Hudson

acrylic on paper

Wonderfully large and bold tiger painted in ink and mineral pigments on silk mounted with silk brocade border. Seal reads: Miyaguchi (alternative reading: ...

This pair of Georgian style two-light wall scones were made in England during the first part of the 1900s. During the Edwardian era, decorative objects such as these were made from f...

P.F.P. (2011) Oil on canvas with collage Titled, signed and dated "P.F.P. / Bill Saylor / 2011" verso on canvas. Exhibited 2017 in "Animal Farm" a group exhibition at The Brant Foun...

acrylic on paper

Couple / Pair / Lovers / Love / Wedding / Romance / Flowers / Bouquet / Still life Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the ...

Oil on canvas

Acrylic on canvas

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Late Edo (1614 - 1868) period incense storage box in stacked, double fan design. Fans have bamboo and plum design with a chrysanthemum crest. Silve...

Silk, wool, and thread Padma Rajendran was born in Klang, Malaysia. She studied at Bryn Mawr College and received her M.F.A. from Rhode Island School of Design. She has exhibited at...

This listing is for the unframed photograph. Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive ...

Edward Avedisian (1936-2007), Green Gold, 1969 Lithograph in color on woven paper. Signed, dated and numbered in pencil. Edition 100/100 Dimensions: 22 1/4 inches L x 30 1/4 inches...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

Glazed ceramic, recycled textiles, thread, batting, nylon rope, wire, acrylic paint 7 x 4 x 4 inches Artist Statement I hand-sew compound sculptural forms that are constructed from...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a d...

Hand-machine knitted thread, fluid acrylic, burlap on dyed fabric 16.5 x 17 inches framed Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

This pair of bronze urns originally made in the 19th century as mantel garnitures have now been set up on bronzed metal bases for added drama. The casting is good and has a continuin...

This pair of very dramatic tall cast & tole neoclassical sinumbra style lamps with frosted etched glass shades appear to be antique from the 1820s however are made circa 1930. Cast in heavy brass and tole painted they are most probably European in origin and are in excellent condition. The base is decorated with encircling putti sandwiched in between two architectural brass circular panels. A reeded tole column rises up out of acanthus leaves and is topped by a capital decorated with acanthus leaves. The shades are frosted and etched to clear created a very pleasing and atmospheric glow. The tole painting...

Watercolor on paper 32 x 25 inches framed

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Very large sepia toned photograph of a serac on Mt. Athabasca. Titled "Serac". Signed but illegible.

Black and White, Urban, American, Los Angeles, hollywood, street sign, street, highway, black & white, b&w, vignette, high contrast, car, driving, motion Listing is for UNFRAMED pri...

Custom T-back club chair with mahogany stretcher and tapered legs finished in espresso mahogany. Shown in a classic wool plaid by American Woolen Company and in durable off-white co...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

Canvas measures 21.25" x 19.5" and the frame measures 30.5" x 25.5" x 3" Ferdinand Wagner II studied art initially with his father, a vocational art teacher. Later he attended the Munich Academy of Arts working closely with Karl von Piloty. Much of Wagner's career focused on commissions as a decorative painter. He did ceiling frescos...

33.5 x 25.5 inches framed Royal Flush #1 is from an edition of 20 monoprints made with master printer Marina Ancona at Ten Grand Press. The series is titled Royal Flush for Audrey F...

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...

oil on canvas stretched over wood panel

Mixed Media Paper Composite Fused on and behind BFK Rives Printmaking Paper Acrylic, Oil Paint with Sumi Ink Painting and Drawing on Glassine Sheet, Overlaid with Mylar, Ink Lines a...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

A great collection of Krenit bowls, Denmark, circa 1950s.

mixed media on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Acrylic and Flashe on Yupo and canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Acrylic, Flashe and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...

Acrylic and Flashe on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is o...

acrylic on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Acrylic on paper 21.5 x 19.75 inches framed

This collection of weights from the Ashanti tribe was gathered in Ghana in the middle of the 20th century. The casting of brass or bronze has been a long-standing tradition of the Ashanti tribes in this region since the 17th century but comes from the longer tradition of the Akan peoples as far back as the 1400s and continues to this day. Through trade in gold dust theses, regins have been powerful and demanding locations creating rich artistic traditions. The production of gold weights...

This very nice pair of garden chairs are listed in Barbezat & Cie's catalog of 1858 but continued to be made up until the latter part of the 19th century. This firm founded in 1855 s...

acrylic on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is only a silhou...

gouache on paper 13 x 9 inches 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of vener...

Round Art Deco American 1950s glass top table with glass legs and painted base. Table has very unique and beautiful glass legs that are reinforce...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

Elevate your space with the timeless elegance of this 100% New Zealand wool rug by Holland & Sherry. Expertly crafted for both durability and softness, this luxurious piece features ...

The pair are painted on wood panel and done circa 1760 by a country artist working from life. Each composition is very similar but subtly different and incorporating different leaves...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

A fantastic table lamp by Dino Martens for Toso, pink with alternating green lines.

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that in...

Transform your dining room with this exquisite Early 20th Century Italian Hand-Carved Walnut Neoclassical Style Dining Table. This oval-shaped dining table is a true masterpiece, met...

Wisteria represents sentiments of love and longevity as vibrant floral colors dance dramatically amongst the two panels. Mineral pigments on Mulberry paper with a natural wood trim....