Sterling Silver Serveware, Ceramics, Silver and Glass

Tiffany & Co. sterling silver flatware set in the celebrated English King pattern, adorned with shells and other motifs, consisting of: 8 dinner knives with French blades measuring ...

Set of five antique sterling silver and glass vanity jars. Various repoussè floral designs. each sterling lid is stamped sterling. Large j...

1960s Tiffany & Co. sterling silver dish. Weighs 9.4 ounces.

Set of 10 Modern sterling silver bread and butter plates. Made by Tiffany & Co. in New York. Each: Round well, tapering shoulder, and molded rim. Fully marked including maker’s s...

Rectangular table box with rounded corners in sterling silver 925/1000 gold plated with a beautiful hand-engraved and fire-enamelled frame and in the center a beautiful hand painted miniature by the painter Beatrice Mellana reproducing the painting by Jean Auguste Dominique Ingres "Odalisque with slave". Dimensions cm. 9.5 x 12.3 x 3.3. Weight gr. 671. Designed by Giorgio Salimbeni in 1979 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Octagonal notched photo frame in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. External dimensions cm. 14.2 x 17.8, internal oval cm. 8 x 12....

Antique silver cup or large Decorative ice bucket, fruit cup, pressed, cast and chased. Circular, curved feet with hinged. unstamped, tested with the scratch test, height approx. 60 ...

Georg Jensen sterling silver water pitcher C.1950. Designed by Johan Rohde. Iconic design, hand wrought plain lightly hammer...

A vintage pendant necklace designed by Bjørn Sigurd Østern for David-Andersen, Norway. This piece, titled “Bjørn’s Lykkeskip” (Ship of Good Fortune...

Saratoga by Tiffany - Sterling Issue Date: 1870 Formerly this pattern was called King and then Cook, renamed Saratoga in 1956. Designer: Edward C. Moore. Fabulous Saratoga by Tiffan...

Direct from a private mansion in Paris, a stunning 9-piece antique Victorian sterling silver tea set by one of Britain’s premier silversmiths “Savory and Sons” professionally refinished to near new condition and including 8 anti-tarnish storage wraps for easy storage – circa early 1800s. The annals of British silversmithing are replete with illustrious names, each contributing to an enduring legacy of artistry and opulence. Among these distinguished firms, Savory and Sons occupies a position of particular reverence. From its early 19th-century origins in the heart of the City of London to its eventual evolution into a larger commercial entity, the name Savory became synonymous with the pinnacle of quality, elegance, and refined taste. More than mere retailers or manufacturers, they were arbiters of style, purveyors of luxury to a clientele that included royalty, and creators of some of the most exquisite silver objects of the Victorian era. Savory - A Foundation of Quality and Craftsmanship: The story of Savory and Sons is one of entrepreneurial spirit, family partnership, and an unwavering commitment to excellence. The firm's origins can be traced to 1812, when Adey Bellamy Savory, a man of Huguenot descent—a heritage often associated with exceptional skill in the precious metal trades—established his business at 14 Cornhill in the City of London. Initially listed in directories under various specializations, from goldsmith to dealer in foreign coins, A.B. Savory was building a foundation as a purveyor of fine and curious goods. This early period was crucial for establishing the reputation for reliability and discernment that would become the firm's hallmark. A pivotal transformation occurred in 1833 when Adey Bellamy's sons, Joseph and Albert, were taken into partnership, and the firm's name was officially changed to A.B. Savory & Sons. This marked the beginning of its most celebrated era. The business model was sophisticated, operating on two fronts. They maintained a retail presence at various addresses on Cornhill, strategically positioned opposite the Bank of England, a locale that placed them at the very center of British commerce and affluence. Simultaneously, they operated a significant manufacturing enterprise, or "silver manufactory," at 5 Finsbury Place, South, and later at 15 Gee Street and 18 Red Lion Street in Clerkenwell, the historic heart of London's watchmaking and silversmithing trades. This vertical integration allowed Savory & Sons to exert unparalleled control over the quality of their wares, from the initial design concept to the final polish. The exceptional quality and craftsmanship associated with the Savory name was not solely the product of the founding family, but also of the master artisans they employed. A prime example is the silversmith William Smily and his sons. William Smily, who had been apprenticed to a spoon and fork maker, began working in Savory's Gee Street factory and eventually rose to become the works manager for A.B. Savory & Sons. It was Smily who registered his own maker's mark, which was used on silverware manufactured for the firm, often accompanied by the stamp "A.B. Savory & Sons". This practice of collaborating with and retaining craftsmen ensured that the silver bearing the Savory name was not merely retailed but was conceived and executed to the highest international standards. The "SS" mark, used by both William and later his son Samuel (who succeeded him as works manager), became an internal stamp of quality, signifying that a piece had been crafted under the watchful eye of a master. The detail lavished on even the most functional items is a testament to this culture of excellence. Royal Patronage and Public Accolades: For a firm like Savory and Sons, the ultimate validation of its status came in the form of royal patronage. Their location opposite the Bank of England and their reputation for supplying "the World's Elite," placed them in the direct orbit of the aristocracy and the royal household. To be a silversmith of choice for the upper echelons of society was, in effect, to operate under a de facto royal warrant, as taste and fashion flowed...

