British Serveware, Ceramics, Silver and Glass

A beautiful decorative Horn Beaker or cup with wonderful decorative markings, benefitting from and interior copper and silver or tin lining interior sleeve...

Vintage Royal Doulton Porcelain Bowl Designed by Andrew Wyeth England 1973. Amazing Royal Doulton Andrew Wyeth large porcelain bowl with apple branches 13" Limited Ed. Andrew Wyeth bowl made of fine English bone China. The bowl was made for Andrew Wyeth by Royal Doulton of Stoke-on-Trent, Staffordshire, England. Limited edition from an original work of art by Andrew Wyeth...

Beautiful English porcelain - Wedgwood Bone China Tea Set Decorated in the coveted Etruscan Empire style. The fine bone china body is adorned with a...

Offered is a stunning Sheffield silver keepsake box dating to 1900, with associated hallmark. This small box includes a clean interior and rounded corners. The box is free of names or initials, but would have been used to house keepsakes such as jewelry or cufflinks. A well maintained, elegant piece, this antique silver box is an excellent addition to any silver collection. Trinket or keepsake boxes have taken on many forms since their first conception in ancient times. However their purpose remains the same; to store jewelry and other items precious to the owner. Originally, these boxes were used specifically for jewelry. These were in common use as early as 5000 BC in Ancient Egypt, when the majority of Egyptians, both male and female, wore jewelry. Boxes were used to keep these gemstone encrusted items safe. In Ancient Rome, jewelry was a status symbol. Rings and brooches were utilized to represent ones status in society. Again, boxes were needed for security and storage purposes. Finding early examples of these are quite rare. Victorian and Edwardian examples of trinket boxes are far more common. This is because owning jewellery was a luxury until the Victorian era- let alone possessing so much a box was needed to store it all. Fine jewelry and other items became available to the masses after the industrial revolution due to the reduction in production costs. This led to a demand for trinket boxes, which were much smaller than jewelry boxes and therefore better suited to the needs of the middle class who did not yet possess an abundance of jewelry. In Victorian households, collectables and other items of interested were also stashed inside these boxes. This is why they are known as trinket or keepsake boxes, rather than just jewelry boxes, although of course jewelry was also stored in them. Trinket boxes were produced in large numbers around this time. Many were lined with colored plush or velvet or rich wood. More elaborate designs had interior divisions and trays for rings and other pieces of jewellery. It was also common to see trinket boxes so small that they could only contain one item, such as a single ring. Ornate exteriors were created to reflect the value of the trinket boxes contents. The Edwardian era saw the introduction of new styles of trinket box. These included small circular or oblong boxes...

Edwardian, sterling silver and deep pink guilloche enamel-mounted magnifying glass, Sheffield, England, year-hallmarked for 1905, James Scholes -maker. Glass...

Two antique English Stephen Folch Chinoiserie Square Serving Bowls or trays in the Imari Ironstone Bamboo & Basket pattern with Royal Arms mark, Circa 1825 The plate is fully ma...

A scent perfume bottle designed by Horton & Allday. This is a superb and very rare scent perfume-bottle created in Chester England by the silversmith company of Horton & Allday, bac...

This is a good glass jar with a beautiful a gold colored Guilloche enamel lid, from the Art Deco period, Circa 1920's. The glass crystal jar is rectangular and The rectangular lid...

This striking large decorative plate is a classic example of early Ridgway pottery, showcasing the vibrant Imari-style color palette and intricate detailing that made the Staffordshi...

A stylish vintage English rustic antler and silver pewter wine coaster. Hallmarks on top and bottom of base. The perfect accent piece for your barware! The diameter of the coaster i...

This is rare porcelain plate from the private collection of Lord and Lady Flight Flight, made by Barr, Flight and Barr (BFB) period of Worcester porcelain, George IVth period, circa ...

Minton pattern Well & Tree of Life platter, English, Staffordshire, marked "New Stone" & BB (Best Body), date mark of 1858. Chip on one supporter. 19 5...

Hallmarked in London in 1781 by Hester Bateman, this wonderful, George III, Antique Sterling Silver Coffee Pot, features bead borders, a plain body, a wooden scroll handle, and acant...

