Wisconsin

GEORGE & MARTHA BY WESTMORLAND sterling silver Flatware set - 38 Pieces. This set includes: 8 KNIVES, 8 3/4" 8 FORKS, 7" 8 SALAD FORKS, 6" 8 TEASPOONS, 6" 1 GRAVY LADLE, 7 1/4" 1 S...

EMILIO PUCCI c.1970s Multicolor Geometric Stripe Triangle Halter Bikini Swimsuit Circa: 1970s Label(s): Emilio Pucci Designer: Emilio Pucci Style: Biki...

ALEXANDER McQUEEN S/S 2005 Beige Pink Gold Coin Embroidered Collared Button Up Jacket Brand / Manufacturer: Alexander McQueen Collection: Spring / Summer 2005 Designer: Alexander Mc...

Inspired by carvings from the Melrose Mansion of Natchez, Mississippi, this pattern possesses unusual boldness and depth. Melrose has elegant curves and intricate detailing along the...

12 dinner knives 9 3/4", 24 dinner forks 8 1/4", 12 regular knives 8 3/8", 36 regular forks 7", 12 salad/fish forks 7", 12 place soup spoons 7", 12 demitasse spoons, 4 1/8" (one i...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

A. J. Fuller, figural custom Tiffany & Co. pattern, Designer: Arthur Le Roy Barney There were a total of only 12 custom patterns ever made by Tiffany & Co. Charles Carpenter's Tiffa...

Image size: 18.25 x 15 in Paper size: 23.63 x 17.07 in Frame size: 32.38 x 29.13 in Color lithograph after the 1961 gouache on paper by René Magritte, plate-signed by Magritte an...

Retro 14K yellow gold ring with applied white gold featuring an Australian opal. The genuine natural opal weighs 2.08 carats and measures about 10mm x 8.4mm. It is a rectangular ston...

Alexander McQueen A/W 2010 "Hells Angels" sheath dress. From Alexander McQueen's last collection, "Angels & Demons", in which items were recalled due to a lawsuit with the Hell's Ang...

Framed 25.75 x 22.75 in No. 282 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume I" by Fernand Mourlot and Marc Cha...

Scarce Louis XV by Birks (Canada) sterling silver Flatware set, 60 pieces. This set includes: 8 Knives, 8 5/8" 8 Forks, 7" 8 Pastry Forks w/bar, 6" 8 Small Teaspoons, 5 1/2" 8 Hollo...

French Renaissance BY Reed & Barton sterling silver dinner size flatware set - 84 pieces. this set includes: 12 dinner size knives, 9 3/4", 12 dinner size forks, 7 7/8", 12 salad for...

Persian originated in 1872 when exotic lands were all in vogue (Japanese, Egyptian, Persian). It is absolutely striking with its ornate design. It is a beautiful example of the silve...

EMILIO PUCCI c.1960’s Pink Signature Print One-Piece Bathing Swimsuit Circa: 1960’s Label(s): Emilio Pucci / Lord & Taylor Style: One-piece bathing swimsuit Color(s): Shades of ...

C.1940's - 1950's Théodore Haviland "Milford" "gold encrusted hearts" 21pc porcelain dinnerware set. This beautiful dinnerware set comes w...

Materials Wood, Brass These original vintage bentwood lamps make a wonderful pair for any avid mid century collector. They are beautifully made...

Stunning Dinner Size Old Brocade by Towle sterling silver flatware set, 82 pieces. This set includes: 12 Dinner Size Knives, 9 5/8" 12 Dinner Size Forks, 7 3/4" 12 Salad Forks, 6 1/...

Original color woodcut 4.94 x 7.5 in (12.55 x 19.05 cm) Framed 18.44 x 21 in #106 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

DESCRIPTION: BARNETT c.1910's Rose Pink & Black Silk Velvet Sleeveless Peplum Evening Dress Circa: c.1910's Edwardian / 1920's Flapper Label(s): Barnett Style: Peplum dress Color...

ALEXANDER McQUEEN F/W 1999 Gray Wool Plaid Wrap Fringe Sleeveless Vest Knit Top Brand / Manufacturer: Alexander McQueen Collection: F/W 1999 "The Overlook" Designer: Alexander McQu...

