Foam Sofas

Josephine 280 Sofa by Munna Dimensions: D 103 x W 280 x H 83 cm. SH: 42 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet upholstery and wild silk. Available in all M...

This piece anchors your seating area with a balance of tradition and modern comfort. Crafted by Syrian artisans, the solid walnut wood frame highlights the handmade quality, while th...

Dwell 2 seater sheepskin moonlight by Warm Nordic. Dimensions: D137 x W66 x H 73 cm. Material: sheepskin upholstery, solid smoked or white oiled oak legs, wooden frame, foam, sprin...

Fringes 280 Sofa by Munna Dimensions: D 100 x W 280 x H 91 cm. SH: 47 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet upholstery and fringes. Available in all Munna...

This is a possibly custom Three-Seat Sofa in Dark Orange Hopsack Fabric, dating to the 1970s. It came to us from a home in Ithaca, New York. The silhouette echoes the designs of Pier...

Fringes 280 Sofa by Munna Dimensions: D 100 x W 280 x H 91 cm. SH: 47 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet upholstery and fringes. Available in all Munna...

Dolce armchair ivory is an exquisite single-seater sofa, which can be used on its own or with the Dolce Sofa. It is upholstered in plush ivory boucle fabri...

Swan sofa with wooden legs by Pepe Albargues Dimensions: W 196 x D 93 x H 92 cm Materials: Wood, Fibre MDF, Foam CMHR Variations of materials are avaliable Swan is a collect...

'Aqueduct' sofa by Poiat Setup 2 Dimensions : H. 77 cm x W. 332.5 cm x D. 162 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Chivasso - Yang 95 Plinth: Low Plinth...

This comfortable Flowers fabric settee is bulky and playful, shaped as if it is merely a large cushion and the accompanying feeling is the same. It is designed by Mario Bellini and w...

This is a rare lounge chair with arms crafted by George Nakashima circa late 1950s, acquired from the family of the original owners. This is an iconic example of the slatted series, ...

'Aqueduct' sofa by Poiat Setup 3 Dimensions : H. 77 cm x W. 347 cm x D. 162 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: Chivasso ...

Cobalt Blue Auguste 2 Seats Sofa by HARTO Dimensions: W 176 x D 95 x H 79 cm. Materials: Solid pine, plywood, 88% Polyester, 12% Recycled Polyester, Foam type: HR35 / S30 foam. Weig...

Pianura sectional sofa, designed by Mario Bellini and manufactured by the Italian brand Cassina in 1970. The set is composed of a three seater sofa and two lounge chairs. It featur...

Introducing the Amanta Modular Sofa Set, designed by Mario Bellini for C&B Italia and launched in 1966. This piece reflects mid-century modern design with its sleek lines and functio...

Soriana three seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. Re-upholstered with brown ve...

La Plume is generous and inviting, with a focus on comfort unlike anything we’ve ever made before. All our armchairs are made with solid FSC European hardwood frames, which we guara...

Fringes 280 Sofa by Munna Dimensions: D 100 x W 280 x H 91 cm. SH: 47 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet upholstery and fringes. Available in all Munna...

“Camaleonda” sofa, in red cotton upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfo...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 1 (2x medium, 1x ottoman, 1x armrest): L. 240 cm / P. 96 cm / H. 70 cm / Seating H. 42cm Modu...

Cactus Auguste 2 Seats Sofa by HARTO Dimensions: W 176 x D 95 x H 79 cm. Materials: Solid pine, plywood, 88% Polyester, 12% Recycled Polyester, Foam type: HR35 / S30 foam. Weight: 4...

A beautiful organic shaped 1950's sofa fully restored with love This sofa was purchased from an architects house interior in Belgium The design is very reminiscent to the works of...

Awesome vintage Scandinavian Modern khaki hopsacking fabric 4-piece modular sofa made in Sweden. Beautiful condition, keeping in mind that this is vintage and not new so will have si...

"Elisa" is an outdoor two-seat sofa, designed by Enzo Mari and manufactured by Driade, featuring a structure made of steel with protective cataphoresis treatment, finished in black-b...

Soft & Creamy 2 Seat Sofa by Munna Dimensions: D 92 x W 150 x H 113 cm. SH: 44 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet, ref. Midnight Blue, CV17, and Blue gl...

This piece is designed for comfort and elegance, blending Middle Eastern tradition with modern utility. Crafted from solid walnut wood, it features clean lines and a plush upholstere...

Contemporary sofa 'Aqueduct' by Poiat Small version : H. 77 cm x W. 255.5 cm x D. 102 cm (SH 40 cm) Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski Upholstery: L...

