Wisconsin

ALEXANDER McQUEEN S/S 1995 “The Birds” Pink Bronze Silk Satin Knit V Neck Top Brand / Manufacturer: Alexander McQueen Collection: S/S 1995 “The Birds” Designer: Alexander McQuee...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. Jou...

1970's Beautiful Green upholstered bucket seat office or accent chair. in the style of Pollock for Knoll, by Steelcase. This listing is for one chair. Stunning solid black base and s...

Grande Baroque by Wallace sinner size sterling silver flatware set - 76 Pieces. This set includes: 12 dinner knives, 9 3/4" 12 dinner forks, 8" 12 salad forks, 6 1/2" 12 teaspoons, ...

18K white gold ring set with an antique cushion cut garnet weighing 3.02 carats. The very pretty raspberry colored garnet measures about 9mm x 7.5mm. The setting has hand engraved de...

DESCRIPTION: ALEXANDER McQUEEN A/W 2002 "Supercalifragilistic" 2 Piece Black Skirt Suit Set - Look #15 Brand / Manufacturer: Alexander McQueen Collection: Autumn/Winter 2002 Design...

Brand / Manufacturer: Alexander McQueen Collection: S/S 1995 "The Birds" Designer: Alexander McQueen Style: Midi skirt Color(s): Shades of black Lined: Yes Marked Fabric Content: "10...

Flowing scrollwork follows the gently curved handles of this magnificent pattern inspired by the rococo style of design favoring shell-like curves prevailing in 18th Century France. ...

'Dancing in the Wind' is an original opal serpentine sculpture by the Zimbabwean artist Wellington Karuru. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to billow upward and behind her. The sculpture is on one hand a celebration of the stone material, and on the other it calls back to art historical precedent: her body is brought to a high polish, reflecting the softness of skin, while her hair is left rough-hewn to create the effect of the untamed wind. At the same time, the woman's body is highly stylized and emphasizes her hips and belly, recalling Paleolithic "Venus" sculptures like the lauded Venus of Willendorf and thusly ideas of maternity and womanhood. opal stone (serpentine) not signed 23" high x 8" widest point x 4" smallest point, sculpture 4"x4"x4", sculpture bottom 1 x 6 x 6 inches, base Overall excellent condition with no signs of wear Sculpture comes with base. Born on August 17, 1976, Wellington Karuru is the first born to a family of five children and has two brothers and two sisters. As the first born child in a Zimbabwean family, many responsibilities were shouldered upon Wellington. Both his brothers, Gilbert and Esau, are also talented sculptors. He completed his primary and secondary education in Mashonaland West Province and was involved in almost every sporting activity at the school. After he graduated, he was employed at National Foods LTD where he worked as a machine operator for a period of four years and was later promoted to work as a sales clerk. In his free time he assisted some well known artists in sculpting, was able to learn much from them and soon thereafter started to develop his own talent and unique style. Inspired by such well known sculptors such as Gardener Sango and Garison Muchinjili, Wellington started sculpting small pieces for himself and soon found a buyer for his favorite piece titled ‘A Cry For Help’. From that day forward, he has never looked back. He eventually went to work with Garison Machinjili whose influence is clearly shown in his work. Some of his pieces have been chosen already for international exhibitions and galleries. Well established and internationally renowned artists like Joe Mutasa...

Brand / Manufacturer: Givenchy Collection: A/W 1998 Designer: Alexander McQueen Style: Skirt Suit Set Color(s): Shades of gray, pink Lined: Yes Marked Fabric Content: "84% wool, 8% acrylic, 6% nylon, 7% elastane" (exterior of blazer/skirt), "100% acetate" (lining of blazer/skirt) Unmarked Fabric Content (feel of): metal (hardware) Additional Details / Inclusions: Givenchy couture A/W 1998 Alexander McQueen skirt...

With its ornate swirling rococo motifs and blossoming flowers, Hyperion by Whiting is characteristic of the Victorian period. This rare early sumptuous American pattern was patented ...