Washington Irving by Gorham Silverplate Flatware set - 65 pieces. This set includes: 12 Dinner Knives, 9 3/8" 12 Dinner Forks, 7 7/8" 12 Salad Forks, 6 3/4" 12 Teaspoons, 6" 12 Plac...

Celebrate all of your meals in style with this Louis XIV by Towle sterling silver flatware set. Founded in 1690 in Massachusetts, the elite artisans at Towle Silversmiths handcrafted...

Lap over edge applied by Tiffany & Co. Rare sterling silver kidney shaped berry spoon with gold-washed bowl 9 1/2" and applied elements in the pattern lap over edge by Tiffany & C...

For this Wooda original design, we were looking for a supremely comfortable lounge chair. This contemporary take is loosely based on a 1920s vintage design. Cambre invites you to get comfortable. The deep seat and cantilevered angle offers the ultimate design for long-term sitting, reading, movie watching...

12 knives 8 3/4", 12 forks 7 3/8", 12 salad forks 6 1/2", 12 teaspoons 6", 12 cream soup spoons 6 1/4", one gravy ladle 6 1/4", one serving spoon 8 1/2", one pierced serving s...

Image size: 14.88 x 18.75 in Paper size: 17.94 x 23.63 in Frame size: 28 x 31.88 in Color lithograph after the 1950 oil on canvas by René Magritte, plate-signed by Magritte and num...

This beautiful dresser is perfect for a city apartment or bedroom-- great to be used as in any room for storage-- clothing, bar in a kitchen, entry way, the uses are endless. Gorgeou...

Gorgeous Dinner Size Du Barry by International sterling silver flatware set with unique all around floral handle, 33 pieces. This set includes: 6 Dinner Size Knives, 9 3/4" 6 Dinner...

Framed 25.75 x 21.75 in No. 572 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "Homage to Marc Chagall" edited by G. di San Lazzaro. The lithograph wa...

Vintage c.1970's Emilio Pucci multi-color matching abstract signature print two piece cotton set. Design incorporates a floral and butterfly op art print. Light-weight long sleeve 3/...

"Fast Trotting in the West (Milwaukee Race)" is an original hand-colored lithograph published by Currier & Ives. It depicts two horses pulling racing carts. The text below the picture reads "Fast Trotting in the West...Lucy and Goldsmith Maid...trotting their closely contested race over the cold spring course Milwaukee, Wis. Sept. 6th 1871...Where Goldsmith Maid won the 2nd heat in 2:17!! The fastest Mile heat in harness on record. Purse $4000 $2500 to 1st $1500 to 2nd horse____ 8 in. in harness. TIME 2:20 1/2 2:17 2:20" 16 3/4" x 26" image 22" x 27 3/4" paper 35 3/4" x 41 7/8" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

HERMES c.1995 Gold Brown Leather Buckle Strap Structured Bucket Shoulder Bag Brand / Manufacturer: Hermes Circa: 1995 Designer: Hermes Style: Shoulder Bag Color(s): Shades of brown...

Vintage Emilio Pucci c.1968 silk jersey shift dress. Multicolor geometric op art signature print in shades of pink, yellow, fuchsia, and brown. Striped boarder print at cuffs and hem...

The Parisian silversmith Puiforcat is regarded as one of the legendary names in European silver craftsmanship. Superb Dinner Size Empire by Puiforcat 800 silver flatware set, 99 pie...

ALEXANDER McQUEEN Pre-Fall 2006 Black Two Piece Lace Jacket Skirt Suit Set Brand / Manufacturer: Alexander McQueen Collection: Pre Fall 2006 Designer: Alexander McQueen Style: Jacke...

GIVENCHY COUTURE S/S 1998 ALEXANDER McQUEEN Purple Floral Jacquard Blazer Jacket Brand / Manufacturer: Givenchy Couture Collection: S/S 1998 Designer: Alexander McQueen Style: Crop...

Celebrate all of your meals in style with this Louis XIV by Towle sterling silver flatware set. Founded in 1690 in Massachusetts, the elite artisans at Towle Silversmiths handcrafted...

