Wisconsin

This piece is a pot made by an unknown artist in Pre-Columbian Peru. It takes the shape of an owl and has a circular handle with the opening on its back. This pot is a light beige an...

ALEXANDER McQUEEN c.2010's Red Wool Quilted Plush Sleeveless Fit & Flair Dress Brand / Manufacturer: Alexander McQueen Circa: 2010's Designer: Sarah Burton Style: Sleeveless dress C...

Persian originated in 1872 when exotic lands were all in vogue (Japanese, Egyptian, Persian). It is absolutely striking with its ornate design. It is a beautiful example of the silve...

King Richard by towle sterling silver flatware set, 49 pieces. This set includes: 12 knives, 8 3/4" 12 forks, 7 3/8" 12 salad forks, 6 5/8" 12 t...

English Provincial by Reed & Barton sterling silver flatware set - 32 pieces. This set includes: Eight knives, 9 1/8". Eight forks, 7 1/2". Eight salad forks, 6 3/4". Eight teaspoon...

CHANEL c.1980's Vtg Black Satin Silver Barrette Large Bow Hair Clip Accessory Brand / Manufacturer: Chanel Collection: c.1980's Designer: Karl Lagerfeld Style: Hair barrette/clip Co...

ALEXANDER McQUEEN A/W 2002 “Supercalifragilistic” Silk Lace Up Pencil Skirt Brand / Manufacturer: Alexander McQueen Collection: Autumn / Winter 2002; “Supercalifragilistic” Style...

James Robinson For 70 years, James Robinson has been selling exquisite handmade sterling silver flatware in Sheffield, England. Today, the silver is still made in the traditional wa...

ALEXANDER McQUEEN S/S 1996 “The Hunger” Green Asymmetric Strapless Ruffle Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 1996 Style: Strapless dress Color(s): Shades of green Lined: No Marked Fabric Content: Bodice; 76% cotton, 22% polyester, 2% elastane Trim; 100% seta silk Additional Details / Inclusions: Alexander McQueen S/S 1996 green strapless dress...

GIVENCHY 2003 Multi Floral Rose & Violets Camouflage Structured Shoulder Bag + Crossbody Shoulder Strap Brand / Manufacturer: Givenchy Collection: 200...

ALEXANDER McQUEEN c.2006 Orange Large Marbled Resin Beaded Metal Necklace w/Box RARE Brand / Manufacturer: Alexander McQueen Circa: 2006 Designer: Alexander McQueen Style: Beaded Necklace Color(s): Shades of orange and yellow; silver (small beads) Unmarked Material (feel of): Resin, Silver-toned beads Additional Details / Inclusions: Alexander McQueen circa 2006 necklace. Large marbled resin polished beads blended with shades of yellow and orange. Small silver metal beads between each larger resin beads. Silver metal lobster claw closure on center back. Engraved "Alexander McQueen" circle medallion tag connected...

ALEXANDER McQUEEN S/S 1998 “Golden Shower” Plunge Neck Micro Mini Tuxedo Dress Brand / Manufacturer: Alexander McQueen Collection: S/S 1998 “Golden Show...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

Vintage Art Nouveau c.1930's floral filigree brass and amber Czech glass choker necklace. Nine faceted oval amber czech glass gems prong set into a b...

Prelude by International sterling silver flatware set, 114 pieces. This set includes: 12 knives, 9 1/4", 12 forks, 7 1/4", 12 salad forks, 6 1/2", 12 teaspoons, 6", 12 cream so...

ENGLISH KING (c. 1885) Patterns similar to our English King were first used in France and England late in the eighteenth century and have remained among the most popular styles for ...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 26" tall. Traditional Wayang Golek plays can be comp...

Huge and impressive prelude by International Sterling Silver flatware set - 145 pieces. This set includes: 12 dinne...

Saratoga by Tiffany - Sterling Issue Date: 1870 Formerly this pattern was called King and then Cook, renamed Saratoga in 1956. Designer: Edward C. Moore. Rare Saratoga by Tiffany &...

ALAIA Paris c.2010 Navy Blue Pleated Knit Sleeveless Fit & Flare Skater Dress Brand / Manufacturer: Alaia Paris Circa: 2010 Designer: Azzedine Alaïa Style: Fit and Flare Mini Dress ...

