Dining Room Sets

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

Gilbert Marklund Pine Table & Benches for Furusnickarn, Sweden, 1970s This striking pine dining set was designed by Gilbert Marklund for Furusnickarn in Sweden during the 1970s. Com...

Vintage Brutalist Ilana Goor Style Iron & Glass Dining Set. Listing includes a Large Glass & Iron Dining Table and 8 Iron Chairs with Distressed Tooled Leather Seats and Backs. Table...

Wonderful Scandinavian Cabinetmaker Rustic Set of Table and Benches in Solid Pine, 1940s. The characteristic artisan farmhouse set is from Scandinavia, 1940s. It is a round table an...

Mid-century modern Arthur Umanoff Granada wrought iron dining set. Table has intricate wrought-iron base and glass top. With six wrought-iron ch...

An amazing “Furniture as Art” piece. This expandable custom order dining table was made by the amazing team at “Chapter and Verse NYC”. The table is made with an art sculpture wood b...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Very beautiful Set of 6 napkins and matching tablecloth in 1900s/1920s damask linen with a single letter in white and red monogram. The embroidery is very delicate. Damascus is also ...

Decorate a breakfast room with this refined French dining suite. Crafted circa 1980 and built from solid oak, the set includes a round Louis XV-style table and six matching upholster...

vintage bar table with chairs dining table bar stools 1950s Vintage bar table with 4 chairs. Oak table with inlaid tiles. Complete set in be...

Experience the timeless elegance of mid-century modern design with the Pirkka dining room set by Ilmari Tapiovaara for Laukaan Puu, created in 1955. This exquisite set embodies the perfect blend of form and function, making it a standout addition to any dining space. The set consits of the large Pirkka table and 6 Pirkka chairs all marked. Ilmari Tapiovaara, a celebrated Finnish designer, is renowned for his innovative approach and dedication to craftsmanship. The Pirkka set showcases his genius with its clean lines, minimalist aesthetic, and impeccable balance of practicality and beauty. Crafted from high-quality materials, the set features a combination of solid pine and birch, offering a warm, natural finish that highlights the wood’s rich grain and texture. The design’s simplicity and robustness ensure durability, making it a lasting centerpiece for your dining area. The Pirkka set includes the large model dining table and 6 matching chairs...

A gorgeous dining set made of Brazilian rosewood by Dyrlund in Denmark, circa 1960s. Includes 6 chairs recently reupholstered in an ivory performance fabric, and a table that include...

Biloba dining table, contemporary collection, handcrafted in in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collectio...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

19th century Flemish carved oak dining table and benches circa 1890. Excellent quality green man trestle dining table and matching benches.  Simple plain oak top with moulded edges,...

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in brown veined vinyl and anodized aluminum. The legs ar...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

Rectangular table with two extension of cm 48 (19”) with top in ash-burl inlay and curly sycamore veneer in high gloss polyester, finish in dark moka tone and polished stainless stee...

Silik Style Italian Baroque Rococo Dining Room Set by John Turano & Sons. Listing includes (2) 15" leaves, (4) side chairs, (2) armchairs with hand painted...

Danish drop leaf table with storage for four chairs. Teak grain leaves open up to over 5 feet wide. Tambour door cabinet holds four folded...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely sublime American Mahogany Kesterport Dining table & Chair suite Please note the delivery fe...

This is a beautiful trestle dining table with matching benches by Gerald McCabe for Orange Crate Modern. This table retains its original finish over soli...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

On offer on this occasion is a sublime, immaculately-presented “Polo” Dining Table and 8 Dining chair suite (consisting of 2 Wing-Back Carver-Armchairs and 6 Colonial Dining Chairs) by the world-renowned interiors-doyen, Ralph Lauren. As you will no doubt be aware by your interest in these divine creations, Ralph Lauren furniture is the epitome of modern and traditional furniture design, is of peerless quality and finish, and exhibits detailing and execution of the highest standard. In a world of temporary pleasures, Ralph Lauren create beautiful furniture that remains a joy forever. This suite is in superb, impeccably-maintained condition, having seen light, irregular use in its previous home, and is entirely free from fault, flaw or damage. Its hugely handsome order reflects the TLC and considerate use afforded it in the past but, as you would think normal when considering the nature and colour of this particular (deliberately) heavily-distressed and vintaged leather and wood-finish, it does possess a small number of barely-visible and largely-inconsequential marks to the table top, base and chairs as you might expect. For the avoidance of doubt, please view the numerous images provided to confirm the superb condition and appearance of this gem. Clearly not in perfect condition (it is not far-off though) but a true classic of modern furniture design presented in as-good and lightly-used condition as i suspect you are likely to find. Whilst it could not be considered pristine due to the reasons stated above, it is certain to meet the requirements of all but the true perfectionist and, for someone looking for a dining suite of peerless design and execution to position at the heart of their home, it is truly heaven sent! Without question, this superb table and chair group...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

Lent of the table close is 53 and open is 70.5 with Butterfly mechanism extension the chairs are regular dimension. Butterfly mechanism extension is functi...

