Amboyna Tables

Here we have a Dutch side table or lowboy with two drawers with wavy stretchers on bun feet.It also has a lovely shaped top. The special thing about the piece is the fact that the wh...

Introducing a stunning George IV amboyna card table adorned with exquisite gilt wood decoration, showcasing the epitome of fine craftsmanship from the English circa 1830 era. This r...

A rare and magnificent pair of very fine quality French Art Deco Modernist bedside cabinets attributed to Christian Krass, with design influenc...

FRENCH ART DECO DINING TABLE This exquisite dining table, produced in France in the 1920's, has a unique and sophisticated design that captures the eye. Crafted using high-quality Ma...

As an ode to the glamour of the Roaring Twenties, this stunning original 1930s dressing table exudes Hollywood glamour with its exotic amboyna grain. The wood exhibits exquisite an...

Of rectangular form, constructed in amboyna and mahogany dressed with chinoiserie lacquer panels, and fine ormolu mounts; rising from ormolu mounted toupie feet, supporting the lower...

Antique Victorian Aesthetic Canterbury whatnot dating from around 1880, elegantly ebonized with inlaid amboyna and brass edging, presenting a delightful mix of charm and character. ...

We are pleased to offer one of the finest pieces of furniture we have ever bought. A wonderful Partners Writing Table or Desk. It has a makers stamp on each drawer of ‘La Porte Barme...

Paul Sormani (1817-1877) designed and was the maker of this superb quality small dressing table; from his Paris workshop at 10 R. Charlot Park (this was his second workshop---opened in 1867). The attention to detail and intricate design, in addition to selection and application of premium materials and resources are typical of Sormani dedication to excellence, as was recognized by many of his contemporaries during several mid-century Parisean exhibitions. Brass inlaid Fleur de Lis medallion decorates the center; surrounded by beautiful and rare burl Amboyna veneer wood from Indonesia. The surface is bordered by a bold brass application to the serpentine perimeter. A satinwood inlaid border decoration to the surface further enhances the decor. The highly figured veneer design of the surface is further on display to the rectangular 4" skirt support above four elegant cabriole legs with full length linear bold inlaid and applied brass accoutrements to the corners; top to bottom; ending in bronze mounted feet. The special interior is accessed by lifting the top up connected by a pair of decorated and embossed rear hinges; revealing a full surface mirror back and a fitted storage sections with a sliding tray for personal particulars; jewelry, papers, make up, sewing implements, or valuables as may be kept private by locking mechanism which bears the signature and street address of "Paul Sormani, 10 R. Charlot Park". The condition of the table is original, sturdy, and well made with no replacements. Surfaces have a mellow patina displaying warm, age related hues. A small rectangular section to the top surface measuring 2" x 3 1/2", just off the left and front of the center medallion is present. It does not look like a replacement because the grain transcends the section matching perfectly. It simply looks like an early restoration of some kind; possibly done contemporaneously with the manufacture of the table and possibly at the workshop of Sormani Maison because it is done so well. Please note the close up image (#3) of this repair. The base of the interior underneath (see image) is fastened with butterfly wood...

Loius XVI Style Inlaid Centre Table the brass banded top with amboyna and rosewood crossbanding and diamond inlay, curved X-Stretcher and the base decorated with ormalu - English c18...

Fantasy Marquetry Mermaid Adjustable Coffee/ High-top Yacht Table, Style of Galle France, Later 20th Century, originally made for a yacht, can be used in any interior. Design/Styl...

This outstanding and important writing table has a rectangular top above two cedar-lined frieze drawers. It is raised on rectangular section flared end supports with parcel gilt and ebonised scroll spandrels and feet joined by a flat brass inlaid stretcher. The decoration comprises superb quality amboyna, ebony and calamander veneers. The top has a central amboyna field within a Boulle work border of inlaid ormolu foliate sprays, while the sides have further amboyna panels within ormolu stringing and calamander crossbanding. With a copy of the invoice stating it was from the Wellington Collection and probably sold by the 8th Duke. English, circa 1815. Height: 29¼ in (74.5cm) Width: 50¼ in (127.5cm) Depth: 26in (66 cm) Provenance: Lord Gerald Wellesley, 7th Duke of Wellington, possibly 11 Titchfield St, London Temple Williams Ltd 1963 (See the Country Life advertisement below) Philip Duncan Ltd, sold in 1969 A distinguished American private collection Published: M. Jourdain and R. Fastnedge Regency Furniture 1795-1830, London, 1965 p.77 fig. 179 Country Life “Summer Calendar” 1963, p.51 Lord Gerald Wellesley, 7th Duke of Wellington (1885-1972) was an Anglo-Irish diplomat (1908-1919) who served as a Lieutenant-Colonel in the Grenadier Guards during World War II and then became an architect. His collection at 11 Titchfield Terrace was one of the first major regency furniture collections in Britain. In 1947, he gave Apsley House and its important contents (the Wellington Collection) to the nation with the proviso that he and his family were able to occupy a large portion of it. He married Dorothy Violet Ashton in 1914, daughter of Robert Ashton of Croughton. See Wick Antiques...

