Hudson

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This is a sweet, diminutive Dutch brass mirror. Created in the 19th century, this little beauty is filled with charm. A definite statement piece, mu...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Black and White, Landmark, New York, new york city, high contrast, vignette, columbus circle, landmark, blur, sky, panoramic, photograph, photography, b&w, black & white Listing is ...

Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Edition 1 of 5 Carolyn Monastra's series "Lovely, Dark and Deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring landsc...

These large and very detailed Renaissance Revival cast bronze decorative ewers come from England and were made circa 1870. The body of the vases are divided into oval plaques represe...

This rare surviving Aesthetic Movement easel comes from the estate of the renowned Sir John Richardson and can be seen in the book published regard...

This simple classical piece of furniture was used as a ladies sewing table and to house, in the lower section, works in process. This table has the...

Mid to late 19th century, originally produced as a towel rack for the tea ceremony in black and gold lacquer on wood, with beautifully decorated bronze mounts.

A spectacular and chic pair of Ming Style armchairs with embossed leather seats. Made from extremely hardwood with a gorgeous weathered patina through the ebony glaze. The alligator ...

Acrylic and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

Milled wood, crayon and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own f...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

A rather monumental plaster figure of a seated Egyptian scribe realistically faux painted as granite. Sold at a Christies South Kensington Grand Tour a...

Artisan made iron cattle sculpture by Dan Whitbeck. Signed/dated. Made in the US; 1999.

Wenge wood game board by Skodje Skern, Denmark, circa 1960. Game board made from a solid piece of wood, designed for playing "Kahala," one of the earliest known games. Signed ...

George II table (George II 1683-1760). Carved and veneered walnut table with marble top.

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

This finely made table in the Gothic Revival taste comes from England, circa 1875. All things Gothic have had a steady love affair by the English and have enjoyed several revival periods. The best was in the second and third quarters of the 19th century which is when this table was made. Constructed of walnut the table is designed to feel monumental without being of that scale. Set on four Quatrefoil column legs that rise to a shaped pierced arch that is centered on each side by a shield. The finish is old and excellent in color and sheen. The marble top is shaped with rounded corners has a simple ogee edge and is a nice soft green. The profile of the table allows it to be used as a freestanding library...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

Milled wood, LED lights and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his o...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

This collection of eight pieces of orange and white Opalene with classical roman figural decoration consist of a large vase (23.75 t x 9 diam), a shor...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

This antique hand mirror is a stunning piece that once added elegance to a stylish Georgian Lady’s Dressing table. Made in England about 1820, during the late Georgian period. It fea...

This piece made in England, circa 1770 is of an unusual size and with the added feature of folding drop leaves. Made from solid mahogany without veneers the piece is heavy and mannish with a deep rich color to the wood. The table is accented with fine detailed carved line bands along the edge of the drop leaves and well shaped turned balusters for uprights and nice simple feet on pads. While described by Sheraton in his essay of 1803 as" a useful piece of furniture to serve in some respects the place of a waiter, whence it is named" the type of furniture was used from the 1720s on as a place to put plates...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

A fine antique English mahogany sideboard by Frederick Tibbenham of Ipswich, England. Features crossbanded conforming top surmounting five fitted dovetailed cockbeaded frieze drawe...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...

Edward Avedisian (1936-2007), Green Gold, 1969 Lithograph in color on woven paper. Signed, dated and numbered in pencil. Edition 100/100 Dimensions: 22 1/4 inches L x 30 1/4 inches...

Abstract night scene with moon. Impasto. Great expression and movement. Original.

Archival pigment print. 19.5 x 19.5 inches unframed 30.5 x 30.5 inches framed Please allow at least 2 weeks for the photograph to be printed and shipped.

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in various ways by others. In this recent body of work, I draw on my deep love of nature: the impressions from my new rural life Upstate and in the Berkshires...

Kano School painting depicting an interior with finery such as a lacquer table, silk textiles, and other paintings. The fusuma doors appear to be a famous...

This listing is for the unframed photograph. Please inquire about framing. The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special n...

Chippendale painted old red maple side chair with vasiform splat, cupid's bow crest and carved Spanish feet. Made in New England, most likely Connecticut, about 1770. All original wi...

Warren Kessler pink glass and bronze table lamp. USA, circa 1950. Signed with foil sticker. Featuring an urn shape, complemented by bronze accents on a bronze plinth base. ...

The rich wood tone and classic lines of this English sideboard from the 1960s makes it a highly desirable piece today. Featuring four cabinet doors and four top drawers, the sideboar...

Handsome mid-century modern sideboard in a distressed matte black finish. Three center drawers and side cabinets with built-in shelves provide abundant storage. The X-crossed nicke...

"Stoli" oil on panel 5 x 7 inches 2022

oil on canvas

This figure produced in Dauhan porcelain in China in the 1780s represents the Bodhisattva Avalokitesvara known in China as Quanyin. She is the figure most associated with compassion and mercy. Dauhun porcelain is a type of true white wares made in Dehua in Fujian Province. This first appeared in the late Song Dynasty in small amounts but reached its greatest achievements in the Ming Dynasty. The material's plastic consistency allowed for well-defined shapes that included boxes, vases, jars, cups, joss stick...

