Cabinets

A pair of gloss lacquer side cabinets perfect bedside cabinets. These pieces feature triple drawers with amazing gold tone handles and a gold trim. Very chic and would feature very n...

Perfect for that powder bath! This is a red lacquer chinoiserie cabinet with gold faux bamboo accents. The cabinet opens to a single sh...

Multileg Cabinet in Red Ash by Jaime Hayon for BD Barcelona It can be uniquely configured with twelve elaborate leg options, customisable finishes and colours, and a multitude of in...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

A red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. This Qing Dynasty period red lacquered cabinet from th...

Mid 20th Century Chinese Red and Black Lacquer Soapstone Inlaid Dry Bar, circa 1960s. Features a demilune form with flip top opening to a mirrored area for glassware and bottles as ...

A wonderful small console or wall table with a bit of storage underneath, however the top pulls out to be a 77" table - full sized to seat 4-6 people. The bold Chinese red lacquer i...

A sculptural piece of functional decor, this wardrobe boasts the dynamism and elegance typical of Karim Rashid's design. Frame, shelves, and doors are made of red-lacquered MDF, boas...

Beautifully carved walnut armoire from the Normandy region of France.

A pair of fine red lacquer chests with hand-painted gold gilt motif, beautiful color, form and lines.

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

Wooden cabinet by Charlotte Perriand, featuring striking red doors and a solid pine frame. It’s pure lines and natural contrast embody the sign of Perriand’s design — functional, war...

Raymond Loewy for Doubinsky Frères DF 2000 Mid Century Red Fiberglass Valet Cabinet This cabinet measures: 19.75 wide x 21 deep x 4...

Vintage IKEA “Märd” rolling storage box from the 1990s, executed in durable molded red plastic. Designed as a compact and mobile storage solution, the piece features integrated whee...

Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior. Makers label affixed to back.

The Revolving Cabinet looks like a mobile sculpture: light and innovative, it is the perfect emblem of the projects designed by Shiro Kuramata. Revolving Cabinet is made of a glossy...

This is a tall, lacquered wood Olinto cabinet with glass doors, designed in the 1970s by Japanese architect Kazuhide Takahama for B&B Italia. Takahama’s collection featured a serie...

Chinese cabinet i red lacquer with remains of decorations, which gives the cabinet a beautiful patina. Black lacquer on the sides of the cabinet. Features double doors, beautifully a...

Red Lacquer Apothecaries Many Drawer Cabinet This Charming piece is finished in bright red with gold decoration, the cupboard has 2 doors and it is shelved inside. At either side of...

A Chinese red lacquer wedding cabinet from Shanxi Province, with hand-painted floral and object motifs, brass hardware, and interior storage. This rectangular cabinet stands on straight legs with a shaped apron and side stretchers, presenting a balanced, architectural silhouette softened by its richly aged red lacquer surface. The two doors are framed within a molded panel and adorned with faded decorative imagery, including vases on stands, scholarly objects, and floral compositions, rendered in subtle gold tones that echo through the surface patina. A traditional brass lock plate secures the doors, which open to reveal a shelved interior with two drawers and a hidden lower compartment tucked beneath a removable panel. Traditionally, cabinets of this type were gifted to brides and used to store dowry items or household linens. This example retains its original function and design details, including the internal layout typical of wedding cabinetry. With its vibrant lacquer, decorative symbolism, and worn elegance, this Shanxi cabinet...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Joe Colombo 'Boby' trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

1950's Mid Century Chinoise Red Cabinet. Good storage and brass hardware.

Defined by pure geometry, this bar cabinet is as functional as it is sophisticated and will elevate any dining room with its bold colors and modern lines. The red china polyurethane ...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

A Chinese Qing Dynasty Ningbo red lacquered four-door wedding cabinet from the 19th century, with butterfly hardware. Created in Eastern China durin...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

Baby Alpaga is distinguished by its long viscose fringes, offering a refined appearance reminiscent of a miniature boudoir on legs. This original bedside cabinet allows for discreet ...

This red lacquer cabinet features elegant lines, rich color, and delicate decorative details. The surface is finished in a deep red lacquer, softened by age and accented with traces ...

