Acrylic Wall Decorations

An assemblage made of several individual elements. A pair of early 19th century of gold gilded carved wood Russian columns. 18th Centur...

László Ottó (born October 30, 1966, in Pécs) is a Hungarian painter, recognized as a prominent figure in Hungarian geometric painting and respected in both international concrete-constructive art and Hungarian sacred geometry painting...

Acrylic on canvas. Signed and dated. Measures: H 200 cm / 6' 6 7/8" L 210 cm / 6' 10".

Jean Messagier Oil on canvas titled "Crochets pour l'été" dated 1991 Bright colors, a little material and transparency on the canvas. 82 x 102cm

André Ferrand - Maya - 2010 Mixed media on canvas Signed, dated and titled on the back Dimensions : 100x100cm in very good condition.

Chiara Florini Canvas - Nordic Journey. Titled on the back Signed lower left 1982 Support : wooden frame Dimensions : 96,5x130x2cm Price : 1500€ for the painting.

Sigfredo Chacon Venezuelan, 1950. Paysage. Acrylic on canvas. 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then...

Day 17 - Emotional Layers Collection by Michele Bagnod Michele’s collection “emotional layers” it’s a self-discovery through layers of colors. Nothing is prepa...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. SPECIFICATIONS: height 110 cm / wide 75 cm / depth 7 cm. 100% Handcrafted, dimensions may vary 1~2cm. Build time: 20-60 days. Signed artwork, with a certificate of authenticity signed and dated by the artist. The wall hanging system...

21st century painting "When the Moon Hits Your Eye" by Corrina Button British Artist Corrina has been painting in Europe as well as the United States f...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Erika Rothenberg (B. 1950) "7 Hours, 10 Minutes, a Day" Signed, titled and dated 'Erica Rothenberg 1987 7 hours, 10 minutes a day' (on the reverse) Acrylic on canvas: 50 x 66 i...

Imperial cCat - Alberto Blanchart Aerosol and acrylic paint With artist's certificate 100x70x3cm 2020 Avec certificat de l’artiste 980€

Rey Skutoo art - Alberto Blanchart Aerosol and acrylic paint 50x50x3cm 2021 With artist's certificate 590€.

Labrosse, Daniel: Things That Happened (2023) technique: gouache, acrylic, ink, canvas size: 90 x 120 cm signed on the on the bottom left Daniel Labrosse is a Hungarian-French visu...

Spring Vibes - Alain Carpentier Acrylique sur toile 25F - 81cm x 65cm 2022 1800 euros

Kharkiv... Devastation - Alain Carpentier 100cm x 100cm Acrylic on canvas 2022 3500 euros

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

"Defender" Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of Ci...

Michael Young American, 1952-1993 “Site Terra Firma” Soil, sand, acrylic, resin on canvas 32 by 32 in. Circa 1990 Michael Young Biography: 1952...

Great painting, very decorative piece. Signed, but signature unreadable. Circa 2010.  

"Magdalene", a unique and symbolic painting by Canadian artist Peter Winnett, portrays the legendary harlot who was forgiven by Jesus and became one of his greatest followers. The archetypal painting reveals an explosive truth at its heart; the rebirth of the soul generated by God's mercy and forgiveness causing an overflow of Grace and outpouring of unconditional love for all. Fourth in a series called the 7 Deadly Sins...

This is a very vibrant & expressive work from Milan Klimes (1945 – 2013), Czech artist created in the 70s, it is a mixed technique on cardboard with a new cedar wooden frame. The ...

This is a very vibrant & expressive work from Milan Klimes (1945 – 2013), Czech artist created in the 70s, it is a mixed technique on cardboard with a new cedar wooden frame. The ...

A witty art-object piece by Mexican artist Cisco Jiménez. It's an Sayer Lack wood inks catalogue intervened by the artist with collage and acrylic. The piece resembles a cassette cat...

This one of a kind painting by John Brevard was one of the earliest in his collection. After a series of black and white drawings (now mostly sold) John created only 10 paintings of ...

SMOKE HEAD - BY TERRY THOMAS Don't let this golden opportunity pass you by! You have the chance to be the proud owner of a striking masterpiece 'Smoke Head' by Terry Thomas, an estee...

The unique approach of Eduard Locota towards art, embrace the permeability between art and function. An unique lamp that is as much sculpture as it is design. By using coal as a man...

Egor Plotnikov works in the field of figurative painting and sculpture, often combining two media in one installation. He is one of the few contemporary Russian artists, whose works ...

Egor Plotnikov works in the field of figurative painting and sculpture, often combining two media in one installation. He is one of the few contemporary Russian artists, whose works ...

Very interesting oil painting of Igor Stravinsky Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizens...

2000s photograph by Zeng Yicheng, printed in only 20 copies, titled, "Respiration 3".