An antique tea set and a silver-plated teapot that is beautifully designed and created are suitable for elegant serving. With lid pressed, cast and cha...

Georg Jensen silver Denmark Cypres cutlery set for 8 persons in sterling silver designed by Tias Eckhoff in 1952. The set includes: 8 dining knives, length 22.3 cm 8 dining fork...

Fountain pen in 925/1000 sterling silver with translucent fired enamel on guilloche. With 14 carats gold nib and ink cartridge. Diameter mm. 10.5 Total length cm. 14. Weight gr. 45. ...

A lovely old sterling silver match book cover. A good solid piece, made from sterling silver it is designed to slip over your match box to protect from the elements and also add a t...

An exceptional, fine and impressive vintage English straight sterling silver Hanoverian Bead pattern canteen of cutlery for twelve persons - boxed; an addition to our vintage flatware collection. The pieces of this exceptional vintage Elizabeth II sterling silver canteen of cutlery for twelve persons have been crafted in the Hanoverian bead pattern. The anterior and posterior surfaces of each handle are embellished with paralleling bead decorated borders. This 124 piece canteen of cutlery includes: Basic Service: 12 Table knives 12 Table forks 12 Soup spoons 12 Dessert knives 12 Dessert forks 12 Dessert spoons 12 Fish knives 12 Fish forks 12 Teaspoons 12 Coffee spoons Additional Pieces: 4 Table/Serving spoons This exceptional and comprehensive service benefits from the solid silver fish service. The components of this cutlery service have been crafted by the flatware specialists Carr's of Sheffield Ltd in 1993. This exceptional sterling silver flatware set can be supplied with the original lift up lid and one drawer canteen box...

Victorian Period/Aesthetic Movement sterling silver calling card/business card case having a hinged lid and its original chain, Gorham Manufacturing Co., Providence, Rhode Island, Ca...

Gorham sterling silver overlay flask featuring an 1/8 Pint glass jar with a fancy engraved leafy vine art nouveau silver overlay design, a removab...

Antique Italian Silver & Crystal Claret Jug – Decorative Glass Pitcher with Etched Leaves, Bird & Human Mask Handle, Circa 1880s An exceptional antique Italian silver and glass clar...

Slender and graceful, the smooth clean lines of this refined pattern are distinguished with deeply carved floral ornaments at the tip and neck. Raised borders along the fluted stem e...

Boston, circa 1860. A very rare classical form sterling silver pitcher or creamer - double monograms present to surface.
Approx: 310 grams

A fine set of 6 cocktail mugs or glasses. By Tiffany & Co. In sterling silver with gold washed interiors. With tapered side walls and a slightly concave base. Fully hallmark...

Introduce a touch of early 20th-century elegance to your collection with this sterling silver two-handled decorative piece/vase, crafted in the United States by Richards M Woods & Co...