Vintage by 1847 Rogers silver plate flatware set, 81 pieces. This highly collectable pattern features a grape motif. This set includes: 8...

ALEXANDER McQUEEN S/S 2002 Black Multiway Five Strap Crisscross Knit Tank Top Brand / Manufacturer: Alexander McQueen Collection: S/S 2002 Style: Tank Top Color(s): Black Lined: ...

GLORIA SWANSON Puritan Forever Young c. 1960's Black Gold Sheer Sleeve Dress VTG Brand / Manufacturer: Puritan Forever Young Circa: 1960s Designer: Gloria Swanson Style: Cocktail Dr...

ALEXANDER McQUEEN S/S 1995 Two Toned Orange Layered Asymmetric Ruffled Skirt Brand / Manufacturer: Alexander McQueen Collection: S/S 1995 Style: Skirt Color(s): Shades of orange ...

EMILIO PUCCI c.1960's Blue Wave Print Polka Dot Beach Swim Cover Lounge Robe Brand / Manufacturer: Emilio Pucci Circa: 1960's Collection: Emilio Pucci fo...

Introduced in 1961, Bamboo was designed by Tiffany's then-Design Director, Van Day Truex. In 1965, Bamboo won the International Design Award for silver. Its simplicity and character ...

GIVENCHY Couture A/W 1998 ALEXANDER McQUEEN Dark Green Tailored Blazer Skirt Set Brand / Manufacturer: Givenchy Couture Collection: A/W 1998 Designer: Alexander McQueen Style: Blaz...

EMILIO PUCCI c.1969 Vtg Multicolor Velvet Abstract Print Scarf Hem Maxi Skirt Brand / Manufacturer: Emilio Pucci For Saks Fifth Avenue Circa: 1969 Designer: Emilio Pucci Style: Maxi Skirt Color(s): Shades of Green, Purple, Pink, White Lined: Yes Marked Fabric: 100% Pure Cotton Unmarked Fabric (feel of): Velvet (exterior) Additional Details / Inclusions: Emilio Pucci circa 1969 maxi skirt. Made of 100% cotton; velvet exterior finish. A-line fit with little to no give in fabric. Zipper closure with four silver hook and eye closures on the left side. Banded waistband and four waist darts give a structured design with a form-fitted look. Two interior hanging hoops for hanger storage...

English King (c. 1885) Patterns similar to our English King were first used in France and England late in the eighteenth century and have remained among the most popular styles fo...

Pampaloni Tuscany, Italy Over a hundred years ago, in 1902, grandfather Pampaloni founded a workshop that would become one of the most prestigious silver factories in Florence, just ...

Givenchy Couture Alexander McQueen S/S 1998 Black Sleeveless Tassel Mini Dress Brand / Manufacturer: Givenchy Couture Collection: S/S 1998 ...

COURREGES c.1970's Couture Future Marine Navy Button Front Coat Overcoat Brand / Manufacturer: Courreges Circa: 1970's Label(s): Courreges 'Couture Future' - numbered (055697) / L. ...

GIVENCHY Couture A/W 1999 ALEXANDER McQUEEN Ivory Floral Lace Princess Coat Brand / Manufacturer: Givenchy Couture Collection: A/W 1999 Designer: Alexander McQueen Style: Princess ...

ALEXANDER McQUEEN S/S 2003 "Irere" Green Stretch Knit Puff Sleeve Button-Up Top Brand / Manufacturer: Alexander McQueen Collection: S/S 2003 "Irere" Designer: Alexander McQueen Style: Button-up top Color(s): Shades of green Lined: No Marked Fabric Content: "100% cotton" (primary material) Unmarked Fabric Content (feel of): Suede (down center front) Additional Details / Inclusions: Alexander McQueen S/S 2003 "Irere" green button-up top. Flowy fabric; lots of stretch or give to material. Form-fitting through bodice. Very deep scoop neckline at front of top; meant to be worn with a separate garment underneath; banding around neckline. Sheer puff sleeves...

ALEXANDER McQUEEN S/S 2002 “Dance Of The Twisted Bull” Polka Dot Blazer Jacket Brand / Manufacturer: Alexander McQueen Collection: S/S 2002...

Chantilly by Gorham sterling silver flatware set of 90 pieces. This set includes: 12 knives, 8 3/4", 12 forks, 7", 12 ...

