Mohair Case Pieces and Storage Cabinets

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This is from Rohde's Modular East Indian Laurel Line of furniture, which was Herman ...

Paul Evans Brutalist sculpted bronze wall-mounted disc dry bar cabinet, Model PE-122. This iconic bar features two doors concealing one drawer, one cabinet with key and two adjusta...

Clean Lined Art Deco Bookcase, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. Part of Rohde's modular East Indian Laurel Group. This piece is currently being ref...

Gilbert Rohde for Herman Miller Open Display or Bookshelf. Newly refinished and ready to go! Perfect for your amazing collection! Pe...

Art Deco dresser with six drawers and brass hardware, inlaid fluted board top. This commode an elegant look offer ample storage space, is in perfect vintage condition.

Step back in time with this authentic, vintage Paul Evans Cityscape bar cabinet from the 1970s. This striking piece combines the distinct aesthetic of Paul Evans with the practicalit...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This is from Rohde's Modular East Indian Laurel Line of furniture, which was Herman ...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

This early studio craft 23 Karat gold leafed cabinet was made as a collaboration between Paul Evans and Phillip Lloyd Powell in the mid 1960s. The upper storage compartment unlatches to reveal two adjustable felt-lined shelves. The center compartment conceals a vanity complete with three mirrors embellished with torch-cut brazed discs flanked by two vertical rows of lightbulbs. Behind the mirror is a secret hidden storage compartment. Below this feature is a drop-front laminated tray and an open storage compartment. The bottom of the cabinet boasts a bank of five hand-carved solid walnut drawers and the left side has a cut-out with a hidden outlet and a slate surface which would provide a convenient smartphone charging station...

Sinuous shapes for this fine piece of furniture, all refinement and style, this chest of drawers knows no limits. Inspired by the upper-middle class gentleman, this charismatic dress...

A great period Donald Deskey chest with exceptional wood grain. Chrome detailed handles and corner capping. This would make a great small buffet sideboard cabinet or dresser for the ...