Berkshires

Double row gold metal link belt featuring a large clasp consisting of six rectangular, multicolored crystals.

This perfect set of 12 hand blown crystal footed dessert compotes or Supremes is the perfect compliment to any table setting. The neutral clear crystal is embellished with an engrave...

V-neck cardigan in wool/angora blend featuring a band of iridescent white sequins down the front edges and on the patch pockets. The front of the sweater is further adorned with scat...

Double-faced fuchsia wool swing coat with deep shawl collar, single breasted with low patch pocket and turn-back cuffs. Welted seams. Unlabeled. Size M.

Dramatic rhinestone and ruby stone ear clips that follow the curve of the earlobe. The earpiece, composed of clear and ruby crystals, tapers at the top a...

Set of four 18th century Italian painted & parcel-gilt chairs, Venetian. These beautiful chairs have carved wooden frames with sweet detailing. The surface is painted green with ...

What sets this hand blown crystal Val St. Lambert vase apart is that it is two-color; cobalt blue overlay cut to topaz rather than clear crystal, creating a distinctively dramatic ef...

Grace Collier American, 1886-1967 Bouquet of Yellow Flowers Oil on canvas 15 ⅞ by 12 in, w/ frame 19 ¼ by 23 in Signed "Grace Collier" lower left Grace Annie Collier was born in Co...

Depicting the meeting between Gombaut and Masse, set within a landscape, and surrounded by floral border

Cesar Buenaventura y Espinosa Filipino, 1922-1983 Crowded Houses Oil on canvas 23 ¾ by 35 ¾ in, w/ frame 30 ¼ by 41 ¾ in Signed lower right and dated 1966 No one knows the exact sc...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Typical Rykiel styling in this sweater coat of royal blue knit wool with tie neckline, dropped shoulders, and patch pockets. Bodice is plain knit, below is narrow ribbing.

Charles Levier French, 1920-2004 La Plage a Girolato Oil on Canvas 30 by 40 in, w/ frame 38 ⅝ by 49 in Signed lower left, titled verso Charles Levier was born in 1920 from a French...

This is an exceptional and rare centerpiece made by Barovier and Toso, circa 1930s-1940s. What sets this apart is the versatility and adjustability of the arrangement, allowing for many configurations and shapes. Starting with the hand blown oval shaped centre bowl, the opal glass is filled with gold leaf inclusions making it sparkle without being glitzy. The four gold leaf infused arms sit at the base, which is affixed with a threaded finial. The arms can be spread out either at right angles or maintain an oval shape. One can either use all four arms as candlesticks while placing the bobeches atop the candle cups or placing the four bowls which fit into the candle cups. And one can also use two of each, for a versatile arrangement. Please see all the images to view the myriad possibilities. This clean design works well with many decorative styles and the flexibility is inspiring. Bobeches measure 4.25" D x 1.25" H Epergne Bowls...

Antique French Country Chicken Coop could make a wonderful rustic coffee table for a casual or country home. Put a piece of glass on it and you'll have a ...

1950s hat in beautiful shades of aqua and rose printed velvet adorned with silver sequins. Perch it in different positions and secure with a hat pin. L...

Add character and style to your garden patch with this reclaimed antique rectangular stone surround consisting of 6 individual pieces, 4 long and 2 short weathered stone pieces maki...

Rupert Scott Lovejoy American, 1885-1975 Low Tide Oil on canvas 32 ¼ by 36 ¼ in, w/ frame 37 ⅝ by 41 ¾ in Signed lower right Rupert Scott Lovejoy was born in Portland, Maine on 3 J...

Merio Ameglio Italian, 1897-1970 Place de la Concorde Oil on Canvas 18 by 22 in, w/ frame 25 ¾ by 29 ¾ in Signed lower right Merio noted impressionist painter primarily known for h...

This is a special pair of 19th C, Spode sauce tureens with matching attached underplates and handles. The raised molded relief depicting pheasants a...

Arthur W. Woelfle American, 1873-1936 Sailing Boats Oil on canvas 18 by 22 in, w/ frame 23 ¾ by 27 ¾ in Signed lower right Inventory Number: 01680 Studied art at the Brooklyn Inst...

Photograph is hand-signed and editioned by the artist and comes directly from the artist's studio. It is available in additional sizes. It is also available framed. Contact us for more information. Girls in the Windows...

Charles Levier French, 1920-2004 Basket of Fruit Oil on Canvas 24 ¼ by 30 ¼ in, w/ frame 33 ½ by 39 ½ in Signed upper right Charles Levier was born in 1920 from a French father and...

Alexandre Marie Guillemin French, 1817-1880 Scene de Chasse Oil on Panel 9 by 12in. w/frame 17 ½ by 20 ½in. Signed lower right He studied with Baron Gros. He exhibited at the Salo...

Arthur Vidal Diehl British, 1870-1929 Venetian Canal Oil on canvas 24 by 36 in, w/ frame 32 by 44 in Signed lower left Best known for his sand dun...

This set of tumblers are fabulous in the hand. Heavy but comfortable and elegantly shaped, they make the perfect water glass or dramatic on the back ba...

Edward Reynolds Kingsbury American, 1855-1940 Fauvist Shore Oil on canvas 20 ¼ by 24 ¼ in, w/ frame 29 ¾ by 33 ¾ in Signed lower left Best known as a painter of landscape, marine and coastal, shoreline views. Kingsbury also specialized in miniature and mural painting. Kingsbury was born in Boston, MA in 1855. He studied at the Massachusetts Normal Art School, Boston Museum School, and Académie Julian in Paris. A resident of Carmel, CA in the 1920s, Kingsbury was associated with the present day life of the art colony at that time along with notable artists such as Mary DeNeale Morgan...

