Wisconsin

Fireplace, freestanding, mid-century, from Preway Mfg. Designed to burn wood or gas, inside your home or out. Original Sunshine Yellow porcelain enamel with pjping to reach 8 feet. ...

"Eve Incurs God's Displeasure" is an original double sided lithograph by Marc Chagall. On recto the print features the biblical story of Eve being scolded by God for her sin in the G...

"The Celebrated Clipper Ship Dreadnought" is an original hand-colored lithograph by Currier & Ives. It depicts a sailing ship. 13 1/4" x 17 1/2" art 19" x 23 1/2" frame Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

"Beside the Dying" is an original signed lithograph by Ben Shahn. This print is from the series "For the Sake of a Single Verse" and depicts the head of a man in dark gray seemingly asleep or dead on a white background. It is signed lower right and is edition 27/200. 22" x 17" art 32 3/8" x 27 3/8" frame Ben Shahn (American, September 12, 1898 - March 14, 1969) was a painter, lithographer, and photographer best known for his left-wing political leanings, works of social realism, and The Shape of Content, a publication of his lectures. Shahn was born in Kovno, Lithuania, when the country was still occupied by the Russian Empire. In 1902, Shahn's father, Joshua Hessel, was exiled to Siberia. Shahn then moved to Vilkomir, Lithuania, with his mother, Gittel, and his two siblings. Their family moved to the United States in 1906 to join their father who had fled from exile. After settling in Brooklyn, NY, Shahn began to train in lithography and graphic design, and his favorite medium was egg tempera. In 1919, Shahn enrolled in New York University to study Biology before entering the City College in 1921 to study Art. He also studied Art at the National Academy of Design. In the 1920s, Shahn and his wife traveled around Africa and Europe to study the works of renowned artists such as Pablo Picasso (Spanish, 1881- 1973) and Raoul Dufy (French, 1877-1953). In 1933, Shahn worked as an assistant of Diego Rivera (Mexican, 1886 - 1957); at this time, Rivera was working on the mural at the Rockefeller Center in New York. Two years later, Shahn was recommended by Walker Evans (American, 1903 - 1975) to join the Farm Security Administration photographic group. One of the artist’s most famous works is the fresco mural he did for the Jersey Homesteads' community center. Shahn also worked on murals for the state on the Federal Security Building and the Bronx Central Annex Post Office. During the Second World War, Shahn made a series of paintings laced...

Georg Jensen Sterling Silver “Parallel” AKA “Relief” flatware. Designed by Oscar Gunlach-Pedersen, for Georg Jensen's Silversmithy 1931. Gunlach-Pedersen trained as a sculptor and ar...

Lovely Engagement by Oneida sterling silver Flatware set - 34 Pieces. Great starter set! This set includes: 6 Knives, 8 7/8" 6 Forks, 7 1/8" 6 Salad Forks, 6 1/2" 6 Teaspoons, 6 1/...

Wedgwood by International sterling silver flatware set, 32 pieces. This set includes: eight dinner size knives, 9 5/8", eight dinner size forks, 7 3/4", eight salad forks, 6 1/4", eight teaspoons, 5 7/8" Includes bonus brand new storage chest - styles vary. Excellent condition, with no monograms. This set will be beautifully professionally polished prior to shipping. The beauty of classic tradition is captured in International’s Grecian motif Wedgewood pattern...

Martinique by Oneida c1967 sterling silver flatware set - 43 pieces. This set includes: 8 Knives, 9" 8 Forks, 7 3/8" 8 Salad Forks, 6 1/2" 8 Teaspoons, 6" 8 Place Soup Spoons, 6 1/2...

Art: 14" x 11" Frame: 17.88" x 14.88" Signed by artist lower right. "I am deeply concerned with the expressionistic quality in art. I want the color and paint, itself, to convey st...

ALEXANDER McQUEEN SS 2009 Iconic Crystal Skeleton Kaleidoscope Print Oversized Clutch Bag Brand/Manufacturer: Alexander McQueen Collection: Spring Summer 2009 "Natural Dis-tinction,...

Delafosse by Christofle silver plated flatware set of 137 pieces. This set includes: 12 dinner size knives, 9 3/4", 12 dinner size forks, 8 5/8", 12 luncheon knives (some blade we...

Incredible museum quality Lap Over Edge by Tiffany & Co., circa 1880, acid etched and engraved sterling silver flatware set, 128 pieces. This set features varying Japanesque aestheti...

Fabulous paramount by Kirk sterling silver flatware set, 64 pieces. This modern design is based on the city skyline and architecture (see copy of original advertisement for this patt...