Wonderful quality antique Edwardian three piece tea set having a quality antique Edwardian silver plated three piece tea set consisting of a tea pot, sugar bowl and milk jug. D. 1900

A set of six (one bonus tile thrown in of a double but in bad condition) Victorian hand painted Minton China Works in Stoke-upon-Trent, England, English tiles designed by John Moyr Smith...

Date marked 1962/63, Sterling, by Tiffany & Co., England. Modern and Art Deco collide in this very sleek coffee or chocolate set. Brilliant as a decorative accessory or perfect ...

This rare and complete set of 12 hand painted turtle soups will surely delight your guests- A real conversation piece, these hand painted soups realistically depict a turtle, which was a special soup course in it's day, perfect for any course today. The inner portion is molded like a shell and the borders have turtles in relief. The painting is detailed and realistic with gold trim around light ivory borders. Ca. 1890 Made by Bodley 19th Century English Porcelain Turtle Soup Bowls stunning gilt porcelain flat rimmed bowls with scalloped edges, featuring bas-relief turtle. Perfect for hanging on the wall. (11) marked with EJD Bodley...

A Pair of Sterling Silver Candlesticks in the arts and crafts style, hallmarked in the city of Sheffield in 1905/06 by James Dixon...

Stunning Pair of English Hand Cut Crystal and Sterling Silver Oil and Vinegar Cruet Set of outstanding quality, early Nineteenth Century. Each cut full lead crystal bottle of tradit...

English sterling silver fruit basket by James Deakin & Sons, 1928 A rectangular English silver fruit basket raised on a base. A Sheffiel...

George V sterling silver cigar box. Made by Barnard & Sons, Ltd in London in 1930. Rectangular with straight sides. Cover hinged and with tapering tab; top flap with engine-turne...

This is a beautiful plate in the Chinese inspired pattern number 4089, produced by the Copeland - Late Spode factory and made of earthenware pottery called Pearl-ware, in the mid 19th century, circa 1850. This plate is well potted with a recessed rim. The pattern is transfer printed under-glaze in cobalt blue, then carefully hand painted in bold coloured enamels over-glaze in Gilt Heightened, Rare Pattern Number '4089' which Depicts Oriental Flowers including Bamboo, Peonies and Prunus Blossom in a garden setting with insects. Similar plates of this period are shown in Steven Smith's book called Spode and Copeland, published by Schiffer. The plate is fully marked to the base, with a transfer printed Copeland Late Spode...

Hallmarked in London in 1880 by Goldsmiths Alliance Ltd., this ornate antique sterling silver set of six salt cellars and six spoons features circular gilt-lined bowls with embossed ...

Novelty Equestrian Toast Rack. A vintage plated fox hunting, equestrian toast rack which can also be used as a letter rack or napkin holder. The rack is made in the form of a stirrup...

This is an antique hunting flask. An English, glass and silver plate bottle in leather case, dating to the late Victorian period, circa 1900. Wonderfu...

Fine 18th Century George III period engraved repousse sterling silver goblet by Francis Crump, London, 1770. The use of sterling silver drinking vessels is associated with good health as silver is prized for removing impurities from libations. Lovely historic object...

Hallmarked in London in 1845 by Joseph Angell I & Joseph Angell II, this exquisite Victorian antique sterling silver wine ewer features an intricately chased pear-shaped body dep...

Three antique English Stephen Folch Chinoiserie serving platters / trays in the Bamboo & Basket Imari style pattern with scalloped edges and Royal Arms mark, Circa 1825 The plat...

James Robinson For 70 years, James Robinson has been selling exquisite handmade sterling silver flatware in Sheffield, England. Today, the silver is still made in the traditional wa...

