Wisconsin

"La Page Blanche," or in English "The White Page," is an original color lithograph executed after the original painting from 1967 by the Belgian Surrealist...

ALEXANDER McQUEEN A/W 2007 “Witches” Black Patent Leather Belted Harness Blazer Jacket Brand / Manufacturer: Alexander McQueen Collection: A/W 2007 “Witches” Designer: Alexander Mc...

Vintage Gorham sterling silver flatware set in the Etruscan pattern featuring an Art Deco style Greek Key design Although this pattern was released in 1913, one can see that it was a...

Georgian Rose by Reed & Barton sterling silver dinner size flatware set - 55 pieces. This set includes: Eight dinner size knives, 9 5/8". Eight dinner size forks, 7 3/4". Eight sala...

10K yellow gold men's ring featuring an oval genuine blue sapphire weighing 1.19 carats. The sapphire has beautiful violetish-blue color and a CSL card stating unheated. It measures ...

C.1940's - 1950's Théodore Haviland "Milford" "gold encrusted hearts" 21pc porcelain dinnerware set. This beautiful dinnerware set comes w...

"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Par...

"Carte de Voeux #731" is an original lithograph greeting card by Marc Chagall. It is in the Chagall Catalogue Raisonne and is from a rare edition of only 200. It depicts a face and a bird in Chagall's signature whimsical modernist style. 5 1/2" x 4 1/4" art 21" x 18 1/4" frame Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

Wedding Bells by International sterling silver flatware set, 78 pieces. This set includes: 12 knives, 9" 12 forks, 7 1/...

EMILIO PUCCI c.1960's Multicolored Velvet Abstract Printed Top Handle Mini Hand Bag Brand / Manufacturer: Emilio Pucci Circa: 1960's Style: Structured t...

Superb rare dinner and luncheon Palm by Tiffany & Co. sterling silver flatware set of 75 pieces. This pattern was patented in the year 1871 and features a fiddle shaped handle, a sty...

"Mujer de Cajamarca" is an original oil painting on jute by Ernesto Gutierrez. The artist signed the piece in the lower right. It depicts a woman seated in front of an archway. 16"...

ALEXANDER McQUEEN S/S 1996 “The Hunger” Black Eyelet Leopard Chiffon Blouse Top Brand / Manufacturer: Alexander McQueen Collection: S/S 1996 “The Hun...

Brand / Manufacturer: Alexander McQueen Circa: 2013 Designer: Sarah Burton Manufacturer Style Name: Skull Four Ring Clutch Style: Clutch Handbag Color(s): Shades of gold, brown Lined: Yes Unmarked Fabric Content (feel of): Leather (lining), metal (hardware) Additional Details / Inclusions: Alexander McQueen circa 2013 knuckle ring duster box clutch. Long rectangular hardshell box exterior. Gold metallic glitter exterior. Large gold-toned metal skull and gemstone feature ring clasp at top of bag; gold-toned metal hardware around opening of bag. Four knuckle-ring sculpted skull hardware embellished with crystals; single large clear gemstone ring detail. Single long interior compartment. Brown leather interior lining with “Alexander McQueen Made In...

Amazing vintage ball gown custom made for 1950s opera singer Alberta Hopkins. Net overdress is heavily embellished with glossy and textured black seq...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Brand / Manufacturer: Alexander McQueen Collection: S/S 2012 Designer: Alexander McQueen Style: Jacket: Color(s): Shades of purple, black, silver Lined: Yes Unmarked Fabric Content (feel of): Nylon (primary fabric), silk (lining), metal (hardware) Additional Details / Inclusions: Alexander McQueen S/S 2010 lavender jacket...

Old Master brings together the finest in traditional Early Victorian design motifs with skillful artistry. The crown of leaves, the center rosette, scrollwork, flutes and the violin-...

14K White Gold ring featuring a 9mm cultured blue Akoya pearl. Cultured in Japan, the blue Akoya is a grey pearl with a blue iridescent color, not treated or enhanced in any way. Th...

A pair of platinum stud earrings featuring oval cut light blue aquamarine gemstones. The aquamarines measure about 8mm x 6mm. The pair weighs 2.38 carats total. The earrings measure ...

