African Wall Decorations

79264 Rare Vintage Egyptian Birds in Tulip Field Tapestry Rug, 05'06 x 05'08. A cherished archival vintage masterpiece, this rare handwoven wool Egyptian...

Pretty vintage Egyptian woven tapestry, in style of Wissa Wassef school tapestries with beautiful childish design and nice colours, entirely hand woven with wool on cotton foundation.

Very nice and colorful hand woven tapestry. This beautiful sample of Egyptian weaving bears what we read artist Karina Ali and done under direction of Sophie Habib Gorgi , according...

We love this Egyptian film poster for Tim Burton’s Batman - so cool! The original vintage move poster is sized 28 x 39 1/4 inches (plus little extra for the line) In near Mint/ Mint...

Antique Kuba Shoowa Cut-Pile & Embroidered Cloth, DR Congo A graphically compelling example of a Kuba raffia fiber prestige cloth with cut pile and stitched embroidery. In very good...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

This is great sample of the Ramses Wissa Wassef workshop . This tapestry is shows the weaver Lotfora Mohamed , under the direction of Sophie Habib Gorgi , according Label .

A Kuba mat from the Kasai region of the D.R.Congo These were used on the ground, there are photos showing the Kuba King seated on similar ones. Raffia cord is wrapped around the thic...

19th Century wall cabinet with architectural inspired form having intricate marquetry inlay in walnut with contrasting wood mother of pearl and ebonized wood. The upper tier fine pie...

Dogon tribal hand forged iron rope twist grill with hand forged silhouette figures within a grid of 24 squares. The work is framed in its original shallow carved & painted hardwood frame. The frame is carved with fish, birds, and reptiles, all characteristic Dogon subjects. Believed to have been fabricated for the European market...

Shoowa Prestige Cloth Kuba Shoowa peoples DR Congo, Kasai Region Raffia palm fiber, natural and chemical dyes, cut-pile and stem stitch embroidery 24.5 x 24.5 inches (62 x 62 cm) ...

Islamic Arabic calligraphy circular tray with silver overlay. Round Egyptian brass tray overlaid with metal silver and copper Islamic calligraphy ...

Antique Kuba Shoowa Cut-Pile & Embroidered Cloth, DR Congo A graphically compelling example of a Kuba raffia fiber prestige cloth with cut pile and stitched embroidery. In very good...

A beautiful antique North African Tuareg Sahara bag. Tribally hand crafted, dyed, embroidered, leather bag with long fringe. The Tuareg are Berber...

Late 19th Century Hide Shield, Amarro People, Ethiopia A shield from the Amarro people of Ethiopia, this is a more unusual type with raised bumps over the entire surface. The rolled...

Bruce Onobrakpeya, Nigerian (1932) Titled: Ubiebi Fude (Blue Base), Lagos, Executed in 1988 Edition 5/45 Plastograph Deep Etching, framed, signed, titled and numbered Dimensions: F...

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist of two Moorish arches with Islamic floral designs. Antique textiles from early late 19th century. Each arch panel is 63" height X 26"5 wide Antique silk tapestry...

Dating from 1976, about 20 years after Ramses Wissa Wassef established his tapestry workshop in the 1950s, this monumental tapestry by Samina Ahmed...

This captivating hand-woven mohair tapestry, titled “Reflection in Pond,” is a stunning example of traditional tribal art from the Kingdom of Lesotho, Africa. Crafted from fine, handspun mohair wool and dyed using natural vegetable-based pigments, the piece features a serene scene of an antelope gazing at its reflection in a still pond. Rich in texture and narrative, the tapestry reflects the refined skill and storytelling heritage of African weavers. A hand-stitched sleeve is sewn into the back for easy wall display with a tapestry rod. This textile artwork offers a sophisticated and meaningful accent for interior designers, collectors, and decorators seeking authentic African craftsmanship. Dimensions: 31” x 33” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Kingdom of Lesotho, Africa Material: Wool, Mohair on Linen Condition: Excellent The Persian Knot Gallery, SKU: 2206 African mohair tapestry, Lesotho tribal textile, handwoven African wall art, vintage African weaving, antelope tapestry art, African animal textile, mohair wall hanging, African storytelling art, natural dye tapestry, artisan African decor, reflection tapestry, traditional African weaving, wall art from Africa, collectible African textile, handspun mohair tapestry, African Village Tapestry, Tapestries from Africa, African Folk Art, Art of Africa, African Weavings, Vintage Handwoven Tapestries, African Tapestries, African Folk Art, African Weaving Art, Large Wall Tapestry, Handwoven Tapestry, Modernist Tapestry, Mid Century Wall Tapestry...

4 African style carved and painted wooden masks with straps for wall hanging (PRICED EACH)

Full of light and color, this highly evocative watercolor painting by Porter Woodruff depicts a group of Tunisian youth swimming off the beach along Hammamet Gulf in Tunisia, near hi...

20th century Prestige cloth, Shoowa people, Kuba Kingdom, D. R. Congo A syncopated pattern of opposing forces lends this prestige cloth a sense of movement both horizontally and v...

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

Nice mid century Tunisian tapestry with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation. ✨✨✨ "Experi...

Antique 1900s Moroccan hand-hammered brass tray, intricate artwork, very fine Islamic metalwork brass hand etched designs with a five pointed star in the center. Handcrafted decorati...

Large Vintage Hand-Painted Tribal African Wall Hanging Tapestry, signed by the artist. Circa 1990s Country of Origin: Zambia Features earthy tone...

A small piece of antique Coptic textile woven as a horizontal band with two linear scallop borders flanking three central medallion design. Each medallion has a concentric pattern wi...

