Plastic Wall Decorations

The landscape is covered in snow. Nature is dormant. Contemporary, naturalistic acrylic on canvas painting by the Danish painter Bjarne Dahl 2008. Dimensions: H 80 cm, W 110 cm. A...

20th Century School, Modernist Mixed Media in a lucite box cover, the reverse with IO Gallery Label, Aspen, CO. Ovcerall 23 by 60 in. Condition Report Good condition

Plastic on plastic collage of this study for multiple. The work depicts an anthropomorphic element and fully reflects the characteristics of irony, playfulness and positivity that ar...

Large-scale work by Peter Sutherland, "Welcome to Aberdeen". Perforated UV vinyl, ink, vinyl stickers, matte medium on panel. Signed verso, custom frame with UV acrylic. Excellent co...

Oil on Canvas Contemporary Painting in Wooden Frame 24K Gold Leaf 'Time Fighter' An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers...

An elegantly subtle abstract expressionist acrylic painting by Mary Peyton Barklay titled “2000’s” from 2017. Hand painted with white and light pastel colors, including blues, greens...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. SPECIFICATIONS: height 110 cm / wide 75 cm / depth 7 cm. 100% Handcrafted, dimensions may vary 1~2cm. Build time: 20-60 days. Signed artwork, with a certificate of authenticity signed and dated by the artist. The wall hanging system...

Edward McHugh I'm In Touch With Your World, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard Measurements: 47 x 38 x 3 in

Edward McHugh Centerfold, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 45.5 x 56.5 x 3 in

This eye catching “One of a Kind” pop art piece of a nude figure in a swirl of colors portrays life in color. It is 1 of a 2 piece series.

The painting depicts a golden sea waves. The author of the work is Juraj Huliak, a very talented young artist from Slovakia. Technique acrylic on cardboard, framed.

The painting depicts a man dressed in a waterproof coat standing in a rainy night illuminated by yellow light from the street. The author of the work i...

Johannes Wohnseiffer (Ger °1967) "Some black diamonds" Acrylic on aluminum Dated and signed 2005 Procured in the Yvon Lambert gallery France Provenance: important belgian priva...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

Impressive and highly decorative large oil on canvas depicting an Italian countryside scene, painted in the late 19th century. The composition portrays a lively rural moment with fig...

Contemporary acrylic painting on canvas by Chicago based artist Brigitte Wolf

Contemporary acrylic painting on canvas by Chicago based artist Vanessa Navarrete

Sacrifice Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of C...

Decorative lightning wood and fiberglass panel, 1980S.

"Defender" Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of Ci...

Contemporary Oil on Canvas Original Painting in Wooden Gold Leaf, "Mermaids" An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers o...

Renée Smith Odou painting on panel - Belgium Wear consistent with age and use. Carnival - Belgium painting artist

Object ‘Déplacement et trou’ by Leopoldo Nóvoa, France, 1971. Acrylic on canvas on relief. Signed and numbers 55/100. Measures: H 41 cm/ 16 1/8" W 81 cm/ 2' 8 3/8".

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

18th Century Russian Orthodox icon of the prophet Zachariah painted on an ornate solid slab of wood with an incorporated gold gilded frame that has been c...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

Interested in collapsing the contradictions between form and formlessness, Daniele Albright's work focuses on the immaterial as the indeterminate and shifting space between perceptio...

Title: Metaphysical Fractions of Unified Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: Immerse yourself in the intricate patterns and ethereal symbol...

Italian sculpture-"Appuntato" by Pierre Cardin for Acerbis in ABS (plastic) and faux leather with original box and label, We present "Appuntato," an extraordinary Italian sculpture ...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

This painting forms part of 'Endless Wall', the most ambitious and conceptually significant project by Einar Höste, developed in 1986. Conceived as a monumental installation of 456 i...

This amazing whimsical painting of a Roman Soldier with a Fountain Pen head. The artist, Pier Gustafson, thought it would be fun to replace Fountain Pen...

Contemporary abstract painting on paper “ Blue Black Rose Series” by Ginny Sykes. 5 paintings available in this series. Signed. Framed professionally. Due to large size they need to ...

An assemblage made of several individual elements. A pair of early 19th century of gold gilded carved wood Russian columns. 18th Centur...

Expanding on our wallpaper series with the Fabian Wallpaper. The design draws inspiration from the natural landscapes of Shropshire, featuring fern leaves which float elegantly acros...

Expanding on our wallpaper series with the Fabian Wallpaper. The design draws inspiration from the natural landscapes of Shropshire, featuring fern leaves which float elegantly acros...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

The Displacement Collection is a brand new long-term art program by Cometabolism Studio. As an expansion from the concept, mixing public and private spaces and blurring the boundary ...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.

Artist: Liu Xiaofang (Chinese, b. 1980) Title: I Remember II-02, 2012 Medium: Digital pigment print mounted on Acrylic Measurement: 39.25" x 39.25" Edition: 2/8 PROVENANCE: Purchased...

“Nous” is an original, one of a kind contemporary, acrylic on linen Abstract Painting. Vibrant pops of color work in harmony to create this unique, contemporary work of art by Yohann...

Fornasetti panel, printed silk enclosed between 2 Plexiglas panels, Compagnia del Tabacco 1990. Below left the Fornasetti brand and Tobacco Company.  

“Castillos de Helado” (Ice Cream castles) is an original, one of a kind abstract painting. Pink, blue, yellow, white, black, purple, contemporary, mixed media on wood panel, abstract...

Title: Transcendent Surrender to the Cosmic Mirror Medium: Acrylic and Mixed Media on Canvas Size: 152cm x 152cm Caption: The cosmic mirror becomes a gateway to a dreamscape where co...

In this painting, the viewer is transported to a world where the past and future collide. At the center of the painting, we see a female medieval character, dressed in ornate armor a...

Late 17th Century Russian Orthodox Icon of the Nativity of the Mother of God painted over gold leaf and gesso laid on a wooden board. It has been framed with a gold gilded museum mou...

Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual ...

HAROW 9mm, 2017 Plexiglass, 9mm bullet casings 75 x 43.5 x 2 in Edition 9 of 12

Abstract acrylic on canvas painting. Signed: Alexander Hecht, titled “Happy Camper” and dated 2012, backside of the canvas, canvas size 60" x 36" x 1.75" profile. Alexander's artwork...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

A monumental 183 × 183 cm oil and acrylic on canvas by Alan Rankle in collaboration with Kirsten Reynolds. From the exhibition 'On the Edge of Wrong' at First Gallery in Rome 2010....

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

At first glance this 2012 work by Yale-trained painter Jenna Pirello (American, b. 1988) appears to be spontaneous and expressive. Upon further inspection this painting is controlled...