Tennessee - Mixed Media

In ARCHITECTURAL HYPERBOLE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

In ADORNED OBSOLESCENCE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, archite...

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"Fallen Sun Song" is created by bleaching black denim and piecing together garments dyed with ink. Grommets are used throughout the piece to show the wall behind it. A brass colored ...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

This piece comes framed and matted. Untitled is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered a...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

In ADORNED OBSOLESCENCE 01, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabi...

This painting is a series of colored squares that create a vibrant grid pattern on a white, textured background. The individual tiles of color contain...

This drawing by Austin Reavis is from a series of abstract works that build lines and forms, suggestive of construction elements, as a foreground to chan...

In ADORNED OBSOLESCENCE 4, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabil...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

In TODDLER TANTRUM, Sue Fox tests the meditative limit of her artistic work. Intuitively collaging smaller pieces of bright pinks, purples, and yellows, she expresses the thoroughly ...

"Cutting Edge" is an installation piece by Dustin Hedrick comprised of paint and artist's tape. The red artist's tape creates a geometric, abstract portrait on the painted blue walls...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

In STRUCTURAL POROSITY 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architec...

This piece was inspired by my families’ journey of becoming displaced. Glenrose Ave. was our first home in America and a time of transitioning into a new society.

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

JOSHUA EDWARD BENNET lives and works in New Orleans, LA. He received his MFA from Tulane University in New Orleans, LA in 2019 with a concentration in digital arts. Bennett received ...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

ROJO #1 is dominated by the richness of the red in the oil paint on the canvas. The perfectly geometric gold leaf circle, a recurring visual element in Yuri's works, contrasts nicely...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Contrasting her stately, rococo metal...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

In FUNGI, FOLIAGE, AND TOPAZ, Sue Fox formally drives forward her craft. Drawing inspiration from the Slow Art movement and beginning without an explicit purpose in mind, this work utilizes smaller...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

In BLACK FACE, Samuel Dunson creates an epic portrait which cuts across time, combining three generations of his family onto a handsewn canvas of repurpo...

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In “Snake Eyes”, Eleanor Aldrich uses oil, silicone, enamel, thumbtacks, and sharpie on canvas to create a visceral exploration into a lounging back. The m...

PVB-7600 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized paper adhered by a matte medium to create graphic imagery of text and color blocks on top of a canvas dyed in ink. This painting is gallery wrapped with canvas on top of stretcher bars. Mack's paintings have been described as "intellect on top of emotion". Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. Collections include High Museum Atlanta...

In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a somewhat trapezoidal shape, with a scalloped top edge. A red cotton thread completes the remainder of the diamond shape. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...

Coming Soon

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"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

This painting was created for Yuri's "Gold Center Series," in which he uses gold leaf to create a perfect circle in the center of the piece. In this painting, the gold circle is in t...

"Rebel" is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around th...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

In this painting, we see an underpainting of clouds parting around a sunburst at dawn. The natural curvature of the clouds is interrupted by hard-edged longitudinal stripes of gradie...

"Red Line" is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around...

This work is a collage work utilizing found newspaper as the foundation of the painting which is then squeegeed over with black and white oil paint. A masked gold leaf circle remains...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

This piece is from a body of work called 'Vital Signs’ which springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...

This piece is from a body of work called 'Vital Signs’ which springs from the domain of hospitals and illness through combinations of hand-woven and tufted textiles and minimalist box-like objects that hang on walls or embed in the textiles themselves. The textiles refer to items of worn clothing, flattened identity, and superstition that come with illness and extended hospital stays. Their dominant color is blue, a hue known to calm the nervous system, but also the color of a failing body (cyanosis). The black and white objects...