A fine pair of English silver figural sugar tongs. By S&S (possibly Stevens & Sons) of Birmingham, England in 1940. In the form of a wishbone (also known as the furcula). Hallmark...

Antique Silver Cream Jug London 1899 Messrs Barnard. The jug on on three shell knuckle mask feet, swirl design surround body, scalloped everted rim, acanthus foliate capped double scroll handle. Handle to spout : 4.25 inches. Width: 2.50 inches. Height: 3 inches. Weight: 105 grams.

This exquisite antique sterling silver pillbox was crafted by the renowned American silversmiths Dominick & Haff, and bears their hallmark along with the date 1891 on the underside. ...

This lovely vintage hallmarked Swedish Gustavsberg Argenta ceramic stone bowl from the 1950's. Marked on the bottom , Argenta, 1521, Made in Sweden. The color is a combination turqu...

A pair of elegant Antique George II Sterling Silver Tapersticks. These early Georgian Candlesticks have an elegant quatrefoil shaped base with 4 stylised shells on the corners. The T...

Rare Chinese export sterling silver bowl by Wang Hing & Co. with applied relief cherry blossom flowers on each side of the bowl where it transitions into the feet, casted and styliz...

Antique valuable silver salt and pepper shaker or Decorative tableware pressed, cast and chased. Oval, domed body on short, curve All-encompassing C-curves in relief, latticework, r...

A magnificent, fine and impressive, comprehensive antique George V English sterling silver Sandringham pattern flatware service for twelve persons - boxed; an addition to our canteen of cutlery collection The pieces of this magnificent and comprehensive antique George V English sterling silver canteen of cutlery for twelve persons have been crafted in the Sandringham pattern. Each spoon and fork is embellished with a paralleling border to the handle, in addition to a pointed terminal. The original table and dessert knives, in addition to the fish service, fruit service and carving set all retain the original faceted Art Deco style mother of pearl handles; each with plain a ferrule. The bowls of the salt and mustard spoons retain the original gilding. This boxed canteen of cutlery consists of 164 pieces: Basic Service: 12 Table knives 12 Table forks 12 Soup spoons 6 Table/Serving spoons 12 Dessert knives 12 Dessert forks 12 Dessert spoons 12 Fruit knives 12 Fruit forks 12 Fish knives 12 Fish forks 12 Teaspoons 6 Egg spoons Additional Pieces: Soup ladle Pair of Sauce ladles Fish serving knife Fish serving fork 4 Salt spoons Pair of Mustard spoons Pair of Jam spoons Sugar tongs Meat carving knife Game carving knife Large carving fork Small carving fork Bread knife Sharpening steel This impressive service benefits from an extensive range of serving pieces, incorporating an exceptional matching silver fish and dessert service. The fundamental components of this canteen were crafted by the Sheffield silversmith Emile Viner of Viner's Ltd in 1932. The original mother of pearl handled knives bear the maker's mark 'Viners Ltd, Sheffield, Cutlers to H.M The King, Stainless De-luxe' to the stainless steel blades. This exceptional canteen of cutlery is fitted to the original and substantial oak wood two drawer, lift up lid canteen table...

This striking pair of salt and pepper shakers, designed by the esteemed Norwegian silversmith Theodore Olsens, showcases the elegance and unique artistry of Scandinavian craftsmanshi...

A Sterling Silver and cut Crystal Sugar Shaker, by R. Wallace & Sons of Wallingford, Connecticut, circa 1902. Wallace & Sons began sterling production in 1871. The crystal body is ...

Impressive sterling silver chess board medieval style chess set. The chess board, made by ARVAL ARGENTI VALENZA, was made in white marble and sodalite is supported by a STERLING SILVER frame made with the casting method and finished with a chisel, subsequently burnished and reproducing the bricks of a wall of a fortress. This "frame" is supported at the four horses two tone...