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Van Minnvejen, (?) probably, (American, 20th Century) Untitled, 1980, signed indistinctly, dated 80, l.l., acrylic on canvas 48 by 73 in. Condition Report Lacking frame piece to rig...

"ATLAS 14" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

"ATLAS 10" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

"ATLAS 12" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

Ecco 1 is part of "Interzona", the collection of pieces presented in October 2021 at Durán Monkey Gallery (Madrid). In them, the artists address, through symbolism, colour and repeti...

A Talitha-Anastasia Marco original, 'Tumultuous Trigg Tides', is a representation of one of Perth, Western Australia's most loved surfing destinations, Trigg Point. An often tumultuo...

Two imaginative travellers: Little monster and Mr. Strictly was brought forward to the exhibition As seen by in Paris at gallery 3537 on commission by Rimowa. The pieces use light, p...

ATLAS 01 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

We present here a unique piece that is part of a set of 3 watercolours painted on 100% cotton paper of 190 gms. They are unique and unrepeatable pieces as they are preliminary studie...

Hand tufted cut-pile rug in a wavy pastel design. The design is inspired by 70s psychadelic art. I design & hand tuft all of my pieces, it is truly art for your floor. It can als...

Hand tufted cut-pile rug in a double arches neutral beige and cream rainbow design. I design & hand tuft all of my pieces, it is truly art for your floor. It can also be used as a...

Detlef HAGENBÄUMER “Heartbeat”. Abstract etching on thick paper from 1998. Handsigned and numbered (2/2). Ready to hang. Framed with a passepartout in an ash wood picture frame behin...

Detlef HAGENBÄUMER “Genesis”. Acrylic on canvas in a set of two.

KIEFERS Violet Quartz. Abstract painting in vibrant colors in a red spectrum. Ready to hang, framed with a passepartout in a handcrafted ash wood picture frame behind anti-reflective...

Detlef HAGENBÄUMER “Daisy D ist nicht zu retten”. Mixed media with Oil, Acrylic and Gouache on Canvas. Dynamic composition with explosive use of colors.

Hans OSSWALD Abstracted presentation of different suns in a circled arrangement. Ready to hang, framed with a passepartout in a handcrafted real wood pict...

Junger sitzender Mann by Helga Müller from 1997. Acrylic on handmade paper. Framed in a beech wood frame. Size without frame: W 50 cm x H 70 cm.

Sunshine was a known local artist in Woodstock and upstate New York area during 1960s. This abstract painting is of Ashocan Reservoir, located in Ulster County, New York. The reservo...

Bernardo Nieves is a Venezuelan artist born on October 18th, 1961, in the quaint, small-town (at the time), city of Barquisimeto. A plastic self-taught artist who has sought instruction and knowledge with great effort, that began as a craft simple craft "hobby" which takes a big part in his life that today is grateful for. From his first steps in painting, passion for landscaping washes are printed on cardboard chimo-sepia, where he expressed his vision through cobbled streets, adobe houses, and mills. In this quest for artistic development, reconciles with oil, and monochrome images become hearty in colorful expressions by the nobility of the art. This new knowledge drives him to plot their future goals. At the end of this decade and early next, develops their technical experience in new materials and strengthens brushwork. In the 80s, a new inspiration emerges from the vegetation decorating fields, valleys, and forests. And these reasons are the ones he will project to a higher level by giving importance to his image as an artist. Towards the end of the century decade, he fully converts in "artist" by trade, then, what began as a pleasure is now his passion in one hundred percent of his time. Individual and group exhibits were already part of their commitments and his time was most devoted to art; during the last five years of the '90s was when his career took a new impulse and his image reached more interesting levels. It is here, while changes in his artistic life are in full swing, the artist pierced the thin line that divides the creative artist and the creator-artist and in the effort to show his graphics concepts, he developed mural projects which found acceptance among his colleagues and Barquisimeto people. So many events together were not enough to Bernardo, who while all these facts, internally was engendering a new graphic idea that definitely will take him to what he is now: the artist that succeeded. From the year 2000 an overturn of his motivations are mixed with trends and those landscapes: the Avila, forests, and valleys, suddenly a "coup" of artistic movement when the first Equus figure came out. These floating horses, first in earthy ochre, of long and slender limbs, have occupied the whole life of the artist. From stained canvases...

Framed acrylic abstract painting on canvas by artist, Jon Staley featuring a range of earth tones. Signed by the artist. Dimensions 25.75" width x .5" depth x 37.5" height. Condit...

Clider, "Dame à vélo", acrylic on canvas signed.

A large scale hard edge painting executed by listed artist Jason Crum. This example hung in Vladimir Kagan’s personal apartment in New York. Executed in 1971 the painting is aptly ti...

Composition 0967 by Matière 28°, acrylic on plexiglas Matière 28° is the pseudonym of a Paris-based artist who was born in St. Petersburg and has liv...

Jungle is an abstract painting by Kristina Kralikova, a Slovak artist. Acrylic on canvas.

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...