Texas - Art

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

Waterline Fine Art, Austin, TX is pleased to present the following work: Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Rufino Tamayo (1899-1991) SANDÍA #2 "Watermelon" Color lithograph, 1969, on Rives BFK paper, signed in pencil, from Mujeres, printed by Atelier Desjobert, Paris, published by Touchs...

Signed limited edition print of Liam Gallagher photographed by Pat Pope at the Creation Records office, London in 1994. Creation Records was an influential British independent recor...

"Maree Basse" by Ernest Le Vilain is an original French Impressionist landscape painting measuring 47x70 in. in a brown with hints of gold ornate frame. The tide is low as the summer...

Edition of 5 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 24 x 36 in. From series, Standing Together: Inez Milholland's Final Campaig...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Abstract contemporary landscape painting by Texas artist, Nathaniel Sing. This piece features a door to Napa Underground winery in California blending with a red and blue gradient background. Signed and dated by the artist at the back. Unframed but framing options are available. Artist Statement: What is color to you? Really think about it for a second. Go past the everyday backdrops, items, clothing, spaces, etc. in your life. Perhaps think about your favorite color. A memory of an unforgettable sunset, or even a specific moment in your life. I have found especially with memories and emotions, that colors provide a base for those things to exist in our minds. Memories and emotions are inherently fading or fleeting as our lives move forward. My question and focus are how we preserve them for our own personal reasons, growth, or perhaps a way to humble ourselves. Through the use of acrylic paints, graphic design, and color relationships I aim to capture the essence of emotions and memories. Although each of these paintings is from my own personal experiences and memories my intent is to capture and express them through the lens of color and their relationships with each other and ourselves. Artist Biography: Nathan Sing...

Abstract contemporary landscape painting by Texas artist, Nathaniel Sing. This piece features an L.A. side street blending with an orange and blue gradient background. Signed and dated by the artist at the back. Unframed but framing options are available. Artist Statement: What is color to you? Really think about it for a second. Go past the everyday backdrops, items, clothing, spaces, etc. in your life. Perhaps think about your favorite color. A memory of an unforgettable sunset, or even a specific moment in your life. I have found especially with memories and emotions, that colors provide a base for those things to exist in our minds. Memories and emotions are inherently fading or fleeting as our lives move forward. My question and focus are how we preserve them for our own personal reasons, growth, or perhaps a way to humble ourselves. Through the use of acrylic paints, graphic design, and color relationships I aim to capture the essence of emotions and memories. Although each of these paintings is from my own personal experiences and memories my intent is to capture and express them through the lens of color and their relationships with each other and ourselves. Artist Biography: Nathan Sing...

This black and white photograph by Ruth Orkin features five men standing with CBS camera equipment on top of a structure. They appear to be filming out into a large crowd at Times Sq...

Chianti Farmhouse is Realist Landscape painted from life, searching for accuracy beyond physical appearance . This is oil on canvas with a custom made archival frame. Chianti Fa...

Colorful prints, easy day :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Si...

Portrait in profile :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signat...

I wanted to create something bold and stylish, and at the same time keep it classy. No wonder why I choose one of the most famous and recognizable sculptures David as the main object...

Signed limited edition of Mick Jagger, Keith Richards of The Rolling Stones on stage in Dallas rainstorm, 1981, by Pulitzer Prize winning photographer, Jay Dickman Signed limited ed...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His...

Robert Rauschenberg Earth Tie (Stoned Moon Series), 1969 Color lithograph 48 x 34 inches Edition of 48

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Caroline Shelton Image Size: 5.5 x 8.5 Frame Size: 17 x 19.5 Medium: Watercolor "King William House"

The Cure taken in 1981 by Ebet Roberts. Signed limited edition print. Ebet Roberts began her career in 1977 when she began documenting the evolving punk scene at CBGB’s in New York...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

"Snow Geese" By Larry Fanning is an ideal paintings for the wildlife lover. Five white snow geese are flying low at a rough oceans edge for the winter. ...

William Robert Thrasher (1908-1997) William Robert Thrasher, born in 1908 in Lamar County, Texas, was a dedicated artist known for his vivid depictions of the Texas landscape, wildli...

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right; signed, titled, dated verso. 48 x 60 in. 49.75 x 61.75 in. (framed) Custom framed in a solid maple floater, with an heirloom white finish. Provenance Kootz Gallery, New York Collection of John G. and Kimiko Powers, New York/Aspen, CO Prentice-Hall Corporate Art Collection, New York Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School. Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...

Museum quality fine art print of Lady Gaga by photographer Markus Klinko. Shot in 2009 in London for 35th anniversary of Hello Kitty. This print is available in the following sizes,...

New Design - "Sex, Drugs and The ROLLING STONES" - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto...

I was visiting Newfoundland when I spotted this opportunity for a wonderful picture, spanning two worlds. My wife and I had gone on a 2-hour hike with my sister ending in a beautiful...

French modernist tempera painting of an open air market in the streets of town by artist Schwerb, circa 1950. Original artwork on paper displayed on a white mat with a gold border. ...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Unique One-OF Dunny sculpture by Kid Robot and The Andy Warhol Foundation. This Dunny was created for the LOVE MUSEUM Pop-Up in L.A. as the ultimate social media photo opportunity. T...