Direct from France: Direct from a private chateau near Paris, a stunning 184pc. gold plated sterling silver (vermeil) flatware set by internationally known French silversmiths "Societe Parisienne d'Orfevrerie" complete with original 6-drawer storage cabinet and 16 magnificent serving pieces, superb condition - circa 1911 and no monograms. The annals of 19th century French silverware bear witness to numerous illustrious workshops, yet few achieved the remarkable synthesis of technical mastery, artistic innovation, and aristocratic prestige as the Société Parisienne d'Orfèvrerie. Founded by Odiot during the flourishing years of the Second Empire, this distinguished Parisian firm carved its legacy through exceptional creations in gold-plated 950 sterling silver, known as vermeil, particularly in the realm of flatware. While maintaining its distinct identity, the firm's close association with the legendary Odiot dynasty - through shared master craftsmen, parallel design philosophies, and overlapping aristocratic patronage - positioned it among the foremost creators of luxury tableware in nineteenth-century Europe. The Early Years: The emergence of Société Parisienne d'Orfèvrerie coincided with a period of remarkable innovation in French decorative arts during the mid-nineteenth century. Though lacking the multi-generational heritage of the Odiot dynasty, which traced its origins to 1690, SPO rapidly ascended to prominence by adopting and adapting the exacting standards that had made Odiot synonymous with excellence in European silverware. This connection manifested most significantly through the migration of skilled artisans between workshops, as numerous master silversmiths who had trained in Odiot's ateliers brought their expertise to SPO's benches. These craftsmen carried with them not only technical knowledge but also the aesthetic sensibilities that defined French high silverwork during this golden age. What set Société Parisienne d'Orfèvrerie apart was its particular specialization in vermeil, the art of gold-plating sterling silver. While Odiot certainly produced vermeil pieces among its vast output, SPO made this technique a defining characteristic of its production, particularly in flatware. The process demanded extraordinary precision, involving the plating of 950 sterling silver - an alloy of exceptional purity containing 95% fine silver - with a substantial layer of 24-karat gold. This marriage of precious metals created tableware that combined the structural integrity and luminous quality of silver with the sumptuous warmth of gold, resulting in pieces that glowed with rich, deep radiance. The technical challenges of this process were considerable, requiring perfect preparation of the silver surface and meticulous control of the gilding bath to ensure even, durable coverage that would withstand generations of use. Master Craftsman in Vermeil: The foundation of SPO's flatware excellence lay in its uncompromising approach to materials and technique. In an era when many manufacturers had begun adopting the 925-sterling standard for economic reasons, SPO remained steadfast in its use of 950 silver, a purer alloy that offered superior workability and a distinctive luminous quality. This higher silver content not only enhanced the metal's natural brilliance but also provided greater resistance to the stresses of daily use, ensuring that pieces maintained their structural integrity over decades of service. The gold plating process itself represented a triumph of French electrochemical innovation, with SPO's craftsmen perfecting a technique that deposited a substantially thicker and more durable layer of gold than conventional gilding methods. Each component in an SPO flatware service represented countless hours of skilled labor, beginning with the careful forging of blanks that would be transformed through a series of specialized processes. Master chasers employed repoussé techniques to create intricate decorative motifs on handles, working from the reverse side to produce low-relief designs of floral arrangements, mythological scenes, or geometric patterns. Engravers then refined these elements, adding delicate details that brought the designs to life with astonishing realism. The functional elements of each piece received equal attention, with blades and bowls carefully balanced for optimal weight distribution and ergonomic comfort. A single place setting might require weeks of work from multiple specialists, each contributing their expertise to create a harmonious whole. The most elaborate commissions incorporated personalized elements that transformed functional tableware into bespoke works of art. Aristocratic clients frequently requested custom monograms or family crests, often executed in exquisite detail with additional embellishments of enamel or precious stones. These personalized touches not only demonstrated the owner's status but also served as a testament to SPO's ability to accommodate the most discerning tastes. The firm's workshops maintained extensive pattern books containing hundreds of design variations, allowing for nearly infinite customization while maintaining the cohesive aesthetic that defined SPO's output. A Favorite of European Royalty: Like its esteemed counterpart Odiot, Société Parisienne d'Orfèvrerie enjoyed considerable favor among European royalty and aristocracy, particularly during the reign of Napoleon III. The Second Empire court's appetite for lavish tableware created ideal conditions for SPO's ascent, with the firm's vermeil flatware becoming a particular favorite for state banquets and diplomatic gifts. The inherent qualities of vermeil - its resistance to tarnishing in humid conditions and its opulent visual appeal - made it especially desirable among the international elite who frequented Paris during this period of unprecedented luxury. Among SPO's most illustrious commissions was a comprehensive twelve-place vermeil service created for Empress Eugénie, wife of Napoleon III. This magnificent ensemble exemplified the rococo revival style favored by the imperial court, with each piece featuring elaborate rocaille scrollwork intertwined with naturalistic vine motifs. The service's attention to detail extended to its specialized pieces, including fish servers with delicately pierced blades and sauce ladles with perfectly balanced handles. Another significant patron, Tsar Alexander II of Russia, commissioned a vermeil flatware service featuring Cyrillic monograms and subtle references to traditional Russian decorative arts, demonstrating SPO's ability to adapt its designs to diverse cultural preferences. The firm's clientele extended beyond imperial courts to include the rising financial and industrial elites of the period. American magnates touring Europe, British aristocrats refreshing their country estates, and the newly wealthy bourgeoisie of Paris all sought SPO's creations as tangible symbols of their refined taste and social standing. This broad appeal stemmed from SPO's unique position at the intersection of traditional craftsmanship and innovative production techniques, allowing it to meet the exacting standards of old-world aristocracy while satisfying the practical demands of modern entertaining. Awards and Accolades: The excellence of Société Parisienne d'Orfèvrerie's creations received formal recognition at the great international exhibitions that served as showcases for industrial and artistic achievement throughout the nineteenth century. The 1855 Paris Exposition Universelle marked a watershed moment for the firm, where its exhibition of vermeil flatware earned a gold medal and lavish praise from the international jury. Contemporary accounts particularly noted the flawless execution of the gilding and the ergonomic perfection of each piece, with one critic remarking that the flatware seemed to "anticipate the hand's movements before being lifted." Subsequent appearances at the 1862 London International Exhibition and the 1867 Paris World's Fair further cemented SPO's reputation as a leader in luxury flatware...

