Needlework Wall Decorations

Wall Decoration Silk Embroidered Tapestry Icon 'Mother of God with Baby Jesus in Her Arms' Introducing our exquisite silk tapestry 12 century icon replica, featuring fine silk embr...

We are delighted to offer for sale this stunning original 17th - 18th century silk embroidered and stitched tapestry A very good looking and decorative piece, I'm sure there is s...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

Floral Bolinpush suzani textile from Central Asia Uzbekistan, Early 20th Century Length 161cm, width 161cm Exquisitely handcrafted and embroidered in the early 20th century, this Bolinpush suzani hails from the historic town of Samarkand, Uzbekistan. The textile’s design centres on a petite marigold bloom, with larger, similar forms alternating between rich maroon and marigold shades emanating from it. Surrounding these are abstract, symmetrical black floral motifs within a maroon border, complemented by repeated black and maroon patterns. The suzani is framed by embroidered borders in maroon and cream, before ending in a striking, black-coloured textile edge. Bolinpush suzanis are culturally significant textiles, traditionally used during Central Asian weddings...

Equally elegant and exotic, Miguel Cisterna’s works imbue the classical French tradition of fine embroidery with a modern sensibility. His hand sewn, labor intensive designs layer contrasting materials to create one-of-a-kind haute couture embroidered textiles. Raffia is wrought into shafts of wheat gently bending into the wind, insects crafted from wire and shell hover and crawl, floral designs sparkle with crystal embellishments, and the fragile elegance of humanity is made apparent through anatomical drawings in thread. Born in Chile, Miguel Cisterna now lives and works in Paris. Prior to opening his Parisian atelier...

Enjoyable embroidered tissues, suitable as large cushions with cheerful bouquets of flowers - nr. 361 - 362.

Wall hanging ‘Fragment’ designed by Anita Ullerstam, Sweden, 1991. Six pieces of fabric sewn together, polychrome printed and embroidered. Dime...

A colorful silk suzani embroidery on red wool ground. The center medallion is composed of stylized flowers and surrounded by a border of similar motif. With later backing.

Raffia tufting and satin stitch geometric with pink stones.

Beautiful hand-embroidered artwork with blue and white standing sequins and beads with transparent rock crystals.

Raffia geometric embroidery with geometric glass stones additions.

Raffia, bugle, and silk thread geometric embroidery with aquamarine and aventurine stones.

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

A Set of 8 framed embroidery fragments. First the fragments are hand backed on linen and strutted on wooden stretchers and finish with wooden frames.

While her work shows a deep-felt connection and appreciation for the rich textile heritage of both Turkey and the Near East, Ani Afshar is, nevertheless, fearless in her experimentat...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Uzbekistan Ready to go on a wa...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

Equally elegant and exotic, Miguel Cisterna’s works imbue the classical French tradition of fine embroidery with a modern sensibility. His hand sewn, labor intensive designs layer co...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

This panel was hand-embroidered by French artist Miguel Cisterna, and features the profile of a of woman.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Uzbekistan Ready to go on a wa...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th Century. Bulgaria Ready to go on a wall...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th Century. Bulgaria Ready to go on a wall...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th Century. Bulgaria Ready to go on a wall...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C. Italy Ready to go on a wall. Framed Item ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Turkey Ready to go on a wall. Framed...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Turkey Ready to go on a wall. Framed...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. France/ England Ready to go on a wall...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. France / England Ready to go on a wal...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Kaitag, Daghestan. Ready to go on a w...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

It is finely embroidered in silk on a cotton background. It is lucky to have the tassels intact.

It is finely embroidered in silk on a cotton background. It is lucky to have the tassels intact.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Ottoman Turkey Ready to go on a wall. F...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Ottoman Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Uzbekistan. Ready to go on a wall. Fram...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...