Cabinet 'Bridges' by Muller Van Severen, Medium, Red Dimensions: 120 x 52 x 140 cm 47,2 x 20,5 x 55,1 in Model presented: Bridges Medium size Red color 2 Legs Bridges is a collec...

Striking brass frame and hand-cut red Mondrian imitation Murano glass Commode or chest of drawer, raised on special brass legs. Handmade by a master artisan.

Luna Rosso is a red cabinet with an endearing brass head and tail. The inside has gleaming brass arches and secret objects housed within. Designed by Matteo Cibic is the bride cabinet of Signor Ciuco Cabinet. One can only choose to show the spectacular red body of the cabinet as it is. “Until one has loved an animal, a part of one’s soul...

A Chinese Qing Dynasty period cabinet with original red lacquer and gilt hand-painted court scenes décor. Created in China, this cabinet features its original red lacquer serving as ...

A Chinese late Qing Dynasty period red lacquered cabinet from the early 20th century, with butterfly hardware, two drawers, four doors, carved and gilt décor. Created in China during...

A Chinese late Qing dynasty period red lacquered cabinet from the early 20th century, with gilt chinoiserie motifs and scalloped brass hardware. This exquisite red lacquered cabinet ...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Playhouse Modular Showcase Cabinet by Matteo Cibic is a modular cabinet that can be used singularly or be grouped as customized cabinets. The modules may be with or without doors. I...

Single Art Deco Cabinet by De Coene Frères. Red Lacquer with nickel trim and details.

Palace drink cabinet with two doors, one sliding shelf, two interior adjustable shelves and with interior lighting. Electrification only approved for Europe. Lacquered with tie dye ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Tudor cabinet uses simple symbolic forms to emulate the theatrical architecture, opulence and culture of the 16th century. Iconic forms loyal to the Tudor period...

Inspired by the most famous of cubes, these volumes can be juxtaposed or stacked endlessly. Its rigid and essential appearance is inversely proportional to its compositional flexibil...

This Chinese red cabinet features finely detailed gilt decoration depicting festive scenes, pagoda architecture, and a traditional dragon dance motif. The front panels are richly ado...

This square modular storage unit was designed by Anna Castelli Ferrieri for Kartell and produced in Italy during the 1970s. It represents a distinctive variation within the Componibi...

There is a strong connection between Capellini and the art world, as confirmed by the presence of the Homage to Mondrian cabinet in the catalogue. This design, by Shiro Kuramata, is ...

A handsome and well made vintage cabinet from the 1960's. It features an Asian Modern motif with plenty of storage.

These magnificent commodes are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. ...

Red lacquer cabinet with gilt motif with inside two drawers shelf and bottom space. We carry fine quality furniture with elegant finished and has been appea...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Toolbox is a modular container with drawers and aluminum numbered handles so you won’t...

Cabinet with interior lighting (Electrification only approved for Europe) with artistic intervention of Joana Rego. Door handmade painted in acrylic materia...

Sezession Cabinet – early Art Deco cabinet upper section with vitrine, mirror and marble. Lower section with 2 large doors and interior shelves. Manuf...

Red lacquer cabinet with painted motif and painted calligraphy. Two drawers inside and one removable shelf. We carry fine quality furniture with elegant ...

Indoor steel cabinet with two doors. Doors and sides realized with flat metal strips welded at varying angles, which allow to look through. Two internal shelves in steel.

Biedermeier Credenza - oak wood, with inlaid cherry and marquetry. Three glass front doors with interior shelves above lower cabinet with two drawers and 2 doors with interior shelves.

Tommi Parzinger design Chinese red lacquer credenza with polished brass mounted hardware. High quality construction and attention to details, newly lacquered in the original color ...

Red Lacquered Cocktail Cabinet with Carved Lotus Motif and Brass Lotus Handle. A contemporary twist to the beautiful lotus motif inspired from our Phara...

A Chinese red lacquered cabinet with gilt decoration from the late 19th century. This cabinet is a great size and is highly decorative and useful with a lot of hidden storage space.

A rare and large Chinese cabinet crafted in elm wood with original lacquer finishes. The front is finished in red lacquer and displays a beautiful, age-related patina, highlighted by...

Small-scale cabinet in traditional Chinese form, finished in a timeworn red lacquer with hand-painted decorative scenes now softened and partially worn through use. The façade featur...