Styled in the lavish Baroque manner, this highly collectible pattern is our best seller. Introduced in 1941, it captures classic symbols of the Renaissance in the exquisitely carved ...

Gorgeous Solid Teak Scandinavian Gate Leg, Drop leaf Dining table designed by Niels Koefoed, Denmark, 1960s. Solid Teak. Seats 6 comfortably when extended. Can be used with 1 or bot...

Intricately carved floral motifs carefully arranged along the handle and by the neck of this fanciful pattern are balanced by a slender central panel edged with delicate borders. Int...

"L'Entree en scene (The Emergence)" is a color lithograph after a 1961 original piece by Rene Magritte. A transparent bird flies over the ocean. The body of this bird shows through it a clean light sky with fluffy clouds. The view around the bird is instead the dark night, stars shine at the top of the scene. Clouds blow by and the waves are turbulent. Art: 20.25 x 14.25 in Frame: 31.38 x 25.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London Gallery...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be ha...

ALEXANDER McQUEEN S/S 1997 “La Poupée” Black Wool Illusion Cutout Cocktail Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 1997 “La Poup...

ALEXANDER McQUEEN S/S 1995 “The Birds” Cream Blazer Jacket w/ Iconic Birth & Hair Labels Brand / Manufacturer: Alexander McQueen Collection: S/S 1995 “The Birds” Designer: Alexander McQueen Style: Tailored blazer jacket Color(s): Cream Lined: Yes Unmarked Fabric Content (feel of): Silk blend (exterior shell); rayon (lining) Additional Packaging: Additional buttons Additional Details / Inclusions: Alexander McQueen cream single button tailored blazer jacket. Tailored blazer jacket with aesthetic triangular panel side seam detail at front of jacket; “V” shaped yoke at back of jacket with short princess seams below yoke. Dramatically peaked lapel collar. Short horizontal darts at front bustline of blazer jacket under lapel. Two slashed closed pockets at front of blazer lower angled seam. Tailored two-piece long sleeves with singular button closure at vented cuff. Slightly structured shoulders with shoulder pads attached at interior shell of blazer. Double open vents at bottom of back princess seams. Single-button center front closure. Alexander McQueen S/S 1995 blazer jacket containing the rare full detailed large date of birth label...

DESCRIPTION: c.1970's 2 Piece Brown Leather Raccoon Fur Sleeve Jacket Pants Suit Set Circa: c.1970’s Label(s): Suede Care Label Style: Pant suit Col...

This very unique modular 5 Piece Mid Century wall unit set has it ALL, and leaves plenty of room for multiple configuration possibilities! Creatively hold and display all of your vin...

In this drawing, Milwaukee-based artist Joan Dvorsky presents a drawing after a sketch by Edgar Degas. Degas' original drawing was a study for an 1863 painting entitled 'Les malheurs...

Strand of golden South Sea cultured pearls. The pearls are round to semi-round shape cultured in French Polynesia. Natural light golden color with some blemishes. The pearls measure ...

ALEXANDER McQUEEN A/W 2008 Black White Asymmetrical Winged Skull T-Shirt Top Brand / Manufacturer: Alexander McQueen Collection: A/W 2008 Designer: Alexander McQueen Style: Top Colo...

12 Dinner Knives 9 3/4", 12 Dinner Forks 8", 12 Salad Forks 6 1/2", 12 Teaspoons 6 1/8" , 12 Cream Soup Spoons 6 1/8", 1 Pierced Serving Spoon 8 3/4", 1 Cold Meat Fork 8...

Alexander McQueen A/W 2005 "The Man Who Knew Too Much" Leopard Print Silk Jacket Pencil Skirt Set Brand / Manufacturer: Alexander McQueen Co...

