Brooklyn - Wall Decorations

Bit map series 01 by Luft Tanaka Studio A multicolored and visually striking throw blanket / wall tapestry woven out of 100 % cotton yarn. Measures: 60" x...

The radiating sun motif reflects the optimism and indoor–outdoor living ideals central to California mid-century architecture. Solar imagery became a defining decorative element in t...

An Italian Space Age wall unit. Laminate blue faux bois with black lacquer, glass and aluminum details. A diverse storage piece allowing for use as a bookshelf, bar unit or media cab...

Portman Gallery is pleased to present a tapestry woven in Bastad at the storied weavery Märta Måås-Fjetterström, designed by Ann Marie Forsberg in the mid-twentieth century. “Bande...

Crocus tapestry by Marta Maas Fjetterstrom. A nice, and somewhat rare, size, and fully backed with linen and tabs for inserting a dowel rod. This design was made in many colorways, w...

Freestanding Danish wall unit, circa 1970s. Its clean geometric profile and minimalist lines are emblematic of classic Danish mid-century design. Open & adjustable shelving, two lowe...

Created as part of John James Audubon's "The Birds of North America," the single greatest work on ornithology ever produced, this fabulous print of "The Little Owl, Strix Acadica" is presented in a magnificent Renaissance Revival frame. Audubon traveled extensively throughout the United States recording every then known species of bird in 435 plates, each in their true-to-life scale. From the very rare Havell edition...

A tranquil, reclining world of abstract bodies and drifting symbols. Languid Parts unfurls like an endless dream. Am abstract figure lean across panels of grey blue, pistachio, and...

This wall hanging is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Joseph Albers studies on the interaction of color. The entire pr...

Parker Elwood "Woody" Panttila (1924 - 2002, Brooklyn, NY USA) poodle living room vignette including a ceramic urn with sunflowers, a fuchsia drape backdrop and multi-colored rug. Pa...

Andy Warhol issue of Art in America magazine, featuring four articles on the artist ("Warhol: The Medium As Cultural Artifact," "A Catalogue Raisonn...

Large modular rosewood bookcase/wall unit by Osvaldo Borsani for Tecno (ca. 1960, Italy). Composed of six gold aluminum uprights forming five bays/sections with the five original, re...

Wall shelf/bracket featuring carved and hand painted details (ca. 1940s/1950s, Morocco). Attractive geometric and floral patterns in green, gold, pink, beige, off-white, light blue, ...

This wall hanging is a one of a kind heirloom piece, inspired byFrank Lloyd Wright and the Prairie School architects, and Joseph Albers studies on colors. The entire process of cre...

Gray tonal abstract oil on canvas by Louis M. Ponderoso (New York, 1938-1997) depicting an industrial cityscape. Measures: Unframed: H: 20" x L: 20" x D: 0.75" Signed: LM Ponderoso L...

Phillip Jeffries Champagne wash pewter leaf wallpaper, silver metal wallcovering. “Rembrandt” GV226 Bolt size: 8 yards. Width: 37”; trims to 36” Vertical repeat: N/A Horizontal repeat: N/A Fire rating: ASTM E84 CLASS A Specialty/Artistry Collection...

Paint on canvas stretched on a metal armature by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” show in 202...

Bit map throw blanket 04 by Luft Tanaka Studio A colorful graphic throw blanket / wall tapestry woven out of 100 % cotton yarn based on digital pixel art created using an early bitmap drawing software from the 1980s and 1990s. The cartoon like clip-art graphic makes it a perfect addition for a kid's room and grown-ups looking for a touch of 90's throwback. Measures: 60" x 80" / 152cm x 203cm Please inquire if you're interested in other sizes: 37" x 52" / 94cm x 132cm 50" x 60" / 127cm x 152cm The Bit Map Series is based on digital “doodles” Luft makes using Kid Pix, a bitmap drawing software created by Craig Hickman in the 80s & 90s. Throughout the 90s, Kid Pix became a computer lab sensation in primary schools around the globe. Luft too, vividly remembers his first experiences with the the software in his kindergarten classroom, and enjoys creating with the software to this day. Graphic art generated with the vintage software are edited, converted and digitally woven to make a soft and cozy...

