Dining Room Sets

Circa Mid 20thC Large English Oak Trestle Table with 6cm Thick Oak Top sku 878 (benches available separate listing) W240 x D72 x H76 cm F...

This oak table can be ordered with out without matching benches. The table seen here is entirely collapsible and expands from seven and a half to ten feet long, however it can be ord...

We love how this dining set blends an aerodynamic, futuristic base with more traditional, cross back chairs, and finishes them all in an Industrial-gr...

Elegant set of eight Brazilian Modern dining chairs produced by Liceu de Artes e Officios, 1955, in Sao Paulo Brazil. Hand sculpted of be...

Mid Century Modern Set of Six Dining Chairs and Table in Lucite Chrome Glass Table 42"(D) x 60"(W) x 30"(H), chair 23"(D) x 21"(W) x 45"(H)

Drexel Heritage Compatibles Dining Room Set. Item features solid wood construction, 4 chairs (2 armchairs and 2 side chairs), beveled edge ...

Sleek modern wrought iron and faux marble formica dining table and 4 chairs. Table has 1 leaf. Great period look with a mix of McCobb and Ponti vibes. 36x30 47.5x30 with leaf. Curbs...

Hello Friends, and welcome to another unmissable offering from Lord Browns Furniture, the UK’s premier resource for fine Sofas and Chairs. On offer on this occasion is a sublime, immaculately-presented “Max SMTR30” Dining Table in Grey Oak with a Bronzed-Nickel Painted-Base by the leading Italian Interiors House, B&B Italia, perfectly complimented by 10 B&B Italia “Maxalto” Chairs in Mid-Brown “Gamma” Leather and Grey Oak. As you will no doubt be aware by your interest in these divine Citterio creations, B&B Italia furniture is the epitome of contemporary European furniture design, is of peerless quality, and exhibits detailing and execution of the highest standard. In a world of temporary pleasures, B&B Italia create beautiful furniture that remains a joy forever. This suite is in superb, impeccably-maintained condition, having seen light, regular use in its previous home, and is entirely free from fault, flaw or damage. Its hugely handsome order reflects the TLC and considerate use afforded it in the past but, as you would think normal when considering the nature and colour of this particular wood, leather and finish, it does possess a small number of barely-visible and largely-inconsequential marks to the table top, base and chairs as you might expect. Supplied with a huge glass-top too which adds totally-different appearance to the table top if employed, whilst adding an extra layer of protection and durability too. For the avoidance of doubt, please view the numerous images provided to confirm the superb condition and appearance of this gem. Clearly not in perfect condition (it is not far-off though) but a true classic of modern furniture design presented in as-good and lightly-used condition as i suspect you are likely to find. Whilst it could not be considered pristine due to the reasons stated above, it is certain to meet the requirements of all but the true perfectionist and, for someone looking for a dining suite of peerless design and execution to position at the heart of their home, it is truly heaven sent! Without question, this superb table and chair group...

White Porcelain Dining Table Set with Matching Benches – Custom Handmade Furniture for Modern Interiors A contemporary statement in form and function, this white porcelain dining table set with benches is a minimalist composition designed for modern living. Featuring a stone-look porcelain tabletop and a sculptural solid wood base, it’s the ideal union of elegance, durability, and craftsmanship. The table’s top is crafted from high-performance white porcelain with soft veining, evoking the luxury of natural marble while offering exceptional resistance to heat, scratches, and stains. Its surface is both tactile and refined—perfect for daily meals or formal gatherings. The sleek edges and soft matte finish reflect a modern aesthetic rooted in timeless materials. Paired with matching handcrafted benches, this dining set offers a cohesive and architectural look. The bench seats are made from the same solid American walnut as the table’s base, ensuring a harmonious material palette. Their understated design allows the porcelain surface to take center stage, while still providing generous and comfortable seating. Ideal for design-forward homes, open-plan layouts, or dining rooms where every detail matters, this porcelain and wood dining set adds warmth, sophistication, and functionality in equal measure. Key features: – White porcelain top dining table...

A Classic design, beautifully executed, in walnut. The finish is original. The chairs are upholstered in the original fabric.

