champagne Buckets which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Champagne coolers only, the pair of Wine coolers and pair of Pitcher jugs are listed separately and can be found under my other items for sale. Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 12.5cm Width and depth:- 15.9cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A new style with a brand new laser cut pattern that beautifully finishes the elegant leather cover. Diana is the new Pinetti steel thermal carafe wit...

The luxury leather bottle bag LEWIN is the new proposal by LIMAC Design® for those who want to make a gift that leaves a mark. Developed by the LIMAC Design® design office and create...

The Lazy Susan tray is a revolving tray entirely crafted from brown calf leather. Practical and functional, it is ideal as a centerpiece for happy hours and parties with friends. Ava...

This rare collectible barware cocktail picks set has a Mid-Century Modern flair. The bar piece was crafted in Spain circa 1960 and sold in France during the same period. This bar set...

A cylindrical body that delicately flares to a wide top well finished by two round handles. The steel wine cooler with leather sleeve comes also in a generous size ideal for champ...

Nives Champagne Bucket in Glossy Horn & Aida Pebbled Leather by Arcahorn Designed by Filippo Dini Dimensions: D 23 x W 23 x H 23 cm. Materials: Glossy horn, stainless steel, and Aida...

Handsome glass ashtray with leather belting and signature contrast stitching and brass buckle France 1940s.

A stylish accent piece for your serveware collection, the Gioele tray is a fusion of functionality and opulence. The design is handcrafted by skilled artisans from matte Amara ebony ...

Superb circular leather ice bucket designed in Italy, 1970's. This unique object will add a touch of elegance to your bar and dining room. Ideal for serving drinks with sophisticatio...

Superb circular leather ice bucket designed in Italy, 1970's. This unique object will add a touch of elegance to your bar and dining room. Ideal for serving drinks with sophisticatio...

Superb circular leather ice bucket designed in Italy, 1970's. This unique object will add a touch of elegance to your bar and dining room. Ideal for serving drinks with sophisticatio...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Handsome Jacques Adnet ashtray set in beautifully worn dark brown leather. Thick molded glass with crackle detailing Incredible piece. France 1940s.

French leather equestrian armrest ashtray France, mid century Rich black leather is soft and well worn Wonderful brass toned ashtray and stirrups Adjustable buckles so you can easily...

A Rare Leather and Silver Bookbinding by Bezalel made for a Bible, in Jerusalem Israel Circa 1913. Besides the unique craftmanship that went into making this attractive leather bind...

Beautiful in form and highly functional, this model M132 carafe/ coffee server by Gordon & Jane Martz for Marshall Studios has a great organic shape, is glazed in their signature sub...

This is a small ladies antique hip flask of English make dating to the late 19th century of Victorian, England. The flask is made of moulded glass which has a brown leather upper se...

The high-end thermal carafe is the result of a perfect balance of polished steel and leather, making it an impeccable choice for those seeking the ultimate in elegance. In addition, ...

Rare cendrier sur pied par Mathieu Matégot, en laiton et cuir. Le cuir légerement décollé.

Mondrian-inspired coasters are quintessential art and design for your table. Made from high-quality leather, they exhibit the geometric precision and chromatic boldness distinctive ...

Leather objects and fine materials that celebrate the beauty of gestures, the care of living spaces, and the pleasure of shared moments. From the table to the home, each creation is ...

Leather objects and fine materials that celebrate the beauty of gestures, the care of living spaces, and the pleasure of shared moments. From the table to the home, each creation is ...

Leather objects and fine materials that celebrate the beauty of gestures, the care of living spaces, and the pleasure of shared moments. From the table to the home, each creation is ...

Beautiful and Antique bar set , bottle holder in fully leather and decorative fabric with the original key.

Liquor flask bottle designed by James Dixon & Sons. Very handsome and handy liquor flask bottle, created in Sheffield England by the silversmith James Dixon & Sons, back in the 1904...

A matched pair of luxury English leather-wrapped glass spirit flasks by James Dixon & Sons, Sheffield, England. Crafted with contoured glass bodies, each flask is encased in fine...

Add luxury and style to your entertainment space with our Gioele tray, handcrafted in matte Amara ebony veneer and Aida pebbled leather. Proposed in an elegant Ice-cream nuance, the ...

1950's Stitched leather bottles holder by Jacques Adnet France.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Cartier Sterling Silver Gentleman’s Fitted Leather Vanity Case London, 1937 Maker’s Mark: J.C (Jacques-Théodule Cartier) Made in France A superb and rare Art Deco gentleman’s fitt...

This exquisite napkin holder, echoing an everyday object, elevates any table with its charm and visual balance. The object is made of leather with a piping system, in which thin stri...

A simple design that will add a refined touch to any table, this napkin holder is made entirely by hand from Foglizzo aniline leather. Crisscrossed and secured with a metal stud, it ...

This exquisite modernist red leather and crystal vide-poche has a form reminiscent of Dupre-Lafon's work. The piece was expertly crafted in France circa 1950. The crocodile-embossed ...