Versatile freestanding wall-unit/bookcase in oak, walnut, and pine with aluminum, steel, and brass accents by Jitona (1968, Lomnice nad Lužnicí, Czechoslovakia). Five bays can be assembled in total if all pieces are utilized together - seven pine rails, three long shelves, three long cabinets (including one that is half drawers/half open storage), three long glass fronted cabinets, two shorter cabinets, three shorter glass fronted cabinets, and one drop-down cabinet/bar with glass shelves. All cabinet shelves are removable, though not adjustable. Feet for the cabinets and rails are all adjustable, and the disks on the rails offer stability and protection to both floors and ceilings when adjustments are made. The longer pieces displayed as the three bay unit are all 35.25" long, while the shorter pieces displayed as the two bay unit are all 29.5" L. The configuration options for this highly functional unit are limitless. The bar cabinet, five-drawer walnut chest, glass-fronted cabinets, door-fronted cabinets, and two shelves can be custom-assembled based on requirements/aesthetic preference; the shorter pieces just need to be arranged within the same two bays. The legs for all cabinets can be removed, though, depending on the heft of the items displayed/stored, wall-mounting might be required if the weight is too great for the rails alone to adequately support. The 29.38" high cabinets with legs (if using the legs) must be arranged at the bottom, leaving 64.75" of usable rail height for mounting the other pieces. There are some fleabites to the glass (mostly to the edges concealed by the wooden frame when closed) along with light wear the wood consistent with age/use. Conservatively restored and in very fine, vintage condition. Assembled as a 5-bay unit as shown in the fifth image: Measures: H: 105.38" x L: 171" x D: 16". Assembled as a 3-bay unit with the longer pieces: H: 105.38" x L: 109.63" x D: 16" Assembled as a 2-bay until with the shorter pieces: H: 105.38" x L: 62" x D: 15.63" Each piece of the 3-bay system's measurements - * Two cabinets with doors: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 35.25" x D: 15.75" / 16.75" (with pls) Interior - Height above the shelf: 7.25" / below 8.25" x L: 34" x D: (shelf) 13.25" / lower surface 14.25" * Drawers: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 17.5" x D: 15.75" / 16.75" (with drawer pls) Interior (each drawer) - H: 2" x L: 15.38" x D: 13.25" * Small cabinet: Exterior - H: 29.38" (with legs) / 18.5" (without) x L: 17.5" x D: 15.75" / 16.75" (with pls) Interior - Height above the shelf: 8.25" / below 8.25" x L: 16" x D: 14.38" * Glass-fronted cabinets: Exterior - H: 24.5" x L: 35.25" x D: 9.75" Interior - Height above the shelf: 11" / below 11.5" x L: 34" x D: (shelf) 8" / lower surface 9" * Three shelves - H: 0.63" x L: 35.25" x D: 9.75" Each piece of the 2-bay system's interior measurements - * Two cabinets with doors: Exterior - H: 29.75" (with legs) / 18.63" (without) x L: 29.5" x D: 15.63" / 16.63" (with drawer pls) Interior - Height above the shelf: 8" / below 8.5" x L: 28" x D: (shelf) 13.13" / lower surface 14.38" * Glass-fronted cabinets: Exterior - H: 24.25" x L: 29.5" x D: 10" Interior - Height above the shelf: 11.13" / below 11.25" x L: 28" x D: (shelf) 7.75" / lower surface 8.13" * Bar cabinet: Exterior - H: 18.25" x L: 29.5" x D: 10" / 25.88" (when open) Interior - Height (excluding shelves): 16.88" x L: (left side) 9" / (right side) 18.5" x D: 7.75" (shelf) Rails alone: H: 105.38" (the height can be adjusted via a rail extender to, which will be included, and can be increased to 108") x L: 0.88" x D: 5" Cabinet legs...

Full roll of vintage Zuber wallpaper, featuring a fabulous design of lace drapery swags. Beautifully hand-printed in France atop sturdy rag paper, with wide margins, crisp, clear pri...

A magnificent Biblical tapestry in wool and silk likely made in the Flemish weaving center of Oudenaarde. With a history of tapestry production dating to 1368, the city created some of the finest tapestries of late Medieval and Renaissance Europe that were widely sought after across the continent. The 16th century...

A pair of hand-painted linoleum floor tiles with 1950's cowboy and Indian motifs. Measures: Cowboy is 12.5" W x 16.5" H Indian 12.75" W x 11" H.