Scarce Princess by Stieff hand chased high-relief repousse sterling silver Flatware set, 55 pieces (plus 8 Rose by Stieff Teaspoons). This set includes: 8 Knives, 8 3/4" 8 Forks, 7"...

Versace Spring/Summer 2012 Black multi-color floral print cut out waist shift cocktail dress; New with tags. Multi-color all over floral print in shades of pink and purple on black. ...

Strasbourg by Gorham sterling silver flatware set of 304 pieces. This large set includes: 48 knives, 8 7/8", 48 forks, 7 1/8", 48 salad forks, 6 3/8", 48 teaspoons, 5 7/8", 48 c...

Trousseau by International Sterling silver flatware set - 45 pieces. This set includes: 8 knives, 9 1/8" 8 forks, 7 1/4" 8 salad forks, 6 1/2" 8 teaspoons, 6" 8 cream soup spoons, ...

The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...

ALEXANDER McQUEEN S/S 1995 Striped Crosshatch Button Front Men's Dress Shirt Brand / Manufacturer: Alexander McQueen Collection: S/S 1995 Designer: Alexander McQueen Style: butto...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scraping and gouging acrylic pa...

Founded 1804. Maison Cardeilhac was founded by Antoine-Vital Cardeilhac in 1804 in Paris and specialized in fine silver cutlery and table ware. During the 19th century the firm wa...

14K yellow gold men's ring featuring a square brilliant cut natural earth mined blue zircon. The blue zircon has bright greenish-blue color. It measures about 9mm and weighs 5.27 car...

Wildly Beautiful Antique Persian Zanjan Unique 2-Tone Border - Funky Boho Piece About: So Dang Good, i will write this soon but what a wild size and rug! Size: 4.9 x 6.6 Age: Ant...

Homage a Leonardo d'Vinci (Horse & Rider Attacking Foot Soldier from De La Bataille Vol. I) Original drypoint, signed lower right, ed. VIII/L Art: 11-5/8" x 15-1/2" Frame: 27-5/8"...

14K white gold filigree ring featuring a round brilliant cut teal blue-green zircon. The zircon measures about 8.5 and has lots of extra faceting. Blue zircon is a naturally mined ge...

Vintage Emilio Pucci c.1960's op art signature print one piece bathing suit. Multicolor op art signature print mesh lycra in shades of green, yellow, orange...

Superb Saint Mark by Buccellati Italy sterling silver flatware set - 40 pieces. This set includes: 10 regular knives, 8 5/8" 10 regular forks, 7" 10 salad forks, 6 3/4" 10 teaspoons...

Unused Renaissance scroll by Reed and Barton sterling silver flatware set - 35 pieces. This set includes: 8 knives, 9 1/8" 8 forks, 7 1/2" 8 salad ...

Beautiful and very high end set of four Walnut dining chairs, for Stanley Furniture by Paul Browning, circa 1960s. These chairs are in excellent vintage conditon, appearing only ver...

Magnificent Austrian succession sterling silver massive candelabrum pair of seven-light figural museum. Each candelabra features a Grecian style ma...

"Trapped in New York" is an original acrylic painting by Tom Shelton. The artist signed, titled, and dated the piece in the lower right. This piece features a forest with animals and...

"Paricutin (Volcano in Michoacan, Mexico)" is a woodcut and monotype signed by Carol Summers. In the image, an abstracted volcano erupts in a joyous burst of purples and oranges. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Art: 8 x 11 in Frame: 17 x 19 in Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MoMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and non-western as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...

GUCCI c.1970's Vtg Gold Toned Brass "GG" Removable Adjustable Logo Belt Buckle Brand / Manufacturer: Gucci Circa: 1970's Designer: Giorgio Gucci Style: Belt buckle Color(s): Gold Un...

Named for a golden yellow variety of climbing roses, Marechal Niel has large, handing, perfect tea rose-shaped flowers of deep golden yellow. This flower has a strong tea scent and w...