Set of 8 sterling silver highballs. Made by Watson Company in Massachusetts, ca 1930. Each: Straight and tapering sides with flared rim. Smart and Modern barware based on Ye Olde Col...

Vintage Gorham sterling silver flatware set in the Etruscan pattern featuring an Art Deco style Greek Key design Although this pattern was released in 1913, one can see that it was a...

Rare Arts & Crafts silver and Limoges enamel box by Bostonian Arts and Crafts Metalsmith and Jeweler, Frank Gardner Hale. The hand enameled plaque depicti...

Sterling silver, George III Period, hoof-footed salver, London, England, year-hallmarked for 1765, Ebenezer Coker - maker. Scroll and shell designed border. Measures almost 6 3/4 inches in diameter x 1 inch high. Weighs 6.280 troy ounces. There is a small, capital letter P monogram...

A rare opportunity to acquire an Edwardian Oak tray with solid silver fittings, rather than silver plate usually found. Everything you see in "silver" is solid English silver, a good heavy gauge, there is a good weight of silver here, there are many hallmarks for Sheffield 1904 together with the maker's mark for the well renowned Martin Hall. Richard Martin & Ebenezer Hall (Martin, Hall & Co.) The original firm was formed in Sheffield in the year 1820 by Henry Wilkinson and John Roberts who traded as Wilkinson & Roberts. The firm's chronology is: John Roberts (1836), Roberts & Hall ( 1846), Martin Hall & Co (1854), Martin Hall & Co Ltd (1866-1936). Martin Hall & Co was one of the best known British manufacturers and participated to many international exhibitions including the Crystal Palace 1851 Great Exhibition...