Stunning French iron garden set by Francois Carre, oval table, 4 spring steel arm chairs. Amazing original condition. Has always been used indoors, Han...

A stunning dining set that embodies timeless elegance and mid-century charm. This beautifully restored Paul Frankl-inspired set showcases a square rattan table...

Refined dining set dating back to the second half of the 19th century, in the Louis Philippe style, consisting of a round inlaid table and six matching chairs. The table features a f...

Designed In The 1940s Maximilian Karp Dining Set, The Dining Table Also Has A Glass Top With 4 Upholstered Dining Chairs. This Is A 1940s Five Piece Dining Set...

Dining room set consisting of a set of six dining chairs by Ernesto Valabrega paired with a dining table by Biosca Ernesto Valabrega, set of six dining chairs, oak, leather, iron, I...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 5 Piece Jacques Adnet Hermes Style Iron Equestrian Dining Set We called it our 4 Horseman...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Elegant Walnut dining table with matching buffet cabinet, designed by Paul Frankl for The Johnson Furniture Company, American, circa 1940. The table ha...

The extremely rare Memphis style sculptural dining set is statement piece which is also comfortable and packed with personality! Just look at the lines and sculptural shape on this beauty! Just stunning, but then your eyes are immediately drawn to the stunning colors oval table top by Benjamin Le. Influenced by the mid 20th century designs. This mid century modern race track table...

Vintage Woodard Wrought Iron Patio Dining Set with Round Pedestal Base Dining Table (No glass) & 4 Dining Armchairs all with Flower and Vine Details - 5 Pc Set. Circa Late 20th Centu...

The dining table GH is built with solid white oak - its 3” square legs engage with an 1-1/2” top through a simple integral joinery. The details are exposed. The simplicity and materi...

An original Belgian Art Deco dining table featuring a parquetry inlaid table top defined by expert woodworking and a curved double pedestal base with polished aluminum decorative acc...

Large 5 pcs Mid Century Modern Glider Chair Sofa Loveseat & Two Side End Tables Wrought Iron. Settee: 24x51×33, seat: 18 Triple Chair: 24×74×33, seat: 1...

Willy Rizzo style table and chairs by Gastone Rinaldi for Rima, 1970s DESCRIPTION Table with briarwood and brass base, and smoked glass top. The chairs are made of chrome-plated iro...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

This vintage French style zinc top farm style dining, kitchen or garden table sits on an industrial style trestle base. The aged oak trestle base and the well oxidized top gives this...

Space age vintage white plastic dining room set designed by Maurice Burke 1960s United Kingdom and produced by Arkana Great Britain. The dining room set consists of 1 white enameled ...

A set of four exquisite vintage Italian chairs from the 1960s, meticulously crafted with ornate backs resembling a sheaf of wheat, accompanied by the original bistro table. Elegantly...

Art Deco Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine dining table is named after Jean de La Fontaine, the renowned French ...

Patio dining table by Richard Shultz, redwood petals and enameled metal base. New photos coming soon. Base has been repainted, redwood pedals refinished.

A striking Mid-20th Century metal faux bamboo dining set featuring a Chippendale-style design with an original aged yellow finish in the manner of Phyllis Morris. The set includes si...

Sleek modern wrought iron and faux marble formica dining table and 4 chairs. Table has 1 leaf. Great period look with a mix of McCobb and Ponti vibes. 36x30 47.5x30 with leaf. Curbs...

This dining table made from vintage black walnut is seen here in 42" x 110", however it can be built in any size. Because each table is bench-made in our own Los Angeles workshop yo...

This vintage bistro set features wrought iron table with round glass top and three chairs. These rich airs feature removable green cushions and met...

Elegant set of four neoclassical dining chairs, American, circa 1950s. They retain their original vibrant yellow ostrich print vinyl upholstery.

Chic 5 piece dinette set which includes a square glass top cafe style table and four armless dining chairs. The set is iron in faux bamboo pattern, with a weathered gilt finish. All pieces are structurally sound and sturdy, all show some cosmetic wear, normal and consistent with age. The upholstered seat cushions show notable wear. Great diminutive size, usable as a dinette, kitchen, patio, or sunroom suite. The set is labeled Prince Seating...

Unique handmade dining set made out of teak. Made in Denmark in the 1950s by unknown cabinetmaker. Comes in a set of table and three benches. Very solid construction. Measurements:...

Very nice set of old linen from the end of the 19th, beginning of the 20th century including a tablecloth and its 12 matching napkins. The tablecloth and napkins...

Art Decor Vallin dining table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The branched legs in solid beech, lacquered with gold-coloured bronze powder, are a...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The lacque...

A table from Denmark, made in the 1960s. The table has one additional 50 cm long insert. Furniture in very good condition, after professional renovation. Dimensions: height 74 cm /...