Enjoy your majestic majlis with this elegant three-seater sofa embellished by a damask fabric and decorated in walnut finish and gold leaf hand painted details. Wood is gently carved...

Leather Palmo Sofa Composition by Amura Lab Dimensions: W 417 x D 176 x H 80 cm Materials: FRAME: poplar multiply SUSPENSIONS: rubber and polypropylene belts. SEAT: polyurethane foam...

The DWR Grey Como Sofa by Giorgio Soressi epitomizes understated elegance with its clean lines and sophisticated design. Upholstered in a luxurious grey fabr...

Panels made of cast PMMA, an extremely durable acrylic glass, bean-shaped cushions, customizable seating in 13 colors, available in vegan leather or fabric. The KUUMO sofa is a rema...

Luke 240 Sofa by Munna Dimensions: D 110 x W 240 x H 82 cm. SH: 47 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet. Available in all Munna fabrics except Wild Silk....

The Haven armchair is a contemporary chair with a simple, soft idiom. With its high, embracing back, the armchair creates a sanctuary, where you can sit, gently shielded off from your surroundings, curled up with a book or simply relaxing. The armchair looks wonderful in a living room and is equally ideal in a hotel lobby to create a private space in the midst of a busy environment, preferably complemented by a Haven Sofa...

Nobilis Lapis Fabric Sofa Composition by Amura Lab Dimensions: W 338 x D 199 x H 70 cm Materials: FRAME: solid wood and multiply. SUSPENSIONS: rubber and polypropylene belts. SEAT, B...

'Aqueduct' Sofa by Poiat. Setup 3 Dimensions : H. 77 cm x W. 347 cm x D. 162 cm (SH 40 cm). Aqueduct collection 2022 by Timo Mikkonen & Antti Rouhunkoski. Upholstery: Chivas...

good condition with signs of use and patina. very comfortable seating for adults and children.

Hughes 240 Sofa by Munna Dimensions: D 95 x W 240 x H 95 cm. SH: 44 cm. Materials: Wood, foam, brass, and upholstery. Finish: Cotton Velvet upholstery, gloss ebony wood veneer upper ...

This bespoke sofa is part of the royal blue living room collection. An inviting curve shape seat, benefits from the soft fabric and thick padded under the capitonné upholstered. Part...

The Twist sofa, a masterpiece from Murmurio, is a bold statement piece that redefines contemporary design. Entirely upholstered and perched on a golden p...

Sumptuous and extremely rare 'lady' living room set designed by Marco Zanuso for Arflex ,Italy in 1961. The set consists of a super rare and extremely elegant , three seat elliptical form, 'Lady' sofa ,the largest size produced complete with a matching pair of very early (artisan wood frame) production 'Lady Chairs '. Please note the coffee table is not included with this set. This set has been recovered in an extremely elegant high quality 'Musco' 00 mohair fabric by the famous Dutch textile manufacturer 'De Ploeg' . The fabric creates a warm luxurious organic glow as the mohair pile...

"Wow Composition P1" or "Wow Composition P2" (mirrored composition of P1) are sectional sofas, designed by Philippe Starck and manufactured by Driade, with solid wooden structures an...

Margaret 210 Sofa by Munna Dimensions: D 92 x W 210 x H 95 cm. SH: 48 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet, ref. Lilac CV15. Available in all Munna fabri...

Maverick 280 Sofa by Munna Dimensions: D 120 x W 280 x H 90 cm. SH: 42 cm. Materials: Wood, foam, and upholstery. Finish: Trevira Velvet, ref. Light Grey, TRV19. Available in all Mu...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Tau Leather Sofa Composition by Amura Lab Dimensions: W 406 x D 90 x H 75 cm Materials: FRAME: solid wood and multiply. SUSPENSIONS: rubber and polypropylene belts. REMOVABLE PARTS: ...

The unique personality of the architectural office is held in a playful sofa with a striking visual presence. Arquitectura-G plays with the concept of solidity through extremely simp...

Osvaldo Borsani was a prominent Italian designer known for his innovative furniture designs, particularly during the mid-20th century. In 1954, Borsani created the iconic Tecno D70 Reclining Sofa...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

This piece is designed for comfort and elegance, blending Middle Eastern tradition with modern utility. Crafted from solid walnut wood, it features clean lines and a plush upholstere...

Forest 3-seat sofa with plush velvet by Marcantonio, is a comfortable three-seat sofa with an array of cushions in a variety of velvets. The colour and fabric of the upholstery can b...

This large modular seating group / landscape sofa is designed in the style of Pierre Cardin and manufactured in Italy around 1970. Newly upholstered in beautiful moss green and cr...