GIVENCHY Couture A/W 1998 ALEXANDER McQUEEN Beige Blazer Jacket Skirt Suit Set Brand / Manufacturer: Givenchy Couture Collection: A/W 1998 Designer: Alexander McQueen Style: Blazer ...

ALEXANDER McQUEEN F/W 2009 “The Horn of Plenty” Red Black Chevron Ruched Dress Brand / Manufacturer: Alexander McQueen Collection: F/W 2009 “The H...

Designed with an eye for balance and proportion, each piece of Tiffany & Co. flatware is a masterpiece of form and function. Dinner Size Windham by Tiffany & Co. Sterling Silver fla...

"Original Lithograph VIII" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts M...

SALVATORE FERRAGAMO c.2000’s Men’s Dark Brown 3 Button Leather Sport Coat Jacket Circa: 2000’s Label(s): Ferragamo Style: Blazer jacket Color(s): D...

Designed in the French Renaissance style this ornate pattern has nature inspired motifs including the popular acanthus leaf. Stunning Richelieu by International...

Beautiful Southern Colonial by International sterling silver flatware set of 94 pieces. This set includes: 12 knives, 9 1/4" 12 forks, 7 3/8" 12 sal...

Spanish Lace by Wallace sterling silver flatware set of 46 pieces. This set includes, 8 knives, 9 1/4" 8 forks, 7 5/8" 8 salad forks, 6 3/4" 8 teaspoons, 6 3/8" 8 place soup spoons,...

Highly polished sides with a trellis of rambling roses down the center and of the handle best describes the Rambler Rose pattern first introduced by Towle in 1937. Beautiful RAMBLER...

GIVENCHY Couture A/W 1997 ALEXANDER McQUEEN Black Sequin Embroidered Bird Dress Brand / Manufacturer: Givenchy Couture Collection: A/W 1997- Runway look #2...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Etching on Ingres D'arches off-white laid paper, signed and dated Fourth and final state Posthumous Impression, 1998 3.5 x 3.12 in (8.89 x 7.92 cm) Framed 17.88 x 17.63 in

Beautiful Hampton Court by Reed & Barton sterling silver Flatware set - 60 pieces. This set includes: 12 knives, 9 1/8" 12 forks, 7 1/2" 12 salad forks, 6 5/8" 12 teaspoons, 6" 12 p...

Each piece of Lansdowne is adorned with a distinctive urn design and Greek-style foliage. These design elements beautifully compliment Colonial and Georgian decor...

Vintage circa Fall 1922 Adair Paris - Franklin Simon & Co. Fifth Avenue black silk velvet evening dress. Classically inspired beading. Cap sleeves wit...

Inspired by the French Renaissance, the Burgundy sterling silver flatware pattern from Reed & Barton is decorated with motifs of scro...

ALEXANDER McQUEEN A/W 1997 “It's a Jungle Out There” Color Blocked Asymmetrical Ruched Skirt Brand / Manufacturer: Alexander McQueen Collection: A/W 1997 “It's a Jungle Out There” ...

Eva Solo #02 by Eva Solo Design by Tools Stainless Steel Flatware set, 16 pieces. This set includes: 4 Dinner Knives, 8 3/8" 4 Dinner Forks, 7 3/4" 4 Teaspoo...

Vintage c.1960's Emilio Pucci signature print in shades of blue, gray, and cream silk jersey dress. Long sleeves. V-neckline. Yoked waist. Gathered skirt with center pleat detail. De...

Monumental Queen Anne Williamsburg by Stieff Sterling Silver Flatware set - 296 pieces. This set includes: 48 knives, 9 1/4", 48 dinner forks...

Vintage c.1960's Emilio Pucci signature print silk jersey sheath dress in shades of green, pale blue, and light purple. All over signature print. R...

The golden age of royal splendor and prosperity during the reign of Queen Elizabeth I inspired this pattern, introduced in 1970. With a stem of perfectly proportioned curving arcs an...

Alexander McQueen c. 2000 charcoal gray wool coat with genuine ivory Mongolian lamb fur trim. Extremely rare early design. Open front - mongolian lamb cr...

ALEXANDER McQUEEN A/W 1999 Black Cream Shearling Sherpa Panel Jacket Coat Brand / Manufacturer: Alexander McQueen Collection: Autumn / Winter 1999 Designer: Alexander McQueen Sty...