William IV Furniture

William IV mahogany writing table with a tooled leather top, circa 1835. With a rectangular top with rounded corners, an inset tooled leather top with mahogany outer banding, two fri...

A Substantial William IV Period Dwarf Bookcase In the Manner of Gillows Constructed from mahogany with an oak-lined interior, the low bookcase raised on a plinth support, of open de...

Good English open bookcase cabinet in original mustard paint, the waterfall scalloped sides with two hanging shelves, the lower cabinet having two paneled doors, the whole with origi...

This is a large drawing room sofa. An English, mahogany two seat settee with show frame, dating to the William IV period, circa 1835. Exquisite upholstery complements the striking ...

A handsome William IV mahogany extending dining table to seat 10-14 people; three original leaves and brass lever clips; good oak telescopic action.

W1V Period Mahogany Cheval Mirror Mahogany Framed swing mirror, Pair Octagonal Mahogany supports with carved Tulip capitals, Platform base, 4 mahogany scroll carved feet with inset b...

A fine William IV mahogany Davenport desk of typical form, combining elegant design with practical functionality Raised on bun feet and a plinth base, the piece features carved and s...

Mahogany 4 tier Whatnot with single drawer, circa 1830 4 turned finials on top, 4 tier mahogany shelves, Figured mahogany drawer front, turned knob handles, mahogany drawer linings...

A handsome Regency or early Victorian blue-eyed gentleman from the school of Sir Thomas Lawrence (1769-1830). The fashionably dressed young man sports a frock coat with a high collar...

19th century william iv mahogany library desk circa 1835. We are pleased to offer this William IV period library table in it's original patina. Writing surface showcases the beauti...

Inlaid with floral sprays of engraved mother of pearl and brass From our Sewing Box collection, we are delighted to offer this William IV Rosewood Inlaid Sewing Box. The Sewing Box ...

A fine English library table or writing desk of mahogany from the 19th century, featuring a moulded rectangular top with embossed leather inset over a frieze of two drawers - each dr...

A fine quality William IV silver mounted chandelier the stem with graduated drop hung dishes cascading down to the main frame, issuing twelve plain arms supporting drop hung scalloped edge drip pans and candle nozzles, the frame incased underneath with segmented prisms creating a slat dish with a concentric ring of flower...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A fine English torchère (torchière) or column pedestal stand of mahogany - in the William IV style - featuring a moulded round top for candles or plants, turned column support, and r...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1831 dated needlework sampler made in the reign of King William IV I have various ot...

A William IV rosewood 3-section X framed Canterbury having carved & scrolled wreath front & back and frieze drawer, supported on turned legs ending on original brass castors.

An impressive William IV rosewood glazed bookcase of elegant proportions and superb decorative appeal The bookcase stands upon a shaped plinth base with bracket feet The lower sectio...

Brass bound and inlaid burled walnut travel desk of large size and with double hinges. The first section lifts to a vertical position with document storage in the lid, the second sec...

William 1V Period 1830-37 Mahogany Lamp Table Rectangular top with thumb mould edge Thin Mahogany Frieze Turned & Tulip Carved Column Quadruple Shaped Platform Base With Turned Bun S...

This is an antique fireside pole screen. An English, rosewood and needlepoint tapestry adjustable shield, dating to the William IV period, circa 1835. Excellent William IV craftsman...

A superb quality mid-19th century William IV period mahogany library armchair of bold proportions having swept and scrolling arms with superbly carved x framed supports, over large b...

Exquisite William IV Style bedstead in solid rosewood and kingwood with amazing Marquetry And Parquetry work. On wheels Full size Bedstead. Measures 61inches in width, 84 inches long. Headboard is 65" high, footboard is 39" high. These are outside dimensions. Fit regular full size bed mattress...

Antique William IV mahogany freestanding five tier whatnot with five mahogany tiers supported by four unusual, elegant shaped turned supports standing on turned feet. A wonderful ...

This is a Large twin Handled open Punch Bowl made by Mason's Ironstone in a beautiful pattern called: Curled Leaf and flower Basket, made in the early 19th century, William 1Vth peri...

A fine William IV rosewood work table of elegant proportions beautifully crafted and richly figured throughout. The rectangular top features drop-leaf sides that extend the surface a...

19th century William IV period mahogany campaign box or small chest with brass mounts. An unusual size for this type of chest, quite handsome, and large enough to store a fair amount...

This is a beautiful 19th century William IV flame mahogany Scotch or Scottish chest. It is most likely from Northern England or Scotland. The swan for hardware, veneer style and colu...

Antique William IV mahogany freestanding five tier whatnot with five mahogany tiers supported by four unusual, elegant shaped turned supports standing on turned feet. A wonderful ex...

This is an Ironstone Tureen, complete with lid, made by Mason's of Lane Delph, Staffordshire, England, during the early part of the 19th century, circa 1825 to 1840. This is a rare shape piece in a rare pattern. This tureen and its lid are well potted in a circular shape with moulded handles to the base. The lid has a top knop or knob shapes as a flower head. This is a listed pattern, probably printed initially, then hand painted. The pattern is called "Fence, prunus and Plantain" and is a detailed chinoiserie Mason's pattern, as illustrated on page 96 in The Mason's collectors Club book " A Guide to Mason's patent Ironstone patterns, circa 1813-circa 1848". Both the base and the lid are marked with one of Mason's rarer recorded stating Fenton Stone Works...