Barcelona lounge chair, designed by Ludwig Mies Van der Rohe in 1929 and manufactured by Knoll International in 1972. Made of chromed steel and leather. Excellent vintage condition. ...

This is a 2-Seater Alcove Sofa, originally designed by Ronan and Erwan Bouroullec in 2006. This particular example was produced by Vitra in the USA C. 2018. The sofa is comprised of ...

The SINATRA modular seating system is the result of a search for elegance, comfort and versatility combined with each other. The contemporary style design of the Sinatra sofa...

Hughes 240 Sofa by Munna Dimensions: D 95 x W 240 x H 95 cm. SH: 44 cm. Materials: Wood, foam, brass, and upholstery. Finish: Cotton Velvet upholstery, gloss ebony wood veneer upper ...

With its sporty form, clean workmanship and understated design that will suit any space, DOTTIE MODULAR L SOFA suits your home very well with its functi...

Mario Bellini “Le Bambole” sofa for B&B Italia, black lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new shape ...

Listed for sale is a Love Sofa / Lounge Chair made with a metal frame, solid wood legs, and white Dodo Pavone Jacquard fabric. The sofa was designed by Marcel Wanders and produced by...

Pearl Auguste 2 Seats Sofa by HARTO Dimensions: W 176 x D 95 x H 79 cm. Materials: Solid pine, plywood, 88% Polyester, 12% Recycled Polyester, Foam type: HR35 / S30 foam. Weight: 43...

Listed for sale is a Canvas 230 Sofa made with a steel frame and light green fabric. The sofa was designed by Marcel Wanders and produced by Moooi in the Netherlands. It dates to ci...

Mustard Timber 3 Seater Sofa by Kann Design Dimensions: D 104.5 x W 200 x H 75 cm. Materials: Solid wood, elastic belts, HR foam, fabric upholstery Kvadrat Vidar 472 (94% wool, 6% ny...

Tau Leather Sofa Composition by Amura Lab Dimensions: W 551 x D 90 x H 75 cm Materials: FRAME: solid wood and multiply. SUSPENSIONS: rubber and polypropylene belts. REMOVABLE PARTS: ...

3 seat Palm Springs sofa by Anderssen & Voll Materials: Polyurethane foam of different densities, covered with fabric or leather. Base in bronze lacquered metal. Technique: Lacquer...

Josephine 280 Sofa by Munna Dimensions: D 103 x W 280 x H 83 cm. SH: 42 cm. Materials: Wood, foam, and upholstery. Finish: Cotton Velvet, ref. Emerald, CV09 upholstery and wild silk,...

"Gimme More" is a two-seat sofa, designed by Diesel Creative Team and manufactured by Moroso, featuring elements in stress-resistant polyurethane foam in va...

This is an Eames Compact Sofa, Model S-473, initially designed by Charles and Ray Eames for Herman Miller in 1954. This particular example dates to 2006 and has been freshly reuphols...

Italian modular sofa in the style of Pamio, Massari & Toso for Stillwood, Italy, 1970s Italian modular sofa in the style of Pamio, Massari & Toso (Designers) for Stillwood (maker), who were known for creating entirely new forms following developments in foam technology in the 1950s and 1960s. This iconic low modular sofa...

Mid Corner Sofa by Kann Design Dimensions: D 70 x W 170 x H 74 cm. Materials: Solid wood, steel, wood veneer, HR foam, fabric upholstery - seating: Sahco Ellis 4 - back: Sahco Ellis ...

Blue Lapis Fabric Sofa Composition by Amura Lab Dimensions: W 279 x D 292 x H 70 cm Materials: FRAME: solid wood and multiply. SUSPENSIONS: rubber and polypropylene belts. SEAT, BACK...

Amazing totally restored and restyled Regency modern tufted sofa. Ohhh is what you will say when you see this scrumptious silver grey velvet tufted sofa. We took an Adrian Pearsall style sofa...

Classic French Togo set by Michael Ducaroy for luxury brand Ligne Roset. The Togo was designed by Michel Ducaroy in 1973 for Ligne Roset. Originally designed in the 1970s the iconic ...

Lapis Fabric Sofa Composition by Amura Lab Dimensions: W 264 x D 180 x H 70 cm Materials: FRAME: solid wood and multiply. SUSPENSIONS: rubber and polypropylene belts. SEAT, BACK AND ...

This is a 3473 sofa, originally designed by Charles and Ray Eames for Herman Miller in 1964. It's constructed from aluminum, iron, and plywood. It may be the original white naugahyde...