14K white gold paraiba tourmaline and diamond pendant. The natural earth mined tourmaline has a report from the Stone Group Laboratories #190821A-RSN stating Brazilian origin. The ce...

Thaden-Jordan 1940’s Herbert Von Thaden Mid-Century Modern table & chairs 5pc set • As designed by Herbert Von Thaden & Donald Lewis Jordan • Manufactured by Thaden-Jordan Furniture...

"Paricutin (Volcano in Michoacan, Mexico)" is a woodcut and monotype signed by Carol Summers. In the image, an abstracted volcano erupts in a joyous burst of purples and oranges. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Art: 8 x 11 in Frame: 17 x 19 in Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MoMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and non-western as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...

Luxurious Dinner size Buttercup by Gorham sterling silver Flatware set - 38 pieces. This pattern is large, heavy, and impressive. Great starter set! This set includes: 6 Dinner Kniv...

VIVIENNE WESTWOOD c.1990's Classic Beige Tan Wool Blend Pleated A-Line Mini Skirt Brand / Manufacturer: Vivienne Westwood - Red Label Circa: 1990'...

"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...

Very nice looking and strong Pair of very sturdy Marcel Breuer Italian Chrome and Birds eye woven cane seats and backs. These also Feature the built-in footrests. Very nice looking...

Very nice looking and functional high quality Brutalist Lane dresser. The drawers catch on rollers. In very good condition throughout. **We have two of these gorgeous dressers avail...

Beautiful Rondo by Gorham sterling silver flatware set - 45 Pieces. This set includes: Eight knives, 9". Eight forks, 7 1/4". Eight salad forks, 6 3/4...

14K yellow gold men's ring featuring a square brilliant cut natural earth mined blue zircon. The blue zircon has bright greenish-blue color. It measures about 9mm and weighs 5.27 car...

Rare Robert Bruce by Graff, Washbourne & Dunn sterling silver flatware set of 85 piece, circa 1910. This set includes: 12 dinner size knives, 9 7/8". 12 dinner size forks, 8 1/4". 1...

GRETA PLATTRY c.1950’s Midnight Black Pleated Sleeveless Fit N Flare Day Dress Circa: 1950’s Label(s): Greta Plattry Original Designer: Greta Plattry St...

Paul Revere by Towle sterling silver flatware set, 40 pieces. This set includes: Eight knives, 8 7/8", Eight forks, 7 1/8", Eight salad forks, 5 3/4", Eight teaspoons, 5 3/4", ...

Vintage c.1970's Emilio Pucci multi-color matching abstract signature print two piece cotton set. Design incorporates a floral and butterfly op art print. Light-weight long sleeve 3/...

