Walnut Dining Room Tables

Modernist vintage dining table or center table from walnut and black glass designed by Afra & Tobia Scarpa 1970s Italy. A beautiful dining table with a blonde walnut frame and the bl...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Custom pedestal table in dark mahogany with beehive base. Measure: Top is 2 1/2" thick. Great dining or centre table. Can be made in any size and...

The Dolomitas Dining Table, designed by Studio + A! for Uultis, is a stunning representation of nature-inspired craftsmanship. This elegant table features a walnut wood veneer top, m...

Wood. Bronze ormolu. 30 1/2" h x 47 1/2" diameter. 3 - 14 3/4" leaves. Condition Chips in veneers of leaves. Surface scratches. Oxidation. Finish loss. Veneer bubbling.

Lovely Louis XV style dining table having gorgeous walnut top with two leaves. The extendable dining table features a wooden top with curved molding details raised on four carved cab...

Walnut Custom Clear Epoxy Resin Round Dining Table This table is made of 500 years old walnut wood. The grains and texture of the wood descr...

Entertain in style around this large 8 feet long fruitwood dining table. Crafted in France, and built in walnut, the heavy table stands on a trestle base, supported with hand carved baluster legs ending with molded shoe base, and connected with a thick bottom stretcher which gives the table a sturdy, monastery look. The wide and thick tabletop features an elegant frame work made of walnut timber. From the structure to the finish, this elegant refectory farm table...

An exceptional Mid-Century Modern flip top dining table or game table By T.H. Robsjohn-Gibbings for Widdicomb USA, 1950s Black lacquered walnut, with original brass hardware...

With mid century modern good looks and all solid hardwood construction our "Kapok" round expanding dining table adds timeless beauty that you'll love and your guests will admire. ...

Custom dining table in solid walnut. Shown here in in a 60" diameter and low sheen lacquered finish, however it can be ordered in any size, wood and finish.

Italian (Chelini Florence) Peculiar mid-20th century "Marguerite" (1960) in eclectic style oval dining table in carved walnut and top in tempered glass.

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...

A mahogany expandable dining table with two leaves attributed to Paul Frankl manufactured by John Stuart in the late 1950s. Two 15" leaves. The table has been refinished and is in ve...

The Scandinavien table has an extendable tabletop with walnut veneer. Either one or both sides can be extended. The table is in very good vintage condition. Do not hesitate to conta...

This molten grain walnut table spans in magical chamfered edges. Handcrafted in solid oak, a perfect setup for a desk. This was designed for the interior of a storefront gallery space to serve as a desk with two side cabinet...

19th century walnut Spanish table with plank top resting on carved H form trestle legs and hand forged iron stretchers has a fantastic patina and elegant curves. An unadorned beaut...

Dining table real edges walnut with solid walnut top, 6.5 mm thickness and with real wood slats edges. With 2 iron U-shape base, with visible weld joints, iron in oiled finish. Avail...

Antique French Walnut Dining Table, c 1890 This antique walnut table, circa 1890 has character and charm. The maker of this piece c...

Large dining room table accompanied by its 10 chairs, Italian style, in walnut. 19th century work. Dimensions: Table: H x W x D cm Chairs: H x W x D cm Reference: LS63992156Y

One of the most striking designs from Cityscape series by Paul Evans, this multifaceted table base from PE 300 series features a combination of brass and walnut burls panels and indi...

Contemporary custom-made Shaker dining table from The Future Perfect. The Carrara marble top sits upon a walnut base. Shaker is a dining table ins...

PLUSH dining table, rectangular table top, 370 cm. Solid wood table top and legs. Handmade in Denmark. Signed by Jacob Plejdrup for DK3 Table's height: 72 or 74 cm Sold model: Smo...

WALNUT RIVER EPOXY RESIN DINING TABLE This epoxy table emerges as a unique work of art, inspired by nature's beauty. The epoxy table stands out not only for its design but also it...

An outstanding Italian Provincial or Neoclassical style pedestal extension dining table By Karges Furniture USA, Circa 1980s Gorgeou...

Classic Mid Century boat shaped dining table, design reminiscent of Jens Risom, Paul McCobb etc, unsigned. The table is in very good, original, clean and ready to use condition, show...