Title: Phosphoriglyph Year: 2015 Phosphoriglyph (“written upon Venus”) is a large-scale, wall-mounted sculpture executed entirely in half-inch copper tubing, taking its name from Phosphorus, known as Venus, the morning star, and even Lucifer (light bearer...

Brunschwig & Fils hand-printed yellow Kanchou wallpaper, floral, avian, parrots. 2002. Design features lovely yellow background and a large floral a...

As part of Marimekko's ongoing efforts to promote the brand worldwide, this piece is from a line of posters sent to distributors, press, and agents. Because they weren't available t...

Intricately crafted in brass, this large wall-mounted sailboat sculpture is styled after the art of C. Jere. Please confirm item location with seller (NY/NJ).

The watchful dream creature takes flight. Soaring through a world stitched from pattern and play. An abstract owl glides over a checkerboard, basket-woven from antique silk sarees...

This wall hanging is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Joseph Albers studies on the interaction of color. The entire pr...

Stunning and vibrant poster from Trapholt art museum in Denmark to commemorate a 1998 exhibition featuring the designs of Charles and Ray Eames. In excellent condition, recently prof...

Panel swatch dating to frank Lloyd wright’s original 1955 collection for Schumacher. "Design 102" Extremely rare original large scale fabric swatch. This swatch is also in the collec...

This green wall is inspired by the design logic of the natural world and traditional Japanese zen gardens. Each custom wall is available with live or artificial silk plants...

The Ramones 1989: Rare vintage original vintage The Ramones poster produced on the occasion of: The Ramones at Music Circus Ruhr, Oberhausen, Germany, 1...

A celestial giant watching over, surrounded by symbols of orbit and time. Lunar King is a surreal celestial portrait. A central figure — part eye, part starburst, part crowned silh...

Ralph de Burgos (b. Shanghai, China 1906 d. Washington DC, US 1979) mixed-media collage and oil abstract on paper, circa early 1960s. Burgos was known largely as a painter, with a l...

A mid century framed mixed media watercolor scene depicting sail boats against a city, possibly Venice, Italy. Appears to be mixed media including not limited to pastels, watercolor ...

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

This wall hanging is a one of a kind heirloom piece, inspired by brutalism, and Joseph Albers studies on the interactions of colors. The entire process of creating this wall hanging...

As part of Marimekko's ongoing efforts to promote the brand worldwide, this piece is from a line of posters sent to distributors, press, and agents focused on the company's designs. ...

This rug is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Memphis designs. Andrew Boos seeks to redefine what a rug is. His work i...

A classic mid-century wall unit with four wall mounted upright rails where four short and two long adjustable shelves sit on the patinated metal rungs. Additionally, this unit includ...

Bit map series 01 by Luft Tanaka Studio A multicolored and visually striking throw blanket / wall tapestry woven out of 100 % cotton yarn. Measures: ...

A captivating slice of 1970s martial arts cinema history, this original 1978 Thai theatrical poster for "Enter the Game of Death" showcases iconic Bruce Lee imagery in bold, saturate...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Bit map throw blanket 03 by Luft Tanaka Studio A multicolored graphic throw blanket / wall tapestry woven out of 100 % cotton yarn based on digital pixel art created using an early bitmap drawing software from the 1980s and 1990s. Measures: 37" x 52" / 94cm x 132cm Please inquire if you're interested in other sizes: 50" x 60" / 127cm x 152cm 60" x 80" / 152cm x 203cm The Bit Map Series is based on digital “doodles” Luft makes using Kid...

Patrick Parrish is excited to offer an incredible group of original photographs printed by Meisel Photochrome Corporation of Dallas around 1970, shortly after the Apollo 11 Mission. Meisel was the official photo contractor for NASA and processed all the images from the Apollo missions. These beautiful vintage 8” x 8” chromogenic prints on Kodak paper are framed in a 13" x 13" frames and currently available at the gallery. NASA’s historic Apollo 11 Mission—crewed by astronauts Michael Collins, Buzz Aldrin, and commander Neil Armstrong—departed earth on July 16th, 1969, and landed on the moon four days later, near the Sea of Tranquility, while 500 million people watched on television. Armstrong and Aldrin spent two and a half hours exploring the surface of the moon, collecting samples and taking photographs. The camera they used was a modified 70mm Hasselblad lunar surface camera, designed specifically for the event. During the Mission, nine magazines of 70mm film were exposed, providing panoramic views of the surface near the lunar module...