Wave Edge was designed by Charles T. Grosjean, the renowned decorator of silver and introduced by Tiffany in 1884. The fanciful marine motif, graceful lines and stylized forms of Wave Edge make it a splendid complement to even the most ornate of table settings. Grosjean worked in his family's firm which produced high end silverware to prominent New York City retailers, including Tiffany. Upon his father's death, Grosjean left his family firm to become superintendent of Tiffany's silver factory in 1868. He had great background in silver and was an artist and was referred to as "one of the best living decorators of silver". He was a teacher in the Tiffany School and designed a few full lines of sterling including Chrysanthemum, Wave Edhe, and English King, which are some of the most famous of his designs. Outstanding Wave Edge by Tiffany & Co. extensive sterling silver flatware service in large fitted Tiffany chest - 259 pieces. This service includes: 12 Dinner Size Knives, blunt blades, 10 5/8" 12 Dinner Size Forks, 8" 24 Luncheon Knives, blunt blades, 9 1/4" 24 Luncheon/Dessert Forks, 7 1/8" 12 Teaspoons, 5 7/8" 12 Place Soup Spoons, 7 1/8" 12 Flat Handle Butter Spreaders, 5 7/8" 12 Cocktail Forks, 5 3/4" 12 Bouillon Soup Spoons, 5 3/8" 12 Sherbet Spoons, pinched bowls, gold-washed, 5 1/2" 12 Sherbet Spoons, small, 5 1/4" 12 Fruit Knives, hollow handle all-sterling, 7 3/8" 12 Ice Cream Spoons, 6" 12 Fish Forks with wavy tines, 6 1/2" 12 Fish Knives, hollow handle all-sterling, 7 5/8" 12 Large Dinner Spoons, 8 1/2" 12 Ice Cream Forks, 5 7/8" 2 Gravy Ladles - 1 scalloped - 7 1/8", 1 shell bowl - 7 1/4" 2 Berry Spoons w/leaf bowls, 8 5/8" 1 Berry Spoon, long, 9 3/4" 1 Pastry/Asparagus Tong, pierced, 7 5/8" 1 Sugar Tong, 4 3/8" 1 Cold Meat Fork, fluted, 8 5/8" 1 Preserve Spoon, 7" 1 Flat Handle Master Butter, 7 1/8" 1 Pickle/Oyster Fork, gold-washed, 5 7/8" 1 Cheese Scoop, 7 1/8" 1 Ice Cream Server, 11 1/4" 1 Salad Set, 2-pc, gold-washed, 10" 1 Carving Set, 5-piece: Roast knife - 14 3/4", Roast Fork - 11", Hone - 13 3/4", Steak Carving Knife - 11 1/2" Steak Carving Fork - 10 1/4" 1 Vegetable Serving Spoon, gold-washed, 9" 1 Pie Server gold-washed, all-sterling, 11 1/8" 1 Soup Ladle, 13" 1 Berry/Preserve Spoon w/embossed fruit in bowl, 8 1/2" 1 Jelly Knife, 6 7/8" 1 Crumber, 12 3/4" 1 Ice Cream Slice, 11 1/4" 1 Fish Serving Set, 12 1/8" & 9 1/2" 1 Cheese Knife w/pick, 7 1/4" 1 Sugar Sifter, pierced, 7 1/8" 1 Sterling Grape Shears...

Slender and graceful, the smooth clean lines of this refined pattern are distinguished with deeply carved floral ornaments at the tip and neck. Raised borders along the fluted stem e...

Gorgeous unused Ascot by Ricci 800 silver flatware dinner set - 76 pieces. This pattern is Continental size and heavy. This set includes: 12 Dinner knives, pointed, 9 3/4" 12 Dinner...

Rhapsody by International sterling silver Flatware set - 95 pieces. This set includes: 12 Knives, 9 1/4 12 Forks, 7 1/4" 12 Salad Forks, 6 1/2" 12 Teaspoons, 5 7/8" 12 Place Sou...

Beautiful "SOUTHERN COLONIAL" BY INTERNATIONAL sterling silver flatware set, 32 pieces. This set includes: 8 KNIVES, 9 1/8" 8 FORKS, 7 3/8" 8 SALAD FORKS, 6 1/2" 8 TEASPOONS, 5 7/8"...

Marc Chagall "L'Artist Phoenix Poster" for Galerie Maeght from 1972. It is from the edition of 5000. 30 1/2" x 20" art 40 1/2" x 32 1/4" frame Marc Ch...

Pablo Picasso Antique Persian Serapi - Truest Mystical Art - Museum Piece - Terracotta, Sage Green, Ice Blue, Madder-Root, Eggshell About: UNMATCHED. 1 OF 1. Never again will we lay...

Giant antique heavy art glass urn/factice/apothecary jar, with cap/topper and metal stand. Beautiful Art Deco decorative statement piece that can be used in a variety of ways; to display herbs and botanicals or scent an entire space. Simply fill the large glass structure with your favorite botanicals or fragrance, and keep the stopper inserted until you are ready to release some fresh fragrance. Can be filled with regular or colored water if desired. Can also be used as a vase to display a floral arrangement. Lightweight metal stand has a light beige/gold-toned color to the exterior and remains unfinished at the backside. Carved art deco design inclusive of long lines that begin at three separate curved clawfoot style feet and lead upward to distinctive fan pattern details that hold glass urn in place. Metal stand allows for glass urn to have an almost levitating appearance when placed inside. Some pieces are marked/labeled at backside with, "0-1" & "0-2". Glass urn features a curved/rounded design with a wide belly and pointed base. Circumferential groove details at top portion of urn with a heightened neck/mouth for matching stopper. Giant factice fragrance bottles...