CHANEL 2002 "Surf Line" Red White Blue CC Wave Large Parasol Umbrella w/ Cover RARE Brand / Manufacturer: CHANEL Collection: 2002 "Surf Line" Label(s): CHANEL Designer: Karl Lagerfe...

Very nice looking and functional high quality Brutalist Lane dresser. The drawers catch on rollers. In very good condition throughout. **We have two of these gorgeous dressers avail...

Dinner size Queen's Lace by International sterling silver flatware set of 82 pieces. This set includes: 12 dinner size knives, 9 1/2", 12 dinner size forks, 7 5/8", 12 salad fork...

Platinum Art Deco blue sapphire and diamond ring. The ring features a genuine earth mined round brilliant cut blue sapphire. It measures about 5.5mm and weighs 1.04 carats. The sapph...

Gorgeous Lady Hilton by Westmorland sterling silver flatware set - 90 pieces. This set includes: 12 knives, modern, 9" 12 forks, 7 1/4" 12 salad forks...

This pattern was designed by internationally renowned Italian architect and designer Gio Ponti and introduced by Reed & Barton in the year 1958. It has a wonderful Mid-Century Modern Design. This is our best selling Mid Century Modern flatware...

Intricately carved floral motifs carefully arranged along the handle and by the neck of this fanciful pattern are balanced by a slender central panel edged with delicate borders. Int...

Classic Bouquet by Gorham sterling silver Flatware set, 56 pieces. The handle design is a bouquet of flowers with pierced and beaded detailing. This se...

"Red, Yellow, Blue & Green" is an original color woodcut by Carol Summers. The artist signed the piece in the lower left. This woodcut depicts four color fields. The edition number i...

'Protected by Spirits' is an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu. The sculpture presents a tall and curving face with a ring-sha...

CHANTILLY BY GORHAM sterling silver Flatware set - 48 Pieces. This set includes: 12 KNIVES, MODERN BLADE, 8 7/8" 12 FORKS, 7" 12 SALAD FORKS, 6 1/2" 12 TEASPOONS, 5 3/4" Includes bo...

"Grey Pitcher" is a pastel still life by American artist Warren Brandt created in 1986. Warren Brandt is known for his still-life paintings being especial...

18K yellow gold 3 stone ring featuring blue/teal tourmalines (indicolite). There are 3 long emerald cut tourmalines weighing 4.51 carats total. The center measures about 10.5mm x 5.5...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

Thaden-Jordan 1940’s Herbert Von Thaden Mid-Century Modern table & chairs 5pc set • As designed by Herbert Von Thaden & Donald Lewis Jordan • Manufactured by Thaden-Jordan Furniture...

ENGLISH KING (c. 1885) Patterns similar to our English King were first used in France and England late in the eighteenth century and have remained among the most popular styles for>...

14K yellow gold wide comfort fit wedding band ring set with diamonds and engraved with a floral vine design. The ring measures 4.9mm wide and is set with 4 round brilliant cut diam...

"The Celebrated Clipper Ship Dreadnought" is an original hand-colored lithograph by Currier & Ives. It depicts a sailing ship. 13 1/4" x 17 1/2" art 19" x 23 1/2" frame Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

ALEXANDER McQUEEN S/S 2003 "Irere" Off-White Slashed Tab Denim High Rise Skirt Brand / Manufacturer: Alexander McQueen Collection: S/S 2003 "Irere" Designer: Alexander McQueen Style...

Ashmont by Reed and Barton sterling silver flatware set, 49 pieces. This set includes: 12 dinner size knives, 9 7/8", 12 dinner size forks, 7 7/8", 12 salad forks, 6 5/8", 12 te...

Mid-Century Modern "Patricia" by W&S Sorensen Danish sterling silver Flatware set – 50 pieces. This set includes: 8 Dinner Knives, 8 3/4" 8 Dinner Forks, 7 3/4" 8 Salad Forks, 3-ti...

El Grandee by Towle Sterling Silver Flatware Set - 48 Pieces. This set includes: 8 KNIVES, 9", 8 FORKS, 7 1/2", 8 SALAD FORKS, 6 3/4", 8 TEASPOONS, 6"...