The vintage small millstone sculpture is attached by an iron rod to a stone brick-shaped base. The piece has a decidedly contemporary modern look that will make a wonderful statemen...

This is a rare shape and specialized set that features beautiful cups with stylized handles unique to hot chocolate cups. Chocolate was a rare and e...

This example of a Pairpoint footed punchbowl sets te=he bar high! It even has the elusive matching signed ladle with an engraved crystal handle. The hand blown crystal bowl is engrav...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

Nicholas Alden Brooks American, 1840-1904 Woman in a Red Hat Oil on canvas 9 ⅜ X 6 ⅜ in. w/ frame 13 ⅛ X 10 ¼ in. Signed "N. A. Brooks 1883" lower left

Donald Raymond David American, 1906-2006 Abstract Oil on canvas 30 by 24 in, w/ frame 34 by 28 in Signed on back Inventory Number: 01915 Donald Raymond David was born in Springbro...

One of Minton's most popular patterns is named "Porcelain Ball” which features a large diameter plate bordered by a gold and red floral decoration and t...

A collection or a group of 7 antique metal wrought iron gate panels. Depending on your needs, you can buy a single panel or all 7. These gates offer...

Henri-Joseph Harpignies French, 1819-1916 Barbizon Landscape Oil on canvas 16 by 24 in, w/ frame 20 ¾ by 28 ¾ in Signed lower right Henri Joseph Harpignies was a landscape artist b...

This distinctive and large elongated fish platter is perfect for serving your favorite fish in style. The removable pierced strainer/drainer will keep your cooked fish easily accessi...

André Vignoles French, b. 1920 Still Life of Three Vases Full of Flowers Oil on canvas 32 ½ by 39 ½ in, w/ frame 39 ¾ by 47 ¼ in Signed lower left André Vignoles is a painter of st...

This set of 12 Royal Worcester dessert plates depicting central decoration of various fruits are all hand colored and signed by the artist. The...

The chest has dark reddish brown lacquered wood on the outside and the inside is lined with tan imitation leather material. There are three brass latches, one large one in front and a smaller one on each side next to iron handles. The sides are edged with thin sheets of overlapping lacquered wood having imitation stitching. The lid is attached to the bottom with three brass hinges. There is a small rectangle of Chinese lettering on the inside of the lid. Red Chinese Trunk.

This is an extraordinary example of "Aesthetic Movement" decoration, finely rendered on black glazed porcelain. The well detailed and beautifully painted subject, depicts a hunter wi...

Richard Hayley Lever American, 1876-1958 Between the Red Rocks Oil on Canvas 20 ¼ by 24 ¼ in, w/ frame 28 ½ by 33 in Signed Hayley Lever lower right Richard Hayley Lever was born o...

Eric Forlee American, b. 1949 Cheetah Oil on canvas 24 by 36 in, w/ frame 34 by 46 in Signed and dated ‘Eric Forlee 90’ A painter of large wild African animals from portraits to pa...

This magnificent pair of hand blown "Sevres Blue" opaline cased crystal vases are totally encrusted with thick hand painted enamel decoration. Each large bird is perched atop branche...

The rustic organic lamp is composed of an antique Chinese carved wood base made from an architectural element and a red Belgium linen oval shade. Lamp and shade can be sold separatel...

Paul-Élie Gernez French, 1888-1948 Rue de Village et Maisons Oil on Canvas 23 ¾ by 28 ¾ in, w/ frame 34 ½ by 39 ½ in Signed lower right Paul-Élie Gernez (1888–1948) was a French pa...

Susan Ricker Knox American, 1874-1959 Lady in a Sun Hat Oil on canvas 28 by 36 in, w/ frame 36 by 44 in Signed upper left Susan was born in Portsmouth, New Hampshire, Susan Knox ex...

Great carved reliefs throughout

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

André Vignoles French, b. 1920 Les Blés Prés de Thoiry Oil on Canvas 32 by 39 ⅜ in, w/ frame 40 ¼ by 47 ¾ in Signed lower right André Vignoles is a painter of still lifes and portr...

Johannes Schiefer Dutch-American, 1896-1979 Montmartre, Paris Oil on canvas 20 by 24 in, w/ frame 25 ½ by 29 ½ in Signed "Johannes Schiefer" lower left, titled lower right Johannes...

A fantastic pair of fireplace and irons in the forms of winged dragons. Heavy and substantial these pieces with a fire burning behind them are most impressive. They would make any fi...

An unusually decorated custom ordered dessert service embellished with an Art Nouveau style raised paste gold monogram on a undulating shaped rim plate. The set consists of 10 desse...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

Jean Salabet French, 20th Century Vue du Sacre Coeur, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of ...

Beautiful hand blown cobalt overlay and panel cut to clear punch bowl with matching lid, wheel cut floral decoration and gold trim. 10 matching handled punch cups to complete this wo...

This amazing set of nine Mintons, 19th century cabinet plates depicting young nymphs in fanciful, bucolic settings are beautifully and realistically painted on a soft aqua background...

Royal porcelain works, Barr, Flight, Barr made this iconic footed cake stand with all-over Imari floral decoration. Of note is the absence of cobalt blue with the focus on greens, pi...

Charles Cobelle French, 1902-1998 Boulangerie Oil on canvas 20 by 24 in, w/ frame 26 ¾ by 31 in Signed "Cobelle" lower right Inventory Number: 01501 Born in Alsace-Lorraine, Franc...

Aime Victor Barraud Swiss, 1902–1954 Still Life with Flowers in Ceramic Jug Oil on canvas 20 by 20 in. Wframe 26 ½ by 26 ½ in. Signed & date...