Direct from a private mansion in Paris, a stunning 9-piece antique Victorian sterling silver tea set by one of Britain’s premier silversmiths “Savory and Sons” professionally refinished to near new condition and including 8 anti-tarnish storage wraps for easy storage – circa early 1800s. The annals of British silversmithing are replete with illustrious names, each contributing to an enduring legacy of artistry and opulence. Among these distinguished firms, Savory and Sons occupies a position of particular reverence. From its early 19th-century origins in the heart of the City of London to its eventual evolution into a larger commercial entity, the name Savory became synonymous with the pinnacle of quality, elegance, and refined taste. More than mere retailers or manufacturers, they were arbiters of style, purveyors of luxury to a clientele that included royalty, and creators of some of the most exquisite silver objects of the Victorian era. Savory - A Foundation of Quality and Craftsmanship: The story of Savory and Sons is one of entrepreneurial spirit, family partnership, and an unwavering commitment to excellence. The firm's origins can be traced to 1812, when Adey Bellamy Savory, a man of Huguenot descent—a heritage often associated with exceptional skill in the precious metal trades—established his business at 14 Cornhill in the City of London. Initially listed in directories under various specializations, from goldsmith to dealer in foreign coins, A.B. Savory was building a foundation as a purveyor of fine and curious goods. This early period was crucial for establishing the reputation for reliability and discernment that would become the firm's hallmark. A pivotal transformation occurred in 1833 when Adey Bellamy's sons, Joseph and Albert, were taken into partnership, and the firm's name was officially changed to A.B. Savory & Sons. This marked the beginning of its most celebrated era. The business model was sophisticated, operating on two fronts. They maintained a retail presence at various addresses on Cornhill, strategically positioned opposite the Bank of England, a locale that placed them at the very center of British commerce and affluence. Simultaneously, they operated a significant manufacturing enterprise, or "silver manufactory," at 5 Finsbury Place, South, and later at 15 Gee Street and 18 Red Lion Street in Clerkenwell, the historic heart of London's watchmaking and silversmithing trades. This vertical integration allowed Savory & Sons to exert unparalleled control over the quality of their wares, from the initial design concept to the final polish. The exceptional quality and craftsmanship associated with the Savory name was not solely the product of the founding family, but also of the master artisans they employed. A prime example is the silversmith William Smily and his sons. William Smily, who had been apprenticed to a spoon and fork maker, began working in Savory's Gee Street factory and eventually rose to become the works manager for A.B. Savory & Sons. It was Smily who registered his own maker's mark, which was used on silverware manufactured for the firm, often accompanied by the stamp "A.B. Savory & Sons". This practice of collaborating with and retaining craftsmen ensured that the silver bearing the Savory name was not merely retailed but was conceived and executed to the highest international standards. The "SS" mark, used by both William and later his son Samuel (who succeeded him as works manager), became an internal stamp of quality, signifying that a piece had been crafted under the watchful eye of a master. The detail lavished on even the most functional items is a testament to this culture of excellence. Royal Patronage and Public Accolades: For a firm like Savory and Sons, the ultimate validation of its status came in the form of royal patronage. Their location opposite the Bank of England and their reputation for supplying "the World's Elite," placed them in the direct orbit of the aristocracy and the royal household. To be a silversmith of choice for the upper echelons of society was, in effect, to operate under a de facto royal warrant, as taste and fashion flowed...

Lovely rare set of 12 square vintage bone china Wedgwood luncheon plates having marvelous blue and white neoclassical pattern around the periphery and flowers in the center. Marked o...

Outstanding quality small antique Edwardian silver plated tea tray having a pretty pierced gallery with swags and boasts magnificent quality engraving to the inside of the oval tray....

A Victorian coromandel decanter set by Leuchars dating to circa 1880. The case is veneered in figured coromandel with shaped corners mounted by brass quadrants. The lid is inlaid wit...

Made from silver plate, this charming Victorian piece of tableware captures history of the dining experience of the era. Spoon warmers were considered to be one of the essential “fan...

An Arts and Crafts brass trivet with pierced floral decoration to the top, on shaped legs.

A set of four extremely scarce and unusual sterling silver lemon slice squeezers, Birmingham, England, date marked 1909. These pieces would have been used in a very sophisticated c...

set 6 silver napkin rings modelled as stirrups A fine set of six silver napkin rings fashioned modelled as stirrups by A Wilcox, Birmingham 1931 height 4cm weight approx. 30g ...

Antique English Edwardian “Rutherford Hawick” Hallmarked 3-Tier Pierced Silver-Plated Stand, Circa 1910's.

A fine and impressive antique Georgian Newcastle sterling silver half pint/christening mug; an addition to our range of diverse Newcastle silverware. This fine antique George III Newcastle sterling silver half pint/christening mug has a plain baluster shaped form onto a circular spreading foot. The surface of this Georgian silver mug...

This is a small size antique Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone po...

