Rococo Wall Decorations

Early 19th century Northern European Genre Painting of a Wedding, unsigned, late 18th or early 19th century, an oil on canvas finely detailed view of many celebratory figures in an i...

Drawing of children playing besides a basin of water. Framed in a Louis XVI giltwood frame. Typical of the style and subjects of Francois Boucher. Chalk and pencil on paper.

Set of twelve exceptional rose plates, each painted with different roses Artist-signed Harrison. The paintings of roses are surrounded by a gold decorative border on a cobalt blue ba...

Probably inspired by the earlier Boucher's Spring (of the 4 Seasons series), shepherdess with her flock and baskets of flowers. Colorful in an antique (possibly original) frame (with...

This is a very charming "Royal Vienna" cabinet plate with a painting of two beautiful ladies and a bird next to a tiled watering hole. One lady is lounging next to her tiled watering hole while her lady in waiting is pouring water for the bird to drink. Look at all the pictures, so you can see how beautifully this Royal Vienna plate...

A delicate Italian étagère with four shelves on turned columns with finials on top. The étagère is made in walnut and has intricate inlaid designs in mahogany that is also called int...

A portrait painting of a woman on green. This wonderful painting is large and in charge. At 23” tall, it is is painting on a stiff white paper. The subject of the piece is a woman in...

Raimundo De Madrazo Y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Camvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

A matching pair of 18th century Italian gold leaf distressed fragments with sculpted linen canvas flowers, plaster, oils, wax, ash on wo...

Drawings, one representing San Geremia on the Grand Canal, the other La Salute on the Grand Canal. Both drawings are in a style evocative of Francesco Guardi (1712-1793) specialist o...

Pair of 18th century Italian Venetian Rococo painted and gilt pine wall brackets.

Portrait crayon copper engraving of Johannes Ewald (1743-1781) by Johan Terkel Kleve (1743-1797) Engraving on paper, approx. 1770. Measures incl. frame 24 cm.

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Rococo paintings, circa 1900. Oil on canvas. (S-62).

18th century Italian scroll fragment with elestial quartz crystals on a hand-painted gallery 1-inch canvas. The canvas is distressed with gold powders ...

Pair of 18th century Italian fragments decorated with sculpted linen canvas flowers, fossil agate coral, and Venetian plaster roses. ...

Huge carved Italian heraldic crest over door with angels by Randy Esada. ​Note: Custom orders require a deposit and cannot be canceled. All custom o...

Rococo paintings, circa 1900. Oil on canvas. (S-62).

Pair of George III style Rococo giltwood brackets, the supports carved as phoenix birds atop C-scrolls with fruit pendants.

18th century Italian hand-carved gold leaf mirror with 18th century Italian wood carved figure of Christ on original mirror. The gold leaf mirror is originally from Liguria. The 18th century Italian figure of Christ is placed onto the mirror to create a contemporary relief sculpture on the mirror. It originally came from an 18th century crucifix...

Limoges enamel plaque in the Rococo style French, late 19th century Measures: Frame: Height 34cm, width 32.5cm, depth 3cm Plaque: Height 17cm,...

German KPM porcelain plaque of an interior bedroom scene German, late 19th century Dimensions: Frame height 38cm, width 44cm, plaque height 26.5cm, width 31cm This fine porcelai...

