Purpleheart Tables

Magnificent and rare Art Deco coffee table or cocktail table. Striking French design from the 1930s. Solid purple heart wood or amaranth wood and original purple heart veneer or amar...

Fine George III purpleheart demilune console table with fine inlays, the top with satinwood, harewood, rosewood and holly fan inlay with rosewood and satinwood crossbanding, the apro...

A small desk with simple shapes that acquires sophistication through the different types of natural wood. Antonio interprets “una stanza” through his particular vision, creating “pi...

Very fine George III satinwood Pembroke table, the rectangular top with purpleheart oval center and cross banding, having two recta...

A magnificent Bonheur du Jour of exhibition quality, in the Louis XV manner attributed to Holland & Sons Lovingly constructed in Bois Citronnier, and Purpleheart woods, with exten...

An exceptionally fine quality late 18th century marquetry Pembroke table in the manner of Ince and Mayhew. Constructed in Ameranth, Partri...

An Exquisite Table à Ouvrage in the Louis XV manner by Beurdeley of Paris Of beautifully drawn proportions, constructed from kingwood, amaranth, and tulipwood alongside various specimen woods, the cabriole legs with gilded bronze foliate cast sabots and foliate espagnolettes, the shaped frieze inlaid with panels of floral marquetry to all sides, a single drawer sliding forward revealing a hinged leather writing surface itself flanked by two compartments; the shaped sliding top with a scrolled cartouche centred by musician monkeys surrounded by three marquetry trophies representing Music, Love, & Hunting surrounded by a trellis parquetry; surmounted by a three-quarter ormolu gallery 'à la grecque.' French, circa 1880 This exact table is illustrated in Denise Ledeoux-Lebard's 'Le mobilier francais du XIX siècle," as well as appearing in Camille Mestdagh's 'L'ameublement d'art francais,' and the model is discussed by Christopher Payne in his "Paris Furniture." The marquetry scene on the top of this writing table derives from engravings published in Paris in the mid-eighteenth century entitled Le Tambour de Basque and Le Tambourin by J. Guelard after designs by Christophe Huet (d.1759). the trophies come from a design by Gilles Demarteau l'aîné (1722-1776) and can be seen on several pieces of 18th century French fine furniture...

A Superb Quality Late 18th Century George III Period Mahogany Octagonal Hall Centre Table, Or Breakfast Table, Having Wonderfully Figured Octagonal Tilting Top, With Attractive Satin...

Created circa 1912, during the transitional years between French Art Nouveau and Art Deco, this desk by Tony Selmersheim is fabricated in pearwood and satinwood, with inlays of purp...

Louis XVI Style Tulipwood and Purpleheart bureau plat. An original furnishing from the Waldorf Towers in New York City. Newly replaced tooled brown leather set...

An Elegant Table à Écrire By Paul Sormani Constructed from bois satiné and amaranth, with geometric cubed parquetry inlay, the writing table on slender cabriole legs with ormolu ...

Early Classic French Art Deco side table/small cabinet by Lahalle et Levard, circa 1920. 19.5” wide x 12” deep x 26” high, in purple heart, boxwood, other exotic hardwoods, mother-of...

A very fine bureau plat in the manner of Edward Holmes Baldock. After a model by C.C. Saunier. English made, in the Louis XVth taste, constructed in kingwood, with purpleheart crossbanding and adorned with bleu celeste porcelain plaques with hand-painted floral decoration and extensive fire gilt bronze mounts; rising from cabriole legs with brass sabots and bronze enrichments, in the apron, the one large central drawer is flanked by two smaller drawers with twenty four ‘Sevres’ porcelain plaques enclosed in symmetrical gilt bronze boss studded frames, chased and with a sand form ground. The serpentine top framed with a conforming bronze guard...

A burr yew, marquetry and gilt brass-mounted Kidney shaped table Attributed to Gillow & Co The top inlaid with a border of strapwork, husks and paterae within multiple bands of m...

Very fine Swedish 19th Century gilt bronze mounted center table in the manner of George Haupt. In mixed woods, the top with marquetry basket of flowers withing an oval on a satin bir...

Of exceptional quality, utilising beautifully grained woods, including Circassian walnut, thuya, purple heart and boxwood in the construction, and dressed with ormolu mounts; rising ...

A Library Centre Table in the Louis XVI Manner Constructed in amboyna, with purpleheart banding with gilt bronze mounts; of elliptical form, with gently everted angles; rising from ...

A fine and rare pair of Regency period Console Tables, having satinwood & purpleheart galleried concave tops above frieze drawers flanked by giltbrass “match strike” panels, raised o...

The style of this standing desk is a mix between Japanese pagodas and modern skyscrapers. It is an artisanal piece consisting of: A curved top, with inlaid motifs and high-quality ...

A very fine and substantial centre table in the Louis XVI in the Manner of Holland & Sons Of exceptional quality, utilising beautifully grained woods, including Circassian walnut,...

Classic French Art Deco side, end or coffee table by Maurice Dufrène. Purple heart, mahogany and mother-of-pearl.  

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...