This elegant Wedgwood blue jasperware ashtray is a refined example of mid-century English neoclassical design. Crafted in England and dated 1954, the piece features Wedgwood’s signat...

Marked: London, 1890, Maker: Joshua Vander. On four openwork cartouche feet, the foliate chased swag aprons surmounted by a pierced shaped oval basket with a scroll and leaf cast rim...

A truly superb decorative sterling silver photo frame with maker's mark RC for Carrs of Sheffield Ltd, and hallmarks for Sheffield 1995. This rectangular portrait frame features an ...

Fine English water pitcher or chocolate pot in the Art Deco style.

Large antique George III quality copper kettle having a quality shaped handle and spout and lift off lid with original finale. Measures: 29.5 x 22 x 22cm Date 1800.  

Pair of Silver Salt Cellars with Cobalt Liners, Antique English Floral Design A fine pair of antique English sterling silver salt cellars, each of circular form, decorated with repou...

An oversized ironstone pitcher in the Aesthetic Taste, made by Holmes, Plant & Mayday at The Sylvester Pottery Works – Burslem, Staffordshire, England, date marked 1882. Charmin...

FREE WORLDWIDE SHIPPING Unusual Model with Eight Fitted Glasses and Sterling Silver Mounted Decanters From our Tantalus collection, we are pleased to offer this highly unusual and s...

English Staffordshire black cow lidded creamer, circa 1880.

An 18th Century Worcester Porcelain Shell Centrepiece, circa 1770, naturalistically modelled as six shells on a base of smaller shells and coral, painted with flower sprays within pi...

Trinket Tray by Six Dots Design Unique Piece. Dimensions: D 21 x W 13.5 x H 21 cm Materials: Sanded and oiled aluminum. Six Dots designs and makes bespoke furniture in North London....

This is a good hand blown, English, mid-Georgian, Cordial drinking glass with a double series opaque twist (DSOT) stem, dating from the middle of the 18th century, circa 1765. These...

Hallmarked in London in 1910 by Sydney Bellamy Harman, this wonderful, Edwardian, Antique Sterling Silver Set of Plates, comprises 12 dinner plates and 12 soup plates, all with gadro...

Hallmarked in London in 1835 by Barnards, this superb, William IV, Antique Sterling Silver Soup Tureen, features an ornate cast handle to the lid and ornate cast feet, a gadroon bord...

An Exceptionally Rare Regency Period Burr Elm Cellarette, Or Wine Cooler, Of Sarcophagus Form Having Lift Up Lid With Original Brass Hinges And Rich Foliate C...

Being offered is a sterling silver tomatoe server in the “Doric” pattern by Manchester Silver. Designed in 1912, Doric has some elements of Art Nouveau as well as Art Deco. It’s a ...

Large Victorian white opaline glass Compote centerpiece with gilded decoration. The vide-poche is in amazing condition.

Wonderful aesthetic movement tea cup in hand-painted and hand-gilt porcelain by the English manufactory Minton. Blue background with stylized red flowers imitating the cloisonné technique, very common in the Japonisme ware. Attributed to Christopher Dresser, a famous designer that was working for Minton in 1867. He made very decorative designs, using very often this special shade of blue. A very small quantity of his work was signed, but the quality of some designs allows to make further -attribution to him, such as this tea cup. Signed with Minton hallmarks beneath, "Minton", number of the model G596 (China ware...

Liberty and Co. All three pieces stamped Tudric 025. An Arts and Crafts three piece tea set with floral decoration. Original unpolished condition. Teapot has slight ripple to the bas...

Rare, very early George I period silver brandy/spirits warmer, Joseph Clare I, London, 1714. Wonderful, historically interesting 308 years barware piece. Classic circular tapering form with a shaped base, heavy solid silver with a beautifully turned oak handle. Fully hallmarked on the side of the body Period initials on the bottom of base N E M Measurements: 3.32 inches in diameter, 5.25 inches to the to of handle, 2.13 inches height of vessel. 1714 was the year George I ascended the throne, making this an interesting, very early piece of Georgian silver. Excellent piece in very good condition commensurate with age. Beautiful old patina on the silver and the fine oak handle. Joseph Clare I, son of Francis Clare of London, apprenticed to Nathaniel Locke in 1702, free 4th November 1712. Heal records him at Wood Street by Love Lane...