La Jeunesse (Youth) Tapestry Polychrome wool and silk France, Aubusson, circa 1750 It measures 107.08 in height x 104.33 in (272 cm height x 265 cm). State of conservation: good The tapestry is accompanied by the engraving from which the subject was taken. The engraving measures 23.50 in x 25.86 in (59.7 cm x 65.7 cm) with the frame. The Aubusson tapestry has controversial origins: some believe that it was the Saracens who imported this type of work into Europe while other authors believe that the production began at the same time as the marriage between Louis I of Bourbon and Maria de Hainaut in 1310. It was at this time that a considerable importation of tapestries from Flanders into France began, followed shortly thereafter by the importation of their production techniques. At the beginning of the seventeenth century a royal edict from Henry IV halted the importation of Flemish tapestries, contributing to the subsequent Expansion of Aubusson production. The status of royal manufacture was to be granted only in 1665, even though the Nantes edict caused a drop in production because of the forced migration of weavers to Germany. The full recovery and the success of the manufacturing took place during the eighteenth century when the great painters and the tapestry manufacturers began to collaborate. Great French artists of the time and specialist painters, the “cartonniers”, painted “cartons de tapisserie” in oil or tempera, all of which were to be a source for the tapestries. As an alternative to the “cartons”, scenes taken from prints and engravings were freely used. The tapestry in question, made of wool and silk, is in good condition; the colors are still fresh and the silks, which give brightness to the scene, are well preserved. There are a small number of integrative restorations present, while the lining and the suspension system have been recently refurbished. The work is made with a flat-weave, according to the custom of the Aubusson manufactures, which is clearly demonstrated by this work since it shows all the technical and material characteristics typical of the first half of the eighteenth-century production: the “Jeunesse” was probably woven in the middle of the XVIII century. The scene itself is compelling: a rural clearing is depicted, centered around a tall tree with dense fronds with lance-shaped leaves. In the shade of this tree some scenes of courtship can be seen. A couple hugs each other, one is caught stealing a kiss and another, lying softly on the grass, is still at the early stages of courtship: together with the suitor the girl looks with smiling malice at the kissing couple. On the right, two young men practice archery while aiming at a target placed on top of a pole. The scene, with male and female characters intent on games and gallantry in a festive atmosphere, is taken - faithfully, but in mirror-image - from an engraving, which in turn was itself taken from the painting (now kept at the National Gallery in London, inv. NG103 and part of a series with the four ages of man) by Nicolas Lancret, produced around 1735. The tapestry is accompanied by a copy of the engraving, which bears, at the bottom, the name of the author (“N. Lancret pinxit”), the name of the engraver (“N. De Larmessin sculpsit”) and four short verses on the subject of love disputes: Pourquoi tous ces combats si chers a la jeunesse, Quels frivoles talents veut-elle mettre au jour? Non: chacun voudroit vaincre aux yeux de sa Maitresse, La Lice est une Scène ou triomphe l’Amour. Why all these fights so dear to youth, What frivolous talents does it want to bring to light? No: everyone would want to win in the eyes of his Mistress, The Lice is a Scene where Love triumphs. At the bottom we read: “A’ Paris chez N. De Larmessin graveur du Roy Rue de Noyer à la 4 (?) porte cochère a droite entrant par la Rue St. Jacques A.P.D.R. [Avec Privilège Du Roy]”. Nicolas Lancret (1690-1743), along with Antoine Watteau, was a pupil of Pierre Durin and Claude Gillot...

18th century French Rococo Painting Circle of François Boucher This idyllic pastoral oil painting shows Boucher’s impact on this f...

A wall-mounted sculpture using an 18th century Italian gold distressed fragment with geode slices, chalcedony rosettes, crystal quartz points, and kyanite on a hand painted gallery 1...

Jan Miel (follower of) The bambocciante scene Oil on panel , cm 38,5 x 51. frame 66 x 53,5 x 4,5 cm The bright painting, with great chromatic impact thanks to the technique of oil ...

A Danish Rococo giltwood and painted corner vitrine cupboard, arched top adorned with shell ornament, the curved front with two glass doors inclosing shelves, flanked by columns with...

This lovely French 19th century oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background. This painting originally was an over door frieze...

Eight-line etching portraits by Jacobus Houbraken (Holland, 1698-1770). From Thomas Birch (1705-1766), 'The Heads of illustrious persons of Great Britain', published in 1747. Comprised of: Lieutenant General Fleetwood, Geoffrey Chaucer, John Tillotson, Archbishop of Canterbury, Sir William Morice, Henry Bennett, Earl of Arlington, Thomas Howard, Earl of Arundel, Samuel Clarke...

18th century Italian scroll fragment with chalcedony rosettes on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders used by restorers in Italy. The powd...

Pair of Italian Rococo (mid-18th Cent) carved silver gilt pilaster wall plaques with bird and floral carving under an Ionic capital pediment

Large vintage Lanvin silk scarf pale blue butterflies fruits French Beautiful and rare vintage silk scarf Very pretty with butterfly and d...

18th century Italian fragment with gold leaf shells and gold-plated crystals on a hand painted gallery 1-inch canvas. The canvas is distressed with gold leaf powders used by restorers in Italy in the 18th and 19th centuries. They are no longer available. The powders coordinate with the gold leaf shells. The 18th century fragment is originally from Liguria. The Italian artifact...

18th century Italian fragment with gold-plated crystals on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders used by restorers in Italy in the 18th and 19th century. The powders coordinate with the gold-plated crystals and fragment piece. These powders are no longer available. The 18th century fragment originally came from a church in Liguria. The Italian artifact...

Antique Limoges enamel plaque of a fête galante French, late 19th century Measures: Frame: Height 27cm, width 28.5cm, depth 3cm Plaque: Height 14cm, wi...

Finesse Original Rococo figural cherub grapevine large fiberglass art frame. Item features multiple cherub angels surrounding frame, flowers and leaves, fruit and vines, frame made o...

Solid walnut wall-mounted console with beautiful beaded and Louis XV style bronze decors. Dimensions: Height 82 cm / 32.28 in; Width 97 cm / 38.18 in; Depth 44 cm / 17.32 in.

Large oval French, 18th century genre painting.

18th century Italian fragment with tangerine quartz crystal points on a hand painted gallery 1-inch canvas. The canvas is distressed with gold powders...

18th century portrait of a boy from the rococo period, Signed A. Eklund, oil on canvas, circa 1770, Sweden. Good condition with historical ...