A dining table made with the walnut top from an 18th century Spanish Baroque table and a 19th century white painted wrought iron bistro table base. The top is made of two planks of t...

Custom trestle table with breadboard and simple trestle base with. Top is 1 3/4 inches thick top. Can be made in any size and finish. Bench made i...

This elegant 20th-century French walnut extension table, dating circa 1900, showcases the timeless beauty and functionality of classic French craftsmanship. Crafted from rich walnut,...

Our exclusive “TORINO” carved leg table with apron, made to order in custom sizes! The Torino table style is adapted from Italian Renaissance, Baroque & Revival designs. Handcrafted ...

This custom dining table is hand-made in the United States with all hardwood construction. It features a modern table design with a solid white oak body and a minimalist walnut inlay...

Knoll International dining / conference table designed by Florence Knoll, walnut, chrome, table model 580, produced from 1958-1976. Large dining table with boat shaped top const...

Harvey Probber mid century round ebonized walnut, terrazzo, and brass dining table The table measures: 50 wide x 50 deep x 24.5 high, with a chair clearance of 23.25 inches Re...

Of two piece construction entirely made from light colored walnut, the four board top removable and held securely to the base by four dowels, the apron with a height of 23 inches rai...

During a residence in Kyoto, Japan, studying Japanese wood joinery, One of Figure Grounds' Founding Partners, Tyler Putnam, struck inspiration for this table. There was never enough space to host dinner parties in tiny apartments in modern cities. The table design expands on the Dutch Pull Out Table...

The Brut table takes cues from Brutalism and Amsterdam School architecture. A balance of raw materiality and subdued forms with geometrically expressive detailing. Designed by Aad B...

A modern extension table with an abundance of details. Clean lines accented by simple curves. Solid black walnut wood top and base with detai...

This Custom Hand-Made French Walnut Louis XV Style Cabrio Leg Dining Table. Made here in our Old Plank workshop by skilled 'old world" artisans, we reproduce French furniture just li...

Our "Kapok" oval dining table fits seamlessly into any dining room or kitchen decor style. With mid century modern good looks and solid hardwood construction this dining table adds ...

E W Godwin, attributed. Probably made by Collinson and Lock. An Anglo-Japanese Aesthetic Movement walnut centre or dining table, with a large circular top with a shaped apron below,...

An exceptional Mid-Century Modern extension dining table in book-matched walnut By Edward Wormley for Dunbar Furniture USA, 1950s Measures: 52.5" W x 40.25" D x 29.25" H. Ex...

Custom oval dining table with pedestal leg made in American walnut with blue reverse painted glass top. Made in Los Angeles by Adesso Imports...

Dining table of Danish design made in walnut from around the 1960s. Dimensions in cm: H:73 W:155 D:100 The table is without additional plates

This is a made-to-order traditional mahogany dining table made by Leighton Hall. It’s double scalloped corners gives it a unique delicate shape. It features a field of slip-matched s...

Extendable table in solid Tuscan walnut, original farmhouse. The table has two extensions, both extending to measure 230 x 110 x 78 cm. The upper floor shows the signs of burns due...

Our "Kapok" round dining table fits seamlessly into any dining room or kitchen decor style. With mid century modern good looks and solid hardwood construction this dining table adds timeless beauty that you'll love and your guests will admire. The pedestal table base with stylishly curved legs allows for ample leg room even when seating large groups around the table. AVAILABLE TABLE SIZES: - 30 inch table seats 2 to 3 - 36 inch table...

The Africa dining table, a masterpiece designed by Afra & Tobia Scarpa for Maxalto in the 1970s. Perfect as a large dining or conference table, i...

The Nova collection pairs multiple metal finishes with wood and stone tops of various shapes and sizes. Select from available options or specify your o...

Metal plated walnut small Isthmus dining table by Hollis & Morris Dimensions: 84" x 36" x H 29.5" Materials: Solid wood. Cold rolled steel. Hardwax oil, powder-coated metal. Metal ...

Wood Epoxy Table - Custom Table This epoxy table emerges as a unique work of art, inspired by nature's beauty. The epoxy table stands out not only for its design but also its dura...