FRENCH ART DECO CENTRE TABLE Presenting an exquisite French Art Deco coffee Centre table of exceptional quality, crafted in France circa 1925. This remarkable piece showcases an unco...

A superb French Art Deco amboyna occasional side table. Circa 1930. This elegant table has a shaped cushion frieze, standing on walnut reeded legs. It terminates to an outswept scr...

A Fine Louis XVI Style Patinated and Gilt-Bronze Mounted Centre Table After The Fontainebleau Model with a Verde Patricia Marble Top, by Zwiener Jansen Successeur. The bronze mounts...

An elegant pair of contemporary brass and wood end tables, circa 1960s. Excellent restored condition. This very good quality pair of uniquely designed end tables or bedside tables...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...

An exceptional 19th century amboyna and ebony games table firmly attributed to Holland & Sons, the rectangular hinged top decorated with leaf banding, opening on telescope action to ...

Midcentury burlwood dining table designed by William Doezema and manufactured by Mastercraft in the United States circa 1970s. This beautiful dining table features a burlwood frame w...

SN2416 Fine quality and very unusual, William IV thuya wood work / sewing box, having octagonal well figured top with shaped and carved frieze, tapering...

This elegant Art Deco Machine Age wall mounted console was realized in France circa 1935. It features stylized scroll form legs with stepped streamlined feet that transition to oppos...

A very fine and attractive nest of tables constructed in Amboyna wood, of graduated rectangular size, on ring turned columns raised on tressel end supports joined by stretcher. Circ...

For sale is a good quality Victorian brass strapwork mounted amboyna writing slope, with a fall front and hinged top opening to reveal a fully fitted int...

Late 18th Century Louis XVI Period Ormolu Mounted Amboyna Wood Tric Trac or Gaming Table, having a removable top with inset leather panel to top and underside surfaces, interior with...

Beautiful and elegant small center table with curved legs and scalloped top in the Louis XV style forming a writing and working table thanks to a sliding top system revealing a drop-...

Low rectangular art deco sofa of coffee table from France about 1930. Amboyna roots wood veneered and lacquered. Black lacquered at the edges. Dimensions: H 40, 5 cm x W 122 cm x D...

Ormolu mounted amboyna and mahogany Louis XVI style antique dressing table French, late 19th century Measures: height 91cm, width 70cm, depth 44.5cm Beautiful crafted from an ar...

Rectangular top with D shaped hinged leaves, the center and leaves with oval inlay over a frieze containing a conforming drawer with a pair of brass handles and an opposing identical...

Rare Charles X Office partners desk center table console wood onyx stone bronze. Amboyna is among the most expensive and sought-after of all burls and is frequently sold as veneer or as small turning. Amboyna burl was and still is among the world's rarest and most expensive & Exquisite holding the distinction of being the original wood used on Rolls Royce dashboards. An important and rare 19th century Period King Charles X Large desk with a Pull out Single wide drawer Mirrored in the manner of partners Desk , Enclosing fitted Eight Columns with incredible Bronze dore work magnificent ormolu capitol of scrolls, foliate. Outstanding light in color and fine in texture Carved Wood. All original hardware and plaques. Mounted on Geometric lower base arched on both sides that allows this magnificent piece to be used as a center table and as a console at the same time, elevating the entirety of this art work of this rare Desk to a category of its own finely chased laurel leaf wreath. As seen in the closeup pictures the signs of the centuries are apparent but minor considering such a large piece of furniture, such as cracks chips losses etc. But overall outstanding condition. You are welcome to send your expert to examine it in person. we have seen our fair share of incredible furniture of the 15th to 19th Century periods. this table Desk is incredibly well preserved for its age and use . the fitting work and the design i have rarely encountered any at that level of sophistication and craftsmanship. The result that could only be achieved by big Masters comparable to what was done for the Grande Commande. This type of furniture at that level are mostly kept with the old families, rarely to see them on the market. I have some other high end chateau inventory and rare pieces of the periods as well. Antique Dealer Los Angeles West Hollywood Melrose Ave La Cienega Blvd. Amboyna wood The name derived from Ambon Island in Indonesia that was a Dutch Colony, where much of the figured wood is believed to have been initially exported and it used to take many years before the special material gets to Europe in order to make the very high end and refined furniture. As seen in the closeup pictures the signs of the centuries are apparent but minor considering such a large piece of furniture, such as cracks chips losses corner large stone top etc. But overall outstanding condition. You are welcome to send your expert to examine in person. The unique period of early 1800’s of King Charles X is easily recognized by its fine marquetry of light lemon wood The decoration forms motifs of very fine foliage, windings, nets of fretwork frames, rosettes and stylized palmettes. Goddesses putties and multiple tableaux all around this desk table. Topped with an even more beautiful Carved Stone ONYX Translucent light honey Gold and Green hue. During King Charles X Light colored woods, yellow or bleached, such as lemon tree, maple, sycamore, orange tree, plane wood...