Tone halo V by Facture Resin, Aluminum, Wood L 48 × W 48 × H 1.5 in L121.92 × W121.92 × H 3.81cm A large circular wall object features a soothing hue transitioning from a brownish ...

ASTRONOMICAL BLACKBOARD (G.149), 1978, etching, signed in pencil, from the numbered edition of 11/15 AP image 17 ¾ x 35 ¾”, full margins Abstract Art , Pop Art Frame: 44"x27''

This wall hanging is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Joseph Albers studies on the interaction of color. The entire pr...

Large, industrial, midcentury, film reel is a great accent piece or wall hanging.

A rare Jutland Flat Weave Mills rug or tapestry, after a design by Verner Panton. Wool, cotton and jute. In amazing preserved condition. Featuring repeating green and blue geometric ...

Signed vintage Victor Moscoso exhibition poster Published in conjunction with 'Trippy World' - a 1999 exhibition held at Baron/Boisante gallery, New York. Off-set lithograph Measures: 16 x 20 inches Hand signed in pencil (lower right). Very good to excellent overall condition Signed First printing; 1999; acquired directly from Baron/Boisante. Victor Moscoso was among the most gifted and influential artists to emerge from the '60s counterculture, pioneering not only the psychedelic concert poster designs made famous during San Francisco's Summer of Love, but also making his mark in underground comix. Born in Spain and raised in Brooklyn, Moscoso attended Cooper Union Art School before studying at the Yale School of Art; he arrived on the west coast in 1959 to enroll at the San Francisco Art Institute, and after graduation remained at the school for another five years to teach lithography. Alongside Rick Griffin, Wes Wilson, Stanley Mouse, and Alton Kelley...

Muhammad Ali, vintage original press photo 1975: Ali versus Wepner, 1975. Measures: approximately 6.5 x 8.75 inches. Good overall vintage condition. Unsigned. Related Categori...

Original vintage photograph taken by Jeannette Montgomery Barron of the multifaceted American artist, John Lurie, in NYC, 1982. Vintage silver gelatin print. Framed. Image: 13 × 1...

Large circular wall object features a warm hue transitioning from beige to peach. The shifting saturation levels create subtle changes in the way light is refracted from within. The...

Seva by Courtney Kinnare 2023 Resin, Acrylic, Ink, & Pigment Powder on Mirrored Glass Dia 24" These functional art pieces build a color story through multiple layers of transluce...

Bit map throw blanket 04 by Luft Tanaka Studio A colorful graphic throw blanket / wall tapestry woven out of 100 % cotton yarn based on digital pixel art created using an early bitmap drawing software from the 1980s and 1990s. The cartoon like clip-art graphic makes it a perfect addition for a kid's room and grown-ups looking for a touch of 90's throwback. Measures: 50" x 60" / 127cm x 152cm Please inquire if you're interested in other sizes: 37" x 52" / 94cm x 132cm 60" x 80" / 152cm x 203cm The Bit Map Series is based on digital “doodles” Luft makes using Kid Pix, a bitmap drawing software created by Craig Hickman in the 80s & 90s. Throughout the 90s, Kid Pix became a computer lab sensation in primary schools around the globe. Luft too, vividly remembers his first experiences with the the software in his kindergarten classroom, and enjoys creating with the software to this day. Graphic art generated with the vintage software are edited, converted and digitally woven to make a soft and cozy...

Frank Lloyd Wright Coonley House Tile Hand-printed Wallpaper, Schumacher, 1976. Exceedingly rare, printed by Schumacher. Handprinted wall co...

Che Guevara Historio de America: Late 1960s-early 1970s Historio de America publication featuring a brilliant Che Guevara cover that is well-suited for framing. Full publication. minor stain on upper left; otherwise good to very good condition for its age. Binding is stiff and well-intact. Medium: Newspaper style printed publication; 50+ pages. Dimensions: 10 x 10 inches. Related categories Che Guevara photograph. Cuban revolution...

Full roll of vintage Zuber wallpaper, featuring a fabulous design of lace drapery swags. Beautifully hand-printed in France atop sturdy rag paper, with wide margins, crisp, clear pri...

A lovely incomplete folio featuring 6 of 10 plates from Enrico Baj's mixed-media "Baz Chez Baj" printed edition on wove paper; each print from this limited edition has been signed "B...