Suffused with the soft, rich colors that Jacques Azéma was known for, this view of a Moroccan landscape ("Les Champs" in French) includes a seated male y...

79103 Vintage Egyptian Kilim Tapestry Rug, 02'02 x 03'04. This exquisite handwoven wool Egyptian pictorial tapestry rug is a striking representation of traditional life and pastoral scenes that resonate with cultural depth and artistic expression. Crafted with meticulous attention to detail, the flatweave rug showcases a variety of animals commonly found in the rural landscapes of Egypt. Depicted are camels and goats, each rendered in natural, earthy tones that speak to the organic dyes derived from the region's abundant natural resources. The inclusion of a human figure, possibly a shepherd, anchors the composition in human experience, bridging the gap between nature and civilization. The background of the tapestry is a rich, textured gray (greenish undertones), representing the fertile grounds of the Nile Valley, which has historically been the lifeblood of Egyptian agriculture and rural life. This backdrop serves as a vivid canvas that highlights the vibrant hues of the animals, lending a sense of vitality and movement to the scene. Each animal is colored distinctively, allowing their individual forms to stand out, while also harmonizing with the overall palette to create a cohesive visual narrative. This vintage Egyptian tapestry...

Mid-20th century Tribal Zulu women's woven red cotton hat, Isicholo, from South Africa This woman's cotton Isicholo hat is a beautiful example of the hats worn during special ceremo...

Elegant hammered copper wall panel from Congo, depicting a rhythmic arrangement of traditional African pots. Executed circa 1960–1970 in the spirit of the L...

Nice vintage amateur painting, portrait of a Congolese woman, probably acrylic on canvas, signed T. Kamurna at the bottom right, marked on the back and...

Handsome set of four Ndebele Mapoto beaded aprons from South Africa. They are canvas backed and in awesome condition. We have not detected any loose beads...

Adire “Oniko” Cloth with spiral pattern Yoruba People, Nigeria Circa 1970s Two panel cotton, Shibori technique, Indigo Dyed 71 3/4 x 48 1/2 inches

Discover a charming piece of history with this exquisite vintage Egyptian tapestry. Adorned with a delightful childish design inspired by the...

Set of 3 vintage hand-carved wood African wall masks, richly decorated with intricate tribal motifs and totemic animals (scorpion, salamander, owl). Unusual hand painted in shades o...

Exquisite midcentury Egyptian tapestry, inspired by the Ramsès Wissa Wassef School Tapestries. Featuring a stunning nature-themed design with animals, birds, and fish, adorned with v...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

Beaded Collar South Africa, South Nguni, Mfengu. Late 19th / early 20th century. Glass beads, leather strips. The colors are a symbolic language, poetic and intimate.

As featured in architectural digest's article (August 31, 2013) of Geoffrey Beene's guest bedroom, this rug was acquired at his estate sale after his passing. Conceived, circa 1928-1930 and executed in the 1960s by Marie Cuttoli...

Vintage African Wood Decorative Mask Sculpture. Hand-carved African Mask from Ghana. African decorative wall mask sculpture, hand-carved of sese wood with intricate patterns. The African mask is carved and embossed with geometrical designs that forms a symbol of power, love and serenity. Great decorative piece of African wall art...

A fine shoulder mounted taxidermy / trophy of an African Oryx or Gemsbok Antelope, in overall very good condition.

Antique Woman’s Ceremonial Beaded Cache-sexe (Pikuran), Cameroon Worn by the Bana Guilli (Kirdi) women of the Mandara Mountain region in northern Cameroon, pubic aprons, or cache-se...

Original oil on canvas painting by Egyptian artist Gazbia Sirry, circa 1970. Painting depicts a city landscape from the Nile River. Acquired from the Washington DC estate of Esther ...

Oran was a major multicultural hub, a link between Arabian and European people. This poster was created just before the Algerian War of Independence began in the mid-1950s. The poste...

Great hand woven tapestry in wool and according label made for one of the most important weavers in the studio,Fatma Awad , under direction of Sophie Habib Gorgi.

This remarkable weaving, using yarns in shades of pale purple, burnt umber, ruddy brown and deep blue, is a masterpiece of post-war Egyptian artisanry. It depicts a crowd of birds in and around a stylized tree and was influenced by the work of the famed Ramses Wissa Wassef...

Early 20th Century Woven Ceremonial Royal Fan, Chokwe People, D. R. Congo A rare and finely woven fan attributed to the Chokwe ethnic group of Angola, southwestern D. R. Congo and n...

The fragment is divided in two parts, with a winged sun disc surmounting the deceased to the right. He wears a white tunic with red stripes on the sleeve, and a bag wig, held with a...

Very beautiful mid century Egyptian tapestry probably from Wissa Wassef school, with beautiful native design and beautiful colors, entirely hand wove...

This powerful depiction of a half-nude man capturing a fish in his conical basket -- much like men and women have done for centuries -- is painted in a rich, deep palette of warm bro...

Mid-20th century tribal beaded cache-sexe modesty apron (pikuran), Mandara Mountains, Cameroon These colorful cache-sexe were worn for celebrations, rit...

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

- Handspun and handwoven woo - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feija tribe loca...

African painting stone on burlap by Adingra, 1983, France - Cote d'Ivoire. Measures: Height 61 cm, width 39 cm, depth 2 cm.

This exquisite specimen features a table mount taxidermy Sable Antelope, expertly crafted and beautifully preserved. The Sable Antelope is a stunning sp...

Original vintage travel poster - Egypt UAR Abu Simbel Temple - featuring a great image of fashionably dressed tourists in summer clothing walking around the historic site and taking ...

A striking 20th century Shoowa Kuba cloth panel with a fantastic all-over interlocking meandering hook and knot pattern woven in black and natural flat-wea...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...