Edition of 45 Signed, titled, dated, print date and numbered. Sepia toned gelatin silver print. Michael Kenna's black and white photographs are powerful and alluring. His imager...

Palm Tree Cable Beach Nassau Bahamas Impressionism 6"x4" Florence Academy Frame Nelson White usually travels to The Bahamas every December and paints on Cable Beach. This painting...

Early modern vintage Santa Fe Southwestern Indian Railroad 1936 calendar featuring the work of Eanger Irving Couse. The calendar features the note: “In his treatment of this strong...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 20 Frame Size: 34.5 x 30.5 Medium: Oil on Panel Applied by Palette Knife Dated 1962 "Flores" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

Edition of 15 Signed, titled, dated, and numbered. Series: The Four Moments of the Sun: Hidden Lands of Florida’s Maroon Communities AVAILABLE SIZES: Limited to a single edition of ...

A fascinating 19th Century pencil drawing of male and female figures, both in portrait and profile view, wearing headscarves, hats, and glasses. The artist dated the piece in the upp...

FRAMED SIZE IS 22 X 30 Painting The Italian Beaches are a common theme in Nelson White paintings as seen in this 16 x 20 oil painting by Nelson White. The title for this Italian Beach is Bagno Salute . His paintings show his love for the outdoors and nature. The artist has a unique style that he developed in studying under the masters in Italy. The use of the palette knife is seen in many of his Italian landscape paintings. White's paintings are individualistic. White 's paintings have been shown in numerous galleries across the globe since the 1950s, from the United States ,Italy and Russia. White's first museum retrospective was in the New Britain Museum of American Art in July 2012. His work can be found in many private and public collections, as well as several museums. Hand made frame in Italy The artist has a unique style that he developed in studying under the masters in Italy. The use of the palette knife is seen in many of his Italian landscape paintings. White's paintings are individualistic. White 's paintings have been shown in numerous galleries across the globe since the 1950s, from the United States ,Italy and Russia. White's first museum retrospective was in the New Britain Museum of American Art in July 2012. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote...

Signed limited edition print by Ed Caraeff of Dolly Parton taken during the cover session for her album ‘Heartbreaker’ on February 15, 1978 in Los Angeles, California. Available in d...

Edition of 45 Signed, titled, dated, print date and numbered. Sepia toned gelatin silver print. Michael Kenna's black and white photographs are powerful and alluring. His imagery tr...

Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals ...

Remarkable and vivid watercolor of the rocky red cliffs of the Esterel overlooking the emerald colored French Riviera coast by French artist Stephane Magnard (1917-2010), 1955. Ori...

This stunning floral still life by A.D. Greer features a bouquet of vibrant red and white roses, purple lilacs, and red and orange zinnia flowers. Measuring a sizable 36 x 48 inches,...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 ...

Impossible Walls, Original Contemporary Surrealist Blue Painting, 2022 24" x 30" x 1.65" (HxWxD) Oil on Canvas Like the Penrose stairs and M.C. Escher's Relativity, artist Marlene Llanes...

Jacques Martin-Ferrières (French, 1893-1972) Le marché d'Assise, 1927 A warm gathering at the beginning of the last century at a mountain top courtyard in Assisi Italy built just af...

Fine art 20x24" print of David Bowie in his room at the Kempinski Hotel, Berlin, 1983 by acclaimed photographer, Denis O'Regan, where he was the official tour photographer for David ...

Black and white historical capture of the legendary Henry Ford with an early prototype car. Henry Ford was an American industrialist and business magnat...

Black-headed Lapwing by Cheryl Medow features a black and white colored bird standing in a field of tiny yellow flowers. A stream of water leads back to the distant ocean, where another bird is seen flying over a barren tree. Black-headed Lapwing is listed as a 25 x 20 inch archival pigment print, with the image size measuring 20 x 16 inches. This size is available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin and signed, titled, dated, and print type in pencil on print verso by Cheryl Medow More sizes are available with varying edition sizes. Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

Impressionistic sepia toned pastoral landscape painting by Dan Baker. The work features a sprawling hill country landscape dotted with trees. Signed by artist in front lower right co...

Colorful watercolor and pen and ink painting of a flock of birds sweeping over multichromatic fields by French artist Rémy, circa 1980. Signed lower right. Original artwork on pap...

Candid black and white image of Elizabeth Taylor in a flowing wedding gown exiting a car with her father during her first wedding on May 6, 1950, in Los Angeles, California. Eliza...

Willian A. Slaughter (1923-2003) William A. Slaughter was born in San Antonio, Texas in 1923 and died in Dallas, Texas December 2003. His first call was to the ministry and after ser...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Open Sky is a contemporary oil landscape painting on canvas 36 x 36 painted in 2020 by Texan artist Steve Parker. Open Sky conveys his understanding of Texas landscapes and the use...

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Paper size: 17 x 22 in. Image size: 16 x 20 in. Keith Carter is an American photographer who is known for ...

Maximilien Luce (Fr. 1858 - 1941) Farm Scene Painting Maximilien Luce incorporates ink, crayon, and watercolor to create a large impressionistic and multifaceted social statement of...

Open edition Signed and dated in pencil on print margin by George Krause Gelatin silver print, 14 1/2 x 19 in. Printed 1997 George Krause is an American photographer, born in Philad...