ALEXANDER McQUEEN S/S 2009 Black Gray Nude Mesh Tassel Fringe Draped Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 2009 "Natural Dis-tinction Un-natural Selection" Designer: Alexander McQueen Style: Cocktail Dress Color(s): Shades of gray, black, nude (mesh) Lined: No Unmarked Fabric (feel of): Mesh (base), Fringe Additional Details / Inclusions: Alexander McQueen fringe...

ALEXANDER McQUEEN A/W 1998 “Joan” Gray Blazer Jacket Wide Leg Trouser Pant Suit Brand / Manufacturer: Alexander McQueen Collection: A/W 1998 “Joan” - Runw...

Embodying the spirit of casual luxury, Fairfax has a sterling design that never goes out of style. As timely today as when it was first introduced in 1910, this design is influenced ...

The incredible multi-motif Olympian pattern, which was introduced by Tiffany & Co. in 1878, is the most elaborate and complex of all Tiffany flatware designs. Each piece of Olympian ...

This hand-knotted neutral minimalist Persian wool rug in beige and sand, measuring 8' x 10', embodies refined simplicity and timeless craftsmanship. Meticulously woven using traditio...

Designed with an eye for balance and proportion, each piece of Tiffany & Co. flatware is a masterpiece of form and function. Dinner Size Windham by Tiffany & Co. Sterling Silver fla...

This silk and cotton fabric was made by an unknown Ashanti artist. It features green and orange accents. The Ashanti are a major ethnic group of the Akans in Ghana, a fairly new nation, barely more than 50 years old. Ghana, previously the Gold Coast, was a British colony until 1957. It is now politically separated into four main parts. Ashanti is in the center and Kumasi is the capital. The Ashanti have a wide variety of arts. Bark cloth was used for clothing before weaving was introduced. With weaving, there is cotton and silk. Women may pick cotton...

Rare Robert Bruce by Graff, Washbourne & Dunn sterling silver flatware set of 85 piece, circa 1910. This set includes: 12 dinner size knives, 9 7/8". 12 dinner size forks, 8 1/4". 1...

Beautiful vintage Austrian 800 silver flatware set, massive 146 pieces including many unusual place pieces & servers. This set includes: • 12 knives, 9" •12 forks, 7 1/8" •12 teaspoons, 5 5/8" •12 place soup spoons large, 8 3/8" •12 demitasse spoons, 3 7/8" •1 gravy ladle, 7 5/8" •1 gravy ladle long with deep bowl, 8" •1 serving spoon shovel, 9 1/4" •1 serving spoon large, 9 5/8" •1 sauce ladle spout on one side, 4 3/4" •2 gold washed salad serving forks, 9" •1 gold washed berry spoon, 8 1/2" •12 gold washed egg spoons, 4" •12 all sterling fish forks, 8 1/8" •1 fish server pierced, 11 1/4" •1 fish serving fork, 8 1/2" •12 all sterling fruit forks, 6 1/2" •11 all sterling fruit knives...

Art Nouveau German 800 Silver Flatware Set Service with lovely leaf detailing, 42 Pieces. This set includes: 6 DINNER KNIVES, 10 1/8" (two blades differ slightly), 6 DINNER FORKS,...

Celine c.1980's/90's Black Gold Logo Chain Accent Ultra Wide Leg Pleated Trousers Brand / Manufacturer: Celine Circa: 1980's/1990's Label(s): "Celine Paris" Designer: Celine Vapiana...

Very cool, versatile wall unit shelving modular set. Includes 9 regular shelves Includes 6 Medium shelves Includes 3 Large shelves 37 shelving brackets of various sizes 4 mounting po...

This Persian Yazd carpet circa 1910 consists of a hand-knotted handspun wool pile and natural vegetable dyes. The size is 10' x 16'9" and it is in excellen...

14K white gold paraiba tourmaline and diamond pendant. The natural earth mined tourmaline has a report from the Stone Group Laboratories #190821A-RSN stating Brazilian origin. The ce...