African Wall Decorations

Saidi Nakoko, Tingatinga, Tanzania, 1970s Oil on canvas Work signed by the artist Working dimensions 44/33 Framed work Tinga Tinga is an art style originating from East Africa. It w...

Framed water color by famed Egyptian painter Salah Taher (1911-2007). Salah Taher (Arabic: صلاح طاهر‎) was a prominent Egyptian painter. Born on May 1...

Unique African mask created by the artist Bomber Bax. The mask dates back to the early 1900s and was subsequently worked on and painted in late 2022 by the artist. The artist used ...

This large and substantial pair of cast and cold-painted locomotive identification plaques show no foundry marks, but are presumed to have been cast in South Africa in circa 1910. Th...

A very fine and rare pair of festive bands used to embellish the main gable in the middle of the tent of the Zayan Berber tribe (see the additional images), located in the western se...

An impressive large scale ( Unframed ) mixed media oil & acrylic painting by South African artist and designer Cyril Fradan The subject is an imposing figure of a man wearing a long...

A North African likely Taureg Moroccan large charger. It is carved out of a native wood and the covered in a hand hammered copper and brass sheet decorated with all sorts of symboli...

Low relief, wall decoration in patinated bronze in the taste of ancient Egypt, 20th century. Wall decoration, bas relief in the taste of ancient Egypt in patinated bronze, 20th cent...

Rainer Martini is a well known German photographer from, born 1948. Measures: 90 x 60 cm. He started in sports photography, shooting all Olympic Games ...

Copy of a watercolor showing an abstract view of a North African marketplace, including a woman with many vases Condition: Good; Wear consistent with age and use

John Murray is a South African painter living and working in Cape Town South Africa. Finding significance in the contrasting states between the tangible and the imperceptible, playfu...

Terres marocaines ( Moroccan land) French book Nadia Demnati , France Marie Fiorese. 1997 , 48 pp Nadia Demnati , France, Marie Fiorese Photos with Artifacts in it Rencontres médit...

Over the Desert - Tents And Weaving Of Nomadic Pastors. Au fil du de´sert: Tentes et tissages des pasteurs nomades de Me´diterrane´e (French Edition) (French language) Paperback...

The Baule people of the Ivory Coast used ram masks in secular, public performances. Realistically carved, and wonderfully decorated, they were designed to draw attention and enhance ...

This painted mask was created by the Yoruba People of western Nigeria, and was worn during a tradition known as Gelede. A blend of ritual and artistic spectacle, Gelede pays homage to the women of their Community, understood to possess spiritual powers capable of the benefit or the destruction of society. The Gelede masquerade is an opportunity to honor or condemn behaviors within the Community, through dance, art, satire, and poetry. Worn by veiled dancers, Gelede masks...

Salum Mussa, Tanzania, 1970s Oil painting on board Work signed by the artist Work dimensions 61/61 Unframed work Salum Mussa Mzee Lumumba (1926-1999) was one of Edward Saidi Ting Ti...

old and big african mask in wood, leader and whelks

A strikingly visual shawl composed of alternating rows of horizontal stripes in undyed dark wool and insect dyed fuchsia red silk. The differing widths of each stripe imparts this te...

Large hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-mou...

Call of the Desert: The Sahara Hardcover Book. Philippe Bourseiller Harry N. Abrams, Nov 1, 2004 - Nature - 424 pages Photographer Bourseiller embarked on the first truly comprehe...

A pair of hand woven African tapestries of camels and humans. The tapestries were hand woven in the late 20th century in Tunisia, North Africa. The African Hand Woven tapestries depict a camel with human forms around it. Although the design is the same, each tapestry has a different color scheme. It would be ideal as a pair of wall art. Dimensions: 10” x 16” (Each) Date of Manufacture: 4th Quarter of the 1900s Place of Origin: Tunisia, North Africa Material: Wool pile on a cotton foundation Condition: Good The Persian Knot, SKU: 2275 African Village Tapestry, Tapestries from Africa, African Folk Art, Art of Africa, African Weavings, Vintage Handwoven Tapestries, African Tapestries, African Folk Art, African Weaving Art, Large Wall Tapestry, Handwoven Tapestry, Modernist Tapestry, Mid Century...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

A beautiful Set of 20 Postcards with original photos of Arab cultures of North Africa created and commercialized by Lehnert & Landrock and signed "Editeurs L&L". This was a photographic studio run by Rudolf Franz Lehnert (Germany 1878-1948) and Ernst Heinrich Landrock (Bohemia 1878-1966) active in Tunisia and Egypt in the early 20th century, noted for producing Orientalist images of North African people...

Very handsome large-scale handcrafted cover. Large handmade Moroccan ceremonial brass vessel for covering wedding presents, hand-forged in Fez. Perfect as center piece for food cove...

Very handsome large scale brass cover. Large Moroccan ceremonial brass vessel for covering wedding presents, pastries or food, hand forged in Fez. Perfect ...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

Billy Gubul'Art Contemporary African Art - Acrylic on fabric Nelson Mandela African Art Measures : 87,5x2 H:57,5cm Signed lower right - Billy Gubul'Art Born in 1997, Democratic Repu...

Lakin Ogunbanwo (b. 1987, Lagos, Nigeria) is a Nigerian photographer renowned for his evocative portraits that blend fashion photography with classical portraiture. His work is chara...

An exceedingly rare poster for the South African release of the 1965 British espionage thriller 'The Ipcress File' starring Michael Caine as agent Harry P...

After oxen were introduced to Guinea Bissau by Portuguese sailors in the 15th century, its strength, aggression, and nobility quickly became integrated i...