This is an American modern Walnut dining table that came from Home Life of America Insurance Company Headquarters. This piece dates to the 1960s and is similar to works by Jens Risom...

John Kapel for Glenn of California mid century walnut dining table The table measures: 45.25 wide x 45.25 deep x 26.5 inches high, with a chair clearance of 25.5 All pieces of ...

Our classic Lira style Old Walnut refectory dining table with sculpted edge top, lyre-shaped bases, handcrafted in aged Italian walnut, featured in our dramatic Espresso Dark stain s...

Dramatic profile round pedestal dining table designed by Michael Berman LTD Hollywood, CA. The table features a round top supported by a four column pedestal base. The turned columns...

Strong pillar like base inspired in Mexico City’s independence monument, created by French/Italian sculptor Enrique Alciati, thus, the name ‘Alciati Table’. Conceived from concentric...

Early 20th Dining Room or Center Table with Carved Walnut Pedestal Eagles

During a residence in Kyoto, Japan, studying Japanese wood joinery, One of Figure Grounds' Founding Partners, Tyler Putnam, struck inspiration for this table. There was never enough space to host dinner parties in tiny apartments in modern cities. The table design expands on the Dutch Pull Out Table...

19th century walnut Spanish table with plank top resting on carved H form trestle legs and hand forged iron stretchers has a fantastic patina and elegant curves. An unadorned beaut...

Streamlined and elegant, our Columbia Dining Table will bring mid-century modern style to any space. Raked legs create a dynamic base for our signature beveled edge table top. Enhanc...

We are delighted to offer for sale this sublime fully restored circa 1789-95 Gillows Lancaster George III dining table in American Walnut A very rare and highly collectable table,...

The Get Back, Inc. outdoor industrial dining table. Taking our swing-out seats a step beyond their usual bar and kitchen counter duties, Tim Byrne, founder of get back, Inc. combined them with powder-coated steel pedestal bases and Ipé seats and slats to create a weather resistant revival of America’s Classic picnic table. Each swing out seat provides a warm interactive experience as it moves with the body, positioning you to the perfect spot. With the strength to withstand in excess of a thousand pounds per seat, and the ability to be bolted to the ground, the stability and quality can be felt and seen throughout. An exquisite alternative to standard outdoor kitchen, breakfast, dining and cafe seating...

The Granero dining table is made from Pennsylvania walnut and features a contemporary trestle structure. It measures 34" x 84" x 29.38"h. The din...

The Nova collection pairs multiple metal finishes with wood and stone tops of various shapes and sizes. Select from available options or specify your o...

Our Affinis table features a design with simple yet striking lines, making it the perfect choice for various settings, whether indoors or outdoors. Crafted with precision, the solid ...

A dramatic round table featuring a solid wood tabletop, shown in Torched Oak, set on a thick blackened steel base. The curved conical base is meticulously curved and joined to create a virtual seamless connection, acting as a sculptural form. The 8-degree taper helps form depth and an intrinsic value to the piece. Designer Kirk Van Ludwig wanted the table balanced allowing for a person to sit on the end of the table without any movement, this was achieved through the use of 3/8” thickness and a large steel flange. The Alexandra table...

The Sandhill Table is a fully handmade and hand-forged dining table. It draws from the American Arts and Crafts movement in the areas where the wood smoothly transitions into the ste...

As Capella.furniture our job is to ensure the perfect harmony between materials and present them to you in the most accurate and compatible way. We give them a soul and a life. This ...

This beautifully detailed dining walnut table designed in 1951 by Finn Juhl for Baker Furniture has several of Juhl's trademark sculptural details. 29.5" h X 68" long (table has two...

This table as shown is available for immediate delivery or ask us to quote a custom size A Hancock Village-inspired (Shaker), Bonnin Ashley custom-made dining table or sideboard in A...

A John Widdicomb 2 pedestal Walnut Dining Table with 3 leaves, original storage create & table pads Measures: Total length with 3 leaves ...

High quality Italian mid century modern boat shape dining room table in style of Gio Ponti.

C&C Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...

Inspired by Brutalism and Carlo Scarpa, the Delta Dining Table feels both monumental and playful. Delta alludes to the triangular shapes seen in the legs and the negative space of th...