A very rare early 19th Century William IV well figured mahogany open bookcase of grand proportions, finely hand carved with stunningly rich patination and fine grain. The moulded an...

William IV mahogany extending dining table, the square top with three solid mahogany leaves over a moulded frieze and turned reeded tapering legs on bronze castors, 342 cm extended, ...

A large and commanding round mahogany center or entry-hall table in the William IV taste, dating to the late 20th century, circa 1990. The generously scaled circular top displays ri...

English Brass Nautical ship wheel mounted on a solid brass pedestal with an yacht binnacle having a gimballed signed compass, circular six spoke w...

This is an antique hall table. A Scottish, mahogany console, side table or buffet server, dating to the William IV period, circa 1835. Superb example of Scottish craftsmanship, wit...

Fine William IV writing or side table of very clean architectural form, the well figured single board mahogany top over drawer and supported by trestle ends joined by turned stretche...

A stunning antique William IV open bookcase. This was made in England, it dates from around the 1840 period. It is a very impressive size with an inverted breakfront design in three...

A quality polished solid brass candlestick accent lamp with a handmade frosted glass petal shade and gold candle drip sleeve. In-line switch and long cord....

W1V Mahogany & carved leather Library Chair William 1V period 1830-1837 Mahogany frame, with open scroll arms carved detail on front. Deep Butto...

PAIR of Willian IV Solid Mahogany Wine Tables, the circular tops formed from a single timber, with molded edge, on a tripod base, the notched and carved posts above three intricately...

This is a very decorative fairly large & well hand painted, Jug or Pitcher made by Mason's Ironstone pottery, circa 1830. It has a rare shape and pattern. A jug of the same...

A superb quality and impressive Irish early Victorian flame mahogany breakfront gentleman’s wardrobe by Robert Strahan & Co of Dublin. Made with excepti...

A antique William IV mahogany side table from the 1830s period. The table features a rectangular top with a single front drawernwith functional lock and key. It stands on a sturdy oc...

English William IV (19th Century) mahogany veneer dining / center table with a circular top resting on a turned pedestal base with three scroll carved legs. Some top surface wear, l...

Antique William IV quality figured mahogany tea table having a quality figured mahogany fold over top opening to reveal a polished figured mahogany inside, carved mahogany frieze sup...

Large unusual antique 19th Century William IV quality mahogany wardrobe having a quality carved mahogany gallery back above a mahogany chest of three drawers with original turned mah...

English William IV (circa 1840) mahogany 3 section bookcase with fluted and carved sides and section dividers and resting on ball feet.

An exquisite and rare early 19t C Spode cabinet cup and saucer. This beautiful and richly decorated Spode cabinet cup and saucer were made at this high quality English porcelain fact...

A Very Good Quality 19th Century, William IV Period, Mahogany Library Armchair Of Good Bold Proportions, Having Upholstered Scrolling Back And Arms With Moulded Decoration, Over Gene...

A leather upholstered club chair, in a vintage cigar brown aniline top-grade leather with a deep upholstered cushion backrest and seat cushion with rollover upholstered arms, finishe...

19th Century English Leather Hardwood Carved Rocking/Gout Stool England, Mid to Late 19th Century Rare 19th Century English Leather & Hardwood Carved Rocking/Gout Stool England, ...

English Burl walnut and figural cherub wedge-wood hinged letter box with compartmentalized fitted interior, locking mechanism with key, decorative circular rope motif, and original e...

A William IV style honey-tone wooden pedestal dining or center table with well figured top and frieze with round trim. The table with a slightly tapering pedestal surmounted on a tri...

A William IV etagere in choice mahogany having graceful lines with two vertical curved braces supporting an upper and a lower shelf, each with raise...

Horseshoe back upholstered in green leather with brass tacks. Seat upholstered the same way and with circular fluted tapered legs with brass casters. Scratches to leather seat.

William IV Rosewood Tea Table with fold over top above frieze decorated with foliate scroll carvings, facetted bulbous baluster column, pedestal base and scroll legs on porcelain cas...

Pair of 12-inch table globes William Harris London, 1832 and 1835 Slight abrasions from use; few cracks lb 11 each (kg 5) The two terrestrial and celestial globes rest in their original Dutch style stands with four supporting turned wood columns. Each one measures 12 in in height x 16.5 in in diameter with the diameter of the spheres measuring approximately 12 in; 48 cm in height x 42 cm in diameter x 31 cm diameter of the spheres. The 12 inch measure was the most frequently used by British manufacturers of globes of this period. Each globe is composed of two series of twelve printed paper gores, aligned and glued onto plaster spheres. The brass circle of the meridian bears engravings...

This is an early English porcelain Sauce Tureen or Sucrier, made by C. J. Mason (The same factory who produced Mason's Ironstone) during the period of William IVth, circa 1830-1835. ...

Fine Pair of Antique 19th Century English William IV Mahogany Armchairs, Circa 1830's.

This refined antique walnut display cabinet from the United Kingdom, 18th century, exemplifies the William IV style, celebrated for its balanced proportions and understated elegance....