Masonite Wall Decorations

After William Michael Harnett (1848 - 1892 American), late twentieth century. In a rustic cerused oak frame. PAINTING SIZE: 37 x 24 inches / 93 x 60 cm FRAME SIZE: 44 x 32 inche...

Beautiful Woman with colorful head wrap and jewelry very popular style in the mid 20th century. Strong features and vibrant colors make this painting that pop of visual interest.

Oil on Board by Sandy Sutherland. this late 60's early 70's portrait of a woman, possibly a stewardess is a unique example of using oil paint and having the appearance of a watercolo...

Italian painting from the mid-20th century. Oil on masonite artwork depicting a country landscape with a peasant woman of good pictorial quality. Painting of beautiful size and propo...

Mid-Century Modern abstract on board by Margaret Malval. Colorful composition in a nice gray and white frame. Cubist and modernist in style. Marga...

Small Oil on Board of Mountains by J Guthrie. Nice Southwestern feel to this colorful palette . Perfect for that small place that needs some color. Signed lower left.

Beautiful still life of a floral bouquet. Mid Century artist captures the simple beauty of lovely flowers in a vase. Oil on board. Artist signed Marion Viana

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Very striking larger oil painting on canvas laid down on Masonite with gilt background depicting Buddha in a seated position on a giant lotus flower. The flower represents a symbol of fortune, meaning rising and blooming above the murk to achieve enlightenment. The painting is believed to be of Bhaajyaguru, the Buddha of healing and medicine, commonly referred to as the "Medicine Buddha...

Introspective portrait by San Francisco native Geoffrey Lewis (American 1928-2005). Oil on board painting titled "The Babysitter" is a moody, figurative piece mounted in an intention...

Beautiful and vibrant mid century modern abstract by noted American female modernist artist Eileen Schreiber Frame - 2" Sight - 24" x 30"

Mid Century Modern Abstract of a Man. In the style of Andy Warhol. Large white Masonite background with impasto strokes of red, white and black and yellow. Housed in a black frame.

Outstanding landscape impressionist oil painting by California listed artist Jeanette Le Grue. The painting is of the San Francisco Oakland Bay Bridge. Signed in the lower corner. Th...

Exquisitely rendered, original oil on board, signed estate painting by French artist, Girard, depicts an American Bulldog reclining on grass, with spa...

Large Brutalist Period mixed media abstract painting on masonite by Paul Rotterdam. Fully signed, dated and titled on the reverse. Made in Vienna, Austria and dated 1964. Rotterdam's...

Large scale (54" x 43") oil on masonite in a carved layered wood frame depicting a grouping of men in traditional Chinese costume engaged in various activities under a tree in a styl...

Klement Olsansky painting, oil on Masonite, Titled "Fishing Boat at Drydock", Canadian 1909-1963, The painting is circa 1945, Signed "K. Olsansky" 1.1. on lower l...

Antique Italian painting from late 19th century. Oil painting on masonite depicting landscape, view of mountain village in impressionist style. Signed painting on the lower left G. M...

Large-Scale Mid 20th century painting of a pensive girl seated at a table. Retains original wood frame. Painted on reverse Masonite. Circa. 1960. 54.25 inches high. 26.25 inches wid...

George August Stahl , Abstract Painting: Composition (1962–63) Medium: Oil on masonite Details: Signed on the front by the artist. Label on verso includes title, date, and medium. Di...

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...

Robert Herrmann CBS Night Oil on Masonite The first and only skyscraper "Black Rock" designed by Finnish-American architect Eero Saarinen in New York C...

Artist Barbara West, The Green Jug Abstract still life Oil on Masonite board Signed and framed. 29.38 w x 25.5 h x 2 d, art 23.5 x 19.5 Original vinta...

Signed coastal beach painting by Frank Proschwitzky Freyburg. (1862 -1940) Of British-German descent but lived in the United States. Please confirm dimensions prior to purchase.

A tall bohemian portrait painting of a man in a fedora. A dark bearded man with rosy flushed checks is captured front and centre in this painting. He wears a white fedora with a blac...

Great mid century painting of a shirtless black man with wonderful expression. Dark and moody. Signed 1 of 2 listed

Mid century modernist style abstract landscape painting. Mixed media work (paper and paint) on Masonite. Titled ""On the Snow Alone" Milbrae CA 1962 A painter known for mixed-media ...

Whimsical painting on masonite by noted New York artist Kevin Paulsen using plaster, ballpoint pen, acrylic on sandpaper laid on masonite. Unframed.

Oli on panel by Elisabeth Karlinsky. Monogram: EK, 58. Golden frame, from the periode. With frame: 32x37 cm Without: 24x29 cm Style: modern/ danish Motive: Sun over pine forrest El...

Mid Century oil on board of an American Indian. Nice heavy impasto style. In a wooden wormhole styled fame. Will fit in with any Arts & Crafts or ranch style...

Colorful Fruit Still Life on Board. Lovely composition of greenish yellow pears and reddish orange apples in a basket. Perfect to hang on a kitchen or dining room wall.

Expressive and dark, haunting European School oil painting on masonite board. The edifice is either being supported by wood uprights or it's a ladder leaning against the silo. The tr...

A fine, framed oil on board/isorel painting by Charles Levier, signed. This wonderful mid-century modern painting is a fine example of Levier's work and is in very good original co...