Nice Moroccan rug with geometrical tribal design and light colors, entirely hand knotted at some parts and Kilim woven at other parts with wool velvet on wool foundation. ✨✨✨ "Exper...

Beautiful mid century Moroccan Berbere Kilim with nice geometrical tribal design and beautiful red field color, entirely hand woven with silk and cotton. ✨✨✨ "Experience the epitome...

Antique Moroccan Kilim rug with beautiful geometrical and tribal design and nice red field color, entirely handwoven with wool on cotton foundat...

A monumental early 20th century landscape by South African artist John Roland Brown (1850–1923), depicting a panoramic view of Cape Town from Signal Hill. Executed with meticulous de...

Power Force was an American-made martial arts movie from 1991. It starred Alphonse Beni, a Cameroonian born movie star as a crime-fighting ninja. Frequently unable to import official...

This is a very rare original Barber shop sign from the 1970's . Collected in Togo in 1985 it us in very good condition . These Barber shop signs are decorative as well as collectabl...

Cameron Platter is born is 1978 is a South African contemporary visual artist. His work has been described as "unorthodox", "the delinquent love child of Quentin Tarantino and Dr Seu...

An incredible and rare mid-20th century Dida hand-plated Shibori tie-dyed raffia ceremonial kerchief mounted on a linen stretched board that floats off the wall in the shape of the k...

"I'm Over Here" by Bissy Riva. It is an oil on canvas original contemporary painting measuring 35 inches wide by 40 inches high by 1 1/4 inches deep. Predo...

An incredible and rare mid-20th century Dida (Ivory Coast) hand-plated Shibori tie-dyed raffia ceremonial kerchief mounted on a linen stretched frame. This kerchief was not woven on ...

Drawing on paper representing African faces done in black ink, XXth Century. Drawing on paper representing African faces done in black ink, XXth Century. Dimensions : H: 28cm, W: 3...

Andrew Verster is a South African artist. He studied design at the Camberwell School of Art. He furthered his studies at Reading Univ. He is the most prominent artist to emerge from ...

Painted in 1971, Four Horsemen of the Apocalypse I (War) is an oil on canvas by Roy Carruthers that explores the theme of war through a symbolic and expressive composition. The centr...

Rainer Martini is a well known German photographer from, born 1948. He started in sports photography, shooting all Olympic Games from 1972-2006 for the official Olympic books and big magazines like STERN, SPORTS, l'EQUIPE, FOCUS and others. He won different prices like Sports Picture of the Year. Although covering the most important sport events worldwide. He took part at the exhibition "WHO SHOT SPORTS" A PHOTOGRAPHIC HISTORY 1843 TO THE PRESENT, shown in the Brooklyn Museum of Modern Art, NY and more different cities in the world. In 2004 he started landscape an travel photography publishing in travel magazines like MERIAN, GEO, Globo and others. Photo taken in Namibia, Etosha in 2016 Signed and numbered verso Size of the photo 40 x 60cm Size with frame 53 x 73cm Print 1 of 3 limited edition Printed on Hahnemühle Fine Art Photo Rag Photo unframed...

Rainer Martini is a well known German photographer from, born 1948. Measures: 90 x 60 cm. He started in sports photography, shooting all Olympic Games ...

The famous painter, Marcel Gotène (Icon of the contemporary Bantu art) combines surrealistic impressions with modern tapisserie elements. Born in 1935 in Yaba, Republic of Kongo - d...

Tribal curtain tie back and clothes hook with mask form: This curtain tie back and clothes hook is shaped as a stylized tribal mask, reduced to essential lines and balanced volumes....

Wandalà shield, from Cameroon/Chad. Made with cowhide and natural pigments. For a similar example see- Benitez-Johannot, Purissima and Jean Paul Barbier, Shields: Africa, Southea...

This is a semi-antique pictorial Egyptian Kilim woven during the first quarter of the 20th century circa 1920 and measures 177 x 144CM in size. Its desi...

Primitive and dramatic Moroccan rug with modern taste : to put on wall, as an artwork. No comment: the colors and the drawing expresses a remarkable creative force (nr. 106 C.P. pri...

“Kaleido panels” were designed to break boundaries and rigid formalities, inviting us instead -through the distinct use of colors and shapes -into a world of playfulness. Inspired by...

C.P. Initials,Portait of African Girl,Charcoal on Paper,Signed Banzyville 1944,Framed,Signed and Dated

This image depicts a traditional African mask, featuring a distinctive and expressive design. The mask is crafted from wood and exhibits a dark finish, achieved through staining and...

Kananga masks form geometric patterns. These masks represent the first human beings and are normally made by carvers of the Awa society. The masks are worn during the Dama dancing ce...

oil on canvas landscape by Philip Erskine (South African 1933- ) Philip Erskine is a South African Postwar & Contemporary painter who was born in 1933, South Africa, 2006 signed and...

Bronze study of a stretching cheetah. RHS under the belly bearing Ingwe Foundry stamp, ‘S31’ or ‘S3I’, Edition 3/15, monogram BMR. Artist unknown. I have been unsuccessfully resarching who the artist could be. The stretching pose of the cheetah is contemplative with a graceful, ease and content expression suggesting its attunement and hierarchy within the landscape and the animal world. Its power is conveyed with a noble quality in the pose, the sleek form and the sinewy musculature. Beautifully handworked with rich brown patina. Almost certainly inspired by the work of Dylan Lewis...

African mask “Kuba Babuka” in wood and pigments held by a rope. Work from the Democratic Republic of Congo realized in the 20th century.

19th century ancient Egyptian cloth fragment.

1990s Moroccan hand-stitched raffia fabric with geometrical shapes.

C.P. Initials,Portait of African Male,Charcoal on Paper,Signed Banzyville 1944,Framed,Signed and Dated