Dining chairs made by british manufaktured G-Plan in the 1960s. Designed by Leslie Dandy. Made from solid teak. Wood elements have been cleaned and polished with Danish Oil. The foam...

Vintage Rustic Reclaimed Barnwood Extending Rectangular Dining Set Gorgeous rustic reclaimed barnwood extending 2 end leaf French oak rectangular dining table and 6 matching high b...

Duna Desk in Solid Poplar Wood, Home Office Writing Desk by Joel Escalona Duna Collection is a set of wood tables and surfaces inspired by the vast sand dune regions of the world. T...

Elegant and simply described as the bastion of Portuguese luxury, the Cortez Modern dining table exhales the splendor of the uniqueness of the kings and queens’ era. Its timeless originality and imperial design were inspired by the Palace of Ajuda, a neoclassical monument in the civil parish of Ajuda, in Lisbon. This dining tabletop is made of wood finished with high gloss black varnish surrounded by a subtle line of gold leaf coated elements. The structure is supported by two shapely designed geometric feet in lacquered wood and gold leaf coated semi-spheres. This makes the Cortez dining table...

Rare set designed by Christian Durupt, a renowned French cabinetmaker who collaborated with Charlotte Perriand. The dining table and its two grooved benches are entirely made of so...

Service including a tablecloth and 6 napkins Antique Basque cotton linen Vintage Nice quality. This beautiful set consisting of a square tablecloth with its 6 vintage French napkins...

Made in Italy, circa !980"s chrome breakfast/dining set in the style of Willy Rizzo. Four Cantilevered chairs with a plinth based round table and a round glass top. The lime green ba...

Mid-Century Modern McGuire cane - 6 piece dining set Mid-Century Modern original McGuire pink and white woven rattan armchairs with Classic McGuire white...

Vintage Italian Art Deco Rectangular Glass Center Birdseye Maple and Black Lacquer Extending Dining Table with 6 High Back Dining...

Drexel Heritage Compatibles Art Deco Style Blonde Wood Dining Room Set - 5 Pc Set. Listing includes 4 chairs (2 armchairs and 2 side chairs), beveled edge oval glass top table...

An exceptional set in Arts and Crafts style from the Floating World Collection produced by Kevin Kopil. According to the maker, the inspiration for the Line is the furniture and arch...

This uniquely sized vintage dining table comes matched with a set of six vintage dining chairs. Wonderful Mid-Century design exemplified with the stunning sculpted legs shared by bot...

A Svenska dining table of oval/ellipse form with chromium plated multi-tubular steel tapering legs ending in chrome capped feet. Solid cherry top of substantial thickness with chamfe...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

A traditional wicker table and 6 chairs. The wicker is very intricately designed on both the table and chairs. All in good condition for the age, which we believe to be mid 20th cent...

One of Elinor McGuire's most iconic and enduring designs for McGuire of San Fransisco, the NP-12 dining table has a base of rattan gathered at the waist like a sheaf of wheat that su...

A set of four chairs with a table from the early 20th century. The furniture is in very good condition, after professional renovation. Dimensions: Table: height 79 cm width 125 cm...

Table with chairs for dining room in Art Deco style, Poland, around 1940. Furniture in very good condition, after professional renovation. Chair seats have been covered with new nat...

Mid-Century Modern dining table by Móveis Flama Manufacturer, Brazil, 1950s This straightforward rectangular table features the nice contrast of a white formica top nicely nestled i...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Kaare Klint Additional table in mahogany. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DENMARK.

Indulge in the timeless elegance of this exquisite, Southwestern Style hand crafted, one of kind dining set, dating back to the 1980s. Outstanding design is exhibited throughout Craf...

This unique Baroque table was crafted in Southern Germany around 1740, representing the height of 18th-century craftsmanship. The table's top is adorned with an exquisite marquetry of walnut and yew tree, showcasing intricate patterns and exceptional attention to detail, characteristic of the Baroque period. The table is in excellent condition, a rare find for a piece of this age, making it not only a functional item but also a valuable collectible. Its timeless beauty and historical significance make it an ideal centerpiece for any sophisticated interior. Key Features: Origin: Southern Germany Era: Circa 1740 Style: Baroque Materials: Walnut and yew tree marquetry Condition: Excellent Dimensions: 80 x 78 x 107 cm This German Baroque table...