Incredible impressionist style painting on hardboard of children on horseback signed Brooks Woollcott (now Powell). It is in good original condition with its original black painted wood frame. We have stabilized the frame and added a new coat of paint, circa 1940-1960s. This original impressionistic painting has the most extraordinary color pallet from pink to coral, turquoise to blue, green to chartreuse, and bright yellow with touches of black. It depicts two children, seemingly a girl and boy, on horseback. It is done in the style of Chagall with a little Picasso and Matisse thrown in. It also has a feel of Margaret Keane and her Big Eyes paintings...

Erik Hoppe, 1897-1968. Winter landscape with houses. Oil on Masonite. Signed EH. 1931. Measures: Small painting Without frame 17 x 29 cm. With frame 23 x 36 cm. Danish painter who is remembered for his paintings from the Copenhagen area, especially those with young ladies in the park at Valby. Hoppe also mastered the effects of light and colour. His earlier work is typified by greens and dull shades but later he produced compositions benefitting from bright sunlight. His style reflects the peculiarly Danish form of modernism, initially based on the sombre everyday-realism of around 1930.[1] Affinities with the work of Edvard Weie and Harald Giersing...

Pastoral oil on board of church. Colorful impasto painting. Lovely New England fall composition of a church. The artist has even included themselves in the painting. In a solid woo...

Signed Alice LeFevre oil on board of pastoral New England. Nice impasto pastoral piece of cornfields, a barn and farmland. Blue mountains in the background and blue skies above. Sign...

Mid Century Modern Impasto Portrait of a Woman. Heavy impasto painting on board. She reminds us of Jackie O with a headband but with white hair...

Large Bucolic Landscape with Birch Trees and river. Nice country composition perfect for that modern farmhouse. There is also a red barn in the background. Signed J.R Krapowicz.

Wonderful mid-century modern painting by German artist Gerda B. With, titled “Little Drummers”, dated 1957. This expressive composition depicts two young children engaged in play, re...

Roderic Montagu (O'Connor) (French-Irish, 1907-2001). A charming Impressionist portrait of a young girl, signed "R. Montagu 196...

A very decorative work of art by listed artist, Jo Patch. Jo Patch born in Opprebais on January 13, 1937. He was active in Belgium primarily although many of his works were exhibit...

Large Plein Air Painting on Board. Whitewashed frame circa 1950-1960's . Unsigned

This large and well executed original watercolor painting on masonite board is signed by a Jim Barclay, presumably from the United States, dating to 1964 and done in a period folk art style. The painting depicts President and Mrs. Dwight Eisenhower...

Heavy Impasto oil on board of Harbor Scene. Signed lower right.

Mid Century Impasto Painting of a sunny field by John Stephen Cipot American (1928-2008). Signed and dated lower left 1969. Cipot beca...

Rare, oil painting on Masonite board by listed Haitian modernist artist Spencer Depas, Haitian (1928–1989). Mounted in it's original custom chip carved frame. Signed "S. Depas" in lo...

The subject of this piece gives us a very Russian Romanov feel. A man stands in the middle and holds a tall walking stick. He wears a yellow headpiece,...

George August Stahl Painting: Composition (1962–63) Medium: Oil on masonite Details: Signed on the front by the artist. Label on verso includes title, date, and medium. Dimensions: 4...

Italian surreal still life panels depicting string instruments, a viola and a mandolin(o).  Made by Felice Galbiati Arte Decorativa in Milan.  A lacquered lithographic transfer on wo...

New England Summer Home Painting. Classic Americana of a cape house in the summer. Oil on canvas house in a very thick, solid wooden frame.

Tableau italien du 20ème siècle. Oeuvre à technique mixte sur masonite représentant vue de la rivière avec bateaux de bonne qualité picturale, signée en bas à droite (voir photo). Ca...

Painting mixed-media on masonite from 20th century. Italian painting signed and dated lower left (Giletti Carlo Maria - 1980). Work depicting a beautiful urban district. Carved and g...

Graphite on tempered masonite, signed and dated (DAVID ROTH 2011) on the back. This piece was exhibited "Salon 2015" NYC. Measures: 48" x 48". Exhibitions of Roth's Graphites: The Gallery Upstairs, Buffalo NY 1967, The Everyman Gallery NYC 1969, Robert Elkon Gallery NYC 1970, Liz O'Brien NYC 2001 and The Moderne Gallery Phila...

Lucien Bleyfus (French, 1878–1953) Hillside Village Oil on Board This captivating Impressionist work by Lucien Bleyfus exemplifies the artist's mastery in capturing the serene beaut...

Modern Still Life of strawberries. Fruit still life on masonite. Framed in a solid wooden frame with green tones.

J. VET - Amsterdam National Monument - WWII - Vintage original print - hand colored with oil paints and varnish - Dutch Royal Coat of Arms lower right - Amsterdam city flag and Nethe...

Signed Mid Century Seriagraph on board by Maurice De Vlamink. Original frame. Signed lower right. Amazing hue of colors and composition bringing this village-scape to life. Fauvist...

One of our most favorite finds to date, this striking portrait painting will make a lively accent to any art collector. Painted on board, the subject of the painting sits confidently in a chair. She wears a gray suit and hat, and has long blonde hair. The entire piece is on a bright pink background. (Is it just us, or does this piece remind you of the blonde version of Carmen Sandiego...

An assured and psychologically direct portrait by American figurative painter John Hull. Rendered with frontal clarity, the crowned figure confronts the viewer without embellishment...