Art Nouveau German Sterling Fantasy Fish Motif Oil Lamp/Cigar Lighter German, Late 19th Century, Unmarked, .800 Silver Immerse yourself in the enchanting world of Art Nouveau with this captivating German sterling fantasy fish motif oil lamp/cigar lighter. Dating back to the late 19th century, this piece is a true testament to the creativity and artistry of the era. Crafted with meticulous attention to detail, the lamp is a fantastical, caricature-like fish cast and engraved realistically. The fish rests on its back, supported by its fins and dorsal fin, with wide-opened eyes and an open mouth revealing the oil lamp's wick. The turned-up tail serves as the handle for this ingeniously designed oil lamp and cigar lighter. Made of unmarked .800 silver, this piece embodies the quality and craftsmanship of German silversmithing. With dimensions of 4 inches in height, 3.5 inches in width, and 2 inches in depth, this lamp is a statement piece that will captivate any observer. Weighing 3.5 ounces, it exudes a substantial and luxurious feel. Step into the enchanting world of Art Nouveau with this captivating German oil lamp...

A blend of three design motifs gives this pattern a distinctive feeling of richness tempered with informal simplicity. Introduced in 1948, the traditional fiddle-shaped outline has b...

This English 1950s heavy sterling silver bracelet has 17 large three-dimensional charms and opens or closes with a heart shaped padlock on a little safety chain. Some of the charms have moving or opening parts. The windmill really turns, the lid of the beer mug opens, the ship opens up, the leaves on the orange are separate from the orange, the bellow bellows, the treasury chest opens, the corn has loose leaves and the scissors 'cut'. Three of them are European solid silver pendants: the acorn (Italy 925) the long pendant (sword Dutch 835, used from 1906-1953) the German beer mug...

Pair of sterling silver, Victorian style grape shears, Sheffield, England, 1938. "Fox and Grapes" motif on each handle. One of the cutting "blades" has ...

This stately pattern is a combination of form and symmetry, influenced by the clean, balanced lines of Scandinavian artistry. Bold openwork is enhanced by slender lines of fluted col...

Edwardian Classical sterling silver candy stand. Made by Towle in Newburyport, Mass., ca 1930. Three graduated bowls, each round with pierced guilloche shoulder and beaded rim in ree...

Elegant pair of oval Sterling napkin rings both stamped "sterling" and both have "H" engraved on the front of the rings. Wonderful to add to your table...

Rare Antique 48-Piece Silver-Plated Cutlery Set with Mahogany Case, c.1940 An exceptional and highly collectible antique silver-plated cutlery set, comprising 48 pieces designed to ...

The accent is on form and symmetry in Royal Danish, which takes its influence from the traditional artistry of Scandinavia. Bold openwork reflects this modern interpretation, even on...

Set of 4 Victorian sterling silver novelty place card holders. Made by Brook & Son in Edinburgh in 1899. Each: A cast open scene with drumming monkey, sticks raised overhead; mounted...

Belle Époque French .950 Silver Wine Coasters by L. Lapar, Orfèvre Paris, Circa 1880 (Pair) A superb and elegant pair of late 19th-century French wine coasters by L. Lapar, Orfèvre ...

BIRKS - Set of four fine quality sterling silver and cut glass coasters - featuring a stackable design with wheel cut glass inserts - signed BIRKS S...

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

Clover sterling silver coffee and tea set. Made by Tiffany & Co. in New York, early 20th century. This set comprises four pieces: Coffeepot, teapot, creamer, and sugar. Coffeepot and...

Set of 6 Midcentury Modern sterling silver tumblers. Made by Tiffany & Co. in New York. Round with straight sides. Pure functionality for facilitating full-strength boozing. Full...

A Danish sterling silver bowl by Georg Jensen, design #180B, from 1918. Inspired by his renowned "Louvre Bowl #19," this smaller rendition showcases Jensen's artistic brilliance. The...

An Exquisite Table Rarity in Sterling Silver. This antique asparagus server showcases exceptional craftsmanship, featuring a delicately hand–s...

A lovely Sterling Silver compote with a simple and sophisticated edging. The piece is a compliment to any cocktail table or bar... serving nuts to candies or for display of a floati...

Chrysanthemum (c1880) originally called Indian Chrysanthemum .Tiffany's luxurious Chrysanthemum silver was designed in 1880 by Charles Grosjean. With its flowing curves, swirling ve...

The Art Deco bon candy basket has a filigree band and is stamped "Sterling".