Wave Edge was designed by Charles T. Grosjean, the renowned decorator of silver and introduced by Tiffany in 1884. The fanciful marine motif, graceful lines and stylized forms of Wav...

THIERRY MUGLER c.1990's Black Fringe High Collar Structured Zip Up Jacket VTG Brand / Manufacturer: Mugler Circa: 1990's Designer: Thierry Mugler Style: Zip Up Jacket Color(s): Blac...

William and Mary by Lunt Sterling Silver Flatware set - 56 pieces. This set includes: 8 Knives, 9" 8 Forks, 7 1/8" 8 Salad Forks, 6" 8 Teaspoons, 6" 8 Cream Spoons, 6 1/2" 8 Flat H...

The Conchiglia pattern evokes Italy's outstanding marine traditions. Dedicated to committed sea lovers, it's exquisite sophisticated style will appeal to those who demand only the fi...

Georg Jensen Sterling Silver “Parallel” AKA “Relief” flatware. Designed by Oscar Gunlach-Pedersen, for Georg Jensen's Silversmithy 1931. Gunlach-Pedersen trained as a sculptor and ar...

Givenchy Couture Alexander McQueen S/S 1998 Black Sleeveless Tassel Mini Dress Brand / Manufacturer: Givenchy Couture Collection: S/S 1998 ...

14K white gold filigree ring featuring an antique cushion cut aquamarine weighing 3.12 carats. The light blue aquamarine measures about 11mm x 9mm. The ring has filigree shoulders. T...

ALEXANDER McQUEEN A/W 1999 "The Overlook" Pink Denim Low Rise Bumster Jumpsuit Brand / Manufacturer: Alexander McQueen Collection: A/W 1999 "The Overlook" Designer: Alexander McQuee...

An American classic, 1810 is a faithful adaptation of a coin silver pattern. Simple lines, generous proportions, and graceful balance combine to create an unassuming yet elegant stat...

This stately pattern is a combination of form and symmetry, influenced by the clean, balanced lines of Scandinavian artistry. Bold openwork is enhanced by slender lines of fluted col...

The Aucoc firm was founded in 1821 by Casimir Aucoc and in 1835 moved their headquarters to the prestigious Rue de la Paix in Paris. The firm regularly collaborated with Christofle and Bon-Taburet, one of the most innovative goldsmiths from the late 19th century and early 20th century. Known for their unique and luxurious styles and craftsmanship the Aucoc firm received numerous medals of recognition from several international exhibitions. Notable clients included King Louis-Phillippe of France, the Duke of Orleans, Napoleon III and his wife Princess Eugenie as well as Queen Victoria of England...

ALEXANDER McQUEEN F/W 2007 Black Layered Net Tulle Open Back Beaded Halter Dress Brand / Manufacturer: Alexander McQueen Circa: 2007 Designer: Ale...

ALEXANDER McQUEEN F/W 1999 Gray Wool Plaid Wrap Fringe Sleeveless Vest Knit Top Brand / Manufacturer: Alexander McQueen Collection: F/W 1999 "The Overlook" Designer: Alexander McQu...

Each piece of Lansdowne is adorned with a distinctive urn design and Greek-style foliage. These design elements beautifully compliment Colonial and Georgian decor...

Stunning Breton Rose by International sterling silver flatware set of 72 pieces. This set includes: 12 knives, 9 1/4". 12 forks, 7 1/4". 12 salad forks, 6 3/8". 12 teaspoons, 6". 12...

This photo frame was hand-made in Romania and features 22K gold leafing. It is made out of wood and includes archival plexiglass to protect anything displayed in it from fading or ot...

El Grandee by Towle sterling silver flatware set, 79 pieces. This set includes: 12 knives, 9", 12 forks, 7 1/2", 12 salad forks, 6 3/4", 12 te...

Rare Japanese by Whiting, circa 1874, sterling silver Flatware set - 45 pieces plus 8 Mother of Pearl handle knives- 53 pieces total, in beautiful vintage chest. This Japonesque Aest...