These elegant enamel plaques was painted in Limoges, a town in the south-west of France. While Limoges was highly regarded for its painted enamel wares in the 15th Century, in the following periods there was a decline in production. In the mid-19th Century, however, items like this pair began to be created, reviving the techniques of enamel painting that were perfected in the medieval period. The plaques depict two women, both with wavy blonde shoulder-length hair, and similar facial features. The women may be sisters, possibly even twins. One woman wears a pale pink dress...

Assortment of 21 maiolica service elements Pasquale Rubati Factory Milan, 1780 circa a. Four large oval dishes or fish dishes 10.43 in x 21.25 in (26.5 c...

18th century Italian fragments decorated with aragonite and pyrophyllite with a sculpted canvas, strata of oil paint layers, finished with Italian raw umber glaze and pozzolana (dry ...

Jean Antoine Watteau (1684-1721) circle of. 18th century old master painting, France. With great pride we offer an extremely rare masterpiece from the 18th century, France. This painting is unsigned as most of his works. It has no provenance, but carries with it all the earmarks of the great Rococo style school of Watteau. It pictures one of his famous outdoor parties with a group of frolicking young people. In the background is a reference to a swing, a favored subject in his paintings. The composition of the painting, colors, brushstrokes (especially in the fabric) is clearly Watteau’s studio. This large 18th century canvas...

77259 Tree of life design vintage Hereke Turkish prayer rug, Garden of Paradise tapestry wall hanging. This hand knotted silk vintage Turkish Hereke prayer rug displays a tree of lif...

Pair of oil portraits of Empress Maria Theresa and Emperor Francis I of Austria 18th century, in the manner of Martin van Meytens (Dutch/Swedish,...

Lovely etching on paper in back ink by Giovanni Antonio Canal (Canaletto). Measurements: 22" x 15" Hand-numbered in pencil at the bottom right with the number 6. Part of a co...

Copy of the French artist Francois Boucher, who was the court painter to King Louis XV, this work dates to the late 18th century. It is in its original carved and gilded wood frame a...

Original Drawing, Circle of Giovanni Battista Tiepolo 1696-1770 Venice, Italy Although we offer this old master drawing as circle of Tiepolo, we are convinced, based on the composi...

Henri Victor Lesur (Roubaix, France 1863-1900) A fine French 19th century oil on panel titled "Park Poetry" (Poésie dans le parc) depicting an 18th century park scene with a standing young gentleman reciting poems to a couple of ladies and a gentleman seated at the 'Jardin des Tuileries', the garden for the 'Palais des Tuileries' built by Catherine de Medicis, Paris, circa 1890. Note: The artist is also known as Henry Victor Lesur. Please click here to view another painting by Henri Victor Lesur (Roubaix, France 1863-1900). Measures: Panel height: 18 inches (45.7 cm). Panel width: 22 inches (55.9 cm). Frame height: 25 inches (63.5 cm). Frame width: 29 inches (73.7 cm). Like many of his contemporaries during the last quarter of the 19th century, Lesur's works took inspiration from scenes of French 18th century life, romance and every day enjoyment. Victor Gabriel Gilbert, Louis Marie de Schryver, Vittorio Reggianini, Maurice Leloir...

Large 18th C. Bucolic Painting Garden Nature Scene Landscape Dog Flowers Antique . A Beautiful Hand painted bucolic " Bucolique " painting in the spir...

72967 Vintage Venetian Tapestry Inspired by Tiepolo, The Minuet, Carnival Scene. This vintage Venetian tapestry with Rococo style was inspired from a...

Charming pair of 19th century Italian giltwood brackets, putti supporting shell shelf. Great color, patination. Confirm measurements.

Rare 18th century giltwood framed carved and polychrome wax silver and gold decorated figure of saint Catherine of Alexandria icon, with original gilt frame. The rarity of this piece...

77269 Antique Persian Silk Kashan Prayer Rug, 04'04 x 06'08. Behold, a vision of paradise! Feast your eyes upon this exquisite hand knotted antique P...

18th century Italian fragment set into a sculpted canvas with strata of oil paint layers, and finished with Italian raw umber glaze and ...

74030 Antique French Rococo Romantic Pastoral Tapestry Inspired by Francois Boucher 04'04 x 10'02. This handwoven wool antique French tapestry depicts a romantic pastoral scene of a young woman walking behind a young man playing a flute. The couple Meander beneath a path of tall trees in an idyllic French countryside. Renaissance and French Rococo paintings come to mind, of endless summer hours romancing in the outdoors. While this image is specific to its time period, in the clothing and coiffures, the theme is timeless and universal. A testament to French culture and history, this antique pastoral tapestry...

These wall brackets have been beautifully modelled and painted by hand. They take the form of satyrs, who were woodland gods in ancient Greek and Roman mythology. They are traditiona...