Vintage Siam teak wood bowl handmade by Bob Stocksdale, USA, circa 1970. Signed by artist. An exceptional example of the late Stocksdale's handmade b...

Both stylish and practical this uncommon 3 quart sand cast aluminum casserole dish by Donald Drumm is sure to make a statement at any event. Signed Drum...

Mid-20th century pair porcelain decorative vases / pieces with exterior gilt design details. Each vase is in great vintage condition. Maker's mark undersigned & numbered. Each vase s...

Acrylic and organza on Yupo, mounted on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each pain...

This large decorative vase would be perfect in a niche as it has a dramatic profile but would also look great on a center table since it is fully decorated in the round and looks goo...

Milled wood, string and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms for over 20 years starting in 1980, his focus was special needs housing and other government sponsored commissions.  A second career started in 2001 as owner and CEO of Chilewich, the design brand best known for beautiful and functional home textiles. He built their factory in Georgia where all the products are made, with machines and processes of his design. He stepped down as CEO in May of 2022. During all phases of his career Joe made art, first engraving and drawing before turning to sculpture. But it was at the Hudson Valley house that he turned exclusively to sculpture using the abundant wood of his land. He mills the wood into sticks, planks and blocks. The milling leaves ridges, valleys and cambers making every raw piece, unique. Sculptures start by putting 2 random sticks together, there’s no plan to start with, or drawings. But there’s always an idea about form, space or memory that guides them. The idea solidifies as the piece grows and eventually supersedes initial randomness. All the work contain the markings of its making.  Joe’s work was first shown at Susan Eley Fine Art...

Five toned silver gelatin prints shot on 20" x 24" polaroid view camera 1 of 1 The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of ...

A modernist coastal/dock scene by Edward Christiana. This painting is hand-signed "Edward Chrstiana '52" lower right. Exhibited: 1946 Munson-Williams-Proctor Institute; 9th Annual Exhibition 2004 Jameson Gallery, Portland, Maine; Edward Christiana (1912-1992) More about this artist: Edward Christiana was born in White Plains, New York in 1912. After high school the artist enrolled at Pratt Institute in Brooklyn, New York, graduating in 1933. After returning to the Mohawk Valley and obtaining work he enrolled in the School of Related Arts and Sciences at Munson-Williams-Proctor Arts Institute. In 1940, noted WPA artist William Palmer came to MWPAI to establish the School of Art, forerunner of the current Pratt at MWPAI. Mr.Christiana became involved with the School almost immediately and studied from 1941 until 1943 under Mr. Palmer, at which point he became an instructor himself and remained in this capacity until 1982. It was apparent at a very early stage in the development of Ed Christiana as an artist that he had a tremendous facility in the difficult medium of watercolor. By 1945, he had exhibited with the American Watercolor Society and did so again in 1947, 1949, and 1950. Mr. Christiana was even awarded the coveted William Church Osborne Purchase Prize in 1949 and 1950. He had his first one-man show at the Munson-Williams-Proctor Arts Institute in 1946, and would be so honored twice more; in 1954, and culminating with a major retrospective in 1989. By 1949 he was elected to the American Watercolor Society. He was represented in a group show at the Kraushaar Galleries in New York in 1951 and in another major one-man show at the Albany Institute of History and Art in 1956 where he received a purchase prize in oil. Strangely, after all of his early success in watercolor, he abandoned the medium in the early 50's to concentrate on oil painting. For over two decades he painted primarily in oil ranging from cubist inspired studies to his Marsden Hartley-inspired paintings of Mount Katahdin in the 1970's. By the mid 70's he had returned to watercolor. He was once quoted as saying "those who are familiar with my old paintings will be aware, I am sure, that in fact, they were not so far removed from watercolor, my technique in oils deriving positively from the aqueous medium." In the 1970's his watercolor style changed from the more wet and spontaneous style of the 40's to a dryer, slightly more controlled style, where the artist would often paint on dry paper, without wetting it prior to the application of paint. In the early 80's he returned to a wetter style, even more spontaneous than his method in the 40's. This culminated in his abstract work of the late 80's inspired partly by John Marin. Also, like Marin, Christiana painted representational work alongside very abstract work during the same period. Fellow artist Easton Pribble once said of Ed Christiana "If there were to be an honorary title -Painter Laureate- of the Mohawk Valley, Edward Christiana would certainly be the prime qualifier for that distinction." Christiana is known for his landscape views of the Mohawk Valley, her wild natural beauty as well as the architectural beauty of her towns and cities. He has also painted extensively in the Adirondacks as well as New Hampshire, Vermont, and especially Maine, which can almost be considered the artist's second home. He loved to paint the pastures, valleys, rivers, and waterfalls of the area as well as children playing on the grounds of his beloved Munson-Williams-Proctor Arts Institute and the neighborhoods surrounding it in Utica, New York. Edward Christiana painted almost right until his death in 1992. He was and still is a beloved man. No one I have talked to has had an unkind word to say about Ed Christiana, either as a teacher, artist, or friend. He was a prolific artist and was known to hand paint Christmas and Birthday cards...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

Milled wood, plaster, burlap and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led h...

acrylic on paper

Colored pencil and graphite on paper in hand-painted frame

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...