French Art Deco rectangular desk with Amboyna Burl frame with a gloss finish. This desk features two side drawers and one center drawer with antique brass bas relief drawer pulls and...

Presenting an absolutely stunning 19C French second empire style 2 tier console from circa 1860-80. This Console/Breakfast Buffet is of the HIGHEST...

Important and spectacular French Art Deco vanity in beautifully figured thuya wood, attributed to Maurice Dufrène. Created in full burl wood with marquetry inlay, this vanity has the original beveled cheval mirror that slightly swivels, along with the original veined marble tops in light yellow, burnt umber, ochre and rouge. Two cabinet doors on either side of the vanity each open to reveal four spacious drawers that fill the interior space. Original nickeled bronze pull handles...

An exceptional circa 1820 English regency period rectangular-form writing or occasional table attributed to Gillows having brass bound cusped-corner top with ebony line inlay and satinwood feather-banding surrounding center field of bookmatched amboyna, the double elliptical high arched stretchers joining gilt-brass-mounted end supports having turned calamander spindles and braces issuing turned finials between ebony downswept legs ending in acanthus-leaf-cast brass casters. Several 'spindle end' writing tables were featured in the 'Gillows Estimate Sketch Book' of 1818, and a table of similar end supports stamped GILLOWS LANCASTER is illustrated in Susan Stuart's 'Gillows of Lancaster and London 1730-1840', Vol. I., Woodbridge: Antique Collectors’ Club, 2008. pl. 329, p. 301, stating "a table frame with spindle ends was supplied in the 1820s by Gillows of London to display marble brought back from the Grand Tour by the Tempests of Broughton Hall...

A large amboyna, stained glass, marble, and ormolu mounted centre table French, 19th Century Height 73cm, width 170cm, depth 140cm This unique and vibrant piece, replete with a radi...

A lovely quality early 20th century amboyna and fruitwood coffee table, cross banded and line inlaid throughout, the moulded top of circular form raised above frieze with brass mount...

A great quality small coffee table with lower shelf covered in highly figured burr Golden Amboyna veneers with dot to center the table has been fully polished by hand and is in exce...

Rare and outstanding example of an early 19th century Anglo-Chinese export amboyna and ebony campaign kneehole desk retaining the original patina with wonderful colour. China circa 1830 One of the finest examples you will see, constructed using thick hand sawn cuts of amboyna and solid ebony with ivory stringing and countersunk brass pulls to the camphor wood lined drawers, having brass drop carrying handles to each side. The rectangular top with book matched amboyna veneers enclosed by a solid ebony boarder above a frieze drawer fitted with an adjustable inset velvet lined writing slope flanked by multiple sliding lidded compartments and pen rests. Below is an arrangement of nine ivory strung drawers and a kneehole recess with foliate carved and pierced ankle brackets, the whole being raised on eight solid ebony turned feet. This impressive colonial inspired desk is Chinese and would have been intended for the export market. Some years back this desk was often mistaken to have been Anglo-Indian due to the fact it shares many characteristics of Indian furniture...

A fabulous full size 12ft x 6ft mahogany and ebony marquetry billiard table, English circa 1875. The side frame is embellished with decorative marquetry roundels and flowing symmetr...

A Regency amboyna and gilt library table attributed to Seddon and Morel, with a rectangular top set upon solid end supports with a turned, reeded an...

Art Deco U-Shaped coffee table in Loupe D'Amboine Burl (Amboyna) by Jules Leleu.