Vintage Louis Feraud c.1980's black asymmetrical tiered ruffle cocktail dress. Black satin asymmetrical ruffle four tier over skirt. Matte shift under skirt with right side seam slit...

Thaden-Jordan 1940’s Herbert Von Thaden Mid-Century Modern table & chairs 5pc set • As designed by Herbert Von Thaden & Donald Lewis Jordan • Manufactured by Thaden-Jordan Furniture...

Monumental Henry II by Gorham sterling silver Flatware set, 240 pieces. This incredible pattern features a heavy weight and a figural griffin and gargoyle motif. This set includes: ...

Superb lap over edge by Tiffany & Co. sterling silver flatware set - 56 pieces. This set includes: 8 knives, 9 1/4" 8 dinner forks, 8" 8 luncheon forks, 7" 8 teaspoons, 6" 8 place s...

Cameo by Reed & Barton sterling silver flatware set, 42 pieces. This set includes: Eight knives, 9" Eight forks, 7 1/2" Eight salad forks, 6 5/8" Eight teaspoons, 6 1/8" Eight place...

Ashmont by Reed and Barton sterling silver flatware set, 49 pieces. This set includes: 12 dinner size knives, 9 7/8", 12 dinner size forks, 7 7/8", 12 salad forks, 6 5/8", 12 te...

A superb 19th century sporting painting depicting two poised hunting dogs standing alert at the edge of a marsh as waterfowl rise in the distance. Executed in oil on canvas and signe...

Original color woodcut 4.94 x 7.5 in (12.55 x 19.05 cm) Framed 18.44 x 21 in #106 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Christian Lacroix Autumn / Winter 2001 two piece floral jacquard and fur jacket pant suit set. Jacket featured in runway look #21. Asymmetrical floral jacquard jacket...

ALEXANDER McQUEEN c.2007 Metallic Blue Black Beaded Fern Leaf Silk Trumpet Skirt Brand / Manufacturer: Alexander McQueen Style: Trumpet Skirt Color(s): Blue and black. Lined: Yes...

Stunning lace point by Lunt sterling silver flatware set - 37 Pieces. This set includes: 8 knives, 9" 8 forks, 7 1/2" 8 salad forks, 6 5/8" 8 teaspoons, 6"...

S/S 1998 "Golden Shower" show, renamed "Untitled" Alexander McQueen pale yellow wool knit sweater. High neckline. Long sleeves are fitted at the top and have godet insets at the bott...

Very cool, stylish Brutalist 1970's lounge / side / accent chairs, 2 available, sold individually. Shipping can be combined. Dimensions: Total height ...

Original pastel drawing signed by the artist in the lower right corner. Art: 8.37" x 8" Frame: 15.37" x 14" Written in the lower margin "For DJB" the owner of the David Barnett Gallery...

Created in 1897, this pattern owes its name to the Marly Chateau built near Paris by Louis XIV. Marly is one of the most elaborately decorated patterns of the collection; the fine ch...

EMILIO PUCCI c.1970's Multicolor Velvet Print Gold Chain Shoulder Bag Purse Circa: 1970's Designer: Emilio Pucci Style: Shoulder bag Color(s): Shades of blue, purple, cream, and black. Lined: Yes Unmarked Fabric Content: Velvet Additional Details / Inclusions: Vintage Emilio Pucci handbag...

Austrian 800 silver Alfred Pollack flatware set - massive 115 pieces. This set includes: 12 dinner knives, 10", 12 dinner forks, 8 1/4", 12 regular knives, 8 1/2", 12 regular fo...

"Confused Abstract" is an original oil pastel on grocery bag by Reginald K. Gee. The artist signed the piece on the back. It features an abstract design in yellow, pink, red, green, ...

ALEXANDER McQUEEN S/S 1997 “La Poupée” Black Zipper Neck Extended Shoulder Shirt Brand / Manufacturer: Alexander McQueen Collection: S/S 1997 Style: Tank top Color(s): Shades of black and silver Lined: No Unmarked Fabric Content (feel of): Polyester knit Additional Details / Inclusions: Black S/S 1997 Alexander McQueen Tank top...

Superb Olympian by Tiffany & Co. sterling silver flatware set, 53 pieces. This set includes: 12 large dinner size knives with stainless blunt blades, 10 1/4" 12 dinner size forks, 7...

Eloquence by Lunt sterling silver flatware set, 32 pieces. This set includes: Eight knives, 9 1/8", eight forks, 7 3/8", ...

Trousseau by International sterling silver flatware set dinner size of 77 pieces. This set includes: 12 dinner knives, 9 1/2". 12 dinner forks, 7 3/4". 12 salad forks, 6 1/2". 12 te...