Made in Italy, 1950s. It features a maple and beech frame and brass feet caps. This table has a glass top that underneath has its original marble patterned film. It is a vintage pie...

Rattan dining set with 4 Bucket style dining armchairs each with a Geometric seat back and blue cotton seat and a round rattan pedestal dining table with a 48" glass top. Each ratt...

Comprised of a beautiful parquet table and six upholstered chairs, this oak dining set pairs versatility and style to create a stunning set. The...

A beautiful pair of vintage 1960's Italian chairs with elaborately detailed backs in the design of a sheaf of wheat along with the original bistro table. Raised on gorgeous slim leg...

Ron Seff, White Lacquer, Striped Fabric, Ten Modern Dining Chairs, USA, 1970s A Set of Ten Custom Lacquered Designer Dining Chairs. Sleek and st...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Midcentury wicker and rattan stands with round glass tops and a classic hour glass form on bun feet. Can also be used as a dining table base.

Art Deco Paul Frankl for Johnson Furniture mahogany and cork dining set - 9 piece set. An exquisite, iconic and truly timeless and unparalleled classic dining set...

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

For sale is a good quality solid oak refectory table & 8 chairs by old charm. The whole suits remains in very good condition for its age. Width: 227cm Depth...

Royal House Antiques Royal House Antiques is delighted to offer for sale this nice modern X Framed dining room table and matching pairs of benches which is part of a dining room sui...

Vintage Art Deco Transitional Henredon Pickled Oak Omni Collection Dining Set - Set of 7 This set includes a large oval table with a pedestal base and...

Classic Modernist dining table and 4 chairs for small apartments or extra holiday seating. The table has a charming Tambour door that reveals (4) slat seat folding chairs, Great for ...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Ethnic dining set consisting of an extendable dining table with a storage compartment and six dining chairs Beautiful set made from exotic wood and bamboo reeded seats and backrests...

Italian Volcanic Fire Glazed Stone Floral Hand Painted Outdoor Dining Table Set - 7 Pcs. Item features Artist signed hand painted stone top di...

Curved burgundy lacquered classe bar by MOWEE Dimensions: D100 x W100 x H115 cm Material: Polyethylene and stainless steel. Weight: 31 kg Also available in different colors, whee...

We are delighted to offer this exquisite, hand made in England by David Gregson, stamped and dated, Limed Oak with pewter inlay Arts & Crafts dining table and eight chairs A good looking and well made suite, if you google David Gregson furniture you will find out plenty of information on the great man, his works are stylish, insightful and timeless, the stretchers on the table are so elegant, as good design should always be, it looks sublime from any angle. The subtle use of inlaid pewter is a very nice detail, there are two large circles in the table top made up of smaller circle, the legs to the chairs have the same feature around the bottom Each chair has had grey velvet seat pads...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Typical French kitchen set from the 60s. 1 table with integrated extensions and 4 seats. good general condition, worn seat upholstery Dimensions tabl...

Vintage Italian Hollywood Regency Iron Gold Gilt Lattice Dining Set - 7 Pc Set. Item features 6 lattice seat and back side chairs, distressed gold and red gilt finish, round loose cushions, rectangular glass top stretcher base dining table...

Beautifully carved, gilded and painted Venetian table.

The table is made of magnificent ancient slabs of burl wood. Their texture has been shaped over hundreds of years to look as it does now. When the wood dried, we decided to immortalize it in this form. How many generations has it been watching? How many stories are contained within it. I think no less beautiful than its appearance. The table is great for morning coffee gatherings and admiring its texture and shape. The table is coated with a layer of resin on top for durability. Completely waterproof...

An amazing “Furniture as Art” piece. This expandable custom order dining table was made by the amazing team at “Chapter and Verse NYC”. The table is made with an art sculpture wood b...

Dining Table Spheres with aluminium and brass structure, brass gold-plated spheres and black lacquered aluminium spheres all joined together. Also available on request in side table...