A very rare unusual table with a double u base produced by Jean Fauré in Toulouse France in the 1930’s, smothered in tight burr golden Amboyna and is of exc...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

An Art Deco, conical shaped library table. Veneered amboyna with decorative triangular banding. Dimensions: D 65cm, H 65cm Origin: French Date: circa 1930 Item no: 24022...

The circular top veneered in extremely well figured amboyna having a cross banded outer border. The top supported on a octagonal column, similarly veneered in amboyna, resting on a t...

This is a stunning pair of antique French amboyna and ebonised card tables, circa 1860 in date. The tables are made from striking and rare ambo...

An impressive coffee table made of exotic Amboyna burl wood, with real gold lined edging and central gold maker's hallmarked inset. Silverlining Workshop - 1992. The UK based firm...

A superb coffee/end table made of exotic Amboyna burl wood, with real gold lined edging and central gold maker's hallmarked inset. Silverlining Workshop - 1992. The UK based firm cr...

Rare dining table model 1020 designed by Josef Frank. Produced by Svenskt tenn in Sweden.

Exquisite High Quality Gilt and Patinated Bronze-Mounted Louis XVI Style Amboyna Center Table after The Fontainbleau model. Signed F. Linke Maker: François Linke (1855-1946) Date: Circa early 20th century Origin: French Dimension: 31 in. x 38 1/2 in. The circular top set within a palmette-cast surround, on four supports headed by winged caryatids and terminating in paw feet. The original model for this table is attributed to Weisweiler and Thomire and was delivered by Rocheux to the Palace of Fontainebleau in 1810 (see J. P. Samoyault, Meubles entrés sous le Premier Empire...

A William IV amboyna and rosewood table / jardiniere, in two sections with a fitted circular cover above a sloping bowl enclosing a replaced brass lining, bold gadrooning to the unde...

An extremely elegant, rare Regency amboyna and brass inlaid gilt bronze mounted pier table. Provenance Part of Sir William Whitfield Collection. English Regency period, Circa 1815. The raised back with open shelf, surmounted by a pierced anthemion three quarter brass gallery above a rectangular mirror plate, flanked by gilt bronze pierced foliate scrolled supports, over a finely coloured amboyna and banded top above cut brass inlaid frieze drawer decorated with anthemion and flower head motif. The dual tapering scroll supports with palmette lappet surmounts and cut brass inlay terminate on gilt bronze claw feet, flanking a later large mirror plate to the rear, raised on a inverted breakfront plinth base edged with gilt bonze beading. Formerly in the collection of Sir William Whitfield. This elegant Regency pier table is a superb example with its fine quality mounts and distinctive amboyna veneers which are rarely found on furniture of this period. The condition is excellent, having the most wonderful colour and patination to the finest cuts of amboyna that would have been available, during the early 19th century this veneer was thought to be worth more in its weight than gold. This table would have almost certainly been especially commissioned, further research maybe undertaken to find a comparative example and insight to a potential maker. As such pieces in amboyna are far rarer, an example of pier table has yet to be found, but an amboyna sofa table with extremely similar brass inlay and form can be seen in Clifford Musgrave’s book Regency Furniture, published by Faber and Faber in 1961, plate 63. It is from the Royal Collection and the caption includes ‘made about 1816 for Clarement,’ (Claremont) ‘ Esher, Surrey, home of the Princess Charlotte...

Fabulous pair of Amboyna and brass Asian influenced end table/night stands by Mastercraft. These pieces are finished on all sides and are exquisite in person-real show stoppers ! Can...

Large pedestal table in elm burl, amboyna burl and walnut circa 1970 French or Italian work circa 1970 good general condition, a scratch to repo...

A George IV tilt-top centre table by George Bullock, the circular top with an amboyna field centred on a circle of brown oak, burr yew and holly, the border decorated with a floral m...

Large Art Deco pedestal table in amboyna burl circa 1930 refinished, some cracks in the veneer are visible the set is in very good condition.

A Jules leleu designed Art Deco pedestal. Amboyna with U shaped supports, three small drawers.  

An Empire style gilt-bronze mounted bureau plat by Maison Forest. Paris, circa 1900. Bearing two labels to the underside: 'FOREST/TAPISSERIE/EBENISTERIE/31 RUE CAMBACERES.PARIS...

Believed by our experts to date from around 1860, this antique Victorian Bonheur Du Jour is an imposing and functional item of furniture that is so typical of the Victorian era. We ...