"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left. 7 3/4" x 9 5/8" art 18 1/8" x 20 1/4" frame Biography Claude Lorra...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

Framed 25.75 x 31.88 in No. 992 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of ha...

Valencia by International Sterling silver Flatware set, 48 pieces. The Valencia pattern was introduced in the year 1964 and features a contemporary elongated handle with an allover d...

ALEXANDER McQUEEN S/S 2009 “Natural Dis-tinction” Crystal Kaleidoscope Drape Top Brand / Manufacturer: Alexander McQueen Collection: S/S 2009 “Natural Dis-tinction, Un-natural Selec...

SADIE NEMSER c.1920’s Art Deco Silk Beaded Embroidered Cubist Flapper Couture Dress Circa: 1920’s Label(s): Nemser Original Model Style: Drop waist dre...

ALEXANDER McQUEEN S/S 2003 "Irere" Off-White Slashed Tab Denim High Rise Skirt Brand / Manufacturer: Alexander McQueen Collection: S/S 2003 "Irere" Designer: Alexander McQueen Style...

MICHAEL HOBAN North Beach 1992 Beige Leather Western Belted Biker Moto Jacket Brand / Manufacturer: North Beach Leather Production Date: 10-22-1992 Designer: Michael Hoban Style: Bi...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 26" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

The incredible multi-motif Olympian pattern, which was introduced by Tiffany & Co. in 1878, is the most elaborate and complex of all Tiffany flatware designs. Each piece of Olympian ...

Mid-Century Modern Northern Lights by International glossy Sterling silver flatware set, 30 pieces. This set includes: 6 knives, 8 ...

Esplanade by Towle sterling silver flatware set of 92 pieces. This set includes: 12 knives, 8 7/8" 12 forks, 7 1/4" 12 salad forks, 6 1/2" 12 teaspoons, 6" 12 place soup spoons, 6 3...

Scandinavian "Dolphin" by Frigast Denmark sterling silver Flatware set - 34 pieces. This scarce pattern features a stylized dolphin at the base of the ...

ALEXANDER McQUEEN S/S 2003 "Irere" Green Stretch Knit Puff Sleeve Button-Up Top Brand / Manufacturer: Alexander McQueen Collection: S/S 2003 "Irere" Designer: Alexander McQueen Style: Button-up top Color(s): Shades of green Lined: No Marked Fabric Content: "100% cotton" (primary material) Unmarked Fabric Content (feel of): Suede (down center front) Additional Details / Inclusions: Alexander McQueen S/S 2003 "Irere" green button-up top. Flowy fabric; lots of stretch or give to material. Form-fitting through bodice. Very deep scoop neckline at front of top; meant to be worn with a separate garment underneath; banding around neckline. Sheer puff sleeves...

Tiffany's luxurious Chrysanthemum silver was designed in 1880. With its flowing curves, swirling vegetation, meandering tendrils and exotic blossoming plants, Chrysanthemum is charac...

Edgemont gold by Gorham sterling silver flatware set - 38 pieces. This set includes: eight dinner size knives, 9 3/8", eight dinner size forks, 7 3/4", eight salad forks, 6 1/2",...

Copenhagen by Manchester sterling silver flatware set - 41 pieces. This pattern has a very Scandinavian style design. This set in...

Framed 19 x 17.75 in No. 196 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

Framed 23 x 19.75 in No. 393 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chaga...

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

Brand / Manufacturer: Alexander McQueen Circa: 2017 Designer: Sarah Burton Style: Gown Color(s): Shades of mauve Lined: Yes Unmarked Fabric Content (feel of): Velvet (primary fabric), satin (trim), silk (lining) Additional Details / Inclusions: Alexander McQueen circa 2017 gown...

OWEN GASTER A/W 1999 Item 23 Long Sleeve Blue Screen Printed White V-Neck Blouse Brand / Manufacturer: Owen Gaster Collection: A/W 1999 Style: Long slee...

Monumental Dinner and Luncheon size Athene by Amston Gold Vermeil Sterling silver Flatware set for 12 - 171 pieces. This set includes: 12 Large Dinner Size Knives, 9 3/4" 12 Large D...

Impressive Chateaudun by Souche Lapparra French sterling silver flatware service - 85 pieces. This set includes: 12 Dinner Knives, 10" 12 Dinner Size Forks, 8 1/2" 12 Lunche...

Stunning monumental Bridal Rose by Alvin Sterling Silver Flatware set - 122 pieces. This set includes: 12 Regular Knives with French stainless blades, 9" 12 Regular Forks, 6 3/4" 12...